Category Archives: Jewish writing

The View from the Rue Constantinople

by Ellen Norman Stern (Willow Grove, PA)

We were both eleven years old that May in 1939 when my best friend Wolfgang and I told each other goodbye.

The late sun above the tall roofs of Berlin’s Kurfuerstendamm was starting to fade when we returned from our afternoon walk and stopped at the street corner near the apartment house where I lived.

Emma, Wolfgang’s elderly nanny, left us there for a few more minutes together while she started on her slow trip to his building a few blocks away. Wolfgang held Gustl, his brown-and-white cocker spaniel, on her leash.

Wolfgang, brown-eyed and dark-haired, was tall for his age. When he smiled, he was good-looking. He was often mischievous and got into trouble without trying. But he could also be very serious. Someday he would be a handsome man like his father.

The next day Wolfgang’s family was set to travel from Berlin to Hamburg. From there they planned to embark for Cuba on a ship of the Hamburg-America line.

For the past year and a half Wolfgang and I had attended the same private school.

I enjoyed being with him. Every day he and Emma stopped for me before she walked us some distance to the Ferbelliner Platz where we boarded the streetcar to its last stop. Goldschmidt Schule was located at the corner of Roseneck in the Grunewald.

We did not attend the same classes, but we became inseparable after school. Every day we returned on the tram to be met by his nanny and Gustl. We spent afternoons and early evenings, sometimes even suppers, together at his house until the three of them walked me home before dark. Wolfgang and I grew close and in our unsupervised conversations often pledged we would always remain that way. We never believed that anything could part us.

Emma always wore the regional costume of the Spreewald where she came from. The many layers of petticoats under her black skirts, the tightly-laced colorful vest, and the elongated headcovering with its veil trailing halfway down her back never failed to draw the attention of onlookers we met on our way to the tram stop.

Our school days ended unexpectedly on the morning a group of brown-shirted troopers marched into the building and escorted us outside. They lined everyone up on the sidewalk in front of the school and made us watch the flames curl around Goldschmidt’s facade. The gleeful expression on some SA men’s faces left little doubt about the fire’s origin. Even the youngest student sensed what was happening.

It felt strange to ride the streetcar back home so much earlier than usual. We were both quite hungry and ate the sandwiches from our lunchboxes on the tram. Because of the morning’s events we had skipped lunch recess. We were agitated for still another reason. The fire had forced the school staff to leave along with the student body. No one could call our parents to meet us. That day we worried they would be angry to have us walk that long stretch by ourselves.

After that, no more school.

Now, as he held Gustl’s leash tightly, Wolfgang stretched his other hand out to me.

“Don’t look so sad,” he comforted me. “As soon as we land in Havana I will send you our new address and we can write each other.”

But I was sad. I had seen too many people I knew leave Berlin that year. Too many goodbyes are hard to take, even when you are very young.

“I know you will write whenever you can, but I will still miss our afternoon walks.”

This saddened Wolfgang, too. He looked down at Gustl whose golden curly hair shone in the late afternoon sun. He bent down and gently stroked her long silky ears. Gustl, the companion of our walks, would be left behind. Immigration quotas did not include pet dogs. Wolfgang’s father had arranged for Gustl to live with Emma who was retiring to her native village deep in the heart of Germany.

Despite the upcoming separation from Gustl, Wolfgang tried hard to be cheerful.

“It’ll be exciting to sail aboard such a large ship. We will practice Spanish on the way. Can you imagine my grandmother learning Spanish?”

We both giggled. Wolfgang’s grandmother — like mine — was proud and regal and tried to imitate the style of the English Queen Mary.

“Of course, we won’t be in Cuba long. When our American visas are approved we’ll go there. Someday, who knows, you and I will meet again.”

I nodded, wanting to believe him. Within a few days my mother and I, too, would leave Berlin on the journey to our new home. We were more fortunate: our visas were already approved and we would travel to the United States directly.

“I don’t want to go back to our apartment yet. Everything is so uncomfortable, with most of the furniture gone and all the suitcases standing around,” Wolfgang said. “And my mother has her nervous headaches again.”

“It’s the same way at our apartment. Most of the furniture is sold, but we’re not packed yet. There isn’t one soft chair left to sit in.”

“Will you walk me back to my corner once more?” he asked. “We could talk a little longer that way.”

I was glad to. I didn’t want to go home, either.

We tried to prolong it, but finally the moment came when I petted Gustl’s shiny coat and shook Wolfgang’s hand. I wanted to kiss him, but I knew such girl stuff would embarrass him.

“When it’s your turn, have a good journey, too,” he said.

I thanked him. “Oh, what’s the name of your ship?” I asked before he turned to go.

“The St. Louis. Mach’s gut.”

He walked away. Only Gustl turned her head and looked back at me once more.

Wolfgang kept his word. Within a few days I received a post card from Hamburg with a picture of his ship on it. The card was postmarked May 13, 1939, his sailing date.

“We’re hoping for a wonderful trip,” he wrote. “My parents and I wish you the same.”

I thought of him often later that month when my mother and I crossed the Atlantic Ocean on our own journey. By this time his ship was due to have landed in Havana and I wondered how it felt to be in sunny, romantic Cuba.

A few days after we arrived in Louisville to a joyous reunion with my father the picture of a ship appeared on the front page of the local newspaper.

The caption read “SS.St.Louis refused landing permission in Cuba. 930 Jewish refugees face certain doom if returned to Germany.”

The month of June brought hotter weather than we had expected. There was so much else to get used to — a new language, new faces, new surroundings.

I sat on the front steps of the house where we now lived, speaking to no one. When it was too hot outside, I came in and sat some more.

“Eat a little something,” my mother urged often.  But I wasn’t hungry.

“Why is she so quiet?” a new neighbor asked my mother.

“It’s the hot weather. We are not used to these high summer temperatures in Europe,” Mimi answered. But she knew the real reason and did not tell.

The story of the St. Louis stayed news for only a few days. When she sailed out of Cuban waters — after no country in the West accepted her cargo of refugees — she lingered near Miami…hopefully. Then she finally turned back toward Europe.

I waited for the paperboy every afternoon, but the press had dropped any mention of the ship’s fate.

On the September day when news came of Poland’s invasion by Germany, Mimi and I sat at our small kitchen table and cried. Now it seemed certain that contact between us and our relatives and friends in Europe had been lost, perhaps forever.

Sometime during that fall a letter arrived for me from Paris. The Red Cross had been able to find Wolfgang.

“We were lucky, after all,” he wrote. “France took in many of us. It was a long trip. We thought it would never end. Now we live in the Rue Constantinople. We’re on the top floor and from our window we can see the Place d’Etoile and the Champs Elysee behind it. We hope you and your parents are well. I think of you often.”

I started school in Louisville. The first few months were hard for me. Everything was so totally different. I was homesick a lot. Perhaps I really did not question what I was homesick for since nothing I had known existed anymore. I carried Wolfgang’s letter in my pocket. Sometimes, while I was in the schoolyard and the other children played their recess games, I leaned against a wall and read the letter.

Another few months passed, and then a second letter arrived. It was postmarked Limoges, France.

“The Jewish Committee sent us here to be safe in case the war spreads. Limoges is very beautiful. They make china here. But we liked it in Paris and wish we could have stayed there while we wait to enter the United States. Now we must hope the war will end soon. My father and my grandmother are well. My mother worries a lot and suffers from headaches.”

I wrote back, sent good wishes from my family, and said we hoped to see all of them again before long. I told him the American people seemed to understand how bad things were with Jews in Europe and would make it possible for them to enter this country. “Everybody here is very nice. We have been helped to a new start. The same will happen to you when you come here.”

In June 1940, France fell to the Germans. The radio spoke of fleeing refugees camping by the roadside. The newspapers showed photographs of the miseries of war. The Vichy government turned over the Jews of France to the invading Nazis. In our synagogue special prayers were said for those Jews trapped in the Occupation zone.

Once more I tried to find my friend. I wrote directly to the mayor of the city of Limoges and asked for his help in locating Wolfgang’s family.

Many months went by. One day an official-looking letter from France arrived at our house.

“Our records do not show that any family by the name you mention ever resided in the city of Limoges. I regret we cannot help you.” It was signed: The Mayor.

I knew then Wolfgang would not write again.

Born in Germany, Ellen Norman Stern came to the United States as a young girl and grew up in Louisville, Kentucky. She’s the author of numerous books for young adult readers, including biographies of Louis D. Brandeis, Nelson Glueck, and Elie Wiesel.  Her most recent publication is The French Physician’s Boy, a novel about Philadelphia’s 1793 Yellow Fever epidemic.

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Teenagers and Interfaith Dating

by Amy Krakovitz (Charlotte, NC)

Here’s my guilt and my joy: my husband isn’t Jewish. And yet we’ve made a wonderful life together for 35 years. We have two grown sons, and I love him more today than I did 35 years ago. But ask me what I want for my own children: I want them both to find partners who are Jewish or who have some Jewish ancestry. I want grandchildren who will identify as Jewish and who will love Israel, Hebrew, and Judaism the same way that I do.

So when I asked my 8th and 9th graders at the Consolidated High School for Jewish Studies in Charlotte, NC to write an essay on how they felt about interfaith dating, I didn’t want to influence their opinions. I can imagine how their parents feel about it, whether they are the children of two Jewish parents or one, whether their parents were born Jewish or are Jewish by choice.

Every one of these teenagers goes to a school in North Carolina where they are in a tiny minority; in some cases a student might even be the only Jew in the entire school. So the desire to date and have a relationship with someone is profoundly impacted by their exposure to a Christian majority. Most of their peers are not Jewish. It’s likely that most of their friends are not Jewish. This reality is evident in their essays. One hundred percent of the essays that I received approved of interfaith dating, at least for now while they are young.

They’ve exposed themselves in a very visceral and sometimes humorous way. I am truly proud of what they have produced.

As a class, we will continue to write about Jewish subjects and I hope these teens will continue to be as honest and forthright as they have been here.

Writing prompt: DATE ONLY JEWS OR PLAY THE FIELD?

Responses from 8th Graders:

As far as I know, Harrisburg, North Carolina, isn’t exactly known for its Jewish community. The only Jews who I’ve ever met in North Carolina are from the Charlotte JCC, which happens to be a half hour away. I don’t have the money, time, or license to ship myself to Charlotte every day (or even every other day) to see my Jewish friends. So how can I be expected to hold a committed, romantic relationship with one of them?

Exclusively dating Jews is not an option for me, nor has it been for most members of my family. My mother married an atheist, my aunt a Christian, and there have certainly been no special Jewish boys or girls in my own or any of my siblings’ lives. For the time being, I don’t foresee my siblings or myself with a Jewish counterpart. But that is not to say I wouldn’t date a Jew, for I certainly would. I’ll date whom I love regardless of gender, race, or religion. – Leah Kwiatskowski

* * *

I am only 13 years old and I have not been in a serious relationship yet. For now, I would play the field for it does not really matter whom you date now or if you do not date at all. For now, religion is not a factor in whom you date. Religion does matter as you get older and develop more serious relationships because if you believe you have found your wife and you are planning on having a child with her, deciding the religion of the baby will be a lot easier if you are both Jewish. For boys, when you first see an attractive girl, your first question is rarely about what religion she practices. It does not play a key role in choosing relationships when you are 13 years old or maybe even an older teenager. So for me, instead of sticking to just Jewish girls, I would play the field. – Isaac Turtletaub

* * *

Being a 14-year-old boy, I have not had any long-term, serious relationships. However, I have been on “little” dates and, honestly, most have been with non-Jews. Dating is a way to get to know new people and experience new things. Limiting whom you can date based on their religion seems a little ignorant to me. As people grow up, they begin to date more frequently. Dating only people who share your views could set you up for problems later. The old saying can often hold true: “Opposites attract.”

On the other hand, dating only Jews could have its advantages. Let’s say you dated and eventually married a woman who was not Jewish. You had a child who is now entering school and you don’t know whether to enroll that child in public, Jewish-based, or another type of religious school. How do you decide who gets the final say? Sometimes difficult situations can be avoided years before they occur. But what if you don’t meet someone amazing because of your religious standards?

In the end, your relationships shouldn’t be dependent on someone else’s religion. Everyone should have the opportunity to be with others. Limiting whom you date based on their religion is inconsiderate. Everyone should be able to date anyone. – Sam Friedman

* * *

Dating only Jews is an interesting topic to talk about. From a teenage perspective, I would say playing the field and dating girls of other religions is okay. In today’s world, it’s possible that the person you are dating now is not always going to be the person you marry when you get older. As teenagers, we are going through mood changes and changing our minds all the time. Just because someone “likes” a girl one day doesn’t mean that he will still like her months later. Most relationships among my peers last around a month. If you’re Jewish and you want to date a Christian girl at a young age, why not?

Teenager’s relationships are normally not that strong. The dating couple might see one another in school and occasionally on a weekend. It’s not the same as living with someone and seeing each other every day. We want to enjoy life as teenagers, not regret it.

Even for adults, it’s a personal decision. I would prefer to have a Jewish wife. But if I am in love with a Christian girl, I am going to marry that Christian girl and try to raise a Jewish family. – Jason Garfinkle

Responses from 9th graders:

As my favorite Beatle once said: “All you need is love.” Now what did he mean by that? Any love? Specific love from certain people? Love from your religion? Others? No. John didn’t mean that. Any love is worth attention, affection, and time. No matter a person’s religion.

My family would not agree. They say the same thing over and over. “Date Jewish, tatala! The shiksa goddess is not for you, tatala! Oy! I will match you up with a real Jewish lady!” (sigh) If they could leave me alone, life could be better.

I love girls. Christian and Jewish. It has nothing to do with how they look, how they talk, it just doesn’t! People have not looked at this the way they should: loving the person. Relationships are not about people’s backgrounds.

You love a girl for the girl she is. Her personality. Her sense of humor. And how she loves you. You can’t let religion affect it. Most people who date outside their religion do it because they love their partner. If someone denies their love or feelings for someone just because of religion, they’re absurd!

I’d like to ask any married couple: Name everything you love about your spouse. Every little single detail. Now top it off by saying they’re a different religion. If that can change your love for this person, then you aren’t really in love.

I encourage my friends to date outside their Judaism. Relationships are about loving someone. I really don’t care about their beliefs. These are two separate things: your love for a person and your thoughts about his or her religion. Whether you let one thing affect another is your prerogative. Just remember that you can hate a religion, but love a person. Love is love, no matter whether you accept or deny it. It’s love. – Sam Cohen

* * *

Half of my family is Jewish. They moved from Poland just before the Holocaust claimed their lives. My grandfather started a trucking company in New Jersey where my dad grew up until he was a teenager. My grandparents were fairly traditional Jews, with my grandfather serving as a part-time rabbi, and my grandmother studying Hebrew for her Bat Mitzvah when she was 65. Yet, they’ve never forced on me the idea of dating only inside the faith. In fact, I don’t even know what they feel about the subject because my mother converted to Judaism before she met my dad.

Personally, I believe it’s fine to date outside the faith. Your partner doesn’t have to change your faith or your idea of faith, and you don’t even have to talk about faith. If you talk about religion, you may learn something about someone else’s religion, and maybe even some new ideas that will serve to help you grow. Dating someone of a different faith should be considered a learning experience, not a break in religious observance. If you are talking about marriage or moving in together, you should definitely talk about your faith and how you want to raise your children, and possible religious conflicts.

Choosing whom to date is like choosing your career. You should make your own decision but be aware of the consequences. Dating outside the faith should be a personal choice on what you believe is right or wrong. Faith does not have to be a big part of a small relationship, although it can make for interesting conversations.

My parents were the first generation of my family to intermarry. Though my mother converted before they were married, her sister remains a devout Christian. I am aware of the differences in our religions, but I want to appreciate them rather than fight them.

I think the choice of dating outside your faith should be yours alone. You should not let peer pressure or family influence get in the way of your happiness, but you should be aware of the consequences. – Isabelle Katz

* * *

When people meet and fall in love, it happens naturally. We shouldn’t need to over-examine another person’s characteristics right from the start. This is why I believe that people should be free to date whomever they choose. In my experience, I’ve never been involved with someone of Jewish ancestry. Though someone may not pray to God in the same way that I do, or attend the same house of worship, he or she may still be a good person. In my perspective, beliefs are not the key factors in relationships. Values are. Truly good people are those who find ways to apply their beliefs to their lives and aspire to live a life by the right values.

Though the various religions across the globe may vary from one another, many of their values are universal. As long as two people share similar values in life and are able to maintain mutual respect for each other’s beliefs, there shouldn’t be anything holding them back from being together. God may want two people to come together. By limiting ourselves to one group of people, we may be denying ourselves someone who could make us truly happy. – Olivia Weidner

_____

 Amy Krakovit, an instructor in “Writing for Good” at the Consolidated High School for Jewish Studies, Charlotte, NC, worked with her 8th and 9th grade students to prepare these essays for publication. They are reprinted here with the permission of the students and their parents.

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Questions & Answers: An Interview with Bruce Black

by Karen Blum, editor of The Tulsa Jewish Review

Bruce Black created the Jewish Writing Project, a repository of stories and poems submitted by a variety of writers as an expression of their Jewishness, and as it turns out, ours.

What prompted you to create this space for people to share?

When my family and I moved to Florida nine years ago, we discovered that most of our neighbors at our synagogue were from somewhere else—Michigan, Ohio, Maine, Wisconsin, NY, NJ, Illinois. No longer did folks have families close by
 to share stories, and many families like ours found that their family stories were being lost or forgotten. So I founded the project as a way to help people preserve their family’s stories, as well as to explore and share their Jewish experiences.

I thought if we could share stories online about what it means to be Jewish, we might get to know each other a little better.

I love that you acknowledge that we all have a different lens through which we see our Judaism, why do you think it is important to share our differing perspectives?

Sharing our different perspectives on what it means to be Jewish broadens our understanding of what it means to be a Jew. Often, we mistakenly believe that our way of practicing Judaism is the “only” way. But if you speak to enough Jews and read enough Jewish stories, you’ll come to the realization that there are as many ways of being Jewish as there are Jews in the world. Each of us may belong to the same synagogue or temple as our neighbors—being Jewish is a communal experience, after all—but each of us experience our Judaism as unique individuals and feel differently about what it means to be Jewish.

In sharing our individual understanding of what it means to be a Jew, we may help someone else better understand how he or she feels about being Jewish. Each individual story has the power to inspire others to explore their lives in search of insights into what it means to be Jewish.

What is your best advice for writing about our Jewish experiences?

You might try to make a list of people who influenced how you feel about being Jewish. Ask yourself why a certain person had such a large influence on you. What did he or she do to make you feel that you, too, wanted to be Jewish? Or you might list your most powerful memories of being Jewish. Think of an experience when you realized how much being Jewish meant to you. Then try to describe the experience so that a reader might understand how the experience changed you.

Or, try this: Take some time to think about what matters most to you about being Jewish. Maybe you love the way the light of the Shabbat candles plays on your mother’s face. Maybe you love wrapping your fingers in your father’s tallit during Shabbat morning services. Maybe you remember the first time you held a prayer book in your hands and offered a prayer as part of a minyan. Describe what it is that you love about being Jewish and makes you feel strongly about being a Jew. Start writing. See where the words take you.

This interview first appeared in the Tulsa Jewish Review, which granted permission to reprint it here. If you’d like to read more articles in the Tulsa Jewish Review, visit: http://jewishtulsa.org/our-work/Tulsa-Jewish-Review/

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Writing Personal Prayers

By Janet Ruth Falon (Elkins Park, PA)

For several decades I’ve written what I call liturgical readings – sometimes called “additional readings” in a service — but I never penned a “real” prayer until recently when I was asked to lead a personal-prayer-writing workshop for a few hundred people at a local synagogue (Beth Sholom in Elkins Park, Pennsylvania, the only synagogue designed by Frank Lloyd Wright), helping people write prayers for big and little personal events that don’t occur in the synagogue; sort of the next step after using the prayers that already exist for things like seeing a rainbow, wearing new clothes, etc.

With a quick deadline for teaching the class, I talked with one of Beth Sholom’s rabbis about the basics of writing a prayer, and read through Talking to God, Naomi Levy’s wonderful collection of personal prayers, the type I intended to teach.  In creating my class and writing my sample prayers,  I followed a few guidelines, only enough to ground myself: I could mention God by “name” or not, and I could use any of the varieties such as “Compassionate One,” “Rock,” etc.  Additionally, it was okay for me to pray for or about something “un-synagogue-like,” such as the already canonized prayers for wearing new clothes or using the bathroom.  In general, I felt the prayer should end with an “amen.”  I also believe that God doesn’t have supernatural powers, so while I couldn’t ask God to cure my friend’s cancer, I could pray for the strength and love to be a good friend for her.

Throughout it all, I kept reminding myself that writing a prayer is an active and personal way for me to talk with God.  It’s the opportunity to verbalize my core values.  Prayer is the voice of my heart and soul.  That was the bottom line.

I always experiment with creating a genre of writing before teaching it, so I tapped into what was on my mind; what came up was my 88-year-old mother, who had made a tremendous effort to come from another city to attend the first seder at my house.  So I wrote A Prayer for my Elderly Mother:

Fortify me, Compassionate One, as I help my elderly mother make life-altering changes.  Teach me patience as I support her in keeping true to herself.  Help me make my contact with her loving and clear in spite of complications we’ve had in the past.  Be there with me as I hold her hand as she moves forward, and given her age, support me in trying to make each communication with her end with loving words.  And please, help me balance the needs of my mother with the needs of my daughter, and nourish me with a bottomless well of courage and stamina. Amen.

A few days later, I had breakfast for a former boyfriend who I hadn’t had a real conversation in more than 25 years.  It was great to catch up, and it reminded me of what I had loved about him.  Simultaneously, I was reminded of what would have been the downfall of our relationship.  As we chatted I found myself thinking “Thank God I didn’t marry this man” – and I realized that I could take that thought a step further and actually thank God, directly, that I hadn’t married him.   I realized that anytime I thought or said “thank God,” or “oh my God,” or “God forbid” – or any phrase including a mention of God — there was an opportunity for me to actually connect with God.

So when I got home I wrote my Prayer About Meeting With an Old Boyfriend:

Thank you, God, for giving me the foresight to know that marriage to this man would not have been a happy one in the long run.  I am grateful to you for supporting me with enough self-awareness, and strength, to make a difficult choice in spite of all my longing to find my life partner.  Remind me of the important lessons I learned in my relationship with him.  Finally, please underscore my hope that he has a joyful, loving life with his partner of choice, as I have with mine.  Amen.

And a few days after that, my financial planner was asking my husband and me about medical conditions that might make it more difficult for us to qualify for long-term-care insurance.  He went through a long list of diseases and disabilities which, thankfully, we don’t have.  At the end, I thought, “I should write a prayer thanking God for our good middle-aged health” – which became the first in a growing list of personal prayers for me to write.  Frankly, even just recognizing the possibility of a prayer, even if I never write it, is a new way for me to enhance my spiritual life.

Tuning into “If I just ‘thanked God’ then I should go ahead and actually thank God” as the source of possible prayer-writing is a wonderful new mindset.  I’ve tuned into my own experiences with the awareness that many dimensions of my life, however seemingly trivial or mundane, could be appropriate sources of prayer.

I’ve also begun to play with with other formats for writing prayers, such as a haiku (a poem in which the first line has five syllables, the second has seven syllables, and the third has five syllables):

Lord, fill me up with courage
That doesn’t run out
To face what has to be done

I’ve also experimented with an acrostic (a poem in which you write a meaningful word vertically, and then each line of the poem opens with a word whose first letter is determined by the word you wrote vertically; in mine, I used “gratitude” as the key word.)

God, I never
Realized how important it is for
A person like myself
To grapple with the Torah
In search of meaning
Thank you for
Understanding and
Doing all you do, which
Enables me to stretch and grow

And I wrote a more traditional poem, too, which I called “Thank you for Fruit”:

We ate your apples at the seder, Adonai,
Their flesh off-white, like day-old ice
as if they’d never seen the sun
all covered by a blanket of thick skin
Stuff to keep the doctor away
softened by wine and walnuts

But now it’s time for your strawberries
the color of sunburn on a green-eyed girl
Heart-shaped, wearing green collars
that remind us where they came from
and as sweet as the honeysuckle smells.
Another gift from you, summer, is just beyond the bend.

You don’t have to be a “good writer” – however you define that term– to write a prayer.  You don’t have to be an observant Jew, or someone with great knowledge about Judaism.  All you need is to tune into yourself and be receptive to your own thoughts.  All you need is the desire to be in some sort of relationship, and to share yourself, with God.

Janet Ruth Falon is a Philadelphia-based award-winning writer and writing teacher.  She is eager to teach workshops about how to write personal prayers; please contact her at jfalon@english.upenn.edu.  She is also the author of The Jewish Journaling Book, and is writing liturgy for all the Jewish holidays, hoping to compile it into a book entitled In the Spirit of the Holidays.

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Writing Midrash: A Writer’s Workshop for Two

by Pamela Jay Gottfried & Jonah Gottfried (Atlanta, GA)

My ten year old son and I study Torah together.  Once or twice a week, we sit together and read the narrative of Genesis. Then we discuss its deeper meaning and our interpretations of the text.

It is both a responsibility and a privilege to teach my son Torah.  It is also, at times, a burden. But the burden feels lighter, now that we have discovered a common interest: writing.

The progressive school he attends introduces Writer’s Workshop in 1st grade and the teachers help the students develop their critical thinking skills beginning in Preschool.  This year it all came together for Jonah: improved motor skills, increased facility with words, and a Language Arts teacher who inspired him to work to his potential.

I realized earlier this year that I could hitch a ride on this teacher’s coat tails, and I suggested to my son that we form our own Writer’s Workshop.

Some weeks—as often as our time permits and the text demands—we write our own midrashim (interpretations/legends) and we critique each other’s work.  Recently, we decided to attempt a co-authored piece. We left the file in a shared folder on the desktop and worked on revisions independently, using Word’s “track changes” tool.

Jonah started the midrash, an imagined conversation among the patriarchs Abraham, Isaac and Jacob.  Our goal was to illustrate how Isaac’s parenting skills affected Jacob’s decisions in his adult life.  The biblical text is sparse and often merely implies the inner thoughts and feelings of the heroes.  We thought it would be fun and instructive to give voice to these biblical figures.  We are also open to your feedback and ideas, so please share them!

 Interesting Interviews

by Jonah & Pamela Gottfried

Isaac: “Hello, I am your ghost-host, Isaac. Today I will be interviewing my son, Jacob, about whether he learned anything from the mistakes that I made while raising him.  What do you want to say about your childhood, Jacob?”

Jacob: “I don’t have many memories of my life as a little boy…except that you ruined my childhood because you loved Esau more than me!”

Isaac: “How did that ruin your childhood?”

Jacob: “Well, the story began when Esau came back from a hunting trip. He was very hungry and I was making soup. He told me that he would give me his birthright in exchange for some soup. If you ask me, that was a pretty stupid trade on his part, but I was happy to agree.”

Isaac: “Some soup for a birthright sounds like a pretty good deal for you, but why would Esau do that?”

Jacob: “He did it because he was so hungry that he was willing to give up anything for food.”

Isaac: “That didn’t stop you, though, did it?”

Jacob: “Nope, not really. But then you decided to give the blessing of the firstborn to Esau. I still had his birthright, so I deserved the blessing, too. And when you actually gave me the blessing, boy, was Esau mad. I had to run away just to survive!”

Isaac: “Wait a minute. I gave you the blessing for the firstborn?”

Jacob: “Yep.”

Isaac: “Hmm, I certainly don’t remember that happening.”

Jacob: “Anyway, Esau still resents me to this day for what I did, but I think he had it coming because of the way he treated me.

Isaac: “Wait, what’s the connection between this story and my question?”

Jacob: “Well, you ruined my life because my brother despises me and then later, when I became a parent—Hold on. I think I should let my father explain this part.

Isaac: “What? Father? I’m your father!”

Abraham: “No, Isaac, I’m your father. And I’m also the Father of Monotheism, making me Jacob’s spiritual father along with being his grandfather. Besides, everyone knows that grandparents have a special bond with their grandchildren. It helps that we have a common enemy.”

Jacob: “No kidding, Saba Abe.”

Abraham: “Yes, son. Now, let’s enlighten your father.  Isaac, your eyes may have grown dim with age, but your thinking was cloudy from the moment Esau brought you fresh meat.  Did you forget what God told Rebekah?”

Isaac: “I remember: ‘The elder shall serve the younger.’ But as Esau grew, I wasn’t sure that God got it right. Esau wasn’t the servile type.”

Abraham: “What?! You thought God was wrong?”

Isaac: “Not really. I just didn’t know how to parent those unruly kids. They were always disagreeing and bickering with each other.  And your mother coddled you, Jacob. She loved you more than she loved Esau, and she didn’t hide her favoritism.

Jacob: “Really, Abba?! She was fulfilling God’s prophecy and you wrecked everything!”

Abraham: “Well, folks. There you have it. Rebekah and Jacob may have staged the deception, but it was the Almighty who wrote the script.”

Isaac: “I still don’t see how this ruined your life, Jacob. I mean, now you have everything—a house full of wives and kids, sheep, worldly possessions…”

Jacob: “Is that what you see?! Look more carefully and you’ll understand. My beloved wife, Rachel, died in childbirth, leaving me with only Joseph and Benjamin to console me. The other ten brothers hate Joseph because he wears a special coat and describes his dreams of the entire family bowing before him.”

Isaac: “Didn’t you give him that special coat? You showed favoritism to the younger…”

Jacob & Abraham: “Exactly!”

Pamela Jay Gottfried is a rabbi, parent, teacher and author of Found in Translation: Common Words of Uncommon Wisdom.  Jonah A. Gottfried is an aspiring author and rising 5th grader whose teachers are trained in the Writing Workshop curriculum. You can read more of Gottfried’s work at her website:  http://www.pamelagottfried.com/ 

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Writing Wharton’s Wrong

by Lev Raphael (Okemos, MI)

Singing about marriage, two of Steven Sondheim’s characters in A Little Night Music condemn it for inflicting so much pain: “Every day a little death….every day a little sting.”

I felt a bit like like that in college, not because I was married, but because I was an English major.  Time after time, I’d find a book I was reading and enjoying stung me because of an anti-Semitic portrait.  There was Meyer Wolfsheim in The Great Gatsby, a Jewish antiques dealer in The Golden Bowl, and many more, too many to remember, but I met them at every turn in English and American books.

I understood that the authors were products of their society and a western culture that was ingrained with Jew-hatred, but it still pushed me out of the book the way a plot implausibility can make you lose faith in a movie.  I don’t remember ever not finishing a book that had a Jewish stereotype or slur, but I’d continue reading under a cloud.

Perhaps most disturbing of all for me was Edith Wharton’s The House of Mirth.  I had first read her Pulitzer-prize winner The Age of Innocence and fallen in love, so I worked my way devotedly through her oeuvre in paperback.  The House of Mirth was my favorite then and still is now.  It’s a stunning book about the vanity of human wishes and the damage a superficial culture can inflict on those who won’t play by its rules. Reading it for the first time in my senior year at Fordham, I was in awe: Wharton displayed an uncanny understanding of the power of shame to control behavior and crush hope.  The novel was so beautifully written, so witty and sharp-edged, such an indictment of Gilded Age New York.

And very unpleasant to read–as a Jew.  Every time the Jewish financier Simon Rosedale appeared in the book, I winced.  He was showy, loud, vulgar, spoke bad English, and came off as a buffoon when he wasn’t insidious.  Gentiles loved his money but rightly despised him, and his eye was always on the main chance.

Wharton actually pays special attention to his eyes the first time he appears, telling us he had “small sidelong eyes which gave him the air of appraising people as if they were bric-a-brac.”  How ironic that Wharton’s contempt for Jews is projected onto him, turning him into someone for whom others are merely items to assess and purchase.

Simon Rosedale does show a less mercenary side, but it’s always connected to his fierce drive to get ahead by any means necessary.  In the same way that assertive women today are seen by some people as bitches, Rosedale wanting success the way any other American might is condemned as vulgar and almost disgusting.

I hadn’t written much fiction of my own at the time, but in the following years, Jewish themes would predominate.  I often found myself returning to writers who inspired me in college, writers like Henry James and Lawrence Durrell who were hardly philo-Semitic, and yes, Edith Wharton.  The sting became duller each time, but it never went away.

And then a few years ago, perhaps because I’d been reading Rosencrantz and Guildenstern again, an idea hit me.  What if I did a Stoppard?  What if I told Edith Wharton’s story in The House of Mirth from Rosedale’s perspective, entered his mind, his past, his dreams, his fears? What if I made him a person, in other words, and not a stereotype?

Rosedale in Love was born, and it bore me along with it on massive amounts of reading about The Gilded Age and turn-of-the-century New York, all of it deepening my appreciation of what Wharton had accomplished in the rest of her novel.  And helping me let go of my regrets for the ways in which Wharton had lost the chance to make Simon Rosedale a real human being.

Because she left me a whole book to write.

Lev Raphael is a prize-winning pioneer in American-Jewish literature, and has been publishing fiction and nonfiction about the Second Generation since 1978. The author of twenty books which have been translated into almost a dozen languages, he has spoken about his work in hundreds of venues on three continents. His fiction and creative non-fiction are widely taught at American colleges and universities, and his work has been the subject of numerous academic articles, papers, and books. A former public radio book show host and newspaper columnist, he can be found on the web at http://www.levraphael.comHe blogs on books for The Huffington Post and reviews for the on-line literary magazine Bibliobuffet.com.

You can check out his latest book, the Jewish historical novel Rosedale in Love, at http://www.levraphael.com/rosedale.html

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Evidence of Light

by Arlyn Miller (Glencoe, IL)

Am Shalom sanctuary, early weekday morning

I.

From the east,
the autumn morning light
sets the stained glass aglow,
aqua and amber bejeweled.
Outside, a sparrow casts
its flitting shadow against
the arched panes of colored glass.
Everywhere, there is evidence of light.

II.

On the western wall, three windows
awash in a soft, even tone;
their encircled triptych assures:
you will voyage    home    to thrive and grow.
Pathways of penumbral hope issue
in all directions, it matters not in which you set forth –
Adonai Echod: God is one.
And even though the sun has not yet arced
across the sky, there is evidence of light.

III.

From the bema, to the south,
the eternal light suggests ascent,
spiraling and spare as wings.
In the foreground, rows of rounded
wooden seatbacks, like crested waves,
hint at movement and a journey.
Evidence of light, eternal.

IV.

The north door is open, guarded on each side
by the names of those we love and have lost –
clouds of memory, weighted by stones.
From the long corridor of the synagogue,
the light beckons: enter the day
and its evidence of light.

Arlyn Miller is spending a year chronicling the life of her synagogue  (Am Shalom in Glencoe, IL) as its Writer in Residence.  “Evidence of Light” appears in the December 2010 issue of Am Shalom’s KOL newsletter and is reprinted here with the kind permission of the author.
A poet, essayist and journalist, Arlyn teaches creative writing in schools and in the community through Poetic License, Inc.  You can find out more about her teaching work at www.poeticlicenseinc.net.

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Miracle Flowing Into Miracle

by Bruce Black (Sarasota, FL)

The vegetable stock for the soup is simmering on the stove. Onions, turnips, carrots, garlic, sweet potatoes, and leeks. Last night we searched for crumbs, but it’s only now that the house is beginning to smell like Passover.

It’s early, not yet 7 a.m., and I’m sitting on my yoga mat before beginning my practice, grateful for the start of the day, thinking about Passover and the way time unravels from year to year, each year flowing into the next like another asana pose… one pose, then another… each different, each the same.

Each year Passover arrives and reminds us that we are alive, still walking through miracles (like the parting of the Red Sea) every day, not just once a year–if only we open our eyes to see.

Each breath, another miracle. Each step, another miracle. Each life, another miracle. Our people’s story, another miracle.

Miracle flowing into miracle.

Pose flowing into pose: gathering crumbs, hiding the matzah, reciting the Four Questions, opening the door for Elijah, again and again, year after year.

Tonight we’ll savor the taste of freedom as we bite into the matzah.

Surrounded by those we love, we’ll raise our goblets of wine and recite the ancient words of the Hagaddah.

Now the soup is simmering on the stove, filling the house with the smell of Passover and so many memories, so many miracles.

Bruce Black, the founder of The Jewish Writing Project, is a writer and editor whose work has appeared in Jewish publications such as The Jewish Week, The Jewish Exponent, Reform Judaism Magazine, and The Reconstructionist, and in secular publications such as The Sarasota Herald-Tribune, Cricket and Cobblestone magazines. Online Education News ranked his blog on writing, Wordswimmer (http://wordswimmer.blogspot.com) , among the top 100 creative writing blogs of 2009. You can read more about Bruce and his new book, Writing Yoga, here: http://www.rodmellpress.com/writingyoga.html

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Why Write?

By Linda K. Wertheimer (Lexington, MA)

Why writers become writers is an age-old question. I was one of those boring all-around students in high school, acing the sciences and math almost as readily as English and history.  Go into computers, my mother suggested.  It was the hot field in the early 1980s. I chose writing. Why? My career path, in part, stems from spending part of childhood as one of few Jews in a rural Ohio town. Below is my attempt to explain why I write.

I sat there embarrassed, confused, and silent. A woman had just walked into my fourth-grade classroom in my new school and stuck a series of bearded figures on a felt board. She talked about Jesus and his disciples. Then she led the class in Christian hymns.

After school, my middle brother and I ran into our house and recounted the same story about this woman who taught us about Christianity in our public school classrooms. We were Jews, the only Jews in our rural Ohio school system in 1974. My parents protested the existence of the religious classes, but school officials refused to eliminate the practice. So, once a week, my teacher escorted me to the school library and told me to wait until the half-hour class ended.

Isolation. Ostracism. Experiencing both after my family’s move from western New York to rural Ohio set the stage for my becoming a writer. I ached to protest in some way, but did not know how. The religious classes ended when I reached seventh grade, but the sensation that I was different than my classmates continued. A youth minister roamed the cafeteria during lunch recruiting members for a Christian youth group. Pastors led prayer at school Christmas and Easter assemblies. Classmates questioned my religious beliefs, which were shaky at best. At age 12, I dropped out of Sunday school mostly out of boredom; I was tired, too, of the weekly hour-long drives to our temple. I identified myself as a Jew, but I knew little about what that meant.

“If you don’t believe in Jesus, you’re going to go to Hell,” a classmate said.

“I don’t believe in Heaven, either,” I responded.

“But what happens when you die?”

I sat embarrassed, confused, and silent.

When the school brought pastors and a Christian band in for the annual Easter assembly, I usually slipped out of the auditorium. I grabbed my flute from my locker and went into a practice room and tried to heed my flute teacher’s advice as I shut out the rest of the world. Breathe, breathe, relax. Then play each song as if it were an unfolding story. I discovered beautiful stories in Mozart’s Concerto for D Major, in Debussy’s haunting Syrinx, and in Gluck’s Menuet and Spirit Dance. Well into high school, I thought of becoming a classical flutist. Something held me back. I could invent stories to go with the music, but wondered whether I could ever meet the composer’s intent. I wanted to create music, but lacked the talent and natural ear to compose.

I wanted a way to push out the feelings that sometimes overwhelmed me from 4th to 12th grade in that rural Ohio school system. I played on the high school basketball team and ran track. I acted in school plays. But it was never enough. I felt like the odd one out. I was still the Jew.

Basketball gave me a physical outlet. Music gave some peace, but not enough. So I wrote. I wrote in my diary. I wrote editorials that praised the obvious – like the merits of being grateful at Thanksgiving – for my high school paper. I did not in those days turn inward with my writing. I was more interested in observing and exploring the lives of other people.

During my senior year of high school, I wrote for two daily newspapers in Findlay and Fostoria, Ohio. I wrote about foreign students visiting a zoo, about tax increases, and school board battles. I wrote obituaries. I drove a van to the local hospital to pick up birth reports and to the fire station to pick up the day’s fire calls, then typed them up. Sometimes I wrote meatier stories about others’ struggles with huge life issues like alcoholism and domestic abuse. My high school English teacher tacked one of my first major feature articles to the bulletin board. Peers congratulated me. I had another title: writer. Tossing aside my dream of becoming a solo flutist – a pipe dream, considering the competition — I chose journalism.

For 20-plus years after high school and college, I worked as a full-time newspaper reporter and editor. In Rochester, NY, where I wrote for The Democrat and Chronicle, stories about a high school teacher and his eighth-period chemistry class in an inner-city high school prompted readers to comment that they now understood why there was no simple fix for urban education’s woes. In Florida, where I reported for The Orlando Sentinel, I dug up $20 million worth of problems with modular classroom buildings that led to mold and collapsing floors. The school buildings got fixed.

At The Dallas Morning News, readers filled the editorial page with letters in response to my narrative series about a college freshman’s financial, social, and academic struggles; the young woman, whose mother was on welfare, had been near the top of her class in the city’s worst high school. Her story highlighted the lack of college readiness among students in the city school system, and yet also inspired a mother to write me that she made her teen-aged daughter read every word. The mother was moved by my subject’s determination not to quit and determined that her own child would try college.

By intention, my last full-time job was at The Boston Globe, where I worked primarily as education editor coaching other writers. Journalism was an enticing and exciting profession. The rewards were often tangible. Write something one day and get a flurry of response – and perhaps even action – the next. But I wanted something more as a writer. In the spring of 2009, I took a buyout from the Globe. Leaving journalism gave me the chance to try to become the writer of my long-ago imaginings, a writer who might someday create words as lyrical as music. It also gave me the chance to stay at home with my first – and only – child, Simon, who’s now two.

In the past, when I wrote, a paycheck and byline were guaranteed. Now, there is no guarantee of regular publication or money, and even finding time to write is a challenge. By choice, I juggle caring for my toddler with writing. With no daily deadline and no singular boss except myself, I take more risks.

I am finally finishing a book I began in 1995 when I was working 40-plus hours a week as a newspaper reporter — a memoir about journeying through grief and getting closer to my Jewish faith. Before I finished college, my middle brother Kevin died in a car accident. The brother who had shared so many of the hard times with me in Ohio was dead at age 23; I was then 21.  I wrote nothing publicly about my loss until nine years later. Shortly after I started writing the book,  the Orlando paper ran an excerpt in its Sunday magazine, “Eulogy for Kevin, A final tribute to a brother – and a best friend.”  I finished a draft of the book five years later – in 2000 – then set it aside. The first stab at the book was a catharsis – that chance to get the grief and the facts down about a deeply personal loss. Something – perhaps the element of universality that publishers crave – was missing. I decided just to let life continue.

In search of a way to fill the hole in my gut from my brother’s death, I became more drawn to Judaism. In 2006, at age 41, I celebrated my adult bat mitzvah – and chanted from the Torah for the first time. Faith and grief in my life became forever linked. The passage I chanted was about how Judaism establishes a circle of mourners obligated to mark the rituals for mourning, including observing a seven-day period of mourning called shiva. I observed none of the Jewish mourning rituals after my brother’s death, but this passage was an awakening. Someone who lost a sibling, according to my faith, deserved the same place in the circle of mourners as someone who lost a child, a spouse, or a parent. I realized that my book was not just about a young woman who lost her big brother. It was a story about loss, faith, and the community we need to foster in our lives so we do not have to weather tragedy – or experience life’s great joys – alone. Faith became a part of my memoir. So did music. So did those experiences in rural Ohio.

No longer working full-time in a newsroom, I became a bolder, more passionate writer. I found the voice that was often silent during my childhood. I became braver about sharing my work with other writers and seeking regular feedback from a growing group of writers whose opinion I value. Daily, I am more alone than I have ever been while writing – and yet when I need it, I have the richest company around.

Less than a month after I left the Globe, in late spring 2009, I spent two weeks alone at novelist Jacquelyn Mitchard’s Cape Cod retreat for writers. I finished a major draft of my memoir. The solitude and the time by the sea helped me make the leap from journalist to freelance writer and budding author. During those weeks, I added something to my book, four essays I call a “Concerto of Words.” Those pieces were the music I knew I could never compose for my flute.

I want someday to see my name on the cover of a book, but fame is not my motivator. Hope is. There is hope that someday something I write will touch countless readers’ hearts.

For the first time in my life, I experience regular rejection as a writer. My byline – by choice – is no longer a regular presence in one publication as I aim for literary journals and magazines. Some magazines have said yes to queries and essays, but many have said no. Rejection hurts, and yet it does not matter as much as I thought. I am writing what I want to write. This is the happiest I have ever been as a writer.

Linda K. Wertheimer is a veteran journalist writing a memoir about journeying through grief and getting closer to her Jewish faith. She served as education editor at The Boston Globe before leaving in the spring of 2009 to pursue two passions – spending more time with her toddler and writing her memoir and freelancing.

“Why Write?”is reprinted here with permission of the author. It first appeared on her blog, JewishMuse, where you can find more of her work. You can check out her website for more info: http://lindakwertheimer.com

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The Warmth of a Familiar Blanket

By Linda K. Wertheimer (Lexington, MA)

Ambivalent Jew. That was me through childhood. I knew very few Jews. For the latter half of my childhood, we were among just a handful of Jews in our small Ohio town. Sunday school was a drag. It was decidedly not hip to be anything but Christian where I lived. I had no desire to switch religions, but I was very unsure about my faith and what it meant to be Jewish. I hunted for answers by burying myself in books about Jews. Through reading, I often found what I lacked – a community of Jews.

Now, I am confident with my Jewish self. I celebrated my adult bat mitzvah in 2006 at age 41 and still can feel the shivers that traveled down my spine as I chanted from the Torah. I have found my rhythm and place as a Jew. I still can immerse myself in a Jewish-themed book and experience an invaluable treasure.

In my teen years, Herman Wouk’s Marjorie Morningstar, and Golda Meir’s My Life provided very different pictures of Jews. Marjorie Morningstar, a teenager in the 1930s, is a part of an American family of Eastern European immigrants living free of persecution in an area where it is normal — and largely accepted — to be Jewish. They do what I never experienced in childhood: have Sabbath dinners every Friday with chicken soup, and pot roast, with the blessings over the wine and the Challah. They are steeped in tradition, even as Marjorie seems intent on assimilation and only attends temple (her father bemoans) for dances. Marjorie, who uses Marjorie Morningstar rather than Morganstern as her stage name, is a glamorous substitute for the Jewish girls I rarely encountered during my teens. She is beautiful and mostly graceful, though at times she seems shallow as she flits about New York City with friends and beaus. She matures as the world becomes darker, and the Nazis come to power in Germany. She volunteers with a Jewish refugee-aid committee. She marries and returns to the traditions of her faith. I was mesmerized by her, a person unlike any I had ever known.

Golda Meir, Israeli’s prime minister from 1969 to 1974, was born in Russia, and the pogroms drove her family away to America when Golda was very young. She could have been one of my great-grandparents, fleeing as a young child to America. The first page of her autobiography shook me to the core as she recalled how she felt as she watched her father and a neighbor barricade their home with wooden boards to thwart an expected pogrom.

Wrote Meir, “And, above all, I remember being aware that this was happening to me because I was Jewish, which made me different from most of the other children in the yard. It was a feeling that I was to know again many times during my life – the fear, the frustration, the consciousness of being different and the profound instinctive belief that if one wanted to survive, one had to take effective action personally.” She described exactly how I felt at times when I was tired of being one of the only Jews in my public school and neighborhood. Reading her story also gave me a Jewish female hero to admire.

Recently, once again hungry for Jewish literature, I read The Tenth Song, the newest novel by Israeli author Naomi Ragen. The story is a more modern tale than most of her other novels. It chronicles a present-day American Jewish family whose leader, an accountant, is accused of a horrible crime – helping to funnel money to terrorists. The novel at times resembles a high-class soap opera as Ragen shows us the ripple effect of the father’s supposed misdeed on his wife, daughter, and even his shul. For three evenings, I stayed up late turning page after page, drawn to this community of eclectic characters, some likable and some despicable for their apparent love of material wealth. The story has several twists as the man’s wife and daughter evolve into more soulful human beings.

Like the books I found in my youth, The Tenth Song put me in the middle of a Jewish community. It showed me once again just how diverse Jews are. Unlike during childhood, I did not struggle to understand some of the Jewish religious and cultural references. I realized I was no longer looking for answers about Judaism. Now, I was enjoying the warmth of a familiar blanket.

Linda K. Wertheimer, a veteran journalist, is writing a memoir about how her journey through grief after the loss of her brother led her deeper into Judaism. She left her most recent full-time post – education editor and staff writer at The Boston Globe – to pursue writing her book and spend more time with her toddler.

“The Warmth of a Familiar Blanket” first appeared with a different title, “Books Create My First Jewish Community,” on the author’s blog, Jewish Muse, A Writer’s Blog on Faith and Family, and is reprinted with permission of the author. Her blog and website are at http://lindakwertheimer.com.

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