Tag Archives: family history

The Pantheon of Brides and Grooms

by Barbara Krasner (Somerset, NJ)

On the marble and wood credenza I inherited

from my mother and Melray’s mid-century

modern furniture I’ve arranged an altar

of the wedding portraits of my ancestors: 

two sets of grandparents, one set 

of paternal grandparents. There are 

no existing photographs of the other grandparents—

either because they believed photography

would steal their souls or their images

drowned in vulnerable cardboard boxes

placed too close to the basement boiler.

One framed photo is of me, walking down

the aisle with my son at his wedding.

There is no wedding portrait of me.

Even in my mother’s dining room,

a gallery of wedding portraits 

of my sisters and their grooms,

mine was removed after the divorce,

subject to basement floods thereafter.

This curation at the altar reminds me

of where I came from, a reminder

of Yahrzeit candles to light

according to the dates I’ve registered

with HebCal, a reminder I’m alone

and yet not alone.

Barbara Krasner holds an MFA from Vermont College of Fine Arts and a PhD in Holocaust & Genocide Studies (HGS) from Gratz College, where she teaches in the HGS graduate programs. The author of two poetry chapbooks and three novels in verse, her work has appeared in Jewish Literary Journal, Tiferet, Minyan, Jewishfiction.net, Michigan Quarterly Review, and elsewhere. She serves as Director, Mercer County (NJ) Holocaust, Genocide & Human Rights Education Center.

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Goodbye Again, Aunt Lens

by Elliot Zashin (Merrillville, IN)

In my 50s, I was still receiving birthday cards from my Aunt Lens, one of my father’s sisters. Like clockwork, I knew the card would arrive on time, and although I thought there might be some age when she would decide I was too old for birthday cards, that day never came. I realize now that in some way I was still the little boy she used to babysit or the preadolescent stamp collector who came to visit at her home and talk about stamps with my uncle, who was an expert amateur philatelist. So for her, I’d never be too old to get a birthday card.

I usually saw Aunt Lens (her self-adopted nickname for Lena) once a year in the summer, when I was in NYC to study at the Jewish Theological Seminary. My Uncle Bernard, who lived near Aunt Lens, picked her up and brought her to his home, giving me an opportunity to chat with both Aunt Lens and her sister, my Aunt Mollie. We always went to the same local Chinese restaurant and ordered the same dishes, leaving with the same doggie bags. We weren’t keeping kosher, but it was still a ritual observance.

Aunt Lens was always pleased to see me; never having had any children of her own, she had a special fondness for the daughters and sons of her five siblings. Aunt Lens was a short woman, a little on the plump side, but always neatly attired and coiffed. She had an alert manner but generally didn’t have a lot to say during these visits. In her later years, her life was probably rather routine and even monotonous, so she may not have felt inclined to expand on her daily doings. Twice widowed after being married to demanding husbands, she never had a chance to fulfill her own capabilities, which, I’d heard from my mother, were considerable. My father’s family was very traditional, very patriarchal, and whatever her youthful ambitions might have been, Aunt Lens had loyally fulfilled her role in the family.

Even as her health became more delicate, she never complained in my presence. I knew that my father’s sisters were very close, and throughout their adult years, they called each other every day. This was part of who they were and perhaps gave them a chance to vent a bit. The family didn’t believe in airing its problems openly. When Uncle Bernard called to say Aunt Lens had died, I felt that I should attend the funeral, but despite some pangs of conscience I let the inconvenience of making a quick trip to NYC be my excuse for staying home. The next summer when I visited with him and Aunt Mollie, he described the funeral:

Because Aunt Lens hadn’t been a member of a synagogue for many years, Uncle Bernard had recruited Rabbi Ploni (not his real name, but the term the Talmudists used to describe an anonymous rabbi) to conduct the burial service. He was one of the itinerant rabbis who could be found through the cemetery on short notice. Shortly before the graveside ceremony, my grieving relatives briefed him about who Aunt Lens was and why they loved her. Unbeknownst to them, Rabbi Ploni was juggling a number of services at the same time. Funerals didn’t necessarily occur evenly over the weeks and months, but these gigs were how Rabbi Ploni made his living; he couldn’t afford to pass one up just because scheduling was tight.

The little group of my two aunts, one uncle, and several nieces gathered near the open grave and waited for Rabbi Ploni to arrive. The usual graveside ceremony for a Jewish burial is a rather simple matter: a psalm or two, el mole rachamim, kaddish, and of course the eulogy. Jews are rather matter of fact about death and burial. We don’t make an elaborate ritual of returning “dust to dust.” My relatives weren’t expecting any surprises; they’d been through this before with other members of the family, and Rabbi Ploni seemed to know the drill. But soon after he began his eulogy, my relatives became confused; before long it dawned on them that he wasn’t speaking of Aunt Lens but of some other woman, expatiating on her many virtues. My uncle, as the only male and the arranger of the funeral, had to interrupt and get Rabbi Ploni back on track. The rabbi was very embarrassed and apologetic but managed, after some shuffling, to find the correct remarks, complete the eulogy, and bring the ceremony to a close.

As I mentioned, my father’s family didn’t believe in making a fuss publicly; my grandparents and my aunts and uncles believed in decorum, not chutzpah. Even if it meant swallowing some gall, you did it because it wasn’t right to make a scene and embarrass others or yourself. So my relatives stumbled away from the graveside after saying kaddish and dropping clods of earth on the coffin, mumbling to each other and feeling very humiliated. Even though only members of the immediate family were there and they hadn’t been embarrassed in front of friends and acquaintances—what a shanda. My oldest cousin was furious and demanded that my uncle not give Rabbi Ploni the usual honorarium, but Uncle Bernard didn’t think this proper, despite his own feeling that the rabbi had screwed up badly. After all, this was how the rabbi made his living; you couldn’t deny a man his living.

Hearing my uncle’s story, I felt rather guilty that I hadn’t attended; as the most knowledgeable Jew in my extended family, perhaps I might have done something to stop Rabbi Ploni before he got so far off or at least done something to assuage my relatives’ discomfort and salvage the memory they would have of this event. At the same time, however, I was amused because this tale of the misbegotten eulogy had the wry comic quality of a Sholom Aleichem or Y.L. Peretz story, particularly with its ironic edge: Aunt Lens, a loyal and dedicated daughter to her parents, a wife who catered to her two husbands, a loving sister to her siblings, and a fond aunt to all her nieces and nephews, hadn’t complained that her life had been unfulfilling; she’d done all that was asked of her and more. And yet, as she departed this world, she couldn’t even get a proper eulogy. Why not? Because Rabbi Ploni, an honorable man struggling to make a living helping Jews in mourning, had taken on too much that day and gotten his note cards mixed up in the press of a busy afternoon. Life can play such tricks on us.

Some months later, Uncle Bernard called to tell me it would soon be time for the unveiling at Aunt Lens’s grave. My uncle could now smile a little at the memory of the funeral, but he still wasn’t about to hire another rabbi; one humiliation was enough. Thus he wanted to know what the appropriate prayers and rituals were. My first response was to say that I’d call my own rabbi and get back to him, but then I realized I had a chance to do tshuvah. “Uncle Bernard, don’t trouble yourself. I’ll come to NY and officiate—even for a funeral you don’t really need a rabbi, and certainly not for this kind of ceremony.”

And so my relatives had a second chance to say goodbye to Aunt Lens. As we gathered at the gravesite, I explained the significance of the unveiling ceremony: that Jews returned almost a year later to the scene of the funeral in order to close the formal mourning period as a community. I read a few of the customary unveiling psalms. Instead of a formal eulogy, I spoke of my memories of Aunt Lens and related a couple of humorous anecdotes about babysitting me that she’d enjoyed telling and retelling over the years.

Then I invited my relatives to share their memories—mostly the happy ones—and they responded in kind, almost eagerly. Each had a story or reflection: what a loyal sister she’d been, the daily telephone conversations, her cheerful tone (even when life might not have been), her unusual sense of style and keen eye for detail, her missed career as an interior decorator because of her dedication to being the bookkeeper for the family business. From the younger generation came memories of the birthday cards she never failed to send, her pride in their accomplishments, and her presence at all the family simchas.

Once we’d exhausted, for the time being, the memories that would live on, we said kaddish and grew quiet. As we walked away from the newly placed headstone, I saw smiles on my family’s tear-streaked faces. Aunt Lens had finally gotten her eulogy, and now her memory could be a blessing for us all.

Elliot Zashin was a Hillel director for 13 years at 2 different campuses, after being an academic (political science) for almost 13 years (without tenure). While working for Hillel, he took an MA at the Jewish Theological Seminary during summer breaks.  (That is where he learned about the title Rabbi Ploni, and much else.)  He comes by his sense of Jewishness through his father, who was a self-taught Bible interpreter, leading sessions at the Jewish Home for the Aged in Tucson after he retired from a business in NYC, and who wrote a lot about current events, political issues, and essays usually imbued with Mosaic ethics.

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Filed under American Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism

Five Silver Dollars

by Nina Zolotow (Berkeley, CA)

 “Why are we celebrating Hannukah this year?” I asked my mother. “I thought our family never celebrates Hannukah.”

“Grandpa made a special request for this year,” she explained.

“But it’s just a family dinner, right? Like what we have for Passover? Because we’re not religious, because Grandma and Grandpa are atheists, right?”

Even though I grew up in a Jewish family, the only Hannukah I remember from my childhood was the first time (and the last time) my mother’s family celebrated it. That’s because in our family Hannukah was a minor holiday that we ignored on principle, even though it was the holiday that the Jewish kids at my school bragged about (presents for eight days in a row!). 

“All those bourgeois Jews,” my mother would say scornfully. “They’re just building up an unimportant holiday to compensate for feeling left out at Christmas. Passover, Rosh Hashanah, and Yom Kippur are the important holidays, Nina, not Hannukah.”

But on that winter night when I was maybe eight years old, our family of four—my mother, my father, my younger brother, and me—left our house up in the Santa Monica Mountains and headed off to Venice, where my mother’s parents lived, because my grandma was having a Hannukah dinner. 

In those days, Venice was still a Jewish neighborhood—before Main Street became hip and trendy and real estate shot through the roof—where my grandparent’s neighbors spoke Yiddish just like them, where there was Hebrew writing on the fronts of the small shops and Jewish things to buy inside them, and where there was a Jewish temple, the Synagogue by the Sea, right on the beach. Their home was an apartment in a small, nondescript, two-story building that they owned and managed. On that winter night, it looked the same as aways, with a neat green lawn and geometrically trimmed hedges that you might see anywhere, and with only a few large, shaggy palm trees and flame-colored Birds of Paradise that gave the neighborhood a Southern California vibe. 

When we arrived at the front door, my grandmother Goldie greeting us, saying warmly, “Come in! Come in!” and she pressed my cheeks with her soft, warm hands and kissed me tenderly, saying “Ninala!” Once inside, I noticed that the big table was already set up in the dining room, covered with the treasured lace tablecloth and the place settings that Grandma used for every family dinner. As always, there was nothing to indicate which holiday we were celebrating. 

I had always known that I was Jewish. It was my bloodline, my parents told me, and it was even on my mother’s Illinois birth certificate as “Color: Jewish.” But I always understood, too, that my family was different than other Jewish families, especially the families of the Jewish kids at my grammar school, which was in the upper-middle class, predominately Jewish neighborhood of Westwood. This was because it wasn’t just my parents who did not believe in God, but neither did my mother’s parents. Even though both my grandmother and grandfather grew up in Lithuania in Jewish shtetls and my grandmother’s father had been a rabbi, my grandparents both were committed Communists who believed that religion was “the opiate of the masses.” So at that time, I had never even set foot in a temple, and when most of the Jewish kids at my grammar school went off to Hebrew school on Tuesdays and Thursdays, I simply went home on the school bus. I had to admit I was very curious about what this “Hebrew school” thing was and sometimes even felt a bit left out, but I was also happy enough not to be going to any more school, whatever the kind. 

After saying hello to everyone, the first thing I did was to walk around the big table, counting the places: Grandma, Grandpa, Mommy, Daddy, Auntie Estelle, Uncle Morrie, Cousin Susan. That meant there were not enough seats at the table for us three kids—me, my brother, Danny, and my cousin Stevie! So we were going to be exiled to a “kid’s table” in the kitchen again! I hated that. I always wanted to be at the big table where the stories and the jokes were told, even if sometimes the punch lines were delivered in Yiddish and when the grownups laughed, I had no idea what was so funny.  

Then I went into the kitchen to verify that, yes, the small red and silver kitchen table was set for three. But what was that next to each of the plates? A small, mesh bag of gold coins! Auntie Estelle walked up behind me, placed her hands on my shoulders, and laughed.  “It’s Hanukah gelt!” she said.

Suddenly I was happy. I’d seen those golden “coins” before in Jewish delis and was fascinated by the candy that looked like money, just as I was by any candy that looked like something else, no matter how it tasted. But these, I knew, were chocolate coins. My grandmother was a renowned cook, who baked perfect desserts that the grown-ups raved about, like mandel bread, poppy seed cookies, and sponge cakes. But those plain desserts were always disappointing. I always wondered: Where were the chocolate chips? Where was the yummy chocolate frosting?  

Then my Grandma Goldie came into the kitchen, put her flowered apron on over her neat navy blue dress, and started grating potatoes for latkes. On Jewish holidays, my grandma always cooked an entire multi-course meal for the family from scratch, making the same dishes that her two daughters and their husbands remembered from their childhoods. I sat down at the kitchen table and watched my lovely grandmother—with her soft pale skin, soft curly grey hair, soft smile, and soft voice—doing one of the things that she did best: cooking delicious food for her family.

Then Danny and Stevie came running into the kitchen but stopped suddenly, eyes growing larger, when they saw what was on the table.

“It’s Hanukah gelt!” I said.

“Oh, boy, candy!” 

“And it’s chocolate candy!”

As the boys scrambled into their seats at the table, I could hear the adults in the other room, saying “delicious, Goldie,” and “absolutely wonderful,” about the chopped liver they were smearing onto pieces of matzoh. I wondered as always how they could possibly love the pungent, rancid, fatty flavor of that unappetizing-looking brownish paste. Then, as they often did, they started to talk about people who were not there. 

I knew that my grandfather, Meyer, who was the oldest son in his family, had come by himself to the U.S. from Lithuania when he was only sixteen, settling in Chicago where there was already a community of Lithuanian Jews. Once there, he earned enough money to bring his father over to join him, and then he and his father worked together to earn the money to bring the rest of the family over to join him, including his mother and the rest of his siblings. That was why Meyer was a hero to his family, and all his siblings looked up to him.

My mother had told me so many stories about what it was like to grow up as part of that extended Davis family—all those crazy aunts and uncles, with their radical politics, vegetarian diets and goat’s milk fresh from the farm, nude swims at night in Lake Michigan, and romantic spats, and the crowd of all-girl cousins who played cards and gossiped and slept together in an abandoned box car on the lake shore every summer. Most of that family was still in Chicago, where I had never been.

My grandmother, who was from a different part of Lithuania than my grandfather, had also come to the U.S. alone at age 18. She had joined two of her older sisters in Chicago, then met and married my grandfather shortly after that. So, although my grandmother’s parents, brothers, and one sister stayed behind in Lithuania, my grandmother, too, had a few relatives the Chicago area. And both my mother and her sister, Estelle, had grown up there, surrounded by a large, extended family, as had Cousin Susan, Estelle’s daughter from her second marriage. 

All those relatives from Chicago—whom I had never even met—seemed to be what the grownups in the family talked about when we gathered together on holidays. For me, in their ghostlike presence, they vastly outnumbered the group of real, live humans sitting at the family table, making our immediate family feel small and incomplete. 

Soon the kitchen was filled with the warm, savory smell of frying onions and potatoes, and my grandmother set the first batch of latkes on the kitchen table in front of Danny, Stevie, and me. She served us each a pancake, along with boiled chicken, cooked carrots, and applesauce. “Eat, children! Enjoy!” she said and then turned back to the stove. And no one, I noticed, was saying anything about Hannukah—there were still no special words about what we were celebrating or why. 

And when the grownups were finally served their dinner, I heard them saying the same two words they always said at the beginning of our dinners, “La chaim!” That simply meant, I knew, “To life!” And those words were not religious, not a blessing, not a prayer, not any kind of grace. But even just that simple Hebrew phrase told me that being Jewish still meant something to my family. Yes, they were all atheists, but they always gathered together on holidays like Passover and Rosh Hashanah that only Jewish people celebrated, where they ate food that only Jewish people cooked—chicken soup with matzo balls gefilte fish chopped liver potato latkes blintzes stuffed cabbage brisket smoked white fish pickled herring tzimmes potato kugel kasha varnishkes kishke noodle kugel rye bread matzo taiglach mandelbrot sponge cake halvah hamantaschen

I knew that my grandparents, both Jewish, had married each other, and my mother had married a Jewish man, my dad, and all her girl cousins had married Jewish men, too, and all three of Aunt Estelle’s husbands had been Jewish. I knew that something happened to my grandma’s family in Lithuania during the Holocaust, but besides the fact that being Jewish was something you could be killed for, what else did being Jewish really mean to my family? 

Grandma’s latkes were perfect: crisp and golden on the outside, tender and savory on the inside. And the carrots were slightly firm and deliciously sweet. We three kids quickly polished off our food, including second helpings of the latkes, and then gazed longingly at our bags of Hannukah gelt. Then we had a conversation that went something like this:

 “I wonder what ‘gelt’ is,” I said

“It means ‘money,’ I think,” Stevie said.

“Money,” I said. “Yeah, ‘cause it looks like money. Hmmm. But why is the chocolate money Jewish? And why is there chocolate money on Hannukah? 

“’Cause it’s Hannukah tradition,” Stevie said, “you know, like the menorah.”

“But isn’t the menorah ‘cause Hannukah is supposed to celebrate some miracle of oil burning in some temple for eight days instead of one?”

“Well, yeah.”

“That doesn’t seem like very big of a miracle,” Danny said.

“What doesn’t?” Stevie said.

“Oil for eight days.”

“Well, maybe that’s why it’s a dumb holiday we don’t usually celebrate in our family,” I said.

“Yeah, ‘cause the miracle isn’t very miraculous!” Stevie said. We all laughed.

 “I want to eat my gelt now!” Danny said.

 “I’ll ask!” Stevie said. 

When permission was granted, we ripped open our mesh bags and poured the golden coins onto the table to inspect them. There were coins in three different sizes, each embossed with mysterious Hebrew characters. I wanted to make my candy last as long as possible, so I selected one of the smallest coins to start with. I carefully peeled off the top layer of foil to reveal a flat, round disk of soft, limp milk chocolate, broke off a piece, and inhaled an odd sickly sweet scent that reminded me of Play Doh. When I placed the chocolate on my tongue, I concluded that it was blander, softer, and nowhere near as good as a Hershey Bar, but still it was chocolate, something I never ever had before at grandma’s house. 

As the three of us were focused on taking tiny bites of our chocolate coins, both of our grandparents came into the kitchen and stood together next to the table. I was surprised that my grandfather, who typically ignored all his grandchildren, was now gazing down at us with interest. A tall, thin, handsome man with iron grey hair and glasses, remote and mysterious, he always seemed to be sitting at the kitchen table with a cup of coffee, smoking a cigarette and reading the Daily World when Danny and I were spending time with our grandma.

“Your grandpa wants to give you real Hannukah gelt,” our grandma said. Then my grandpa reached into his pockets and handed each of us five large silver coins. “He made a special trip to the bank just to get silver dollars for you children,” grandma added.

“Happy Hannukah,” grandpa said.

I stammered, “Uh, thank you, Grandpa.”

And the boys chimed in, “Yeah, thank you, Grandpa! Happy Hannukah.”

After our grandparents returned to the dining room, I held the heavy silver coins in the palm of my hand and studied them. I realized then that for this night a special dinner had been arranged just so my grandfather could give us, his grandchildren, a gift. I guessed that giving coins to children on Hannukah was traditional, and that my grandpa had been given them when he was a child in Lithuania because, otherwise, why else would he have given them to us? But it was so difficult to imagine the world from which he and my grandmother had come. There was a religion I didn’t understand, a language I didn’t know, and a feeling of belonging to a group of people I had never seen, yet I was somehow tied to it all, through these two people, my grandparents, and through these very coins they had given me. 

The gift from my grandfather should have been making me glad, so why did I feel so much sorrow mixed in with my happiness, like that time I went swimming in a natural hot springs up in the Sierras, and the strong current of the hot geyser water that was bubbling up from a crack in the earth kept pushing me back out into the icy water of the river of melted snow that was rushing down from the mountains, and I had to keep swimming and swimming just to stay in the warmth?

“Wow! Five whole silver dollars!” Stevie said. “That’s a lot of money. And they’re probably worth even more than just a dollar ‘cause these coins are really old. Look at the year on this one: 1898!” 

“I’m not gonna spend mine,” I said. “I’m just gonna keep them. I’m gonna eat all the chocolate but I’ll keep the real money forever and ever.” 

“Me, too!”

“Me, three!”

Nina Zolotow just loves to write, and she has been doing it for her entire adult life. Currently she is writing creative non-fiction and experimental fiction/poetry, which you can find on her blog Delusiastic!, where there is both brand new and older works, and you can also subscribe to her on Substack, where she is releasing one story a week. Nina has also written or co-written four books on yoga (see yogafortimesofchange.comas well as being the Editor in Chief and writer for the Yoga for Healthy Aging blog for 12 years. Before that there was 20 years of writing instructional manuals for the software industry, including many books for programmers. And somewhere in there was an MFA from San Francisco State in Creative Writing. All of that taught her how to write simply and clearly when needed but also to go crazy with words when that seems right. 

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Chana and Rafa

by Helene Berton (Centereach, NY)

Flipping over the tape, I clicked the play button and smiled when “Modern Love” came through my headphones. David Bowie was the best flying music, I decided. 

After finding the pack of gum in my overstuffed bag, I offered a stick to my mother and then unwrapped one for myself. While chewing exuberantly, I waited for my ears to snap, crackle and pop as we started our descent. Reluctantly, I clicked the stop button as the Sony Walkman couldn’t compete with the noise of the plane. “China Girl” would have to wait. China, my thoughts wandered, was the other side of the world. But then again, so was Israel, and that’s where we landed.

I looked at my mother. Even after the overnight flight, she was brimming with excitement. Why was this trip so important to her? 

*  *  * 

The girls with their machine guns slung across their backs startled me, gave me pause. I snapped a picture of them, lost in thought, winding to advance the film before taking another. 

Like a tourist, I was gaping at them as if an attraction. “Are they in the army?” I whispered to my mother.

“Yes, the IDF,” she replied as we walked down the bustling Tel Aviv street.

“I’m surprised so many girls want to join.”

“It’s mandatory. Everyone goes directly from high school into the military,” she explained to me.

Mandatory? I thought of myself after high school graduation planning my great escape to college. All the stress and drama of roommates, meal plans, and boyfriends dominated my life that summer before I left. I heard my voice complaining that I had to take the bus when most of my friends had cars of their own. Meanwhile, these girls were nonchalantly strolling along with their machine guns, chatting in the sunshine with their cups of coffee. I suddenly felt small.

*  *  * 

“Tell me again who they are?” I asked my mother as we sat down at the round table. The ceiling fan above us did little to cool the restaurant.

“My cousins.”

“How are they related to us?”

My mother looked at me for a moment longer than necessary. Maybe she had explained it already or assumed that I knew. “Your grandfather came to the United States from Latvia when the war broke out. His brother, Uncle Max, went to Israel. These are his daughters.”

I digested this information, trying to form the family tree in my mind. Having no first cousins of my own, I couldn’t relate very well. I felt disconnected, distracted by the heat. I squirmed in my seat, tempted to ask the waiter to turn up the AC. Looking around at the open windows and archways leading into the garden, I realized there was no air conditioning at all.

“That must be them.” My mother stood up as two older women entered the restaurant. 

I was surprised by their age, having pictured them younger. How were these women my mother’s cousins? Realizing that my grandparents had my mother late in life, I put it together. It was as if a generation was missing, but it did add up.

The introductions were made, complete with hugs and kisses which left me feeling awkward, bringing out the shyness I had battled since childhood. I did not know these women, after all. 

I sat quietly as the conversation swirled around me, looking at the food that the cousins had ordered for us. I picked at the unfamiliar meat and sauces presented to me, wishing for a slice of pizza and chips. My mind drifted to the shops we had passed in Tel Aviv as I made my mental list of who would be getting which souvenir. Maybe I would indulge in the boots I saw in the window display or even the leather jacket. I had some money saved from my new job.

Noticing my mother’s sudden look of sadness, I listened in, hoping to catch onto the conversation without embarrassment. 

“I’m so sorry,” she said, as I tried to pull up the dialogue that might still be hanging in the air or my recent memory. 

“Yes, he was killed in the war,” Chana said, looking serious. “He was my youngest.”

Her son? Killed in the war? I brushed aside all thoughts of shopping and started listening. I felt like I should say something.

“I’m so sorry,” I quietly offered condolences to my cousin. 

She looked at me then, and I couldn’t quite figure out the expression. Was it distaste or was I taking on a feeling of inadequacy? I felt like a spoiled child, and I didn’t like it.

After lunch we stepped out to the garden to take some photographs under the archways. I placed my hands on the cool limestone, letting my sense of touch help me file away the moment into my memory. My mother wrapped up the conversation with more hugs and kisses while I took in the views of the rolling countryside. It was quite beautiful just a short drive from Tel Aviv. I hadn’t expected such green lushness. But then again, I didn’t know what to expect, as I really hadn’t done any of the research.

*  *  * 

“Did you enjoy meeting the cousins?” my mother asked me in the cab as we rode back to the hotel.

“I did,” I forced out, with an overly high pitch to my voice. I hoped my mother didn’t notice. I wasn’t sure how I felt about the get together other than it gave me a lot to think about. I was ignorant on too many topics, falling short on contributing to the conversation. 

Looking down at my brightly polished nails and fringed boots despite the heat, I felt foolish. I looked at my mother who carried on a one-sided conversation with me and I started listening. For real.

*  *  * 

Present day…

I bring the photo album and carefully balance it on my mother’s lap as she sits in her wheelchair. My two sons sit on either side of her, their cell phones on their laps but remaining untouched for the moment. I see a glimpse into the future, the day when they both have children, possibly daughters, who would be cousins. How heartbreaking if they never know each other. I finally understand the dynamic of cousins.

They look onto the photos covered in sheets of plastic with their undivided attention. 

My mother points from face to face, announcing names questioningly. 

“Cousin Chana?” she asks. 

“Yes,” I smile encouragingly. 

“And Rafa?” 

“Yes, Rafa.” 

“And this lady?” She places a long fingernail on her own image. “Who is she?”

“That’s you,” I say, not for the first time that day.

Native New Yorker Helene Berton has returned to her love of writing after a long hiatus.  She has two short story collections, Away from Home ( https://a.co/d/czXOPef) and Beyond the Parallel (https://a.co/d/1SViCZj), available on Amazon. Currently, Helene is working on her first novella, Red Means Stop, and a children’s picture book, The Big Race. If you’d like to learn more about Helene and her work, visit https://heleneberton.wordpress.com .

Author’s Note: My story explores the dynamics between mother and daughter, a common theme in my writing.  It was inspired by and takes place during my first trip to Israel in 1987.  There is a bit of a naivety portrayed, which is how I felt as a young American girl visiting Israel (somewhat immature and self centered), but it was a wake-up call.  The trip changed my outlook, inspiring me to fall in love with the country.  I was fortunate enough to visit a second time several years later, and both my sons experienced Israel through Birthright.  It is my hope to return once again.

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Questions I Never Asked

by Herbert Munshine (Great Neck, NY)

It’s too late now, far too late. Both my parents and

both my sisters are gone. My wellspring of family

knowledge has faded into the mysteries of history.

I was smart with books and sports, but I am ignorant

of my own history, full of regrets and a desire to know

but missing the precious resources that would have

filled the holes, the chasms in my consciousness.

When did they arrive in the U. S.? Why did they leave

Poland and Latvia? What was life there like for Jews?

How did they meet? Was the meeting accidental, 

spontaneous, arranged? How long did they date before

he proposed? Where did they get married? How long

were they married before she had my older sister?

What did he help build as a carpenter (besides the

Museum of the City of New York?). What was her

favorite color? Flower? Song? Pre-TV radio show?

Which members of my family were lost during the

Holocaust? During the pogroms? Did any of them

make the Aliyah to Israel? Who were my living relatives?

Where did they live? What did they do? Why were we

and they so distant? 

Why did she have me 10 years after my second sister?

Was she happy when I was born? Did she feel too old

to care for a baby again? Is it true that she almost

aborted me but changed her mind literally at the final

moment?

Then there are the closer queries to my toddler self:

What did her voice sound like? What did her touch

feel like? Her scent? Her presence? Beliefs: Did she

light Shabbas candles? Did he attend synagogue 

regularly when he was much younger and she was

still a vital presence in our lives? Afterthoughts:

What was his favorite opera? Why did he switch from

being a builder to owning a store? The ethereal gems:

What would they feel about the man I have become,

the woman I married, the children and grandchildren

I had – – – and how little my progeny know about them?

One final question: Why did I wait too late to ask?

Herbert Munshine grew up in the Bronx and graduated from C.C.N.Y. with both a B.S. in Education and a Master’s Degree in English. You can find his baseball poetry on Baseball Bard where he has had more than 160 poems published, and where he was recently inducted into that site’s Hall of Fame. He lives with his wife in Great Neck, NY.

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Repairing the World with Chicken Soup

by Barbara Krasner (Somerset, NJ)

Boil chicken bones and chicken parts with water, parsnip, dill, carrot, and celery in a pot larger than your firstborn. Ladle the soup into a bowl and add Goodman’s fine egg noodles if it’s Shabbos or handmade lokshen if it’s Pesach. Form dense matzoh balls with your hands. It’s all right if they’re misshapen. So is the world. Should the matzoh balls sink to the bottom of the pot and your stomach, it’s okay. They’ll soak up the golden liquid that soothes all that ails you and the world. Tikkun olam

Having kosher chicken soup from your mama’s stove is like no other. Better than the best kosher deli. Because it contains love like your mama’s kiss on your keppele. You’re all right, it’s the Sabbath, time to end one week and start another fresh and clean. The broth will clear your head, clear all mistakes, fill you up so you can curl up under your featherbed all cozy, warm, and loved.

And maybe this is the best of all. Knowing that your mama learned how to make the soup from her mama, Rayzel Entel, who learned it from her mama, Esther Taube Drewno, who learned it from her mama, Chaja Rojza Mularzewicz, who learned it from her mama, Buna Etla Przestreleniec, who learned it from her mama, Ruchla Herszkowna of no last name, born at the turn of the nineteenth century in Brok, Poland. You are a link in the chain doling out the remedy to repair the world a spoonful at a time.


Barbara Krasner holds an MFA from Vermont College of Fine Arts and a PhD in Holocaust & Genocide Studies (HGS) from Gratz College, where she teaches in the HGS graduate programs. The author of two poetry chapbooks and three novels in verse, her work has appeared in Jewish Literary Journal, Tiferet, Minyan, Jewishfiction.net, Michigan Quarterly Review, and elsewhere. She serves as Director, Mercer County (NJ) Holocaust, Genocide & Human Rights Education Center.

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Folk tale

by Susan Kress (Saratoga Springs, NY)

My aunt died

in the age of letters

and no one told my grandmother

for fear the news would strike her dead.

She couldn’t read

a word of English and

my aunt lived

in another country 

so it was easy to lift sentences

from old airmail letters and pretend

she was still alive.

Years before, when my aunt

had married out of the faith

that no one practiced,

the family mourned.

They chanted prayers, sat on low seats,

folded her away

in a locked drawer—

and for seven years,

until her son was born—pretended

she was dead.

Susan Kress, granddaughter of Jewish immigrants from Russia and Poland, was born and educated in England and now lives in Saratoga Springs, New York. Her poems appear in Nimrod International, The Southern Review, New Ohio Review, Salmagundi, New Letters, South Florida Poetry Journal, Valparaiso Poetry Review, Third Wednesday, La Presa, and other journals. Her poems have been twice nominated for a Pushcart Prize.

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6:00 am Call from Israel

by Mel Glenn (Brooklyn, NY)

My younger brother, David, and I

have had our differences over

women, religion, and politics,

but the thread that has held us together

is our shared love for the Mets

and deep hatred for the Yankees.

We would get together regularly

over beer and baseball out at City Field

and would scream our heads off

when the Mets dramatically won.

Those were the best times with him.

But he suddenly found religion 

and moved himself, family, and work

to a suburb of Tel Aviv where

he quickly found a job in technology

and developed a quick ear for Hebrew.

We would talk on the phone once a week

but it wasn’t the same thing.

Then the bombs began to fall.

I was constantly worried and scanned

the news for reports of damages.

Exhausted one recent night after a tense 

Mets game, I fell asleep at 11, early for me.

The phone suddenly flooded in light.

“David?”

“What happened?” he asked frantically.

“What happened where?” I said, my voice equally raised.

 “Do you know what time it is?” I shouted. 

“Are you all right? Sarah and the kids?”

I pictured him bleeding on some hospital gurney.

“The game, man, tell me the score. 

The Israeli sports feed went out in the 9th.

I was up all night. Did they win?”

“The Mets won, David. Calm down. They’re in 

the series against Philly. If they win, they

get the Dodgers, tough team.”

It felt as if we were back together at Citi Field,

just like in the old days.

“Good night, David, glad you’re all right.”

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Tzipa

by Nina Zolotow (Berkeley, CA)

“You also have a Jewish first name,” my mother told me. “It’s Tzipa.” 

“Tzipa?” I asked, trying to reproduce the completely unfamiliar sound I was hearing.

“Yes, Tzipa. She was grandma’s sister who died.”

“Oh,” I said “Okay.”

There we were, sitting together on the couch in the light-filled living room of our brand-new house, up on a hillside in a canyon in the Santa Monica Mountains in Los Angeles, California, and I was young enough to simply accept the mystifying information that, in addition to my English first name, Nina, I had a “Jewish” first name, Tzipa, without asking any questions. But I always remembered what my mother told me. Even as the years passed and I never heard anyone call me Tzipa (my relatives called me Ninala or Ninatchka), I always remembered that name.

I also believed that no one else I knew had two first names. I didn’t realize then that it is very common for Jewish people to have a Hebrew name in addition to their name in the language of the country where they were living, and that their Hebrew names were not just second names in another language, but they were spiritual names in “God’s holy language.” I missed out on learning that, I think, because my parents, as well as my grandparents, were not religious, so I never went to synagogue or Hebrew school.

So that made me think that it was only me who had a secret name. It was like a magpie surprised me with a gift, dropping a small shiny object at my feet, and having no idea what to do with it but not wanting to get rid of it, I put it in a box with other precious objects. And I took that box along with me with every move I ever made, from city to city and even from one country to another.

I might have learned more about Hebrew names had I married a Jewish man. But, instead, I married a man who, despite being raised by parents from a small Protestant religious sect, the Church of the Brethren, always believed that everything he learned in Sunday school was just so many stories, stories that had no relationship to the world as he knew it. And he and I together raised two children who we brought up just as I had been raised without any religion.

“Do you remember me telling you about my Hebrew name, Tzipa?” I asked my husband recently.

“Tizpa?” Brad said. “No, not really.”

“I guess that name doesn’t mean anything to you,” I said. “But I definitely told you. I think you might remember when I tell you that it means little bird.”

“Ah, little bird,” he said, smiling fondly. “Yes, I do remember something about that.”

When I became an adult, my appreciation for my secret name grew because even though I didn’t like the sound of it, I learned that it means “little bird.” Tzipa, you see, is a diminutive of the biblical name Tzipporah, which is derived from the Hebrew word for bird, “tzippor.” And because birds can soar across the vastness of the skies above us, free from the restrictions that keep humans tied to the earth, in Jewish symbolism birds represent freedom. They also represent the awakening of the spirit and the connection between the earth and heaven, the material world and the spiritual one.

“Did you know that I have a Hebrew name?” I asked my brother, Danny “It’s Tzipa.”

“No, but I like the sound of that,” he said. “How did you find out about it?”

“Mom just told me that when I was a kid.”

“So, you mean that Mom and Dad gave you a Hebrew name?”

“Yes. They named me after Grandma Goldie’s sister who died in the Holocaust. But maybe you didn’t know that because no one ever called me by that name.”

“Okay…. Well, that’s a good person to be named after. It’s a nice way of keeping someone’s memory alive, whether the name gets used or not.”

Then, less than a year ago, my first cousin, Susan, sent me the result of the research she had done on our maternal grandmother’s family, the Levinstein family from Kudirkos-Naumienstis (also known as Naishtot) in Lithuania. And there at the end of the document was quite a lot of information about Tzipa, who she was and how she died.

I learned that Tzipa, who was one of the older sisters of my maternal grandmother Goldie Levinstein, had been born in Kudirkos-Lithuania in the 1890s. And that unlike her three sisters, she did not emigrate to the U.S. but instead stayed in the town where her parents and two brothers still lived. She married a rabbi named Itzhak, and together they had six children, five sons, Haim, Eliyahu, Israel, Dov, and one other whose name and fate we don’t know, and one daughter, Leah.

Then, on June 22, 1941, the Germans invaded the town and set the Jews to work under the supervision of local Lithuanians until a day in early July when a group of Lithuanian “activists,” under the command of Germans, attacked the city. This group ordered all Jewish males above the age of fourteen out to the streets and then took the Jewish men in groups of fifties to the Jewish cemetery. There the Germans and Lithuanian activists together shot one hundred ninety-two prisoners at the edge of pits they had already dug. The women and children were later forced into a ghetto within the town. On September 16, the 650 remaining women and children, and a few remaining men, were transported to the Parazniai forest by armed Lithuanians, who forced them to take off all their clothes and then lined them up and shot them all.

But Tzipa, her husband, and three of her children, Leah, Israel, and Dov, escaped the mass murders. After frantically packing up some kosher food, they ran for their lives. Once across the river, they fled into a more rural area. The first few days there they spent in an open field eating grass and finishing up the last of the kosher food. Then they found an abandoned shack and moved into it.

During those first long summer days, I imagine they must have seen birds of all kinds flying from tree branch to tree branch or high up in the distant blue sky above them and longed to be free like that, to fly far, far away from that place. Because things soon got worse.

Israel and Dov both left, joining the Lithuanian army that was attempting to fight off the Nazis. So Tzipa went away for few days, returning with flour for making bread, which she had purchased with money she received from selling her gold fillings. But her husband Itzhak, the rabbi, refused to eat non-kosher food. So he gradually starved to death. And then Tzipa herself came down with dysentery. 

What must it have been like for her to be dying and know that she was leaving her young daughter—only 14—completely alone?

Dov was killed fighting the Germans in the open fields. Haim was murdered by the Germans and their Lithuanian collaborators, as was Eliyahu, along with his wife and their two month-old baby. But two of Tzipa’s children survived. Her son, Israel, was badly wounded and became disabled—his hand was seriously damaged, and he lost the toes on one foot—but after the war, he emigrated to Brazil. And her daughter, Leah, also survived. After her mother died, she found a job at a factory where they paid her with small amounts of food. And after the war, she found her way to Israel, which is how our family knows this story.

“Did I ever tell you that I have a Hebrew name.” I said to Quinn, our child who is a scientist now living in Scotland and who strongly identifies with being Jewish.

“Yeah, I remember you telling me,” Quinn replied. “I actually wrote the name out for you in the Hebrew alphabet when I was studying Yiddish.”

“I’m very glad you do remember. What are your thoughts about me having the name of a woman who died during the Holocaust while trying to save her family?”

“Yes, well, I do think it’s nice to keep her memory alive by giving her name to someone in the family, but it’s also some heavy shit because it represents how you grew up with the Holocaust all around you—after all, you spent a lot of time as a child around adults who must have had a traumatic response to that genocidal event.”

“That’s true,” I said. “Even though I didn’t understand much about it at the time, I always had some awareness of it.”

To be honest, I’m still grappling with what it means to me to carry the name of that extraordinary woman. But, at last, I finally know what to do with the gift of the Hebrew name that was given to me all those years ago. I am taking it out of my box of precious things where it has been hidden all these years, placing it in the palm of my left hand, and reaching my hand out toward you, saying, “Here. Look at this.”

Nina Zolotow just loves to write, and she has been doing it for her entire adult life. Currently she is writing creative non-fiction and experimental fiction/poetry, which you can find on her blog Delusiastic!, where there is both brand new and older works, and you can also subscribe to her on Substack, where she is releasing one story a week. Nina has also written or co-written four books on yoga (seeyogafortimesofchange.comas well as being the Editor in Chief and writer for the Yoga for Healthy Aging blog for 12 years. Before that there was 20 years of writing instructional manuals for the software industry, including many books for programmers. And somewhere in there was an MFA from San Francisco State in Creative Writing. All of that taught her how to write simply and clearly when needed but also to go crazy with words when that seems right. 

This story originally appeared on Nina’s blog, Delusiastic! and is reprinted here with permission of the author.

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My Mother Museum

by Lev Raphael (Okemos, MI) 

First Gallery

My father lost her cookbook after multiple moves, the black-and-white student’s notebook in which she wrote down her favorite recipes in bold, foreign-looking script. It was the one possession of hers I wanted most after she died.  I relished watching her cook with the ease and flair of a professional chef in our dimly-lit Washington Heights kitchen with a view of another Depression-era apartment building across the street.  Same gold and brown bricks, with an equally ridiculously English name like The Windermere in a neighborhood that had been filled with German-Jewish refugees and was slowly becoming Hispanic.  But the book was unique, my mother as curator.

Second Gallery

The small cameo brooch of a woman in profile must be fifty years old or more but looks brand new because she never wore it.  A friend brought it back for her from Italy is all I remember her saying.  But who?  Was it the Polish man I heard about from a family friend after she died, the man she “should have married,” a socialist from Vilnius like her instead of my born-on-a-farm father?  Why did she keep it if she never put it on/why did she never put it on?  What did it mean to her?  I’m asking these questions too late.  It nestles in its white cardboard box lined with cotton, untouched, pristine, a buoy in a mysterious sea.  

Third Gallery

The cream-colored enameled compact weighs over half a pound, is embossed with leaves and a bird in flight.  Embossed in gold and made in France: modèle déposé, registered design.  There’s room for a lipstick, there’s a mirror inside on the left, there’s a lidded compartment for face powder on the right.  It’s an object out of a film noir, the kind of thing a lustrous femme fatale would use with magical, elegant hands to make herself up while people stared at her effrontery, her chic.  Oh, she was definitely chic.  One of her students from Belgium said “Elle avait du chien“: French for desirable, intelligent, and strong.  I see that in some photos from the late 40s.  By the 50s the look has disappeared and she’s an American housewife.

Fourth Gallery

Hanging in her closet in a plastic dry cleaner’s bag like any ordinary dress was the slave labor camp dress she was wearing when freed by Americans in eastern Germany, April 15, 1945.  Dark gray strips that seem almost purple on light gray stripes.  Thin, grim cotton with a roughly-sewn beige number patch above her heart.  The number helped me access German records of her incarceration in ghettos and camps.  Was this relic kept as evidence that she might not have survived if WWII had lasted longer?  That the crimes she endured were real?  It won’t tell me.  Can you really call it a “dress” or even a “uniform”?  Reality seems too big for such small words, for the bomb lurking there day after day. 

Last Gallery

This particular lined notebook has not been lost, but I wish it had been.  Black-and-white exterior, starker still inside: a record of her deepening dementia caused by years of chain smoking.  Here, instructions are repeated about when to take which pill.  Bits of news randomly copied from the New York Times.  Worst of all, grotesque, are the definitions of “Memory” she transcribed from a dictionary.  Remember, Remember, Remember says every miserable page.   The desperate lament of a mind drifting out to sea, the words of a voluble, witty, multi-lingual woman ordered at first, then scrambled, finally misspelled, broken, gone.  I want to destroy it but I can’t—it’s her anguished Last Will and Testament.

Gift Shop

CLOSED

Lev Raphael is an American pioneer in writing about the Second Generation, a project that he began in the late 1970s.  He’s the author of Writing a Jewish Life, Dancing on Tisha B’av, My Germany and 24 other books in many genres.  His work has appeared in fifteen languages and he’s done invited talks and readings in Israel, France, Belgium, Italy, Germany, England, Scotland, Canada and all across the US.  Venues included the Jewish Museum in Berlin, Oxford University, and The LIbrary of Congress. Lev taught creative writing at Michigan State University and Regents College in London, and has been invited to teach at Leipzig University in Germany.  Michigan State University has purchased his literary papers and they are available to students and scholars for research.

The piece first appeared in The Chaffin Review and is reprinted here with permission of the author.

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