Tag Archives: God

And Still

by Merri Ukraincik (Edison, NJ)

I see the beauty, though of late, only by half.

With one eye open,

the other shut,

I peer through the slats

of the window blinds,

my breath fogging up the glass.

Obscured, but there.

The beauty, I mean.

The Shabbos sky still shimmers.

Even the apples go on sweetening

in a bowl on the kitchen table. 

Then by mistake, I lift the lid on

the second eye and the ugly,

scene by scene, tears at my heart

until it’s tattered like an afghan

come unfurled, one thread at a time.

Yet my fraying Jewish soul still believes,   

G-d has not given up on us,

the smoke and ash notwithstanding.

Hope remains – for something more,

for the good that may still come

in this threadbare world, in our time.

Because unless you close both eyes

and seal the slats of the blinds,

the beauty is hard to miss.  

Merri Ukraincik is an award-winning writer whose work has appeared in numerous publications online and in print. She is the author of the book I Live. Send Help.: 100 Years of Jewish History in Images from the JDC Archives. Her memoir Wondrous Things: On Finding Joy and Faith in the Messy Business of Being Human is in search of a publisher. Follow her at https://merriukraincik.substack.com/ or on Facebook.

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The Big Ask

by Rich Orloff (New York, NY)

To God
To my ancestors
To anyone who will listen
I ask and pray for this:

Bless me with a peace
That’s deeper than happiness
That makes room for profound sorrow
That accepts pain and loss
That’s not dependent on good news

Bless me with a peace
That comforts me when I feel anguish
That steadies me when I feel uncertain
That expands me when I think small
That finds a way through my fiercest resistance

Bless me with a peace
That stretches beyond my horizons
That heals even if I can’t explain why
That offers delight as an everyday gift
That allows me to see blessings

Bless me with a peace
That is a refuge from torment
That is an oasis from yearning
That is a sanctuary from trauma
That transcends all else
But never denies all else

Bless me with a peace
That renews my gratitude for life
And that I can access
Every time I let you in

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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Watch and Wait: A Jewish Mindfulness Practice

By Susan Spector (Cornville, AZ)

You. Have. A. Brain. Tumor.

Five words and everything changed. I became a patient on a Watch and Wait protocol I now call WaWa.

And that’s what I’m doing today. I stalk the online portal, waiting for my test results. The radiology report shows up just before bedtime. 

I skim over my three favorite words: the first one is “stable.” The second and third words go together: “grossly unremarkable.” Kinahora. That’s what my Yiddish-speaking Jewish grandmother would say, invoking the evil eye, not wanting to jinx the good news. 

I search out the fear, sensing I’ll find it, but not in a mindful, meditative or particularly grateful way. That gratitude I once believed would last forever, where did it go? 

FLAIR hyper intensities in cerebral white matter and white matter lesions.” And there it is. Something new. Something to be afraid of.

I chug my water, determined to flush away the gad, short for gadolinium, the intravenous contrast used earlier in the day. I want the heavy metal poison out of my body.  Gad is an injected light source used to illuminate what’s lodged deep inside my brain. Its atomic symbol is Gd, an acronym my tradition uses as a placeholder for the sacred nature of God’s ineffable and unpronounceable name. I contemplate a quote from the Holy Rascal teacher, Rabbi Rami Shapiro, “God is real and everything we say about God is made up.” It’s a mystery how the gad knows just where to go in my body. 

Ironically, I met the light of the Infinite Mystery, what the mystics call the Ein Sof, through the rogue cells deep inside my brain.  

When I broke out in a sweat on one of my bi-annual retreats inside the big magnet machine, I listened closely and heard a small voice, over and above the noise of the beast. I lay still.  Inhale, Sh’ma, pause. Exhale Yisrael, pause. Breathe in Adonai, pause. Exhale Eloheinu, pause. Breathe in Adonai, pause. Return the breath to the Source. Exhale, Echad. A six-word Jewish prayer mysteriously appeared. Despite the thrumming, drumming and clanking noise inside the machine, I connected. Partnered with divine energy, everything changed.

I head for an emergency visit to Dr. Google, worried I’m moving toward a life inside an assisted living facility. In the morning, I wake up early with no more clarity than the night before. I grab my coffee, sit down at the table, pull up an empty chair for my partner and anxiously fire up the laptop. I like to be early for the Zoom Room. It dials down the anxiety of meeting with the expert meditation guides. The neurodocs. 

In the beginning, they gave me the mantra for finding my sense of calm and quiet within. They gave me the practice. The WaWa. Now they keep me on track and pull me out of the rabbit holes I can’t seem to avoid. 

The lead meditation Teacher/Neuro-oncologist shows up, wearing a crisp white lab coat and looking radiant on the screen.  She gets right down to business, with her unusual combination of strength, clarity and comforting softness.

“Your MRI looks beautiful. All stable.”

“Yeah, but what are those new white matter lesions?”

She points to highlighted areas of the brain image on her screen share.

“This big white lesion is scar tissue. See how it follows the surgery path where Dr. Yirah did his magic to “let flow occur?” And these other white dots, well, you could call them “blessings of maturity.” 

She’s a poet. She skillfully moves the conversation and the meeting forward. 

“Were you comfortable with the nine-month scan interval or do you want to try and push it out to one year?”

“I don’t know, what do you recommend?”
“I would be comfortable either way.”

I turn to my partner, now sitting beside me at the table.

“What do you think?”

“I’d rather see sooner than later if something’s going to change” he says without

hesitation.

The neurodoc/poet moves the conversation along, directing the question back to me.

 “So, you’re the only one we haven’t heard from, what do you want?”

“Part of me wants to graduate to the annual milestone, but I’m more comfortable with 9 months also.” 

Everyone smiles at each other from their Zoom squares and I finally exhale.

The apprentice meditation teacher enters the Zoom room. He is a resident intern with a clipped data-only voice. 

“White matter lesions, clinically insignificant, 30% of MRI’s, higher in older people.” 

The master meditation teacher enters the Zoom room. The neurosurgeon.
I tell him I spent time last night with Dr. Google, chatting about white matter lesions.

“It’s Watch and Wait, not watch and worry. At least you weren’t consulting with

ChatGPT!” 

The mindfulness. The challenge. Return to the WaWa. 

Return to the breath. 

Susan Spector is a brain tumor survivor who focuses on writing as a path to healing She is a retired educator. Her true education began with her diagnosis at age 62. She is currently at work on a series of essays under the pen name Shoshanah bat Malka, with the working title Reporting Live from the Frontal Lobe. 

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A Psalm about Grappling

by Rich Orloff (New York, NY)

Grapple with me, says God
I do not ask you to believe in me
Or extol me
Or worship me
These are orders humans have decreed

But grapple with me
Not for my sake
But for yours

Would you feel you lived if you had never seen the color blue
(and you had a chance)
Would you feel you lived if you had never heard music
(and you had a chance)
I offer you this opportunity
To grapple with me

And if you don’t know how to start
Ask questions
What are my dimensions?
Where do I reside?
What are my office hours?

Ask patiently
Then ask again
Ask a third time, just for fun
Ask a fourth time, just in case
And a fifth time, so asking can become a habit

Please
Grapple with me
I may not provide the answers you wish for
But if you let me
I will show you the colors and sounds you’ve missed

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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A Prayer for Choosing a Shepherd

by Rich Orloff (New York, NY)

(a response to Psalm 23)

Unlike sheep
Each of us gets to choose our shepherd

I have sampled many shepherds
And haven’t always chosen wisely

I have chosen ego as my shepherd
And confined myself to a path no wider than I am

I have chosen tribalism as my shepherd
And refused to look beyond borders of my own making

I have chosen comfort as my shepherd
And convinced myself to be satisfied with meager grazing

I have chosen obligation as my shepherd
And filled my path with resentment

I have chosen distrust as my shepherd
And viewed every other sheep as a possible threat

I have chosen fear of rejection as my shepherd
And convinced myself I am still a fragile little lamb

I have chosen fear of death as my shepherd
And prevented myself from seeing how beautiful the land is

If I allow the Divine to become my shepherd
This choice stems not from wisdom
But from the simple admission
Of how poor my choices have been so far

Still, as I consider choosing the Divine as my shepherd
I fear the Divine will turn me into a sheep
Or one day banish me from the flock
Or even lead me to slaughter

As I wonder who to choose
I see that God has already chosen me
I stand before the Divine
Praying for the courage to trust my shepherd

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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Caught in the Middle

by Mel Glenn (Brooklyn, NY)

I am lucky enough to have

friends on either side

of the religious diamond, 

fundamentalists who swing from the right,

and atheists who bat from the left.

I stand squarely in the middle,

unsure which side to root for,

let alone play for.

I am caught between 

piety and protest, tradition and rebellion.

There are so many teams,

as there are so many religions.

For which team do I sign a long-term

contract on the dotted line?

The Pittsburgh Protestants?

The Boston Buddhists?

The Miami Muslims,

or the Jersey City Jews?

Doesn’t God pitch for all the teams?

Who is to say which team is best,

which team is strongest,

which team leads the league?

We are all essentially on the same playing field.

We are all part of the same cosmic lineup.

We need to feel connected,

no matter which team we play for.

We do not wish to be wandering alone.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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A Psalm of Pizza

by Rich Orloff (New York, NY)

While waiting with great anticipation
For the cheese pizza I ordered
Because I am consumed with hunger
And I really need this pizza

God knocks on my door

I open the door
And God says
I offer you the universe and all of its wonders
And I offer you life’s greatest gift, love

That’s nice, I reply
But I was really expecting a cheese pizza
And I’m very hungry
Where’s my cheese pizza, God?

God smiles, in that inscrutable way God does
And leaves
Continuing a lonely mission to go door to door
Offering the universe and love to all who will receive it

While over and over
People respond with disappointment to God’s offering
Because they were expecting a cheese pizza
And God didn’t deliver their prayer

Rich Orloff writes both poems and plays.  His poems have been published in The PoetFragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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Peel Away to Dust

—a pantoum after Psalm 103, verses 6-16

by Donna Spruijt-Metz (Los Angeles, CA)

Tonight—buoyed 

by making order—and rituals

of passing 

and there’s the fear of it.

By making order I am lifted—rites

of YOUR presence—

the fear of it—

the haunting stop

of YOUR presence

gentling me. Time—and yet

the haunting—stop—

I am blindfolded by my hands

as YOU gentle me—time—

the moving into—yet

my hands

along the walls of YOUR compassion

are absolute—yet 

the ghost persists, spirits me

along the walls of YOUR compassion—

fumbling YOUR fabled kindness.

I touch it, hungry

spirits peel—fragile—

as I fumble in YOUR kindness

YOU lift humiliation, my concerns—

peels me fragile,

frightened desertion. 

Unlock concerns

and dust feels pain.

I remember every desertion, 

going to dust

I am dust and dust feels pain

as I fertilize YOUR fields.

I, willful, mourn going to dust.

Wind passes through us all—moves us on.

I bless, fertilize YOUR fields

tonight, light, buoyed.

A few words from the author on the poem “Peel Away to Dust“–
For years, on most Thursday nights I have gathered with a group of friends to study psalms using a process called ‘Lectio Divina,’ borrowed (and morphed) from the traditional Christian monastic practice. Often these musings lead to poems. The repetition in the pantoum form helped me to express my halting approach towards the holy.

Donna Spruijt-Metz is a poet, a psychology professor, and a recent MacDowell Fellow. Her first career was as a classical flutist. She lived in the Netherlands for 22 years and translates Dutch poetry to English. Her poetry and translations appear in Copper Nickel, RHINO, Poetry Northwest, the Tahoma Literary Review, the Inflectionist Review, and elsewhere. Her chapbooks are ‘Slippery Surfaces’ (Finishing Line Press) and ‘And Haunt the World’ (a collaboration with Flower Conroy, Ghost City Press). Camille Dungy (Orion Magazine) chose her forthcoming full length ‘General Release from the Beginning of the World’ (January 2023, Free Verse Editions) as one of the 14 Recommended Poetry Collections for Winter 2022. She gets restless. Her website is https://www.donnasmetz.com/

And here’s a link to Donna’s debut collection, which will be released on January 1, 2023: https://www.amazon.com/General-Release-Beginning-World-Spruijt-Metz/dp/1643173510

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Conversion of the Jew?

by Mel Glenn (Brooklyn, NY)

“The usual, Mel?”
says Delora, the sweet-smiling 
server at the new Mennonite-run coffee shop.
“I’m thinking,” I say.
“How is God treating you today?”
she asks playfully, but with
a hint of missionary zeal.
“OK, I guess, hadn’t thought about it.”
Last week I accepted a tract
from her on the life of Jesus.
“What did you think? Interesting, no?”
“I’m still digesting it,” I say.
Sweet Delora, I think,
I’ll finish your book,
discuss its merits,
but don’t expect me
to switch religions.
I may be a “bad” Jew, derelict
in his religious and cultural duties,
but I am still a Jew.
You are certainly entitled to follow
whomever you want, but
do not count me in your fold.
I may not follow a strict Jewish path,
but I’m not about to deviate off it.
“I see you have chicken noodle soup
on the menu. I’ll have that to celebrate
who I am,” I say proudly.
“Good choice,” Delora says.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Afternoon at the Holocaust Museum (from a dream)

by Annette Friend (Del Mar, CA)

There you were Mom and Pop,
middle-aged, well-dressed,
on a bustling afternoon
in the Holocaust Museum.
So odd, since I’ve rarely seen you
appearing so alive
since you’ve both died.

I was so enchanted seeing you again,
I barely thought of context at first,
you both docents on display at this exhibit.
I think you were excited to see me
although you were quite preoccupied
showing spectators around
the Jewish apartment in Berlin containing
the average artifacts that fill all our lives,
except these rooms were turned to rubble,
up-ended couches, dishes smashed,
curtains slashed, lives ripped apart
at the seams, by black-booted beasts
on a sunny April afternoon in 1939.

You both smiled seraphic
at the rapt crowd,
radiant as angels,
which maybe you were,
as if, finally, you both were detached
enough from the horror,
even as memories
encroached on all sides.

Maybe you’ve embraced all the relatives,
friends, whose lives were leveled
years ago at vicious hands of Nazi brutes.
Has that holy reunion given you a type
of peace to be able to tour
through the past without shattering
into shreds?

Or perhaps God in His inimitable wisdom
sat down with you both on His white mantel of clouds,
patiently gave you His explanation for His silence,
willingness to wait out the Atrocity
while sitting on His hands.

Perhaps that explanation is enough,
if only in the afterlife.                                                            

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, and The San Diego Poetry Annual.

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