Category Archives: poetry

Hineni

by Jane Hillson Aiello (Denver, CO)

Raised between the transom

Of women’s lib and balabusta

No chance for ritual

No push to excel

No college application

Instead, a cross country trip

In Chevy’s version of a Conestoga

Landing in foothills

A place beyond knowing

Mamaloshen faded

Who am I      who am I

Echoed in the valley

My mother died before my poetic voice sprouted

Even though it was she who helped plant the seed

I will see her again one day

Beyond the heavens

In a field of fresh mown grass

She’ll be leaning on her Fairlane 500

As blue as the Colorado Sky

A scarf around her reed thin neck

Jackie O sunglasses

Cigarette in her right hand

I will call out to her in the ancient language

Of daughters

I am here mom 

Right here

Jane Hillson Aiello is a lifelong intuitive poet. Raised in a loosely conservative Jewish family in the suburbs of New York City, she calls the Front Range of Colorado home for more than forty years.  She also writes essays and memoir vignettes. Jane leads poetry workshops for Kavod on the Road and other organizations in the Denver metro. She has four poems featured in the soon to be released anthology Unplugged Voices. 125 Tales of Art and Life from Northern New Mexico, the Four Corners and The West.  Jane is a member of Poetry Society of Colorado. Read more of her work on her blog:  Poetry, Prose and Prattle 

Author’s notes: Hineni – Here I am; Balabusta – a good housewife; Mamaloshen – Mother tongue

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Saturday morning

by Mel Glenn (Brooklyn, NY)

A man this Saturday
passes me on the street.
He is dressed in a suit and tie
and carries his tallis bag obviously 
on his way to the local shul.
He wears a yarmulke.
“Good shabbos,” he says.
I mumble the same in reply.

I feel I should be someplace else.

I am dressed in a 
tee-shirt, shorts, and sandals,
and on my head is a baseball cap.

I feel I should be someplace else.

The morning sun, 
rather than a call to prayer,
dictates my walk around the park
where I can think my little thoughts.
The air is fresh, my mind is clear,
and yet …

I feel I should be someplace else.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Sanctuary

by Alison Hurwitz (Cary, NC)

Incongruous, that towered height among the holly, butternut, 

hydrangea, along the oaks, camellias, black-green laurel hedge —

there it rose, so tall it steepled everything, as if to say, remember,

pray to what grows green above us.

A field-worn, furrowed man called Shorty came knocking once. He said

when young, he’d planted a young redwood seedling there, brought back

from California, vaguely hoped that it would someday grow to be 

a landmark. He’d removed his crumpled hat, his hand a map of years, 

his eyes as wide as forests, asked if he could go and touch the trunk, 

already girthed to temple, breathing dusk. My mother understood,

she a tree parishioner, so both of them remained a while in silence.

When Shorty went away, he left his story grafted to its branches. 

Dad cut back the deck each year, to give the redwood room to ring. Rare 

days when grandparents sat dappled on the deck, polite and tightly furled,

Jews and Catholics baffled past translation, they sat in shade below it, and 

in stillness, shifted into softening; green a common tongue between them. 

At seventeen, I’d park with my first love across the street, and kiss until the night 

dipped branches dark with longing. When, same car, same street, same boy, 

time wrenched us into ending, the tree stood by to witness, a shelter until 

my loss let go its spores, until my heart referned with undergrowth.

Ten years later, beneath the tree, my new husband and I stood quiet while my parents, 

faces filigreed with leaf-light, planted blessings in us. They prayed we’d tend

a sapling, make a small repair, something to green the broken world. My parents’ hope 

could sing the music out of wood.  Mitzvot and Meritum. Their reverence, ringed.

The day after my father died, when all I had was absence, I stumbled out to sit 

below our redwood tree. There, grief burrowing among its roots, I stayed until 

I found a seed and held it in my palm. I breathed and felt the way that branches 

lifted into blue, its birds built nests, the fledglings flew, each ending bending to beginning: 

holy as the timeless sky.

Alison Hurwitz’s work has appeared in Global Poemic, Words and Whispers, Tiferet Journal, Writing in a Woman’s Voice, Anti-Heroin Chic, Book of Matches, and The Shore, and is forthcoming in Amethyst Review, Rust and Moth, Thimble Magazine, Academy of the Heart and Mind, and SWWIM Every Day. She writes gratefully in North Carolina. To read more about her and her work, visit alisonhurwitz.com

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Peel Away to Dust

—a pantoum after Psalm 103, verses 6-16

by Donna Spruijt-Metz (Los Angeles, CA)

Tonight—buoyed 

by making order—and rituals

of passing 

and there’s the fear of it.

By making order I am lifted—rites

of YOUR presence—

the fear of it—

the haunting stop

of YOUR presence

gentling me. Time—and yet

the haunting—stop—

I am blindfolded by my hands

as YOU gentle me—time—

the moving into—yet

my hands

along the walls of YOUR compassion

are absolute—yet 

the ghost persists, spirits me

along the walls of YOUR compassion—

fumbling YOUR fabled kindness.

I touch it, hungry

spirits peel—fragile—

as I fumble in YOUR kindness

YOU lift humiliation, my concerns—

peels me fragile,

frightened desertion. 

Unlock concerns

and dust feels pain.

I remember every desertion, 

going to dust

I am dust and dust feels pain

as I fertilize YOUR fields.

I, willful, mourn going to dust.

Wind passes through us all—moves us on.

I bless, fertilize YOUR fields

tonight, light, buoyed.

A few words from the author on the poem “Peel Away to Dust“–
For years, on most Thursday nights I have gathered with a group of friends to study psalms using a process called ‘Lectio Divina,’ borrowed (and morphed) from the traditional Christian monastic practice. Often these musings lead to poems. The repetition in the pantoum form helped me to express my halting approach towards the holy.

Donna Spruijt-Metz is a poet, a psychology professor, and a recent MacDowell Fellow. Her first career was as a classical flutist. She lived in the Netherlands for 22 years and translates Dutch poetry to English. Her poetry and translations appear in Copper Nickel, RHINO, Poetry Northwest, the Tahoma Literary Review, the Inflectionist Review, and elsewhere. Her chapbooks are ‘Slippery Surfaces’ (Finishing Line Press) and ‘And Haunt the World’ (a collaboration with Flower Conroy, Ghost City Press). Camille Dungy (Orion Magazine) chose her forthcoming full length ‘General Release from the Beginning of the World’ (January 2023, Free Verse Editions) as one of the 14 Recommended Poetry Collections for Winter 2022. She gets restless. Her website is https://www.donnasmetz.com/

And here’s a link to Donna’s debut collection, which will be released on January 1, 2023: https://www.amazon.com/General-Release-Beginning-World-Spruijt-Metz/dp/1643173510

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Chanukah Metaphor

by Mel Glenn (Brooklyn, NY)

Nun.

Gimel.

Hey.

Shin.

The four faces of the dreidel,

a game learned in childhood,

a metaphor for adults.

Take all, lose everything

put in two, take half.

Fate turns on a spin, 

fortunes flip on a dime, 

a fifty-fifty chance for the dime, 

a one-in-four shot for the dreidel. 

Thus, the questions I’ve wrestled with

ever since childhood:

is it luck, circumstance, or fate,

or are we all part of God’s plan?

Does He spin the dreidel for us?

Does He decide which side turns up?

Or are we subject to twirling all our lives 

and watching where we land?

Nun.

Gimel.

Hey.

Shin. 

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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It Could Have Been Me

by Mel Glenn (Brooklyn, NY)

It could have been me

     
A survivor tells how lice
     
attacked her body daily
     A man waits for an exit visa
     in Berlin, 3 days, he still waits
     The ship St. Louis is turned back
     900 refugees are barred from the U.S.

It could have been me

     A family goes into hiding in Amsterdam
     
They will soon be discovered
   
  A prisoner, shriveled and starving,
     throws himself against an electric fence
     A baby is shot in the head because
     he was crying in his mother’s arms

It could have been me

   
  He is forced out of school in Vienna,
     taunted now by former classmates
     Starved in the cold in Poland,
     he will do anything for a morsel of bread
     They are marched to the showers in Auschwitz,
     where are you, my God?

It could have been me… all of them could have been me

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Conversion of the Jew?

by Mel Glenn (Brooklyn, NY)

“The usual, Mel?”
says Delora, the sweet-smiling 
server at the new Mennonite-run coffee shop.
“I’m thinking,” I say.
“How is God treating you today?”
she asks playfully, but with
a hint of missionary zeal.
“OK, I guess, hadn’t thought about it.”
Last week I accepted a tract
from her on the life of Jesus.
“What did you think? Interesting, no?”
“I’m still digesting it,” I say.
Sweet Delora, I think,
I’ll finish your book,
discuss its merits,
but don’t expect me
to switch religions.
I may be a “bad” Jew, derelict
in his religious and cultural duties,
but I am still a Jew.
You are certainly entitled to follow
whomever you want, but
do not count me in your fold.
I may not follow a strict Jewish path,
but I’m not about to deviate off it.
“I see you have chicken noodle soup
on the menu. I’ll have that to celebrate
who I am,” I say proudly.
“Good choice,” Delora says.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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The Blue Mikvah

by Edna Shochat (Boise, ID)

To each his Temple.

My house of worship was established years ago

for young men, Christian.

Today YMCA is simply “The Y”.

Why? Because now everyone is welcome

regardless of age, gender, or faith.

Neither young nor male,

Jewish by birth and atheist by choice,

I attend, religiously, a daily ritual in the pool.

Like joining a Minyan

gathering for morning prayer at the Shul

I dip into the blue mikvah

and under watchful eyes of young lifeguards

swim like a gray-haired mermaid

counting my blessings.

Edna Shochat was born in British Mandate Palestine and grew up in Israel, leaving for the United States to follow career opportunities. Four years ago she and her husband followed their grandkids to Idaho. She discovered poetry at a Writing Through Cancer program while undergoing chemotherapy in 2011, and joined the YMCA to help her recovery. She continues to write poetry “to help carry her on the journey we all share, of aging.

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Bubbe and Zayde Take Me to the Ice Capades

by Judith Sanders (Pittsburgh, PA)

On their Bronx subway platform,

they hold my hands.

She with her hatpin and cloth coat.  

He in a button-down and tie clip, 

worn for this holiday 

from cashiering at a newsstand.

We wait for the train to Manhattan,

where they never go, except today, 

for me, their scrubbed, chubby grandchild, 

who can’t speak their language

and has her own room.  

She was never yanked from school. 

Would never know, God willing, 

the soldiers, the nightmare of ripping 

and smashing, the mother’s screams.  

My parents don’t care about the Ice Capades, 

the ladies in sequins, twirled by men in tights. 

They are going to the symphony.  

Bubbe and Zayde guard me, one on each side, 

from the clatter of the oncoming train.

They do not ask why I want to go 

to the Ice Capades, when my whole life 

is one glide down smooth ice, an escapade, 

a frolic.

Judith Sanders’ poetry collection In Deep was recently published by Kelsay Books.  Her work appears in numerous journals, including Pleiades, The American Scholar, Modern Language Studies, Der Pakn Treger, and Poetica, and on the websites Vox Populi and Full Grown People.  She lives with her family in Pittsburgh.

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Afternoon at the Holocaust Museum (from a dream)

by Annette Friend (Del Mar, CA)

There you were Mom and Pop,
middle-aged, well-dressed,
on a bustling afternoon
in the Holocaust Museum.
So odd, since I’ve rarely seen you
appearing so alive
since you’ve both died.

I was so enchanted seeing you again,
I barely thought of context at first,
you both docents on display at this exhibit.
I think you were excited to see me
although you were quite preoccupied
showing spectators around
the Jewish apartment in Berlin containing
the average artifacts that fill all our lives,
except these rooms were turned to rubble,
up-ended couches, dishes smashed,
curtains slashed, lives ripped apart
at the seams, by black-booted beasts
on a sunny April afternoon in 1939.

You both smiled seraphic
at the rapt crowd,
radiant as angels,
which maybe you were,
as if, finally, you both were detached
enough from the horror,
even as memories
encroached on all sides.

Maybe you’ve embraced all the relatives,
friends, whose lives were leveled
years ago at vicious hands of Nazi brutes.
Has that holy reunion given you a type
of peace to be able to tour
through the past without shattering
into shreds?

Or perhaps God in His inimitable wisdom
sat down with you both on His white mantel of clouds,
patiently gave you His explanation for His silence,
willingness to wait out the Atrocity
while sitting on His hands.

Perhaps that explanation is enough,
if only in the afterlife.                                                            

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, and The San Diego Poetry Annual.

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