Monthly Archives: April 2026

A final flower for Shabbat

by Steve Lipman (Forest Hills, NY)

$8.66.

That’s how much a single long-stemmed rose cost me in May at a florist’s shop in the Houston suburb where my mother had lived in a skilled nursing home for a few weeks. She was undergoing rehabilitation to strengthen her for a return to the assisted living facility where she had lived for more than a year.

I bought the flower on a Friday morning in May on the way to visit Mom. I was in Texas for a few weeks while my sister — a Sandwich Generation Baby Boomer who ordinarily took care of Mom’s affairs, while playing an active role in the lives of her adult daughters — was spending a week out of the country with a vacationing daughter.

I was covering for my sister, driving to visit Mom every day, besides Shabbat.

That erev Shabbos I stopped at the florist’s to keep up a long-standing tradition. When earlier visiting my folks in Buffalo (Dad was alive until 2005), and when visiting Mom since she had moved to the Houston area (she settled there the year after Dad died), I always bought her a bouquet for Shabbat. Or for yom tov, if I visited on a chag. Whether she was in her own apartment, or subsequently in assisted living.

She always appreciated the flowers.

Would she this time?

At 104, she was rapidly declining – physically, mentally and emotionally. She recently had been officially diagnosed with the onset of dementia. Though the diagnosis only confirmed the obvious.

Her energy and acuity diminishing, she often spent a day – or most of it – in bed, hardly eating, which further weakened her.

Nevertheless, I brought flowers for Shabbat. That was my mitzvah, my tradition. No one else in the family had done it on a regular basis.

Mom, while not an Orthodox Jew by any means, found the flowers a reminder of the frum home of immigrants from Eastern Europe in which she had grown up.

By the time I spent in Texas recently, it was questionable how much she remembered.

Over the years, each bouquet was different – depending on the weather or time of year, the imminence of any Jewish or secular holiday, my mood or Mom’s mood, my budget or other conditions. Different smells, different colors, different arrangements. One bouquet from a Buffalo-area supermarket one year, for a reason that neither Mom nor I understood, featured an artichoke amidst the blooms; the artichoke did not add to our aesthetic or dietary enjoyment.

Mom would happily display the flowers each time in a vase on the living room table, where she hosted a Shabbat meal for me and some family guests, or somewhere else in the room easily within sight.

At the Texas Friday in May, I had considered not getting Mom any flowers. What’s the point? Would she notice?

In the nursing home, after a recent hospitalization, she was barely conscious, hardly spoke to anyone on the staff or to visitors when she was surprisingly awake, rarely opened her eyes, would mostly mumble a few words. She might not appreciate – or recognize – flowers.

But I decided to get some, to honor Mom and to honor Shabbat.

This might be my last chance, I thought.

I drove to the florist shop on a state highway near my sister’s home.

No full bouquet this time; Mom didn’t have a vase in her room. A single flower, a reminder of Shabbos kodesh, would suffice; a wrapped flower I could leave with Mom.

What sort of flower? I had no preference. Maybe an orchid or a lily. For sure, an actual flower, not an artificial one – as a symbol of life, of hope.

A middle-aged saleswoman behind the counter, sporting a Houston Texans football team T-shirt, invited me to look around. She pointed to groups of flowers on vases scattered around the front of the store and in a refrigerator. The shop was not large, but the variety of flowers was.

“We have more in the back,” she said, directing me to a room where other employees were at work picking and snipping a rainbow’s worth of blooms. I walked into the back room and looked around. A vaseful of tall pink-and-white roses – the pink was clearly introduced by dye via capillaries into the originally white flowers — caught my eye.

That was my choice.

What woman doesn’t like a rose?

“I’ll take one of those.”

One of the workers cut the stem into about a foot’s length, added some greens and baby’s breath, connected them to a small vial of water that kept it all hydrated, covered it with some light green wrapping paper, and handed it to me.

$8.66.

A lot of money for a single flower.

I rarely depend on gematria for writing the divrei Torah that have dominated a significant chunk of my time since my full-time job ended in 2020. But one numerical equivalence seemed appropriate – one gematria of 866 is c’ahavat ha’mishpacha – “as the love of the family.”

My sentiments, exactly.

I laid the flower on the passenger’s seat of Mom’s car, and set off on the 25-minute drive to her nursing home.

In her room, Mom appeared to be asleep.

“Good morning, Mom,” I said loudly. 

She didn’t stir.

I repeated my greeting.

“Huh?”

“Today is Friday, and tonight is Shabbos. I brought you a flower.”

“Good.”

“Open your eyes!”

Mom opened her eyes.

I held the modest Shabbat gift in front of her.

“Oh, beautiful.”

Then she closed her eyes again.

I put the flower across the top of a small bedside dresser, so Mom could see it if she turned her head.

At least she, and any aides who entered her room – none of them Jewish – would know that Judaism’s holy Day of Rest was making an appearance.

After a while, I took Mom, helped by an aide into her wheelchair, outside for a while for some fresh air. Then it was lunch time. An aide in the dining hall would feed Mom her meal.

I wished Mom a “Good Shabbos!” and kissed the top of her head, took a final long look at her, and headed back to my sister’s house.

It was the last flower I bought for Mom for Shabbat.

Since the first week in August, three months after I brought the flower, Mom has rested in Houston’s National Cemetery, in a plot where Jewish mesora dictates that flowers are not appropriate.

$8.66 was a good investment.

I thought: $8.66 is expensive for one flower. But it’s a cheap price for a memory.

____

Steve Lipman was a staff writer for The New York Jewish Week from 1983 until 2020.

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How My Father Shaped My Jewishness

By Herbert Munshine (Great Neck, NY)

My father never called me by what I call

my American name.

I was never Herbert, Herbie, Herb or even,

as a Scottish fellow teacher used to call me

during my time in West Africa for the Peace Corps,

Bertie. To my dad, I was always a very guttural “Chaim.”

I never questioned his choice.

(A Herb by any other name….)

To my teachers, my friends, my sisters,

I was Herb or Herbie but to my dad, I was consistently

Chaim. It was good and even comforting to be addressed

that way by him. In mature retrospection, I realize that

his use of the Hebrew name gave me my Jewish identity.

It’s as if he used the name to remind me of who I am:

a Jewish male, a descendant of a proud people,

a member of a not-so-massive group who love peace,

education, community, ambition;

a never-ending congregation whose members

represent the sacred holiness of life —

even in the face of constant enmity.

All this emanated from a name that has always

carried with it a truly deep meaning in the simple

yet complex translation: “Life!” In my final maturity,

as I reflect, even against my will,

I occasionally stumble onto wisdom

and realize the gentle options which

he offered up to me: Temple Emanuel visits

for major holidays, after-school Hebrew culture classes,

public school Hebrew language classes

(I won the Golden Ayin and was President

of the Hebrew Culture Club), two agonizing visits to

Jewish cemeteries. Even in the presence of death, I —

Chaim (my soul hears echoes of my father’s voice

together with a whisper of assurance from my mother) —

even in the midst of humbly resting Jewish souls

gone from one kind of community to

a much more peaceful one —

I am my father’s Chaim.

I am my lifetime definition

of a Jewish life!

Herbert Munshine grew up in the Bronx and graduated from C.C.N.Y. with both a B.S. in Education and a Master’s Degree in English. You can find his baseball poetry on Baseball Bard where he has had more than 100 poems published, and where he was recently inducted into that site’s Hall of Fame. He lives with his wife in Great Neck, NY.

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Visiting on Father’s Day

by Lillian Farzan-Kashani (Santa Monica, CA)

Your energy shines

Like the sun rays

Grateful to be near you, 

I clean off your headstone with rosewater

What a gift to be raised

In the language you spoke

Hayedeh and Faramarz on repeat

In your honor

I wish we could have gotten 

Further into the

Rumi + Hafez of it all

Perhaps not a poet

But a philosopher

I wonder what you would say now

My fiancé’s flight canceled

Bombs going off in your homeland

And too close to where your parents rest

Would you tense like the rest of our family 

At the sight of a kefiyyeh?

Or see it just as

The stars I was given as a child, to wear around my neck

A symbol of

The people, at the end of the day

With whom you found grace, even kinship 

Moved by their beauty and hospitality

Oh how I long for more time spent with you, Baba, your leveled head and all

Lillian Farzan-Kashani is an Iranian American and Jewish therapist, poet, and speaker based in Los Angels, CA. Much her her work is rooted in being a child of immigrants and is reflective of her intersectionality. Read more about her professional and creative pursuits at https:www.lillianfarzan.com/

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Where the train tracks end

by Janice Alper (San Diego, CA)

I walk in silence along grass covered train tracks
with teenagers, Holocaust survivors, chaperones.
We are a sea of blue. Our jackets boast
MARCH OF THE LIVING. Butterflies flutter
onto wildflowers, birds chirp in sparse trees.
We shade our eyes from bright sunlight, stare
at the expanse of 17,000 stone markers with
names of towns and villages no longer in existence.
Two teens help me on my fruitless quest to find
my great-great grandparents’ birthplace. We rest,
sit on the ground, our backs against the smooth
stones, close our eyes. For a moment we are
joined with those who are gone.

At dusk, young lovers stroll hand in hand,
in the shadow of a new moon, hug,
make love, ignore the ghosts of Treblinka.

Janice Alper writes poems, personal essays, and memoirs. Her work has appeared in the San Diego Poetry Annual, Bristlecone, and California Bards, and other places. She is the author of Sitting on the Stoop: A Girl Grows in Brooklyn, 1944-1957. Janice is currently pursuing an MFA in Creative Writing/Poetry, from San Diego State University. Follow her at www.janicesjottings1.com

Editor’s Note: “Where the train tracks end” originally appeared on OftheBook (https://ofthebookpress.com) and is reprinted here with permission of the author.

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Shabbat

by Penny Perry (Fallbrook, CA)

My six-year-old granddaughter

comes home from school

and declares, “Jesus saved me.”

My four-year-old granddaughter

echoes, “Jesus.”

“I need to tell them who we are,”

my daughter says.

My daughter found Judaism on her own.

I’m a Jew with Buddhist tendencies.

I pray to God and escort live spiders

from the shower to the grass.

My daughter gathers flour, honey,

eggs, oil, sugar, and yeast,

pours them in a mixer. The mixer hums.

She hums, lets the dough rise,

rolls the dough out.

She’s beautiful in her pink dress

and shawl, her hair tied back,

one loose curl.

She shapes the dough into four braids

and weaves them into a loaf.

She brushes the loaf with an egg wash,

bakes the bread to a golden brown.

She tells her daughters that all over

the world at sundown on Shabbat Jewish women

light candles. The candles she picks

are small with tiny flames. She places

each candle in a glass and puts them

on the cupboard. Each girl will have a candle of her own.

My daughter shows her daughters her book

of prayers, her Hebrew name embossed

on the cover. She says a prayer

in a language her girls have never

heard before. She asks them to close

their eyes and picture God,

says God loves them and will keep them safe.

I don’t tell my daughter that a friend

carries her flour and honey,

eggs and oil to the synagogue, 

where police in uniforms holster

their Glocks, guard the temple,

so my friend can bake and worship

in peace.

My granddaughters stand in their dresses,

their eyes closed.

I picture them as grown up mothers praying

in their kitchens at sundown.

I wipe my eyes, breathe in the scent of baking bread.

Penny Perry has been nominated for a Pushcart Prize six times, by six different publishers. Garden Oak Press has published two of her poetry books, Santa Monica Disposal and Salvage and Woman with Newspaper Shoes. Her poetry has appeared in many publications, including Earth’s Daughters, Lilith, Poetry International, San Diego Poetry Annual, Paterson Literary Review, Mid-Atlantic Review, and Limestone Circle. Her novel Selling Pencils and Charlie was a finalist in the San Diego Book Awards. She was the prose editor at Knot Literary Magazine for ten years. In the early 1970’s, she was one of the first female screenwriting fellows at the American Film Institute; a screenplay she wrote there became a film on PBS. 

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