Tag Archives: prayer rituals

The Weight of Atonement: A Yom Kippur Turning Point

By Sherry Christiansen (Twin Cities, MN)

The medical-grade Velcro of my abduction sling made a sharp, sacrilegious ripping sound every time I adjusted my weight in the sanctuary seat. It was Yom Kippur, the Day of Atonement, and I was exactly three weeks post-op from a traumatic shoulder reconstruction.

Although I wasn’t raised Jewish and knew very little about my maternal family’s Jewish heritage growing up, my spiritual journey eventually led me to a year-long conversion and a deep love for Jewish life and tradition. 

I had developed a deep passion for Jewish prayer and tradition. The rhythm of the calendar. The meaning woven into each holiday. Even time itself seemed to carry purpose.

Just a month earlier, I had been the “perfect” conversion student—learning Hebrew transliteration for daily prayers, reading everything I could get my hands on about Jewish history and traditions, and even scouting apartments within walking distance of the synagogue so I could finally embrace a fully observant life.

Of all of the Jewish holidays, Yom Kippur drew me in the most. I loved reading about how the holiday helps us transcend our limitations, mistakes, and ego, offering a day where the evil inclination loses power. In Kabbalah, the esoteric side of Judaism, Yom Kippur connects Jews with their “neshama (soul),” also considered one’s truest essence or “spark of God.”

On a personal level, I was learning that Yom Kippur is a call to stop and take account of who I had been and who I wanted to become. Although it would be my first experience celebrating this holiest day, I intuitively knew that it would be significant, perhaps even life-changing.

Then came the fall. What should have been a simple misstep while watering plants turned into a sudden, forceful surge forward, as if pushed, sending me nearly nine feet from my patio onto the unforgiving concrete driveway. The injury was severe. Surgery followed. Just like that, the version of myself who had everything under control was gone.

The first thing that crossed my mind when I learned I needed surgery wasn’t the operation itself. It was the High Holy Days. I had worked too hard to let surgery pull me away from the most meaningful months of my conversion.

At first, I planned to postpone the surgery until after the holidays. My orthopedic surgeon quickly put an end to that idea. By the time I saw him, nearly two months had already passed since the injury, and he was concerned that waiting any longer could increase the risk of complications and compromise the outcome of the surgical repair.

It was my first real lesson in trusting that Hashem’s timing and my own plans were not always the same. Jewish law teaches that preserving life and health takes precedence over nearly every other commandment. So I took a deep breath, placed the decision in Hashem’s hands, and scheduled the surgery just days before Rosh Hashanah.

I convinced myself I would be “recovered” in time to fully participate in the High Holy Days. I  was wrong. Recovery would mean months of pain, an immobilizing sling, physical therapy, sleepless nights, exhaustion, and the emotional weight of losing my independence. Still, I was determined not to let the injury keep me from experiencing these sacred days. I arranged transportation, coordinated with my mentor, and did everything I could to be present for the most meaningful moments of Rosh Hashanah and Yom Kippur services.

On Yom Kippur, many wear white to reflect purity, humility, and forgiveness, and to remind us that everyone stands equal before God. I stood among a sea of congregants dressed in white, swaying quietly in rhythm. The swaying, often done during prayer, helps bring the body into the words, deepening the focus, particularly during intense moments of reflection. The effect was powerful.

But I was unable to join that rhythm. 

Not just because this was my first Yom Kippur as a conversion candidate, but because I literally could not keep up.

The congregation rose for the Viduy, the confessional prayer, the core ritual of the service where we name our mistakes together while gently tapping the chest.

As the prayer opened, I stood along with everyone else. My surgical arm, balancing the Machzor (High Holy Day prayer book) on the back of the pew in front of me, felt like dead weight. Even the smallest movement strained the healing tendons and aching muscles. 

Supporting the book sent a dull, gripping ache through my upper arm and shoulder. I shifted constantly, trying to find a semi-comfortable position.

Within minutes, the strain in my neck from the constant pull of the sling and weight of the book forced me back into my seat. I scanned the room, hoping to find somewhere to rest the book. A lectern, a ledge, anything. Every surface was already in use.

So I stood again.

With my left hand, I began to tap lightly against my chest.

Once. Then again.

Slower than everyone else. Off-beat. A little unsure.

For a few seconds, I froze. Everyone around me seemed to move in quiet unison. Heads bowed. Hands rhythmically rising and falling against their chests. The sound was soft but steady, like a shared heartbeat.

I realized I could not match it. Not even close.

I paused, wondering if I should remain seated, then suddenly heard a voice inside that said, “Stop performing, just be here.”

And then something completely unexpected happened.

Unable to “do it right,” I stopped focusing on how I appeared. I stopped worrying about keeping pace.

Although my physical struggle continued, something shifted. I began to detach from focusing on the mechanics of the prayer and became immersed in a profound, quiet sense of release.

Tears welled unexpectedly. For the first time in my life, stepping outside my own self-consciousness, a sudden overwhelming wave of peace washed over me. I felt the quiet power of God’s forgiveness for His people, and somehow, despite my imperfections, for me as well. From that moment on, each phrase felt less like a recitation and more like a quiet admission. Not polished. Not practiced. Just real.

As I continued tapping my chest, my attention gradually shifted away from my physical discomfort. Instead, I became acutely aware of something else: a lifelong pattern of moving through my actions on autopilot, rarely pausing to truly own them. 

By the time the prayer ended, a profound shift occurred. It wasn’t a dramatic awakening or a jolt of ecstatic happiness, just a quiet, settled understanding.

When the service ended and people began filing out of the sanctuary, I stayed where I was for a moment longer. My arm still ached. Nothing about my physical discomfort had changed. But something inside me had.

That night I finally understood that the true gift of Yom Kippur is the invitation to show up in raw, unfiltered honesty. Not flawless observance. Not perfect performance. Just the willingness to stand before Hashem exactly as I was. The service unfolded in a way I never could have anticipated, quietly shaping me into someone more aware, more present, and, perhaps for the first time, willing to face myself honestly. 

As I stepped into the cool night air toward my waiting ride, my shoulder still ached, and my arm remained immobilized. Nothing about my physical condition had changed. But I had. I had shown up that night believing I needed to prove I belonged by doing everything right. I left understanding that sometimes the holiest thing we can bring before Hashem is not our strength, but our willingness to stand before Him exactly as we are. 

Sherry Christiansen is a veteran freelance journalist and writer with more than twenty years of experience covering health, wellness, mental health, and medicine. Her work has been published by Verywell Health, Medical News Today, NurseJournal.org, and other respected national health and medical publications. In recent years, her writing has expanded to include personal essays exploring Jewish mysticism, spiritual transformation, and the intersection of ancient wisdom with contemporary life. Her writing portfolio is available at https://slclynn12.journoportfolio.com.

Sherry follows the teachings of the Baal Shem Tov, founder of Chasidism, and draws inspiration from the spiritual legacy of Rebbe Nachman of Breslov. Those influences, together with her own conversion to Judaism, involving 12 months of formal study with a Conservative rabbi and regular Orthodox community involvement, inform her writing on faith, healing, resilience, and the sacred potential of everyday life.

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Tashlich

by Judith R. Robinson (Pittsburgh, PA)

We live the days

between the days

of awe and lamentation.

Down to the river’s edge

the pale rabbi treks, arrives,

sways, raises a fist

plump full of crumbs

to cast into the sparkling

current of hope.

Where are the fish?

Where are the fish big enough

to swallow these sins?

To eat our sins

and swim off, swim off, fish!

Take our sins with you!

Purify us, save us, 

let us begin again

souls washed clean again,

we pray 

       we pray 

             we pray

one more year 

         one more year 

                one more year.

Judith R. Robinson is an editor, teacher, fiction writer, poet and visual artist. A summa cum laude graduate of the University of Pittsburgh, she is listed in the Directory of American Poets and Writers. She has published 100+ poems, five poetry collections, one fiction collection; one novel; edited or co-edited eleven poetry collections. If you’d like to learn more about her and her work, visit her website: www.judithrrobinson.com

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Long Grief

by Pam Adelstein (Newton, MA)

There used to be much to do. Recite the Mourner’s Kaddish daily. Phone calls, waiting on hold, forms, estate management. Sorting and donating Dad’s personal goods. Panicked phone calls and texts from my mother. Explaining my status as a mourner — taking the year off from dancing at celebrations, declining blindingly joyous events that chafed against my mourning soul. Friends checking in. Feelings to process. All the “firsts” — first Thanksgiving, first Father’s Day, first birthday, etc. — without Dad.

At the three-year mark, I am relieved that these urgent and important tasks are completed. Now, less urgent, less important tasks remain. Paperwork. Boxes to sort through. When I consider tackling these, my energy wanes suddenly, and I tell myself “Another time.” Honestly, who knows if that time will ever arrive.

My acute grief has evolved into long grief — not found in a psychiatry book, and not identifiable by observing me. I am my usual self, except when I am not. I have not discovered anything to do with this long grief, except to feel it. When I see my dad’s handwriting. When I gaze at a photo of his smiling face and deep blue eyes. When I hear his voice in my head. When I repeat his words and favorite phrases. When I try to better understand who he was. When I share an anecdote about him that makes me chuckle. When my birthday nears and I experience the pang of his absence, knowing there will be no happy birthday phone call from him this year — or ever.

Since his death, December triggers foreboding, and January brings me an uncomfortable cloak of vague sadness. Attempts to shove down feelings of not-rightness are unsuccessful. And then I remember, January is when my dad died of COVID complications. When my mom called the ambulance. When his oxygen saturation was in the 60s. When he was hospitalized. When he went to rehab. When rehab called to tell me that they were doing CPR and later called about his death on day 10 of isolation. When the visit I had planned on day 11 became time I spent with his body, saying goodbye. COVID is uniquely fraught for those of us who work in the medical field and who have lost loved ones to the disease. With each COVID surge, fraught feelings resurface. Images and memories intrude in my day. A complicated facet of my grief.

The Yizkor service occurs four times a year. It is a time for Jews to remember and honor loved ones and those who have died and been martyred. We recite parts of the service privately and quietly, and other parts aloud and together. I suppose this separate-yet-together praying brings comfort to many. For me, since my dad died, Yizkor has not brought such comfort. Instead, it spotlights that my father is no longer alive. Participating in the Yizkor service reminds me viscerally of the year I stood daily and recited every kaddish, feeling alone with the dissipating sound waves of my voice. In the time “before,” I took for granted the carefree privilege of leaving the sanctuary during Yizkor to shmooze in the hallway. Today I am part of those who remain in the service. I am a newbie. Most of those in the service are more experienced at this than I, their loved ones having died many years ago. During the private, quiet portion of the Yizkor service I wonder whether others feel like an old scar is pulled away. Do others feel tethered to a similar long grief?

Pam Adelstein is an active member of her Boston-area minyan. She lives with her husband and has two grown children. She enjoys hiking, yoga and kayaking, and works as a family physician at a community health center. Writing is a way for her to express the emotions around her work and personal experiences, connect with others, and be creative. Her writing can be found at Pulse Voices (search Pam Adelstein), at WBUR, Doximity, and STAT.

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How I See God: In the Breath, the Body, and the Movement of the World

By Alvin Raúl Cardona (Northfield, IL)

People often ask me where I feel closest to God. Of course, one of the main places is in my synagogue, when praying with a minyan, and when I’m surrounded by community. But outside of that, I also feel deeply connected to God when I’m practicing Kung Fu, when I’m teaching a student to move and breathe with intention. When the body, mind, and spirit are aligned in a single, purposeful act. During these times, I feel the Divine clearly, powerfully, in the breath, in the body, and in the beat of the world around me.

I didn’t always have the words for it. As a young martial artist, I simply knew something was happening beneath the surface, something deeper than technique or strength. I felt a current, a presence, a kind of electricity running through me. With time, and through learning with my rabbi, I discovered a name for it: “Ein Sof”, the Infinite. God’s light. God’s energy. The Life Force that sustains all things. It changed how I moved, how I teach, and how I live.

How I See God

So how do I see God in daily life?

I see God in the morning when I’m wrapping my tefillin.

I see God when I say Shema Israel, but I also see God in the way the afternoon sunlight hits the floor of my studio.
I see God in the breath of a nervous student who finally finds calm.
I see God in the stillness after training Kung Fu, when the body is at rest but the soul is wide awake.

This is why I teach. Not just to show people how to defend themselves, but to help them reconnect with what’s already inside them: their breath, their balance, their light, their soul. To remind them that they are vessels of sacred energy, a vessel that houses the Divine spark within.

Moving with purpose helps deepen that connection. It’s important that we connect with the Divine and awaken our inner sense of being.

God Is in Everything and Everywhere

In Jewish thought, we don’t believe God is confined to one place or one moment. God is everywhere and in everything, in every place, in every moment, and in every breath.

I believe that our role as Jews is to bring holiness into the world. We need to just stop for a moment and be fully present. Think about what we’re about to do, and if possible, say a blessing over it. Whether you’re about to eat something, go on a trip, or you’ve just woken up in the morning, stop, and make it holy. That simple act of awareness can transform an ordinary moment into something special.

When we pause and say a blessing over bread, over wine or over the washing of our hands, we’re not just performing ritual, we’re awakening the Divine energy already present in the moment. We’re recognizing that holiness isn’t something distant. It’s right here, if we’re paying attention.

The same applies to movement. When I step onto the training floor, it’s not just to work out. I take a minute and I make a blessing. As Jews, we have blessings for everything. I stop and I thank God for allowing me another day to train. I especially don’t take this for granted after undergoing quintuple bypass heart surgery.

(Here’s the link to that story if you’d like to take a peek: Tai Chi for Healing: My Journey to Recovery After Open-Heart Surgery)

After that blessing, I become more aware of the space around me and my movements. Focusing on the present and recognizing that Ha Kadosh Baruch Hu (The Holy One, Blessed be He) is always present.   

The Body

Too often, people separate the spiritual from the physical, as if God belongs only to the mind or the soul. But the Torah tells us that God breathed life into us. Not ideas but breath.

In Hebrew, the word for soul is Neshamah, which comes from Nasham to breathe.

That breath lives in the body. So, when I stretch my limbs, when I feel my feet grounded to the earth and my spine rising tall like a tree, I’m not just doing Kung Fu, I’m recognizing that this body is a vessel for something holy. That movement itself can be a form of connection, a way to align with the Divine energy flowing through all things.

This is about awareness. You can call it energy, Divine presence, consciousness, or chi. What matters is that you feel it. That you tune into it. That you allow it to guide your movements and open your heart.

Sometimes, you just have to inhale deeply, exhale slowly, and remember you are alive and that the Divine spark is within you.

Flowing

In Kung Fu, there’s a moment when everything clicks. You’re not thinking. You’re not forcing. You’re just flowing. The breath steadies you. The world quiets down. And in that silence, you feel it, that presence, that light, that flow.

That’s a connection to something greater than oneself.

The Divine is not always loud. Sometimes, it’s as soft as the space between your breaths.

Wisdom

As a Sephardic Jew, I see the world through the stories of great Kabbalists, Rabbis, and the members in our community. Their teachings have been passed down through generations to guide us.

Rabbi Aryeh Kaplan once wrote that meditation “loosens the bond of the physical, allowing the practitioner to reach the transcendental, spiritual realm and attain Ruach HaKodesh (Holy Breath or Wind).” In many ways, this is exactly what happens when movement and breath become unified in practice. It’s not just exercise, it’s a doorway to something higher.

The Ramban (Nachmanides) taught that a person should “not separate his consciousness from the Divine while he journeys on the way, nor when he lies down nor when he rises up.” To me, this means our entire lives, from our most sacred rituals to our smallest routines can be filled with Divine energy.

The challenge is to stay aware. To remember.

That’s the essence of Kung Fu.
That’s the path of Torah.
Constant refinement. Constant connection.
Making the ordinary holy.

So the next time you ask where to find God, try this:

Close your eyes.
Take a slow breath in.
Feel your body as it is in this moment.
And listen, not for a voice, but for the stillness beneath all sound.

That’s where God lives.
Right there.
In the breath.
In the body.
In the beat of the world.

Alvin Raúl Cardona is a Sephardic Jewish storyteller, martial artist, and sommelier from Chicago. He holds a B.A. in Communication, Media, and Theatre and a Master’s in Journalism. A 9th-generation Eagle Claw Kung Fu master, he teaches Tai Chi, Kung Fu, and meditation in Northfield, Illinois, and is currently writing a self-healing book based on the principles of Tai Chi and meditation.

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Is God at my diner?

By Mel Glenn (Brooklyn, NY)

This Rosh Hashonah

I did not go to services.

I did not pray 

with the congregation.

I did not walk 

up to the Ark.

Instead, I went for my morning coffee

at the local diner.

Was this a crisis of faith?

I don’t think so.

God sat at the next table over

watching me, making sure

I was all right.

He’s OK with me 

ordering my usual fare

while I assure Him 

my belief is constant and true,

whether I’m reading a

prayer book or a menu.

The practice of religion

may be communal,

but it is also deeply personal,

I think, as I sip my hot coffee

and know with certainty

that in the coming Yom Kippur

I will be inscribed

wherever I happen to be.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Unetaneh Tokef

by Theresa Werba (Spring City, PA)

Oh God, I am so afraid.

The future looms before me, unknown.

I fear what I do not know,

cannot know.

I fear your power over my fate.

You’re going to judge me, so I must speak of the

sacred power of this day.

I pray for mercy and truth,

because you are the judge

who knows, and sees all.

What will you write, and seal?

How will you record, and count?

What will you remember, of all 

I have forgotten?

I love books, but the Book of Remembrance

I fear, as it reads itself aloud.

What will I hear?

What has my hand signed?

The sound of remembrance!

The shofar— loud, penetrating,

piteous, strong, strange,

elemental, earthy, and

yet of spirit— but within myself

will I hear your still, small voice?

Will I rush forth with angels,

seized with trembling and terror

as they proclaim, “Behold, The Day of Judgment”?

Will I be judged as angels?

Will you judge me as a shepherd does

his sheep, passing, counting, numbering,

decreeing my living soul, my nefesh,

its destiny?

B’Rosh Hashanah yikateivun,

Uv’Yom Tzom Kippur yechateimun.

Oh righteous God,

will I live? Will I die?

Do I have an appointed time?

Will I drown? Will fire consume me?

Will I be stabbed? Will an animal destroy me?

Will I starve? Will I die of thirst?

Will the earth shake? Will malady decimate me?

Will I be stoned? Or burned?

Will life be peaceful, or will I suffer more?

Will I be poor, or rich?

Will I be brought low, or raised up?

I worry about all these things, and yet,

You give me some control over my fate,

because I can turn to you, pray to you,

and do good in the world,

wherein you may alter the course,

alleviate the punishment,

change the decree of my future.

And so I stand, expectantly,

in the New Year,

knowing that I have atoned,

trusting in your judgments,

though I do not understand them, or you, or why.

And I try to be less afraid of the future.

B’Rosh Hashanah yikateivun,

Uv’Yom Tzom Kippur yechateimun.

Theresa Werba is the author of eight books, including What Was and Is: Formal Poetry and Free Verse (Bardsinger Books, 2024), Finally Autistic: Finding My Autism Diagnosis as a Middle-Aged Female (Bardsinger Books, 2024) and Sonnets, a collection of 65 sonnets (Shanti Arts, 2020). Her work has appeared in such journals as The Scarlet Leaf Review, The Wilderness House Literary Review, Spindrift, Mezzo Cammin, The Wombwell Rainbow, Fevers of the Mind, The Art of Autism, Serotonin, The Road Not Taken, and the Society of Classical Poets Journal. Her work ranges from forms such as the ode and sonnet to free verse, with topics ranging from neurodivergence, love, loss, aging, to faith and disillusionment and more.  She also has written on adoption and abuse/domestic violence. Werba is the joyful mother of six children and grandmother to seven. Theresa holds a Master of Music with distinction in voice pedagogy and performance from Westminster Choir College and is known for her dramatic poetry readings. She is a member of Beth Israel Congregation in Eagle, Pennsylvania where she will be singing “Aveinu, Malkeinu” for the high holidays. 

You can find more about Theresa Werba and her work at www.theresawerba.com and on social media and YouTube @thesonnetqueen. 

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Hands

by Rick Black (Arlington, VA)

I watch others pass by, pushing strollers, 

carrying tallit bags, wearing yarmulkes.

And I imagine them in shul, reciting ancient prayers, 

their hands uplifted  to God.

And yet I would rather be here,

bent prostrate, nurturing the arugula seedlings.

Hunched over in torn jeans and invisible phylacteries,

I worship with them daily, my co-worshippers.

I use my hands to dig into the soil,

to clear away stones. 

Rick Black is an award-winning book artist and poet. His artist books are represented in private and public collections, including the Library of Congress, Yale University and the U.S. Holocaust Memorial Museum. A journalist for many years, Rick’s poetry collection, Star of David, won Poetica Magazine’s 2012 poetry chapbook contest for contemporary Jewish writing. A reading of Star of David was held in the Middle Eastern & African Division of the Library of Congress. He recently published a new collection, Two Seasons in Israel: A Selection of Peace and War Haiku.

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I Said the Words

by Herbert Munshine (Great Neck, NY)

I said the prayer for a very long year
to remember my mother
(as if I could forget)
to honor her
(as if I needed to)
to show my love for her
(as if that was the so official way
as if that could replace the feeling
fading just too quickly from my mind).

I journeyed to the synagogue
one vacant block from where my father worked
and sat with bearded ancient men
who shared a musty smell
with the hall which they inhabited,
who sought responsibility to guide the child
that I was and would forever be.

I listened to the words of the Kaddish
spoken quite precisely in a foreign tongue
a phrase at a time
and then I found myself repeating sounds
that had no meaning and no substance to me,
but it was my job, as I was told
(as if I had a choice).

And so I went, day by day, and I obeyed
and parroted the words
but never had the chance to say
the words that needed to be said,
about the ties we’d had, my mom and I,
about the caring that we knew
and love and strong security
now shattered — and the joy
of helping her whenever she put on
that apron and began to cook
from European scratch.

I said the words that were my duty,
words so alien to me
with men so distant from my needs
but with each word I mispronounced and mumbled
was the childhood-crafted
realization of what I no longer had
but needed very much.

I said the prayer
but wondered in my elemental way
why any God could be so cruel
to cleave a mother from a child
and substitute the words that had no meaning
to my soul.

Herbert Munshine grew up in the Bronx and graduated from C.C.N.Y. with both a B.S. in Education and a Master’s Degree in English. You can find his baseball poetry on Baseball Bard where he has had more than 100 poems published, and where he was recently inducted into that site’s Hall of Fame. He lives with his wife in Great Neck, NY.

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Devotional

by Miriam Flock (Palo Alto, CA)

His thigh thrown over mine,

my head nestled against his clavicle—

for thirty years, my husband never guessed

as he embraced me before sleep 

that I was praying: a hymn to that good Lord 

who forms our souls, pairs us in the ether, 

then hurls us into life, solitary 

until we recognize each other 

in the college cafeteria. Thank God, 

I say into my husband’s chest, 

his heart singing me to sleep.

Miriam’s work has previously been published in Poetry, Berru, Salmagundi, CCAR, and other journals.  She was the winner of the 2019 Anna Davidson Rosenberg Award for poems on the Jewish experience.  Her chapbook, “The Scientist’s Wife,” was published by Finishing Line Press in 2021.

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After Lighting

by Jane Schulman (New York, NY)

Nana’s tale, Brooklyn, 1907 

My brothers stood on Mama’s right. 

I hung on her left, fistfuls of skirt  

clenched in my hand.   

Mama struck a match,  

lit the candles, chanted the blessing 

to welcome the Sabbath.  

The sound of keys in the lock  

cut the silence.   

Papa stomped into the room:  

Blow out those candles.  America’s no place  

for your bubbe’s mishegas. 

The mouths of my brothers rounded 

in fear.  They smelled the fight 

coming.

 

Candlesticks knocked to the floor.   

Flames stamped out.  

Then and again and again.  

    *       *        *        *        *        * 

Astoria, Queens   1983 

A Friday afternoon in May,  

Nana and I set the table  

with bread and wine  

and my best china.  

I light two candles after  

she lights hers. We cover  

our eyes and murmur  

the blessing, stumbling  

over the Hebrew words.  The taste  

of prayer new to our tongues. 

Jane Schulman is a poet and fiction writer. She works as a speech pathologist with children with autism and cognitive delays.  Jane published her first book of poetry, Where Blue Is Blue, with Main Street Rag in October, 2020.  Her writing has appeared widely online and in print. She was a finalist for the Morton Marr Prize at Southwest Review.     

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