Tag Archives: prayer rituals

After Lighting

by Jane Schulman (New York, NY)

Nana’s tale, Brooklyn, 1907 

My brothers stood on Mama’s right. 

I hung on her left, fistfuls of skirt  

clenched in my hand.   

Mama struck a match,  

lit the candles, chanted the blessing 

to welcome the Sabbath.  

The sound of keys in the lock  

cut the silence.   

Papa stomped into the room:  

Blow out those candles.  America’s no place  

for your bubbe’s mishegas. 

The mouths of my brothers rounded 

in fear.  They smelled the fight 

coming.

 

Candlesticks knocked to the floor.   

Flames stamped out.  

Then and again and again.  

    *       *        *        *        *        * 

Astoria, Queens   1983 

A Friday afternoon in May,  

Nana and I set the table  

with bread and wine  

and my best china.  

I light two candles after  

she lights hers. We cover  

our eyes and murmur  

the blessing, stumbling  

over the Hebrew words.  The taste  

of prayer new to our tongues. 

Jane Schulman is a poet and fiction writer. She works as a speech pathologist with children with autism and cognitive delays.  Jane published her first book of poetry, Where Blue Is Blue, with Main Street Rag in October, 2020.  Her writing has appeared widely online and in print. She was a finalist for the Morton Marr Prize at Southwest Review.     

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Reflections on a Wall

by David Drimer (Kingston, NY)

Every time I visit Jerusalem, it feels like the first time.

There is a force, a powerful magnet, always drawing me to the Kotel. No matter what prosaic thing I may be doing in the city, it’s always on the fringes of my consciousness. As I wander the streets of the Old City, inching ever closer, the pull becomes stronger.

As much for this reason as for any other, this is the essence of why I make a pilgrimage to Jerusalem every few years.

Finally, I approach the Wall in silence, if not awe. I enter the Plaza and move closer, keenly aware of those around me. Immediately I put my forehead against the Wall, my hands above my head, feeling the heat of the rock. I instantly marvel: “How many tens of thousands – hundreds of thousands – of my Jewish forebears have prayed here in this very spot?” Suddenly, I am – as I once titled a poem – “alone amongst them.”

Candidly, my thoughts quickly turn introspective and soon lead to grief. I unbury my personal pain, the pains of my loved ones, the pains of the world. I consider each in turn. My emotional response is far from unique. As David Wiseman wrote for the Israel Forever Foundation, “If tears could melt stone, the Kotel wouldn’t be standing.”

I bring little notes of prayer to place in the Wall. One is to my mother Doris/Devorah Leah (z”l), the other is to my father Gideon/Moishe Gidon (z”l). What I know of unconditional love, I first learned from my mother. She was sick for a long time, suffering in acute pain daily for many years. I have often looked for meaning in her suffering. I have still not found it. On my father’s 90th birthday, his last, I wrote him a card that said, “Whenever I have a tough ethical decision to make, I think, ‘What would my father do?’” It was true then. It remains true to this day. It’s a hard path. It has cost me. These are the mysteries of life, my road to travel. I consider the totality of their lives and speak my heartfelt prayers to them partially aloud, but sotto voce.

In this quiet period of meditation, I ask for guidance in solving my and my family’s problems, guidance on how to be a better man, a better father, a better husband. I seek guidance on how to best serve the interests of the Jewish community. It’s my career, it’s my calling, my hope is to do it the best I can. My single biggest remaining ambition is to bring my and my wife’s hopes for our Holocaust Awareness Initiative to full fruition. I pray unabashedly for help.

Time spent at the Kotel sobers me up a little. I start to breathe easier and become more cognizant of the peace of the place, more aware of the simple grandeur of this plain stone wall, a literal wreck for thousands of years.  I begin to sense relief. I have put down my burdens.

I finally remember to pray for the Mets to win the World Series. It can’t hurt. (NOTE: It didn’t work; eliminated in the first round of the playoffs.) I don’t bother with the Jets anymore. That ship sailed long ago.

My feelings now drift towards an increasing feeling of serenity and joy. Look at this amazing place. This phenomenal tradition. The spiritual power of this Wall calls people of many religions to dip their toes in the waters of Judaism.

I no longer think of myself as an especially “spiritual” person. Figuratively, I’m the man who blocks the door, while others behind me pray, at least temporarily but blissfully unaware of the looming threat of the outside world. I choose to be alert while others seek transcendence.

But in this place, just before we greet Shabbos, its transcendental for me, as well. It has also been written, again by Mr. Wiseman, “If hopes and dreams could make these stones fly, there would be a wall floating around somewhere in space.”

Eventually – I have no idea how much time has passed – I turn away.  The women of the wall (“My women of the wall”) have yet to emerge. I learn later my daughter went back to pray twice. My wife, who lost her mother just one year ago, finally emerges teary-eyed. I know precisely what she was praying about. But they are tears of joy. Her mother was a remarkable, powerful woman. My wife is the living embodiment of her mother’s very strong Jewish values. Ina Frey/Chaya Tsura (z”l) looms over our lives every day.

We leave, refreshed. Renewed. Reinvigorated. More inspired by our faith than when we entered. We exit the Plaza more committed to our cultural imperatives of Tzedakah (Charity) and Tikkun Olam (Repair the World).

Such is my “tongue’s poor speech,” as the 11th century Spanish Jewish poet Solomon ibn Gabirol wrote, on praying at the Western Wall.

David Drimer is the executive director of the Jewish Federation of Ulster County (UCJF) and a co-founder of the National Holocaust Awareness Initiative (NHAIonline.org). He had been national executive director of the Zionist Organization of America, (ZOA), and Associate Publisher/General Manager of the Forward newspaper. He had been a longtime executive and publisher at Knight Ridder newspapers and the Economist Group. He was recently named a Human Rights Commissioner by the Ulster County legislature. He also serves on the Ulster County Task Force for Preventing and Responding to Domestic Terrorism.

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Sanctuary

by Alison Hurwitz (Cary, NC)

Incongruous, that towered height among the holly, butternut, 

hydrangea, along the oaks, camellias, black-green laurel hedge —

there it rose, so tall it steepled everything, as if to say, remember,

pray to what grows green above us.

A field-worn, furrowed man called Shorty came knocking once. He said

when young, he’d planted a young redwood seedling there, brought back

from California, vaguely hoped that it would someday grow to be 

a landmark. He’d removed his crumpled hat, his hand a map of years, 

his eyes as wide as forests, asked if he could go and touch the trunk, 

already girthed to temple, breathing dusk. My mother understood,

she a tree parishioner, so both of them remained a while in silence.

When Shorty went away, he left his story grafted to its branches. 

Dad cut back the deck each year, to give the redwood room to ring. Rare 

days when grandparents sat dappled on the deck, polite and tightly furled,

Jews and Catholics baffled past translation, they sat in shade below it, and 

in stillness, shifted into softening; green a common tongue between them. 

At seventeen, I’d park with my first love across the street, and kiss until the night 

dipped branches dark with longing. When, same car, same street, same boy, 

time wrenched us into ending, the tree stood by to witness, a shelter until 

my loss let go its spores, until my heart referned with undergrowth.

Ten years later, beneath the tree, my new husband and I stood quiet while my parents, 

faces filigreed with leaf-light, planted blessings in us. They prayed we’d tend

a sapling, make a small repair, something to green the broken world. My parents’ hope 

could sing the music out of wood.  Mitzvot and Meritum. Their reverence, ringed.

The day after my father died, when all I had was absence, I stumbled out to sit 

below our redwood tree. There, grief burrowing among its roots, I stayed until 

I found a seed and held it in my palm. I breathed and felt the way that branches 

lifted into blue, its birds built nests, the fledglings flew, each ending bending to beginning: 

holy as the timeless sky.

Alison Hurwitz’s work has appeared in Global Poemic, Words and Whispers, Tiferet Journal, Writing in a Woman’s Voice, Anti-Heroin Chic, Book of Matches, and The Shore, and is forthcoming in Amethyst Review, Rust and Moth, Thimble Magazine, Academy of the Heart and Mind, and SWWIM Every Day. She writes gratefully in North Carolina. To read more about her and her work, visit alisonhurwitz.com

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The Blue Mikvah

by Edna Shochat (Boise, ID)

To each his Temple.

My house of worship was established years ago

for young men, Christian.

Today YMCA is simply “The Y”.

Why? Because now everyone is welcome

regardless of age, gender, or faith.

Neither young nor male,

Jewish by birth and atheist by choice,

I attend, religiously, a daily ritual in the pool.

Like joining a Minyan

gathering for morning prayer at the Shul

I dip into the blue mikvah

and under watchful eyes of young lifeguards

swim like a gray-haired mermaid

counting my blessings.

Edna Shochat was born in British Mandate Palestine and grew up in Israel, leaving for the United States to follow career opportunities. Four years ago she and her husband followed their grandkids to Idaho. She discovered poetry at a Writing Through Cancer program while undergoing chemotherapy in 2011, and joined the YMCA to help her recovery. She continues to write poetry “to help carry her on the journey we all share, of aging.

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When I Think About Prayer

by Rachel R. Baum (Saratoga Springs, NY)

We did not belong to the synagogue my grandparents attended

On the High Holy Days I stood next to my father

Surrounded by anonymity in dark suits

He mumbled the Hebrew fussed with the slippery borrowed tallis

As I followed the dots and lines of text with my finger

My father elbowed me “Look at that” he stage whispered

A diamond ring my sister would call a third eye

Dangled from a well-dressed woman’s finger

“I’m her” he teased, knowing how the benediction he bestowed

On any female with enviable money, talent, beauty, would be

Hurtful to my sister and me, and then “Read! Read!” he insisted

Though we both knew we were there to gossip not to pray

Real prayer was the cluster of swaying bearded men

We were observers gazing from the rim of an alien civilization

Although we rose for the silent Amidah

We vied to be the first to finish and sit

My mother admonished us for our whispered disregard

She turned the pages of the Siddur

As she would an album of photographs

Reciting the Hebrew from transliterated words

We left early to avoid the rabbi’s sermon

The Bema a distant stage with its costumed Torahs

An usher collected the pledge envelope

At the tollbooth of a sanctuary door

At home, another yarmulke was added to the drawerful

That my father forgot at shul to remove and return

Evidence of our yearly pilgrimage

Marking the passage of time and of faith.

Rachel R. Baum is a professional dog trainer, former librarian, licensed private pilot, kayak angler, and Covid Long Hauler. She is the author of the blog BARK! Confessions of a Dog Trainer and the editor of Funeral and Memorial Service Readings: Poems and Tributes (McFarland, 1999) Her poems have appeared in High Shelf Press, Ariel’s Dream, Drunk Monkeys, Wingless Dreamer, New England Monthly Poetry Digest, Poetica Review, Bark magazine, and Around the World anthology. To learn more about Rachel’s work, visit: https://rachelrbaum.wixsite.com/my-site

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My Grandfather’s Prayer Book

by Rick Black (Arlington, VA)

Detached cover.

Brittle, yellowed pages.

Partially erased, Hebrew letters.

His crumbling prayer book is mine now.

Stooped over in his living room, dovaning.

His white, short-sleeved shirt and shock 

of white hair; his thin, willowy frame.

The cigar stub between his lips.

The Bronx.

Roasting brisket and a shelf of pills. 

A Yankee game on the television console. 

Red geraniums.

A pale, florescent light.

Narrow, sickly-green vestibule 

with a picture of his youngest son,

killed in World War II.

We play checkers.

He nudges a checker to another square. 

Tobacco-tinted fingertips.

He doesn’t let me win. 

Now, I hold his prayer book

in my hands by the yahrzeit plaques,

by the tarnished and the yet to be tarnished, 

by the lit and the yet-to-be lit.

Rick Black is an award-winning book artist and poet who runs Turtle Light Press, a small press dedicated to poetry, handmade books and fine art prints. His poetry collection, Star of David, won an award for contemporary Jewish writing and was named one of the best poetry books in 2013. His haiku collection, Peace and War: A Collection of Haiku from Israel, has been called “a prayer for peace.” Other poems and translations have appeared in The Atlanta Review, Midstream, U.S. 1 Worksheets, Frogpond, Cricket, RawNervz, Blithe Spirit, Still, and other journals. 

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Open, Thou, My Lips

by Rick Black (Arlington, VA)

Three steps backward,

three steps forward,

I bend my knees. 

I struggle to part my lips,

to recite the words,

to offer praise. 

Let me taste rain.

Let me hear windchimes at night.

Let me inhale jasmine.  

How grateful I am,

a temporary resident

amid night stars. 

Rick Black is an award-winning book artist and poet who runs Turtle Light Press, a small press dedicated to poetry, handmade books and fine art prints. His poetry collection, Star of David, won an award for contemporary Jewish writing and was named one of the best poetry books in 2013. His haiku collection, Peace and War: A Collection of Haiku from Israel, has been called “a prayer for peace.” Other poems and translations have appeared in The Atlanta Review, Midstream, U.S. 1 Worksheets, Frogpond, Cricket, RawNervz, Blithe Spirit, Still, and other journals. 

If you’d like to learn more about Rick and his work, visit his website: Turtle Light Press

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The Sacred Snuggle

by Nina J. Mizrahi (Northbrook, IL)

I didn’t wear a tallit until my first year of rabbinic school when I lived in Jerusalem.  It never occurred to me to wear one until  I saw other women  wrapped in tallitot during prayer. I sensed their closeness with the Divine.  A yearning to share in this experience, to be enveloped by the wings of the Shechinah, arose from the depths of my soul.  Soon after, I remember shopping for my first tallit at Yad Lakashish, which means “lifeline for the old.”  The tallit was made by Jerusalem’s elders, giving them “a sense of purpose, self-worth and connection…through creative work opportunities…”  This added meaning to my Shehecheyanu moment.  

Returning from the Old City to my apartment, I unpacked and examined my new tallit. Aware that this was a significant moment in my spiritual life, I recited the Shehecheyanu, followed by the bracha for donning a tallit, kissed the two sides of the atarah (neckband), and then wrapped myself from the head down.  It was as if I were encasing myself in a sacred cocoon, imagining that I would emerge as my authentic self and be ready to commence my rabbinic studies. 

At first, having no words for that moment, I stood silently in this sacred, intimate space. At some point, powerful, unsummoned memories brought me to tears as I recalled how my father, zichrono livracha, would wrap me in his tallit.  I like to think that his deep faith in God, woven into the very fabric of his tallit, was now woven into mine.  I bathed in the warmth of the memory of these sacred snuggles, feeling deeply loved, protected and safe.  My heart overflowed with profound joy, flowing first to my father, then spilling into the universe, forming a deep connection to something greater than myself. 

So, there I was, a Jewish woman studying in Jerusalem, standing alone in an apartment that had been converted from a bomb shelter, wearing my tallit, holding its four corners in my hands.  It was a lot to take in, and I considered how the mitzvah of tzitzit requires us to look at the strings, knots and twists of the tzitzit with intention and a sense of sacred obligation.  

Committing to the mitzvah of wearing a tallit is both humbling and empowering. Since that first moment in Jerusalem forty years ago, I have wrapped myself in a tallit for prayer and hitbodedut (a solitary, intimate form of prayer offered by pouring one’s heart out to God).  I have wrapped my tallit around or held it like a chuppah over the heads of individuals, couples, families, lay leaders, teachers, and students as a way of welcoming, honoring, blessing, and celebrating. 

In Ahavat Olam, a prayer recited before the Shema, we gather the tzitzit and, imagining being united in peace, we say,”V’havienu l’shalom m’arba kanfot ha’aretz v’tolichenu komemiut l’lartzeinu — Bring us to peace from the four corners of the earth and lead us upright to our land.” 

Decades after my ordination, I attended Shabbat services in a small community where tradition was woven together with new rituals. Just before the Shema, everyone stood up and handed the tzitzit on one corner of their tallitot to someone on their left and another corner to someone on their right.  What a beautiful statement about the importance of joining together in our prayer and in our lives, which is not an easy thing in our complicated world.  Collected into one, we chanted words that the medieval Jewish mystic, Rabbi Isaac Luria (known as the ARI) is said to have recited before praying each day: 

Hareini mekabel alai (Behold, I hereby take upon myself

et mitzvat haboreh (the instruction of the creator)                         

v’ahavta l’rei’acha kamocha (“You shall love your neighbor as yourself”)

Whether or not wearing a tallit is part of your tradition or practice, it is a symbol of the transformative power of Chesed — acts of loving kindness.  We read in the Book of Psalms (89:3): “The world is built through chesed.” 

Acts of chesed precede all others because they alone are unconditional and unmotivated.  We read in the book of Psalms (89:3) that “The world is built with chesed” (Psalms 89:3) — acts of kindness.   

Rabbi Menachem Creditor, a social justice activist and founder of Rabbis Against Gun Violence,  wrote a beautiful song about this verse when his daughter was born right after 9/11:

I will build this world from love…yai dai dai 

And you must build this world from love…yai dai dai 

And if we build this world from love…yai dai dai 

Then God will build this world from love…yai dai dai 

(VIDEO: http://rabbicreditor.blogspot.com/2012/12/olam-chesed-yibaneh-with-newtown-in-my.html)

I’d like to invite you to wrap yourself in your tallit (or one that you can borrow for a moment). As you wrap yourself in a sacred snuggle, I encourage you to try sending compassion first to yourself and then to others, possibly beginning with those for whom you have positive feelings, and then to those with whom you are struggling. 

You may find your own words or adapt the following phrases as you see fit.  Begin by setting your intention for the recipient of your meditation and repeat this meditation silently: 

May …I/ you/ they……..be safe

May …… I/ you/ they…..be happy/content

May ……my/your,/their  life unfold with ease

May………………….

Click here for a beautiful lovingkindness meditation offered by Sylvia Boorstein, author, psychotherapist and Buddhist teacher.

May you be blessed by who you are and may you always bring blessing to others.

Rabbi Nina J. Mizrahi, a spiritual leader for 35 years, gleans wisdom from ancient and contemporary sources to inspire personal growth, with the purpose of understanding the mystery of being alive and human and celebrating life more fully. If you’d like to read more of Rabbi Mizrahi’s work, visit her website. And if you’d like to reach out to her, you can write via e-mail: ninajanemizrahi@gmail.com.

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Sunrise at the Wailing Wall

by Brad Jacobson (Columbia, MO)

A man with a black hat and beard asks, “Did you put on tefillin today? How about doing a mitzvah?”

“Ok,” I reply, and he unzips an old blue bag, takes out two black boxes and leather straps.

He reads a prayer in Hebrew and pauses to let me follow.

He places a black box around my bicep, pointing at my heart, and wraps a black leather strap seven times around my forearm, saying it’s the number of colors in a rainbow.

He stands on his tip-toes and lifts my Phillies cap to place a black box on my forehead. It points towards heaven. He puts my baseball cap back. Maybe now the Phillies will win the pennant.

He instructs me to read the Shema. Six holy words.

I close my eyes and recite the prayer by heart.

I recall the story of soldiers who were ambushed during the Six Day War.

The enemy ran away when they saw them wearing tefillin.

They thought the black boxes were bombs.

Brad Jacobson is a volunteer every summer in Israel in the SAREL program. He teaches TESOL at the Asian Affair Center at the University of Missouri, where he has an MEd in Literacy. In the summers he enjoys exploring places with his camera like the Old City of Jerusalem, Tzfat, and the Red Sea where he scuba dives. He has been published in Tikkun, Voices Israel, Poetica, Cyclamens and Swords, and the University of Missouri International News.

“Sunrise at the Wailing Wall” is from Brad’s new book, “Lionfish: The Poetic Collection Of A Traveler’s Experiences In Israel,” and reprinted here with the kind permission of the author and publisher.

Visit the link to see more of Brad’s work: https://www.amazon.com/dp/1946124648/ref=as_li_ss_tl?ref_=pe_3052080_397514860&linkCode=sl1&tag=beeps-20&linkId=b8e4722d77fdd5f0148ae60390d40ec2&language=en_US&fbclid=IwAR3ZBUQsla0CdU7voiaWm5FRPXzEEIglc0tuceGIUFwSsys5u14kBYEscLU

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Yom Kippur

by Rick Black (Arlington, VA)

At this hour of prayer,

when the gates are still open

and voices are expectant,

it must be known

that I am one who stays at home

to prepare a meal for

the dovaners.

I am closest to God

in the clanking of silverware,

in the rush of the kitchen faucet,

in the slicing of bread.

So, I wait for them 

to return from their distant,

serpentine journeys. 

Forgive me, 

but I am ready

to welcome them 

back home.

Rick Black, an award-winning book artist and poet, runs Turtle Light Press, a small press dedicated to poetry, handmade books and fine art prints. His poetry collection, Star of David, won an award for contemporary Jewish writing and was named one of the best poetry books in 2013. His haiku collection, Peace and War: A Collection of Haiku from Israel, has been called “a prayer for peace.” Other poems and translations have appeared in The Atlanta Review, Midstream, U.S. 1 Worksheets, Frogpond, Cricket, RawNervz, Blithe Spirit, Still, and other journals. To learn more about Rick’s work, visit: https://www.turtlelightpress.com

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