Tag Archives: immigrant experience

You Whispered through Your Death Certificate

by Barbara Krasner (Somerset, NJ)

You might have been coughing up a storm from your pneumonia. Nobody knew that you were ninety-seven. You’d been lying about your age for years. Why should the census enumerators know the truth? Was it their business? No. This doctor attended you for more than a week. His office was at 200 Fairmount and you were living with Bessie and her Adele at 240 Fairmount along South Orange Ave. He was not a Jewish doctor, but he was convenient, and maybe all the neighborhood went to him. It’s likely Meyer came from the Oranges and Max, your Mendel, came from across the river to see you. They probably visited every day. How did you get to live so long, more than twenty years beyond Mottel? You might have been in bed, immobile, for quite some time, because my research says your hypostatic pneumonia afflicts those who are elderly and bedridden. You must have known your end was coming.

Your death certificate says a contributing factor was senility. You’d earned your right to that after emigrating at sixty, three of four daughters predeceasing you, one other child you never talked about other than telling an enumerator you were the mother of seven but we only know about six: Doba, Malka, Hillel Meyer, Chaike, Mendel, and Hesia. 

What secrets, I wonder, were caught up in your phlegm. Did anyone notice Bessie was never pregnant and then one day showed up with a red-haired daughter? You loved that little girl as if she were gripped from the loins of your own daughter. Maybe because she was needed. Maybe because you all thought Bessie’s marriage might improve with a baby, that Paul wouldn’t drink so much. I cannot imagine the other secrets, but there must have been plenty. Anyone who could keep the sheitl tradition as long as you did is a good candidate for confidences and secret-keeping. I only wish your mother’s maiden name was here. When Meyer served as informant, I’m sure he wasn’t thinking about making the family history complete on this document. After all, he knew Michla. And did his grandmother’s maiden name matter? It does to me. Because what Meyer took for granted no longer has documented proof.

Barbara Krasner holds an MFA from Vermont College of Fine Arts and a PhD in Holocaust & Genocide Studies (HGS) from Gratz College, where she teaches in the HGS graduate programs. The author of two poetry chapbooks and three novels in verse, her work has appeared in Jewish Literary Journal, Tiferet, Minyan, Jewishfiction.net, Michigan Quarterly Review, and elsewhere. She serves as Director, Mercer County (NJ) Holocaust, Genocide & Human Rights Education Center.

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Lessons learned at the dinner table

by Annette Friend (Del Mar, CA)

I was raised to anticipate catastrophe.
Our kitchen table overflowed
with piles of food, dinners began
with appetizers, a half-cantaloupe,

or half yellow grapefruit,
a bowl of chicken soup
packed with carrots, celery and meat,
schnitzel, potatoes, green beans as main course,

apple cinnamon coffee cake for dessert.
I was fattened up before the next famine
could start.  Maybe tomorrow?
My mother’s hands always busy cooking,

teaching me I would never starve,
like she had in Poland, not here in America.
Every night after dinner,
my mother and I watched T.V. news.

Her blue owl eyes on constant alert,
muttering under shallow breaths,
“Is this bad for the Jews?”,
worried we’d be removed from

another promised land once again.
I was raised to know that within every
celebration lived a kernel of catastrophe,
like the fragile glass required to be broken

at the end of a joyous wedding,
reminding us of bitter disasters in the past.
I was raised with my mother’s fears tangled
around my unripe heart, my small hands,

afraid to untie the red ribbon of my future
already anticipating the catastrophe
coiled within the sparkling tissue paper,
waiting to be awakened, waiting to strike.

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, The San Diego Poetry Annual, The Jewish Writing Project, and the Paterson Literary Review. In August 2025, Annette along with artist Judy Langhoff published a book of ekphrastic poetry and paintings titled Pen and Brush: In Contemplation. She was honored to be chosen for third prize for her poem, “The Salvation of Books, Newark, N.J., 1959” in the 2026 Allen Ginsberg Poetry Awards.

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At Sixteen

by Annette Friend

I tell my mother
my honest truth
edged with blades

from a teenage
tongue that knows
only a pinch of the life

my mother suffered.
I am blinded by
my good fortune,

sheltered behind the veil
of my birth here in America
not the streets of the shtetel

in Poland where she grew up,
facing famines and pogroms,
the horrors of World War I,

Russian soldiers pillaging
her small village, friends, family,
when they invaded.

I listen, but don’t hear
the sad stories she tells me,
surrounded by the glow of America

even if the streets she found
weren’t paved with gold.
I scream, I will date whom I choose,

a handsome Italian-Catholic boy
who looks like Paul McCartney
What does my mother know?

This is a new world.
I cut her to the quick
with my sharp knifed words,

standing here well-fed
and clothed in freedom,
instead of buried

in an unmarked green grave
of the Poland she left
now almost Judenfrei

free of Jews as Hitler wanted,
only because of her courage
to book passage in steerage

at sixteen.

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, The San Diego Poetry Annual, The Jewish Writing Project, and the Paterson Literary Review. In August 2025, Annette along with artist Judy Langhoff published a book of ekphrastic poetry and paintings titled Pen and Brush: In Contemplation. She was honored to be chosen for third prize for her poem, “The Salvation of Books, Newark, N.J., 1959” in the 2026 Allen Ginsberg Poetry Awards.

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Shalom Aleichem

by Barbara Krasner (Somerset, NJ)

I say hello to you as I drive on the Garden State Parkway

that bisects the cemetery in Newark. I have not been to see you

in years. Visiting Day at the Grove Street Cemetery is only one day

a year, the Sunday between Rosh Hashanah and Yom Kippur.

You know the local police are there to protect you, but it’s too late.

The cemetery’s already been vandalized many times over.

I like to think only your decaying bodies lie in those caskets. 

Your spirit is still flying around, maybe inhabiting someone else.

That while I’m driving, you’re making a brisket or cutting up

onions and carrots for stew or soup. That while I’m driving

you’re thinking about your daughters and grandchildren

Over There, the ones you’ll never get to see again. That 

you still refuse to learn English and sometimes

you forget your teeth. I await your Aleichem Shalom.

Barbara Krasner is a New Jersey-based poet whose work has appeared in more than seventy journals, including the Jewish Writing Project, Minyan Magazine, Jewish Literary Journal, Vita Poetica, and Of the Book. Recent books include Insomnia: Poems after Lee Krasner (dancing girl press), The Wanderers: Poems (Shanti Arts), and the forthcoming Memory Collector (Kelsay Books).

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Zayda’s Kiddush Cup

by Janice Alper (San Diego, CA)

The small silver cup was stowed
in steerage, it sailed across
an ocean to a new home. It
overflowed with red wine
every Friday night. Zayda’s
hand never trembled as he
mumbled the blessing to usher
in Shabbat. Now I hold it in my
hand carefully, as the wine spills
over to the sixth generation.

Janice Alper writes poems, personal essays, and memoirs. Her work has appeared in the San Diego Poetry Annual, Bristlecone, and California Bards, and other places. She is the author of Sitting on the Stoop: A Girl Grows in Brooklyn, 1944-1957. Janice is currently pursuing an MFA in Creative Writing/Poetry, from San Diego State University. Follow her at www.janicesjottings1.com

Editor’s note: “Zayda’s Kiddush Cup” was originally published on OftheBook (https://ofthebookpress.com) and is reprinted here with permission of the author.

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Crown Heights (1955 – 1960): Through the eyes of a daughter of Holocaust survivors

By Sandra Hurtes (New York, NY)

Crown Heights was a world my mother and I explored together. The effects of Hitler’s war revealed themselves from St. John’s Place to Montgomery Street, from Utica Avenue to Albany Avenue. On our way to the doctor or the grocery or the park, my mother whispered stories about the greena (greenhorns from Eastern Europe who came to America after the Holocaust).

There was Esther who lived on President Street and had three children. My mother pulled me close and said, “Zug gurnish, mámala, [say nothing, sweetheart], Esther screams every night about Auschwitz.” With each walk, the story took on different tones. Soon it became, “Esther is in the hospital. Her psychiatrist is giving her shock treatments.” Then my mother, nodding in understanding, pursing her lips, sighing.

I wondered who was home watching Esther’s children, and if her husband, Murray, was cooking supper. I tried picturing her getting shocked, but didn’t know how that looked. I wondered if the shocks singed, like electrified barbed wire.

When my mother and I visited her friend Margie who lived on Lincoln Place, my mother reminded me, “Don’t stare at Margie’s hand.” On her right hand were four and half fingers. She sawed her middle finger in half while working in the munitions factory she was transferred to from Auschwitz. When Margie’s hand was steady, it appeared as if her finger was bent at the knuckle. Then she moved, and the finger wiggled like it had no bones.

There was Sylvia who once lived on Carroll Street. I recalled her only through my mother’s stories. One afternoon Sylvia was vacuuming. As she pushed the long hose along the floor, she fished in her pocket for a sucking candy. When she began choking on the button she’d accidentally slipped in her mouth, her son David frantically called the police. By then she was blue. The police held her upside down but the button was lodged too deeply.

 Each time my mother told me the story she said, “Sylvia survived Hitler to choke on a button in Brooklyn. God bless America!”  And all I could think about was that the police and David saw Sylvia’s underwear when her duster fell over her head.

There was Mrs. Steinberg who we often passed on Schenectady Avenue, pushing her shopping cart. While hiding in Siberia, Mrs. Steinberg had two miscarriages. Each time we passed her in the street, my mother admonished me, “Quick, mein scheina kint [my beautiful child], smile, say hello to Mrs. Steinberg before she gives you the evil eye.”

My mother lived in fear of the evil eye, a superstition she brought with her from home. This belief—that a curse would be cast upon us when someone was jealous of something we had—was one way in which she would remain old-fashioned, regardless of how glamorous she became. And so, since my mother had two children and no miscarriages, she worried she’d be cursed by Mrs. Steinberg.

To ward off the evil eye, my mother protected herself by making her hand into a fist and pushing her thumb through her index and middle finger. Whenever we saw anyone else who might curse us, we reflexively made the fist and held it behind our backs. If asked how we were, we said, “Fine,” and squeezed our fists tight.

There was Manny on Montgomery Street. He was my story, and a secret I kept from my mother. He came from Poland and struck it rich in a shoe business on Orchard Street. Manny was tall and lanky, with hair falling across his forehead hitting close to his right eye. Every afternoon I played pretend games with his daughter in their apartment. Just before I left for supper, Manny came home, undressed and stood naked in the bathtub, the water from the shower sliding down his body. The shower curtain was pulled apart, the door wide open.  

I never told my parents about Manny. I knew innately that what he did was wrong, and I wanted to protect him. And I was ashamed too, of the excitement I felt running past the bathroom, once, twice, three times, stealing looks as he rubbed a soapy washcloth in circles on his chest.

Ironic. Impossible. Ordinary. That was our Crown Heights.

Girls played double dutch, the jump ropes crisscrossing in the air like lines on a globe. There were hopscotch games chalked in yellow and pink, girls hopping in this box and that one, their ponytails flying back and forth or frizzy hair like mine a powder puff around their heads. Boys played Johnny on the Pony on the corner of Union Street and Schenectady. In the street, they kicked the can; gangly boys ran and hid as the metal cylinder rolled beneath parked Chevys and Desotos.

There was the varoooom of motorcycles speeding down Eastern Parkway. The soft rapid murmur of prayer trailing the Hasidic men in black as they hurried in and out of the subway. The high-pitched whine of alley cats crawling through garbage cans. Taunts like shake it don’t break it and your momma followed me and my friends, all of us barely aware of who we were.

When my mother and I walked together, she looped her arm through mine. We maneuvered between the stories of the greena and the everyday. We thanked God for our ability to hold a glass firm with all ten fingers, to not need shock treatments, not be the ones whose evil gaze was feared.

At home, my mother sang Que Sera Sera in a wistful tone as she cleaned the bathtub, a rusty can of Ajax in her hand. She scrubbed until the tub was spotless, singing all the while, what will be will be. When she bencht lecht (lit candles)for Shabbos, a tichal (kerchief) over her head, she prayed she would one day see all her siblings, as one family at a time, they emigrated to Crown Heights.

We believed we kept our stories to ourselves. We told each other we were lucky. The complications of war belonged to the others. When my mother and I strolled the promenade of Eastern Parkway, tree branches canopied over us, and birds flew from their nests. In those times, Auschwitz seemed so far away.

Sandra Hurtes’ work has appeared in The New York Times, The Jewish Week, Poets & Writers and many other publications. This essay is excerpted from a collection that she’s working on tentatively titled “Halfway Home.”

 

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Immigrants All

by Miriam Bassuk (Seattle, WA)

I come from wandering Jews,

merchants, lawyers, teachers,

grocery store owners.

I come from those who rode steerage

slept above deck in turbulent seas,

walked miles as young teens

to depart from Bremen, Germany

leaving all they knew

speaking Russian, Polish, Yiddish,

carrying only brass candlesticks

and a few coins.

Born from a mother

who labored long,

the only one in her family

to be born in a hospital.

All the others were born at home,

assisted by midwives.

I remember flowers, bloated

peonies on dining room wallpaper,

lilacs and lilies of the valley

gathered in large bouquets

to grace our table. I remember

my mother as a lion,

my champion at school.

When teachers were difficult,

she sang for me.

Sang sweet songs

in a kitchen, her haven,

spoke Yiddish to her father,

a frequent visitor. I remember

hot nights, looking out 

my bedroom window.

Scents of honeysuckle and roses,

haunting train whistle,

far in the distance.

How we might stray far from our roots,

escape the cloistered life

of segregated neighborhoods,

only to return, imprinted

on some cellular level

by those early risk takers.

Miriam Bassuk’s poems have appeared in Snapdragon, Borderless, 3 Elements Review, and The Jewish Writing Project. She was one of the featured poets in WA 129 project sponsored by Tod Marshall, the Washington State poet laureate. As an avid poet, she has been charting the journey of living in these uncertain times.

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Visiting on Father’s Day

by Lillian Farzan-Kashani (Santa Monica, CA)

Your energy shines

Like the sun rays

Grateful to be near you, 

I clean off your headstone with rosewater

What a gift to be raised

In the language you spoke

Hayedeh and Faramarz on repeat

In your honor

I wish we could have gotten 

Further into the

Rumi + Hafez of it all

Perhaps not a poet

But a philosopher

I wonder what you would say now

My fiancé’s flight canceled

Bombs going off in your homeland

And too close to where your parents rest

Would you tense like the rest of our family 

At the sight of a kefiyyeh?

Or see it just as

The stars I was given as a child, to wear around my neck

A symbol of

The people, at the end of the day

With whom you found grace, even kinship 

Moved by their beauty and hospitality

Oh how I long for more time spent with you, Baba, your leveled head and all

Lillian Farzan-Kashani is an Iranian American and Jewish therapist, poet, and speaker based in Los Angels, CA. Much her her work is rooted in being a child of immigrants and is reflective of her intersectionality. Read more about her professional and creative pursuits at https:www.lillianfarzan.com/

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Eretz, Israel

by Dido Silva (Herzliya, Israel)

Eretz —

adopted homeland.

Whatever immense goodness exists in me

burns in my chest,

anxious to be yours.

Eretz —

adopted homeland.

It is love — lots of it!

Love to sow and harvest.

Love —

it is what I have to offer you.

I wish for nothing in exchange,

just love:

loyal, incorruptible, and unconditional.

Rising from the ashes

of the first burning temple —

the first panic,

first fear followed . . .

Eretz —

adopted homeland.

They’re yours —

my little bees and their honey.

They’re yours —

my little hands,

which together build your immortality.

You’re my home.

Dido Silva is a Brazilian–Israeli–Dutch poet writing in English. His work explores the intersections of identity, exile, faith, and resistance, often blending political urgency with lyrical reflection. He lives between languages and histories, drawing from Jewish tradition, memory, and myth. His poem is part of a forthcoming collection titled What’s Gonna Be, Orania?

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A pair of candlesticks: A voyage across time and generations

by Steve Lipman (Forest Hills, NY)

Sometime in May, 1903, Zorach and Goldie Finkelstein, residents of Sapotskin, a heavily Jewish village in the northeast corner of Poland (now in northwest Belarus) climbed on a horse-drawn wagon, carrying their meager possessions in a few simple canvas and cardboard suitcases, and headed to the German port city of Bremen. There they boarded the SS Pennsylvania, a 13,333-gross ton passenger vessel.

Part of a wave of Jewish immigration from the Russia Empire’s one-time Pale of Settlement, the young couple left their homeland and their families, undoubtedly making the voyage to the United States in steerage, along with men and women and children from many ethnic groups.

Goldie was probably pregnant with the couple’s first child, a son, who would be named Max when he was born in Buffalo the following February.

In addition to the suitcases, which were packed with the expected clothes, and a rushnyk, a red-and-white linen table divider she had sewn five years earlier, Goldie, then in her early twenties, packed some of her most precious belongings in a parenee (the word, which was passed down in family lore, is of uncertain origin; in Polish the objects were known as a pierzyny), a large white comforter stuffed with goose feathers, which stayed in the Finkelsteins’ family for several decades.

Inside the paranee was a pair of candlesticks.

If the Finkelsteins, Yiddish-speaking Orthodox Jews who had been married five years earlier, followed the traditional practice of shtetlach in that part of the Jewish world, they most likely had received the candlesticks as a wedding gift five years before from their friends in Sapotskin.

The Finkelsteins’ style of candlesticks was typical of those owned by Orthodox Jews in their era and that part of Eastern Europe. Manufactured by the prestigious, Warsaw-based Jozef Fraget metal smith firm (founded in 1824), of hollow, galvanic sliver-plated brass (Jews were forbidden from owning silver in many parts of the empire), each stood 14 inches tall, with a detachable candle-cap that fit into a circular depression atop the candlesticks to catch paraffin droppings, and three artistic legs on the 5-inch-diameter base to give the candlesticks balance.

The candlesticks’ serial number – because of their value and popularity, the series of products was numbered – was 3340. Inside a small oval on the base of Goldie’s candlesticks: the words “FRAGET N PLAQUE,” which mean that the silver core was electroplated with a layer of pure silver.

Candlesticks like that were as common in many Jewish homes of that generation, especially those with immigrant roots, as the ubiquitous Singer sewing machine. And, in some Orthodox homes in the Greater New York area, artwork by the prolific, and eccentric, Morris Katz.

Goldie had no idea she fit a particular demographic; she simply kept the candlesticks to fulfill a Jewish woman’s mitzvah. One that her mother, and grandmother, and countless generations of women in her family had done before her with their own candlesticks. 

As she had in Sapotskin, Goldie used the candlesticks to usher in the Sabbath and important Jewish holidays in the modest home that she and her husband bought on the Jewish East Side of Buffalo (relatives had already settled there), and later, after Zorach (who took on the name Samuel in the United States) died, in the second-floor apartment of my parents’ two-story home in the city’s increasingly Jewish North Park neighborhood. Like other Jewish women, Goldie would cover her eyes with her hands as she recited the Hebrew blessing over the candles.

Sometimes her grandchildren – including me – would watch her make the brocha.

Goldie, a widow then for 20 years, died in 1968.

By rights, her candlesticks should have passed to my Aunt Hennie, the Finkelsteins’ oldest daughter, then a married resident of Rochester, an hour away, who –a kosher-keeping member of a Modern Orthodox synagogue — was more likely than my mother, Helene, married to a secular German-born Jew, to properly use them.

But Mom got the candlesticks. She had kids – three of us, while Aunt Hennie had none – and it was decided that it made more sense for a daughter who had a family, who had children to whom she could one day pass the treasured objects, to receive the candlesticks.

Mom, while by no means strictly Orthodox, grew more traditional as she grew older. She kept the pair in a prominent place of pride atop a light-brown wooden cabinet in the living room of the Lipmans’ home in North Park, then, after we moved, in the northern suburb of Tonawanda. She would, without fail, light the candles each Friday night and erev yom tov. Sometimes I and my two sisters would gather around Mom.

Dad, disinterested in things of a religious nature, would rarely join in.

As the candles burned, shrinking to differing heights, we would bet which one would go out first.

Mom, who had attended an after-school cheder decades earlier in Buffalo, had not mastered Hebrew. So she recited the l’hadlik ner shel Shabbat from memory, confidently – and incorrectly. She would say the last few words the same way each time, slurring several together into a unique rendition of lashon hakodesh; we restrained the urge to correct her, or to snicker. We understood what she was saying; I’m sure God did too.

After the blessing, Mom would say her own, personal supplications, softly, under her breath. A private conversation with the Creator. “Dear God,” she would begin, followed by “thank you” for kindnesses He had performed for her family or people in her circle of friends; or, “please take care of” ailing or deceased friends or relatives. Or other, similar words of praise or request. In other words, she would review whatever was on her mind.

Like Tevye, but with a Buffalo accent.

Then, “Good Shabbos.” And hugs.

Mom liked telling the following story about the spiritual value of the candlesticks in our family: Several decades ago she and one of her daughters had an appointment at Roswell Park Cancer Hospital, Buffalo’s famed medical center – a check-up that brought no bad news. They were walking on the cancer center’s stairs. “It was a beautiful day,” Mom remembered. Out of the blue, her daughter turned to her and said, “When you are gone, I want your candlesticks.”

Mom always told the story with a laugh. She was not offended. She was still a relatively young woman then. She understood the strong attraction of her daughter – who probably had mortality on her mind because of their presence at a cancer hospital –for the family heirlooms.

Mom said yes to her daughter’s request. In the meantime, the candlesticks remained in the Lipman home, and Mom continued using them.

In 2005 Dad died. The next year the candlesticks, carefully packed in a carry-on suitcase, went with Mom to the Houston suburb where one of my sisters had moved several decades before. There, Mom lived in an apartment, overlooking a small man-made lake, a mile from my married sister’s house.

Again, the candlesticks rested atop the wooden cabinet that had made the move with Mom to Texas.

Again, she lit the candles every week.

Again, the candlesticks shone. Mom, using some smelly pink polish, would shine them religiously, vigorously, employing a soft cloth or gloves specifically designed for that buffing purpose; or, as was more often the case, she would put one of her kids or her visiting grandchildren to work (people without sufficient elbow grease need not apply), making sure the pair gleamed so much you could almost see your reflection in them. It was not a fun assignment, but a labor of love. We all took a turn with the polishing cloth.

God forbid they should show a sign of tarnish.

A pair like that sell for $300-$500 nowadays, maybe more at auction, but to us, for sentimental reasons, they are priceless. 

The candlesticks were two of Mom’s most-prized possessions. She would make sure to hide them out of sight if a repairman was coming to her apartment or if she planned to be away for a few days. They were a symbol of her pride in being Jewish, in carrying on the tradition she had learned from her mother. They were not sleek or fashionable, which was fine with Mom. They were antiques, defiantly old-fashioned, remnants of a previous generation. They were a tactile reminder of Mom’s roots, of her long-gone relatives who brought their pride in Yiddishkeit from the shtetl environment that was a world removed from the big cities of the United States.

She would make sure that she was well stocked in candles, keeping a 72-count box at home, buying them at a Buffalo-area supermarket or sending one of her kids on a replenishment expedition when her supply was running low.

Mom was concerned about the candlesticks’ future. She made clear that, when the time came, the candlesticks would pass to a member of the family who a) was likely to use them regularly, and b) was not married then to someone who was not Jewish.

By her last few years, Mom, who died a few months ago on 12 Av, became increasingly feeble and forgetful. She no longer was in shape to light Shabbos candles; I would frequently provide her with small, battery-powered tea candles for her apartment or for the hospital rooms where she often – too often – found herself.

As Mom aged, and did not feel confident having lit candles in the apartment where she lived alone, she gave the candlesticks to the then-out-of-town daughter who had requested them decades earlier. Who uses them every week.

Goldie’s lichtern have a new home, 5,100 miles from their original home in the Old Country.

______

Steve Lipman was a staff writer for The New York Jewish Week from 1983 until 2020.

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