Tag Archives: immigrant experience

Henoch: An Inventory

by Barbara Krasner (Somerset, NJ)

After Lauren Russell

A butcher’s apron pockmarked with dried blood that banging it against the river’s rocks cannot erase. An abacus to calculate the change he owes his patrons. The skill to sever an animal’s carotid arteries, jugular veins, and windpipes in one swift move. A sharp butcher’s knife to cleanly sever a chicken’s head and to break a cow down to its finest parts to sell at a premium to anyone who can afford it. His cleaver whacks away his disappointments until his own fingers bleed with hope for his children. Evening candlelight to read the sacred texts and pray. Meetings of the Baron Hirsch School trustees. His children, even the girls, will get an education, damn the naysayers. An American stamp on his passport from when he arrived in New York with younger brother Benzion. An Austro-Hungarian Empire stamp on his passport from when he returned because Pesia was pregnant. She needed him. No photographs to fold into Chava’s hands when she leaves for America. Plans for his widowed mother’s aliyah to Palestine. The burden of this place and time. No prescience that all but two of his children–the eldest and the youngest–will be murdered. Of the four grandsons named for him, only Herman Krasner is born under the flag of the American Dream.

while the others lie

in the sky in the ashen

shadow of the moon.

Barbara Krasner holds an MFA from Vermont College of Fine Arts and a PhD in Holocaust & Genocide Studies (HGS) from Gratz College, where she teaches in the HGS graduate programs. The author of two poetry chapbooks and three novels in verse, her work has appeared in Jewish Literary Journal, Tiferet, Minyan, Jewishfiction.net, Michigan Quarterly Review, and elsewhere. She serves as Director, Mercer County (NJ) Holocaust, Genocide & Human Rights Education Center.

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America 1955

by Penny Perry (Rainbow, CA)

 My shoes crunch on alley gravel.

A boy calls out “Christ killer.”

I turn see his red hair, freckles.

A brick sails past my head.

Braids slap my shoulders.

My legs tremble. I grab

our back garden gate,

run to my mother.

She drops a trowel, hugs me.

“What’s wrong?” she asks.

Weeping in my mother’s arms,

I say, “I’m not a killer.”

The smell of dill in the kitchen.

My grandfather looks up from his 

hot tea in a glass and blinks back tears.

“My granddaughter isn’t safe in America.”

He sips his tea, probably remembering

his own grandfather who encouraged him 

to go to America to learn English and

become a  lawyer.

My grandmother ladles soup.

The carrots are sweet. I’m still 

trembling. My mother paces, says

“Should we call the police?”

My grandfather says “No.”

The bump on his head glistens

in the kitchen light. Cossacks threw

a rock at him when he was a baby.

“We’ll only cause more attention

on ourselves. I will have a civil

conversation with the boy

and his family.”

How can he be so calm? “It’s not safe 

for you, Dad,” my mother says.

Rinsing spinach at the sink, my grandmother 

says “It’s enough the child isn’t hurt.”

“Dayenu” I say to myself. The song

is my favorite part of our Seder.

It is enough that the brick missed me,

thank God. 

It is enough that my grandfather will help,

enough that my mother hugged me, enough 

that my grandmother is making my favorite dish, 

spinach with a hard boiled egg and sour cream.

I wipe my wet face. My grandfather 

slips into his bedroom, steps out 

in his favorite courtroom gray suit 

and purple tie.

The room now smells of baking bread.

In spite of the flying brick, I’m proud to be 

a Jew, proud of our survival, our traditions, 

grateful for God’s blessings.

Penny Perry is the author of two books of poetry Santa Monica Disposal and Salvage and Woman with Newspaper Shoes, both from Garden Oak Press. Her poems have appeared in Lilith, The Paterson Literary Review, Third Wednesday, San Diego Poetry Annual, Poetry International and many other journals. 

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Baby-Boomer Blues

by Howard Wach (New York, NY)

I’m a baby-boomer, Bronx-born, a grandchild of immigrants from Poland and Lithuania, raised in a 1960s Long Island suburb, which was half Jewish and half other white ethnics, everyone newly migrated from city neighborhoods. I matured in the ‘70s, when Jew-barring (or Jew-counting) barriers collapsed across all kinds of American institutions. 

But sudden indifference to Jewish catastrophe and open Jew-hating—the post October 7 legacy—has pushed me and my boomer peers to revisit what we thought were rock-solid certainties. The last eight months changed everything.  

I’m a knowledgeable guy, a teacher, a scholar in my own modest way. But now I wonder what I’ve ever really known. History lulled me to sleep, then woke me with a klop. My everyday worries—money, family, health—have new company, a dangerous twist on the tribalism splintering our civil society. Suddenly, the hyphen connecting “Jewish-American” feels frayed, eroded, anything but certain. 

All my life that hyphen signaled a balance I had no reason to doubt. A birthright, if you will. It never felt conditional or one-sided.  

**********   

In 1906 Shai Wach, an 18-year-old immigrant from Warsaw, arrived in New York and renamed himself Charles. Eleven years later he returned to Europe, a doughboy drafted into the 77th infantry division, the “Melting Pot” division, a polyglot mix of immigrants from lower Manhattan. Charlie fought with the Lost Battalion in the Argonne Forest and returned to New York with a fistful of medals, his patriotism signed and sealed. He marched up Fifth Avenue with his old unit every Armistice Day for decades. Growing up in the Depression-era Bronx, my father Daniel, Charlie’s older son, absorbed the lessons of those parades. 

I never heard my grandfather talk about Israel. New York was his home. The United States was his homeland, and he had the medals to prove it. But his brother perished in Auschwitz (also never discussed); his sister disappeared forever into a wartime Polish convent. I suspect that like his Workmen’s Circle comrades, he had no personal Zionist convictions but believed that the Shoah made Israel necessary. Just not for him, or for his son, or for me. 

********** 

My father spoke more often about his World War II service as he aged. Before he became too frail to travel, he eagerly embarked on a veterans’ “Honor Flight” to visit war monuments in Washington. The day he died a biography of Churchill lay open on the magnifying reading device the VA had given him.  

I turned eighteen just as the Vietnam-era draft ended. A graduate of my high school was killed at Kent State. Some classmates sewed peace symbols on their jeans and joined antiwar protests. Others sneered at the “footprint of the American chicken” and enlisted the moment they could. My peacenik mother hated the war; my proud veteran father defended it. I didn’t know what I believed, but I acted the teenage antiwar hippie, singing along with Country Joe and the Fish and listening to Hendrix tear through the national anthem.  

It never occurred to me—or to anyone I knew—that Jewishness could have any relevance to that all-American strife. National identity was properly a civic affair. We all belonged to this country. I had no Zionist feelings, no desire to make aliyah. But I knew—even through the fog of adolescence—that Israel was a fulfillment, a source of ethnic pride heightened by the miraculous Six-Day War.  I grasped its importance and celebrated the victory, but we were Jewish Americans, secure in that solid identity, feeling no unsettling contradiction or tension. All the old barriers were falling. Wartime dissension aside, what could disturb our happy condition? 

**********

I have a different question now. What made me think I’d escape the history I studied and taught? I’m a lucky Jewish baby-boomer born into the post-Holocaust truce that sidetracked Jew-hating and enabled some of us to vault into corporate suites and institutional power. The truce has faltered for a while, but the October 7 aftermath blew it apart.  

We disappeared into benign, assimilated invisibility. Or so I thought. That dreamy moment in the American empire is over. The sudden disregard for Jewish lives unearthed my half-buried boomer memories: Charlie’s brutal, unspoken knowledge of genocide, my parents looking sideways at goyim, their memory of “Gentiles Only” warnings in employment and real estate ads. Blue numbers tattooed on the forearm of my friend Paul’s father. It all flooded back when I saw torn, defaced posters of Israeli hostages and heard noxious chants rising from massive rallies. I was rudely yanked back into history. 

The shock unleashed a stew of unwelcome emotions in me: anger at “progressives” who abandoned moral sense, who preach simple-minded theories of power, seduce the ignorant, and make Israel the centerpiece of global evil; anger at Israeli zealots who reinforce that corrosive lie—lunatic settlers running wild and the politicians who coddle them; fear for my children, who witness Jewishness embroiled in today’s American strife and may never recover the assurance that “Jewish-American” once meant, the hard-won allegiance my grandfather and father gifted to me. 

**********

In the 1980s I wrote a Ph.D dissertation at Brandeis University about civil society in nineteenth-century Britain. One day I was sitting with friends in a common room when a professor in the History Department, a brash and funny character, dropped by to share his latest insight. “Brandeis has a new theme song,” he announced, “a medley of Hatikvah and Yankee Doodle Dandy.” Then he laughed and walked away. 

Until recently the joke made playful, ironic Jewish sense. It fit perfectly at Brandeis, that model of postwar Jewish-American identity and ambition. In the last eight months I think of it more than any time in the last forty years. But its playfulness is gone, its irony soured. 

Here’s a sign of the times. Brandeis is recruiting Jewish students feeling displaced or frightened at campuses where keffiyehs are fashionable and Zionism is a seven-letter version of a four-letter word.  

That old joke isn’t funny at all anymore. 

Howard Wach is a semi-retired City University of New York academic. He’s written and published articles on educational technology and academic history in various journals, and now writes creative nonfiction and short stories. Palisades Review published his short humorous piece about not buying a time share. 

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Klari’s Cameo

by Ruth Zelig (New York, NY)

Author’s Note: For economic reasons, my father decided in 1958 that he, with my mother, and me at age eight, would leave Israel and migrate to South America where we would wait until the United States allowed us in (1967). His goal was to settle in the United States, but American immigration quotas were too strict, in essence barring our entry. By December 1958, with utmost efficiency, my father made arrangements for a transatlantic crossing, and while waiting for the day of departure, we moved in with his step-mother, Klari.

“Early in the morning I’d look over at the bed and see your three sleeping heads. After you went away, the bed was so empty.”  This is how Klari described to us in her letters the lonely days after my parents and I emigrated from Israel in December, 1958. This is how she revealed how happy she was that the three of us had stayed with her at her one-room apartment for a few weeks after our own apartment was given up, our furniture dispersed, the suitcases packed, and the trans-Atlantic steerage tickets purchased, in pursuit of my father’s dream to migrate to America.

Klari was my paternal step-grandmother. She had luminous light green eyes. And some freckles on her face. Graying wavy hair that sometimes she gathered in a bun behind the nape. At other times worn short. But around her neck there was always a gold locket that opened to a photo. The locket cover was a delicate cameo.

She was my other grandmother, one of three, two of them living, another being my maternal grandmother. Klari married my grandfather, Deszö, in Transylvania in 1949, soon after he lost his remarkable wife, the grandmother I never met, and the two immediately moved to Israel to join my father. So I was lucky, I had three grandmothers, kinswomen shaping the foundations of my life.

The grandmother I never met was a venerated enigma; she was not a babysitter. But Klari provided childcare on occasions. She fed me madár tej — eoufs à la neige — floating islands. A dessert so milky with love, so whipped up with care, so easy to eat, it was like the breath of kisses on the lips. No one could match her dessert, not even the fancy French restaurants in New York City where I’d go chasing a dream more than half a century later.

When my childhood home was no more, and migration was about to turn my world over and revolve in the opposite direction, the few weeks of living with her kept me safe from worry. I did not know yet what loss meant, because she and her apartment were a haven. I continued to go to my old school from her home for a little while longer, walking two blocks to R. Arlozorov to catch the bus that went up the Carmel Mountain to Ramot Remez and getting off in front of the school. My mother had practiced the drill with me so I could do it alone. On the way back from school, after getting off the bus, I passed a beggar woman every day. One day I left her some coins. I had never done that before; I had never been homeless before.

After my grandfather died in 1956, Klari remained the widow who had been fun for me to visit. I watched her rapturously as she lit Shabbat candles and gathered the sacred light with her hands while murmuring the blessing. She loved my mother so much, and her attentive daughter-in-law reciprocated the affection. The year she married my grandfather, 1949, was also the year my two teenage parents wed in Israel. All these people living the second, improbable chapter in their life. It’s startling to think that Klari was married to Dezsö for less than seven years, a blink of an eye for people their age. She didn’t marry him for money; he had none, and he was very sick after years in a Nazi-led Romanian slave labor camp and needed a caregiver. He died aged fifty-nine leaving her a fatigued widow. Most likely a widow for the second time.

When I was with her, she never talked about her life before the calamity. (She did not have a tattoo on her arm.) Taking her for granted, I never asked about her prior family, her maiden name or maybe her prior married name. She didn’t have children. But maybe she had a husband, or a fiancé, who was deported during the Holocaust? There were no other relatives. She hid the pain behind a cheerful manner. I never heard a cross word; never heard a painful expression; never heard anger, wishful thinking, or regret.

How did my elders pick up the pieces and move forward? By getting married again so soon after losing an indispensable companion? By daring to cross the ocean and arrive at a Mediterranean land so alien compared to what used to be home? When the rug is pulled out from under you, when the walls around you are breached and the contents confiscated, when your livelihood is eliminated, when your essence is erased and your figure is spat upon as if you were a demon, how do you dare pick up the pieces? If you’re treated like an animal, you resort to being human.

Her humanity was boundless. Her little apartment on R. Yerushalayim was so pleasing. One room. That’s all a widow needs. A corner with a little icebox and a shelf-top two-burner primus; two small sunny windows with white lace curtains; a back door to a wooden staircase descending to the ground behind the building; a single bed. And an armoire with the prettiest dresses a seven year old girl could imagine: silk-like fabrics with pretty, colorful patterns. I’d riffle through them, feeling the fabrics, savoring the patterns with my eyes, unaware these were styles from the 1940s. I’d rummage through her necessaire de toilette, smitten by the little round orange box of Coty Airspun face powder, the one still sold today unchanged since 1935 when she was a younger woman, with the iconic design of white powder puffs on the box-top. I still delight in this design, it reminds me of her. 

In the middle of the apartment was a dainty Queen Anne dining table with four matching chairs. And a Persian rug underneath, where I’d lie on my stomach and iron the tufting with my fingernails in the direction of the weave, then alternating, learning that doing so in the other direction made the fiber stand up and change the character of the colors, while I was studying the Persian rug pattern with the medallion in the center and the repetition of the pattern in a satisfyingly predictable sequence, a fractal brain-teaser, intuiting that hand-weaving was about symmetry. And symmetry was about equilibrium, predictability, security.

But we emigrated. Equilibrium, predictability, and security disappeared. Life was not a Persian rug. 

My mother and Klari corresponded for years. Thirteen years after we left her behind, after she remarried, became widowed again, had breast cancer and radical mastectomies, a hacking which made her upper arms swell to twice their size, we went to visit her again in Israel, in a different city, a suburb of Tel Aviv. And she took us in again, and we sat at her table eating leben and drinking Nescafe. You had to heat the milk first then mix in the coffee flakes then add hot water. Old women have a way with rituals you shouldn’t challenge. She showed me her scar. She wasn’t shy. She was forthright. With the kind of uninhibited composure that made her survive the Holocaust nightmare, cancer, death, departure, separation, solitude, and foreigners. She never learned to speak Hebrew.  She managed, because there were enough contemporaries who were also Hungarian speakers.

More than anything else, I associate Klari with a cameo. Classically authentic, revealingly bas relief, unassumingly delicate, straightforwardly monochromatic, singularly solitary. She represented a woman comfortable in her own skin, devoted and caring when called upon, repeatedly alone without protest when no longer needed.

Ruth Zelig migrated three times before the age of 20, changing languages (at least five), cultures, and school systems. After earning an MA in Linguistics, she went on to study computer languages and became a computer programmer and systems analyst at IBM. As a mother, she raised her children, spent years volunteering in a NJ community at various levels of leadership, and became the president of her Conservative synagogue. English remains her primary language for writing.  She has written an epistolary memoir, “Letters From Brazil, Reflections on Migration and Friendship,” and  hopes to publish it soon. You can learn more about her and her work at these social media sites:zeligova.substack.com, jewishwomenofwords.com.au/author/ruth-zelig/, instagram.com/zeligova, and zeligova.com

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Minnie Horowitz

by Anne Myles (Greensboro, NC)

At the Seder at my aunt’s house in New Jersey,

as my uncle-by-marriage blessed the matzo,

intoning hamotzi lechem min haaretz,

my mother and her four sisters and brothers 

would chime in not amen but Minnie Horowitz!

Cousin Dan told me that story on the phone—

at sixty I’ve learned the blessing, get the joke.

They’re all gone now, but alive again in this—

that fierce irreverence and joy in their own wit.

Once I was there too, gripping the Haggadah, 

my insides roiling with obscure hungers,

salty greens and charoset on my tongue.

What was I to make of it, that tale of plagues

and miracles, my inscrutable inheritance,

crumbled between jibes and family backtalk?

No one thought it worthwhile to explain.

How much did they grasp of it themselves,

children of Ray, the crown rabbi’s daughter,

transported from Kotelnich to Jersey City,

who when my mother’s friend showed up at dinner

hissed in the kitchen, Tell her it’s veal!

Oh America, what a marvel you seemed then—

land of freedom from law and memory both,

where we gloried in our big brains and mouths,

fanning history away like cooking smoke.

Oh Epsteins, I am formed of you, but wander

lonesome through states you never dreamt of

in a changed century. Oh Minnie, I imagine 

you dancing toward me like some long-lost ancestor

in your best dress, your pale knees plump as loaves,

your candles burning, and your small hands raised,

circling the light before covering your eyes.

Anne Myles is the author of Late Epistle, winner of Sappho’s Prize in Poetry (Headmistress Press, 2023), and What Woman That Was: Poems for Mary Dyer (Final Thursday Press, 2022) Her poems have appeared in numerous journals and been nominated for multiple Pushcarts. Anne is Professor Emeritus of English at the University of Northern Iowa and holds a PhD from the University of Chicago and an MFA from the Vermont College of Fine Arts. She now lives in Greensboro, where she co-hosts the new reading series Poetry on Tap and is belatedly exploring the religious dimensions of her Jewish identity at Temple Emanuel. If you’d like to learn more about Anne, visit her website: annemyles.com

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With love, always

by Annette Friend (Del Mar, CA)

I picture my mother

white shmata cleaning rag

like an eternal light in her hand

seeking to brighten the furniture

in our little used dining room,

shining the up-right piano

I practiced on so badly,

I’ll be loving you, always,

Irving Berlin’s ode to enduring love

always on her lips.

I miss her voice, tremulous, soft,

but always on tune.

I miss her nut cake, her famous

desert that friends, loved ones,

neighbors adored and scarfed down

as soon as it emerged from the oven.

Seven sticks of butter and lord knows

how many cups of sugar

slithered down our grateful throats.

I take out her well-loved serving dishes

when my mahjong friends gather.

Red and white ceramic with pictures

of stately castles in Europe never visible

from the shtetl she came from.

They could even be worth something

but I’d never sell them, I still see her hands

scrubbing their delicate surfaces clean.

We always fought, she and I,

her frame of reference

always Europe and the devastation

of the Jews she left behind.

Mine, trying to dwell

and inhabit this brave new world

of America where she had come.

We always fought and I thought

maybe I didn’t love her enough,

maybe she loved me too much,

always wanting to protect me from

the alien world she found herself in.

I always loved her,

I know that now,

maybe as much as she loved me.

In my mind, she wears a red babushka,

slips it off her grey hair

to wave at the bus we wait for.

signals the bus driver to stop.

She yells, “Yoo Hoo, Yoo Hoo”.

Instead of cringing and looking where to hide,

today in my mind, my lips rush up

to graze her lined cheek, with love always.

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, and The San Diego Poetry Annual.

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My Grandmother’s Hands

by Arlene Geller (East Petersburg, PA)

Her hands, swollen with arthritis, don’t fail her
as she plucks the chicken for the Sabbath meal
kneads the dough for her must-be-dunked poppy seed cookies

Her hands once supple worked her Singer machine
                          (prized possession)
sewed my clothes, homemade creations 
marked her status as a working-class immigrant

She and my grandfather
tailors from the old country
opened a store and plied their craft

The old Singer humming along
sustaining their livelihood
as they raised a family, three sons and a daughter 
                          (prized possessions)

Fulfilling their Russian dreams of an American life
now envisioned through the rolling fog
as they drew nearer to Ellis Island
the Statue of Liberty waving them in

Poet/lyricist Arlene Geller has been fascinated with words from a young age. Two poetry collections, The Earth Claims Her and Hear Her Voice, were published in 2023 by Plan B Press and Kelsay Books, respectively. Her poetry has also appeared in Tiny Seed Journal, Tiferet Journal, The Jewish Writing Project, White Enso, and other literary journals and anthologies. Collaborations with composers include commissioned lyrics, such as River Song, featured in the world premiere of I Rise: Women in Song at Lehigh University and since performed in numerous national and international locations. Learn more at arlenegeller.com.

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Sestina On Changing The Name                                         

by Roseanne Freed (Burbank, CA)

for my Dad. Maishie.     

When my Dad left Israel at nineteen he changed his name

and I was his link to the past as I look like his mother.

This is Dad’s story from the grave:  Born in bed—

no need for details—we never had enough food

to eat. Like beggars we slept in the clothes

we wore all day. A religious man Tevya, my father

had nothing. God forgive me if I don’t praise my father—

but he never achieved anything, and I had to share his name.

I didn’t know people slept in special clothes

called pajamas—we only survived because of my mother’s

tenacity. Always hungry, you feel cold without food 

and Jerusalem is cold in winter—a thin blanket on the bed

to cover us, we four children sharing the one bed.

His only job to sit with the dead, my father

earned a pittance, so our stomachs cried for food.  

I’m the first one to change the name.

Cleaning houses of the rich my mother

worked for a dentist’s wife who gave us clothes.

We didn’t go to the dentist but wore his childrens’ clothes.

No furniture in our room except the two beds—

one night, falling asleep on top of the baby, my mother 

smothered it. If he got carpentry work at night my father

bought us herring and pita. I didn’t want his name

when he’d wake us up after midnight to eat the food,

but not all of it — god forbid—we had to save food

for tomorrow. We were shnorers, our clothes

full of patches, I couldn’t wait to change the name.

My poor mother, I never saw her resting in bed.

I had to go work at thirteen because my father 

couldn’t feed us. On special holidays my mother 

cooked meatballs, oy such delicious rissoles my mother 

made, my mouth waters to think of the food.

After I emigrated I celebrated my freedom from my father 

and his religion with bacon on Yom Kippur. I bought clothes

for the trip —a double-breasted suit. I never went to bed

hungry after I moved to South Africa and changed my name.

When I married at thirty I had a successful factory making hospital beds.

My four children and their mother always had food and clothes, 

and clean sheets. I hope my kids aren’t ashamed of their father’s name.

Roseanne Freed grew up in apartheid South Africa and now lives in Los Angeles, where she takes inner-city school children hiking in the Santa Monica mountains. A Best of the Net nominee, her poems have appeared in MacQueens Quinterly, ONE ART, Naugatuck River Review, Silver Birch Press and Verse-Virtual among others.  

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Unwelcome and Unwanted

by Esther Erman (Mountain View, CA)

These days, now that most of them are gone, Holocaust survivors are honored and revered. But, from my experience, this was not always the case. 

I remember hearing that the mother of a famous Jewish writer became angry upon seeing a newsreel about Jews in Nazi labor and death camps. To whom did she direct her anger? The Nazis perpetrating the crimes? Alas not. Her ire went against the Jews who were – what? dumb enough? unlucky enough? to get caught and thrown into those places. 

I arrived in the United States as an infant, the child of my survivor parents who had lost everything in their place of origin, Poland. To say that we were unwelcome and unwanted is putting the case mildly.

Each of my parents was the sole survivor from their family of origin. To the best of my knowledge, most of my family perished at either Treblinka or Auschwitz. Both of my parents survived ghettos, labor camps, and Auschwitz. My mother also survived the death march and Bergen-Belsen. Calling my parents traumatized is also putting the case mildly. Despite this extreme trauma, they had the resilience to meet and marry in their DP (displaced persons) camp in Germany and produce a child (moi), born eighteen months after my mother was liberated from Bergen-Belsen.

At the  DP camp, my father managed to connect with an uncle in the United States who sponsored us to emigrate. By the time the requisite paperwork arrived, my mother was too pregnant to get on a ship. We had to wait until I was born and then able to lift my head – around age three months. 

By the time we managed to leave Germany, it was March of 1947. We set sail from Bremen on the Ernie Pyle. The crossing was so bad that my mother was sure we’d die in the middle of the ocean. I think that the Ernie Pyle was not the most seaworthy vessel. It foundered in the middle of the Atlantic, and we were towed back to Plymouth, England. There, for the seven days it took to get another ship for us to transfer to, we were not allowed to set foot on British soil. I expect it was a long seven days. 

We arrived in the United States on April 1, 1947. The uncle who’d sponsored our journey left us to fend for ourselves. He was a miserly bachelor who kept our existence a secret from a large branch of the family in Chicago. Perhaps they might have been more generous than he in providing support for my traumatized parents and me? His motivation for all his behavior remains an unsolvable mystery. It’s only been in recent years that the folks in Chicago learned that anyone from the family in Poland had survived the war.

Soon after our arrival, we settled on the Lower East Side. It was not trendy then. Given the post-war housing shortage, a building on Suffolk Street that had been slated for demolition was removed from the demolition list. Our first home was a rat-infested firetrap that had my crazy clean mother weeping with frustration daily. My father worked two jobs and was so rarely home, I cried when I saw this stranger. When my mother first attempted to tell an American Jewish woman about her experience in Auschwitz, the response was: “We suffered here also. Sugar was rationed.” Any wonder that my mother became depressed?

As I’ve come to reflect on my family’s experience, I can’t help wondering what might have been if my parents had had some support – any support – in those early days. Might it have made a difference? Or were they just too traumatized for there to be any meaningful help for them? I know that regular Americans were not thrilled to welcome us refugees. I think many Jewish Americans – maybe insecure themselves, maybe not long enough distanced from their arrival in the United States – did not welcome this reminder of where they had come from. 

I think about this feeling of being unwelcome and unwanted – which stayed with us as we made “successful” lives in the United States – when I hear about the plight of current refugees. Even for those more fortunate in their settlement than we were – the stigma of being a refugee lingers long after the initial trauma might reach some degree of resolution.

Like Rebecca, the heroine of her novel (Rebecca of Salerno: a Novel of Rogue Crusaders, a Jewish Female Physician, and a Murder), Esther Erman was a refugee. As an old “white” woman who speaks good English, she realizes she doesn’t typify the usual image of a refugee — but, despite the passage of time, the scars remain.The daughter of two survivors of the Shoah from Poland, Esther was born in Germany. A naturalized citizen, she early developed a passion for language. After receiving her BA and MA in French from different divisions of Rutgers University, she returned there for her doctorate in language education. She wrote her dissertation about Yiddish, her first language, which she had abandoned at age five. A multi-published author still trying to settle on her next big project, Esther now lives in the San Francisco Bay Area with her husband Lee. When they’re not traveling—especially to be with family in other parts of the United States and in England—she loves to bake, quilt, and add to her monumental book collection. Check her website for upcoming events: EstherErman.com.

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What My Zayda Taught Me About Tikkun Olam

By Jessica Ursell (Campania, Italy)

My beloved Zayda Nachman Libeskind’s life consisted of circumstances finding him in the unlikeliest of places, such as when he was escaping Poland on a rickety craft in the dead of night on the River Bug with two warring armies (the Soviets and the Germans) shooting at each other from opposite sides of the river, and later when he was framed, interrogated, and beaten by Soviet agents in the remote reaches of Kyrgyzstan because of a mysterious envelope he was forced to take with no knowledge of its contents, or when years later, during a ceremony pertaining to the Jüdisches Museum Berlin, Gerhard Schröder then federal chancellor of the Federal Republic of Germany (1998-2005) made a point of personally approaching my Zayda to express contrition for the horrors perpetrated against the Jews by the Nazi regime during the Shoah.

So when Nachman, a survivor of brutal Soviet gulags, shootouts, starvation and all manner of deprivation, traveled to the deep American South to participate in my official “pinning on” ceremony when I was promoted to the rank of Captain in the United States Air Force, it was another in a long line of the unlikeliest places for a man of his age and experience and, for me, the greatest honor of my life.

Maxwell Air Force Base in Montgomery, Alabama was about the unlikeliest location conceivable for the youngest son of an unemployed carpenter born to an impoverished Jewish family in the industrial city of Łodz, Poland in 1909.

Jewish and proud, my Zayda actively sought to join the Polish army during the period between the first and second world wars because he was a patriot and wanted to resist the ugly Polish caricature of Jewish men as weak and cowardly.

His attempts to join the army were met with a considerable amount of skepticism by the Polish military authorities who rejected him multiple times due to his being underweight (read Jewish).  But Nachman was determined and kept applying until finally the Polish military authorities, surprised and confused by his persistence, accepted him.

When, immediately after finishing law school, I chose to join the United States Air Force (USAF) as a lawyer in what was then known as the Judge Advocate General’s Department (now USAF JAG Corps), it was nearly as unusual a choice for me who had been brought up with a European Jewish Bundist ethos as my Zayda’s was back then. 

Like my cherished Zayda, I too, wanted to prove to anyone and everyone what it meant to me to be Jewish. I wanted to defy ugly stereotypes and demonstrate that Jews are able and willing, even eager, to serve their country, in ways that historically were exceedingly difficult, or even impossible, for Jews. I wanted to battle the hateful concept of Jewish inferiority and expose the oft promulgated lie that Jews living outside of Israel are loyal only to Israel. I felt that by actively making a choice to serve my country in uniform as a lawyer, it would be a tiny, but personally meaningful way, of demonstrating my desire to be a part of something greater than myself, and to, hopefully, engage in work that would bolster democracy – a value that I find inherent in the concept of Tikkun Olam. In this respect, when I served as Chief of Operational Contracting, I was fortunate, among my other duties, to be the officer responsible for interpreting, applying, and ensuring compliance with Freedom of Information Act (FOIA) requests.

Promotion day arrived as did my parents and my beloved Zayda. I adored my grandfather, and was thrilled that he would make the trip with my parents. Driving all the way from New York City to Montgomery, Alabama, where I was working my first assignment as a JAG, the distance they traversed was not only through several states, but into an entirely different world. They journeyed from the urban diversity and the Yiddishisms spouted by all New Yorkers, Jew and non-Jew alike (oy vey!) into the deep south, with all of its not so distant past, and still simmering present, laden with racism and overlaid with a veneer of southern homeyness, hospitality, and homogeneity.

The entire experience was, I imagine, a bit surreal for all of them.

It was definitely surreal for me. What I remember most all these years later is the juxtaposition of my background and my new reality – my New York Jewish family and my new friends and fellow airmen from all over the southern United States and the midwest – virtually everywhere else other than New York.

Zayda Nachman, with his sparkling cerulean eyes, enchanted everyone he encountered. This was nothing new. His optimism and zest for life and colorful experiences, despite all that he had endured, was contagious.

Unlike many others, who chose not to talk about and thereby relive the horrific brutality and nightmares they endured during the war, my Zayda made the deliberate choice to speak out, and bear witness to the unspeakable.

Yet, my Zayda rarely spoke about the instances where his own actions helped to prolong and save the lives of his fellow prisoners in the merciless Soviet gulag of Opalicha in Yaroslavl oblast. We know of Nachman’s actions only because they were relayed to us by those whom he helped, and on the rare occasions my Zayda referred to these events, it was only tangentially in talking about the entirety of his experiences of extreme deprivation, starvation, and brutal forced labor in the Opalicha gulag.

Years after the war, my mother heard from several of Nachman’s fellow prisoners at Opalicha who moved to Israel. They explained that my Zayda Nachman drastically understated the consequences to himself had he been caught sheltering fellow inmates. He would have been executed – not “merely” beaten. 

When I think about my Zayda Nachman’s experiences during the war and the way he met the very worst of humanity with the very best of his humanity, I am struck by the awareness that Nachman lived his life through the lens of Tikkun Olam, while he also embodied the core values of the United States Air Force – Integrity, Service before self and Excellence in all he did.

Everyone at my promotion ceremony was so warm, welcoming, and genuinely full of joy and affection for me and my family. I was deeply touched to see how everyone delighted in meeting my family especially my wonderful Zayda. It all happened as though it were a dream. Even during the ceremony I had to keep reminding myself that it was actually real – that I was standing in front of my parents and beloved Zayda and all my new Air Force friends achieving something that would have seemed inconceivable to me only a few years earlier.

My commander Colonel Turner was respected, indeed revered, by all of the junior officers. He treated us with kindness and respect and was gentle in correcting any of our errors. We all were better officers because of the way he modeled leadership. So it was a monumental honor that he and my Zayda pinned on my new rank. Colonel Turner treated my Zayda with great warmth and respect. When I look at the photo of them with their raised arms poised above my shoulders pinning on my new silver Captain’s bars the surge of pride I still feel is profound.

Reaffirming the oath, the ceremony, the cake, and being surrounded by my friends and family made for a memorable experience but the one thing that stands out above all else is the way my Zayda Nachman was beaming with pride throughout the entire ceremony and afterwards. It was, I think, a vindication of all that he had endured to make it to America, the Goldene Medina – that his Jewish granddaughter was proudly serving the country that he believed stood for truth, justice, and the American way.

Now when I reflect on the burgeoning and violent acts of antisemitism that have metastasized throughout the United States since my Zayda passed away in 2001, I know deep in my gut that my beloved Zayda Nachman’s optimism and vision of America as a safe haven from pogroms, persecution, and privation has been shattered. 

Tikkun Olam, the uniquely Jewish concept of repairing the world that my Zayda held so dear, is more crucial now than ever before. 

Nachman would be horrified and brokenhearted to see the promise of America betrayed as neo-Nazis, marching at the “Unite the Right” rally in Charlottesville, Virginia in August 2017, shouted “Jews will not replace us” and one year later the deadliest antisemitic terrorist attack in US history that killed 11 people and wounded six including Holocaust survivors at the Tree of Life synagogue in Pittsburgh, Pennsylvania in October 2018.

Antisemitism, racism, xenophobia, misogyny, homophobia, transphobia, and all forms of bigotry are now openly touted as patriotism and not just by fringe political figures. Such beliefs are now horrifyingly mainstream. 

Nachman’s famous optimism sprang from the idea that learning, knowledge, and understanding can breed tolerance. Tolerance leads to respect for differences and respect can lead to peace and even friendship.

My beloved Zayda Nachman taught me that the essence of Tikkun Olam means standing up for the rights of others even when one’s own rights are not in jeopardy. 

Besides voting, as my Zayda did faithfully in every election (he viewed it as a vital act of citizenship), my efforts at Tikkun Olam are to continue speaking out, and committing to never being a bystander to injustice. 

Daughter of an immigrant Jewish mother from the foothills of the Himalayas and a South Bronx born Puerto Rican Jewish father, Jessica Ursell is a veteran JAG officer of the United States Air Force, poet, and ardent advocate and public speaker against antisemitism, racism, and bigotry. The granddaughter of survivors of the Holocaust, Soviet gulags, and a descendant of a Taíno great-grandma, she understands in her bones what happens when intolerance, indifference, and ignorance take root in society. 

Raised by scientist parents, Jessica’s early environment was steeped in an atmosphere where questions were welcomed and asking “why not” was encouraged. Jessica lives with her husband in Southern Italy where she writes essays and poetry addressing the complex interplay between trauma, power, love, loss, and madness. 

Her essays, “At the Country Club with Superman” and “Standing Up for the Voiceless: My Fight with Royalty in Anne Frank’s House,” were published by The Jewish Writing Project in July 2022, and October 2022, respectively. Jessica‘s poem, “Sedimented Rock,” was selected by Beate Sigriddaughter, former poet laureate of Silver City, New Mexico and was published by Writing In A Woman’s Voice on 18 November 2023. Jessica’s most recent poem, “A Still-Life Collage of Lost Objects,” will appear in the February 2024 print issue of Down in the Dirt magazine as well as online (v. 216 Scars Publications).

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