Tag Archives: immigrant experience

One People, Many Faces

By Steve Pollack (Woxall, PA)

My son’s bar mitzvah year called us to the northernmost Israeli seacoast town of Nahariya in the summer of 1991, the year that 15,000 Ethiopian Jews were airlifted as part of “Operation Solomon.” We wanted to lend our hands to the historic and miraculous effort.

The Israeli government provided the new immigrants with temporary housing, Hebrew language classes, and job training. Local B’nai B’rith leaders collected clothing and other personal needs. One day we were assigned to distribute various powders & liquids—soaps for bathing, washing clothes or cleaning dishes—and to demonstrate their use for people accustomed to washing in a river, not certain the purpose of each plumbing fixture in a hotel bathroom. That assignment is what sent me to an upper floor where I met a man whose priestly position in the tribe I learned only later. 

I did not ask his name nor speak mine. I did not speak Amharic, the official language in Ethiopia. Yet I stood before him, an elder among recent immigrants ravaged by famine and civil-war, awed by his dignity and personal warmth. His coarse cotton robe, white ragged beard, and distinctive scepter of smooth wood and horsehair held upright looked to my Western eyes as unfamiliar as my shorts and baseball cap must have appeared to him.

The elderly man motioned for me to sit by him on the bed and opened a well-worn leather-bound volume. He turned the thick book to a page inside the back cover and together we recited the twenty-two letters of the Hebrew alphabet—Alef, Bet, Gimel… This was no test or school lesson, no bland reading. The experience felt like a joyful song, an ancient chant of profound connection.

Our group of B’nai-B’rith volunteers visited the new immigrants most afternoons. We strolled the mosaic promenade parallel to the Mediterranean Sea holding hands with the youngest children while their parents prepared evening meals served in a common dining hall. Lean teenagers walked with us, their English vocabulary more extensive than my Hebrew. They taught us their Amharic names, articulations unpronounceable by my lips. 

While at local playgrounds or on Nahariya sidewalks, we were greeted with broad smiles from Israelis going about their everyday routines. A tribe of African kids parading with North Americans was a sight that became a local headline. We were hosted like celebrities at the Mayor’s city hall office and gifted commemorative pins; the city’s name, from nahar, Hebrew for river, its iconic water tower and idyllic position by the sea symbols on the crest.

During an evening talk with our group, an Israeli-educated anthropologist who had fled from Ethiopia only a handful of years before highlighted his community’s history and customs on the Horn of Africa. I learned that the elderly man who I had met was much respected. His scepter was a sign of sacred wisdom, not kingly wealth. 

I learned, too, that to be married in their tradition, young couples presented him with family documents going back seven generations, proof they were not too closely related. It was quite a contrast to the way my wife and I had applied for a marriage license in Philadelphia. We had gone to city hall, passed blood tests, and then a rabbi in tailored business suit witnessed our names and wrote the wedding date on our ceremonial ketubah. 

Sitting among new friends during that informal evening, and often during the many years since, I thought about the many leafless branches on my family tree—before immigrant grandparents I was privileged to know. Of those who never boarded a boat, I know nothing. How many millions of lives could have been saved if US quotas had not been imposed, if safe harbor had been open ten years before 1948, when the modern state of Israel was born in my lifetime? 

Social scientists have researched several theories about the Ethiopian Jewish community, and notable rabbis authenticated their origins to the tribe of Dan, one of the ten lost tribes. I wondered also about millennia before, which of Jacob’s twelve sons, which mother carried my seed—concubine or wife? I must be satisfied with Biblical narratives, stories of struggle and strength, grateful for names and traditions passed forward, one generation to the next. 

During our month-long adventure that year, we also took in sights and tastes as tourists from the Mediterranean to the Red Sea, from chalk cliffs of Rosh Ha’nikra to sandstone mountains of Eilat, from Galilee to Dead Sea, from Nahariya to Jerusalem. But it was those minutes that I shared with a black African man who had traveled across a desert and flown through clouds to a Promised Land thatheightened my pride in being Jewish and broadened my sense of Am Yisrael. 

Although Jews are dispersed in different lands, across seas and circumstance, all of us are bonded through an alphabet, the poetic language of urgent prayers, and the covenant of an enduring faith.

We are one people of many faces.

Steve Pollack hit half-balls with broomsticks, rode the Frankford El, sailed across the equator on the USS Enterprise. He’s been an usher, delivery boy, engineer and administrator. Creative writing found him later. “Bashert”, appeared in Jewish Literary Journal. His poems in print and on-line, most recently Poetica Magazine and Schuylkill Valley Journal. His poetry chapbook, “L’dor Vador–From Generation to Generation”, was published in 2020 by Finishing Line Press. He serves on the One Book One Jewish Community team sponsored by Gratz College, and sings bass with Nashirah: the Jewish Chorale of Greater Philadelphia.

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Birthright

by Lori Rottenberg (Arlington, VA)

For my grandmother, Margot Butterfass Rottenberg (1912-1996), and her father, Shaya ‘Max’ Butterfass (1872-1932)

The past is not decent or orderly, it is made-up and devious. 

—Robert Pinsky, “Gulf Music” 

A diamond horseshoe  

to pin the cravat of a man    

smart and squat, grand liar   

and survivor, continental pinball— 

gold to fix him   

to some ground  

after so many homes   

passed beneath his feet.  

Warsaw, New York, London, 

Berlin—Max decided  

truths carved on forms would be  

chiseled by him alone:  

Birthdays, dates, names, 

sworn oaths to bureaucrats  

whose countries didn’t want him— 

interchangeable as the chickens he raised.

 

What mattered were the chances 

he forged from an alchemy of blood:  

escaping pogroms, documents that unlocked  

borders like keys, wealth he could wear. 

***     

My grandmother transformed  

Max’s bit of glittering luck caught   

in the Weimar sun, turned tietack to ring  

after he died. She carried him  

on her pinky to America,  

sailing on the paper boat  

of citizenship that was his  

legacy. She wore him  

for 60 more years, married  

another hard man who bent  

only for her. The ring  

became promise—for me,  

granddaughter made daughter—  

while she lived, piecing  

a new life, joining  

family to family.  

She offered me everything   

else before dying but  

could not let go of her father’s   

sparkling horseshoe.  

When I die you will have it.   

This was a lie.   

It disappeared where I was not  

but should have been: at her side. 

 

*** 

Now without the light  

from her twinkling ring, reminder   

of the man who birthed my future,   

I pull strings of truth from tangled memory.

Almost as old as Max would live to be, 

I am bloodbound to tend his words,  

to pick the paper bones of his life:  

all that remains of my birthright.   

I am the one supposed to know,   

the one to smith our story into words   

that will last like gold, like diamonds.   

Max’s horseshoe can’t help me   

tell truth from lie—all   

I see is history’s churn,   

countries changing every generation,  

life’s work scattered; the ring’s one   

more thing lost in the journey.   

But its luck is my life, my great wealth  

the pinky it graced: an estate  

I will claim the rest of my days.

Lori Rottenberg is a writer living in Arlington, Virginia who has published poetry in many journals and anthologies. Her most recent work on her Jewish family history will be appearing in 2023 in Minyan Magazine and Open: A Journal of Arts and Letters. To read her new novel in verse, visit The Enchantress Queen and The Ghost Who Made Me Through the 2021 Arlington Moving Words competition, one of her poems was chosen to appear on county buses, and she served as a visiting poet in Arlington Public Schools for over a decade. She works at George Mason University, where she teaches writing to international students and poetry to students in the Honors College. She is in her third year of studies at the George Mason University MFA Poetry program. For more information, please see  https://lrottenberg.weebly.com/ or https://yetzirahpoets.org/bios/lori-rottenberg/.

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The Baba

by Mark Russ (Larchmont, NY)

The Baba, as she was called, was not my baba, nor was she my bube nor my bobe.  I must have first set eyes on her when I was two and a half on a frigid February day, my first in Philadelphia, having been carried in tow by my parents from Cuba, my birthplace, along with my older sister.  I don’t remember the Baba at that first meeting, but the image of her that grew in my mind in the ensuing years was indelible.  Short, wiry, sporting a stern, weathered face, and piercing green eyes, her gray hair in a bun, she was a force to be reckoned with. A look from her was enough. 

Like I said, she was not my Baba.  She belonged to my six-year-old cousin, or better put, he belonged to her.  She watched over him intently, such that no evil, and, no evil eye, should befall him. Pu pu pu! As doting as she was to him, that’s how nasty she was to me.  Why?  What had I done to deserve such treatment?  For him, she tolerated his fondling her soft dangling earlobes with his fingers.  For me, a cold stare.  The Baba, doubtless, regarded me as an intruder.  Truth be told, my entire family was the intruder.  The four of us moved into my aunt and uncle’s already crowded row house for several months until my father could find work and we could rent a house of our own. Doubling and tripling up in bedrooms, competing for the single bathroom, and accommodating Cuban cuisine, were only some of the tensions. For the Baba, I became the focus of her displeasure.  

The Baba, I later learned, actually had a name.  Khave.  She was the youngest of nineteen children, and the only person of that generation that I had encountered in my early life.  I had assumed all in her generation, the generation of grandparents, had died before the war or were murdered in the calamity.  The Baba, in sharp contrast to my parents, was tied to traditions against which many in my parents’ generation rebelled.  She lit candles on Shabbes, wearing a delicate white lace on her head when she did so, and recited the brokhe in an undertone.  Unlike my parents, aunt and uncle who were “modern” Jews despite their Eastern European roots, she was a relic from the old country.   

She also happened to be a terrific cook and literally made everything from scratch.  No dish more so than the gefilte fish she prepared for Peysakh.  I learned this in dramatic fashion when I wandered into the bathroom of my aunt’s house and saw several very large fish swimming in the bathtub.  They moved in the tub, ever so slightly, suggesting they were not dead, yet.  I was startled, a bit disgusted, but asked no questions.  I imagined the fish ended up in Baba’s kitchen but did not dwell on the thought.  And I certainly never dared poke my head into the Baba’s command center.  Entrance was strictly forbidden, lest I risk meeting the same fate as the fish. 

As may seem obvious by now, I found life with the Baba frightening.  Her demeanor toward me was unkind.  She was harsh and uncaring.  In one instance, she barred me from riding my cousin’s tricycle, even though he was at school.  Of course, I was a bit of an antikl (a rare piece of work, a “pistol”) myself.  Once, when she proclaimed I was not permitted to sit on the sofa in the living room for fear I might soil it, I decided to pee on it out of spite.  To finish the story, my father, in what I still regard as among the greatest acts of kindness I have been blessed to receive, bought me my own tricycle with his very first paycheck.   

These early years in Philadelphia were difficult for my family and I recall them as being somewhat dark.  But Peysakh, and the seders we shared with my aunt and uncle, my cousins, and yes, the Baba, were bright spots of those years.  The Baba would start things off with candle lighting.  My father and uncle, both lifelong Bundists, Jewish socialists who abandoned religion in favor of a Yiddish cultural milieu, took turns chanting from the Haggadah in fluent Hebrew at lightning speed.  They had attended kheyder in Poland as boys, and the words and trops returned each year as reliably as monarch butterflies.  The effect was hypnotic, albeit strange and out of character.  They stopped reading when they got tired, or when the rest of us clamored that it was time to eat.  Whatever commentary accompanied the seder was in Yiddish, the lingua franca of our families.  There were nine of us sitting around the table; five in my aunt and uncle’s family, and four in ours.  These were the survivors, and these were their children.  Except for my father’s sister and her family in New York, there were no others.  As a boy, I was both aware and not aware of the smallness of our group.  They were the only family I knew, and no one spoke of those who were absent.  What was the point? 

But there were other unseen spirits at our seder.  My cousin took pleasure in secretly shaking the table, causing the wine within Eliyohu’s kos to lap the insides of the cup.  This was presented as evidence that the prophet’s spirit was among us.  I was taken in by the deception which made me anxious.  I was already fearful of a prophet-ghost who wandered from seder to seder.   My angst reached a climax when we opened the door to allow him to enter.  I hid, terrified he might actually show up.  

Later in the seder, after the meal consisting of kharoyses, an egg with salt water, gefilte fish, with roe, carrots, jellied fish yokh, and khreyn, chicken soup with kneydlekh (the small, hard kind), some version of gray meat, a peysekhdike kugl, and tzimmes, I felt comforted.  This feeling of well-being only increased after we broke out in Yiddish Peysakh songs: Tayere Malke, gezunt zolstu zayn, a Peysakh drinking song.   

As Peysakhs came and went, I grew less afraid of the Baba, and less afraid of Eliyohu.  My fear was replaced by an empty sadness, a yearning for the ghosts who might have distracted me from the smallness of our seder table.  It was a longing, perhaps, for even more than a brand-new tricycle, a Baba of my own.     

Mark Russ is a psychiatrist in Westchester County, New York.  He is Clinical Professor of Psychiatry at Weill Cornell Medical College. Dr. Russ was born in Cuba and emigrated to the United States at the age of 2 with his parents and sister. He was the first in his family to achieve a baccalaureate degree and attend medical school. Dr. Russ has contributed to the scientific psychiatric literature throughout his career and his short fiction pieces have appeared or will soon appear in The Minison Project, Sortes, Jewishfiction.net and The Concrete Dessert Review.  

Click on the link to read Mark’s previous story on The Jewish Writing Project: https://jewishwritingproject.com/2022/03/07/yosl-and-henekh/

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What I know

By Marilyn Schonfeld-Davenport (Louisville, CO)

I am a first generation American and a second generation Holocaust survivor. 

My mother was born in Korosten, Ukraine. 

My father in the shtetl of Oleszyce, Poland. 

They came to this country in 1950 with my three-year-old sister who was born in a displaced persons camp in Ansbach, Germany.

They were lucky, my mother always said. They were not in concentration camps.

They met during the war on a Russian state-owned farm (Sovkhoz) in Aktyubinsk, Kazakhstan.

I do not know the name of the farm. I do not know how my father ended up there. Only that while in the Russian army, he jumped off a train to escape banishment to Siberia and found himself on the same Sovkhoz. 

They were lucky, my mother always said

They were not tortured. They did not starve.

They did not have to hide underground or in sewers or cellars with rats. 

They did not have to strip down naked and suffer inhuman conditions and humiliating treatment. 

They did not have to forage for food in the forests. 

They did not have to watch their children die.

My parents were lucky. 

Not like their dear survivor friends whose tragic stories I overheard as a child, amidst the shuffling cards and the clicking chips of the poker table. 

But still, their young lives were thwarted by the horrifying rampage of a madman.

They were scared. They were on the run. 

They were separated from their families. 

They scampered to strange places, seeking refuge and safety.

Their fate collided at the Sovkhoz where they fell in love and lived in relative peace. And waited. And wondered, when will it end?

They worked in the fields, repaired small machinery, slept in bunkers and occasionally had a decent meal of more than watered -down soup.

My mother worked in the canteen and snuck my father extra bread and cigarettes.

That’s all I know about their life there.

After the war, they got married and returned to Korosten so my dad could meet his in-laws and my mother could say hello and goodbye to her family. 

My dad set his sights on America. 

The land of promise. The land of opportunity.

She was going with him.

But first he wanted to go back to Poland to see what happened to his family. 

He had no idea if anyone was still alive.

Somewhere, somehow he discovered they all perished in Belzec. 

Except for one sister.

She escaped with the help of a priest and was in a displaced persons camp in Ansbach, Germany. 

And so they went there.

My mother said they walked.

But how? How did he find out about her? How did they walk all that way? 

Who helped them? How long did it take? 

My past is a patchwork of fragmented stories and unanswered questions.

They hang suspended looking for a place to rest, to make me whole.

My father never talked about his past or his childhood.

I try to seam it together through any research I can do, any tidbit I can find. 

A box of papers from the DP camp; sponsor forms, luggage tags, passport pictures, a diploma from ORT that said my father could make a shoe.

But I reach a dead end when it comes to my Polish family. There is so little.

There are only imagined faces of my relatives instead of photos that do not exist. 

Imagined lives in places I cannot fathom.

I never asked enough and they never said enough. 

I do not know enough. 

But I do know this.

I am a first generation American and a second generation Holocaust survivor. 

I am defined by that more than anything.

Marilyn Schonfeld-Davenport has always held the stories of her parents and her ancestors deep inside her, those few that she knows, those fragments that she can piece together. These stories composed the backdrop of a relatively carefree childhood in the suburbs of Chicago, but beneath the surface was the lingering impact of her parents’ trauma: her mother’s anger and fear, her father’s quiet introspection.

Throughout the years, Marilyn has returned to those haunting stories of her youth to try to weave the pieces together and better understand her past. She is currently working on a memoir of sorts, based on her mother’s notebooks of recorded minutes as the secretary of the Trossman Family Club. Uncle Sam Trossman, the patriarch, brought her parents and sister to this country after the war.  She lives in Louisville, Colorado with her husband Mark and dog Wilson. Her two grown sons live in Portland, Oregon and Minneapolis, Minnesota and she misses them every single day. 

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Where Do We Begin?

Elan Barnehama (Boston, MA)

My childhood home in New York City was within walking distance of several congregations, but my parents rarely took us to synagogue. And I was fine with that. And it wasn’t because my father wasn’t within walking distance to anything, what with him being confined to a wheelchair since getting infected by polio in Israel, ten years after his family fled Vienna, and one year after Israel became a state. His polio made mobility difficult, but it had never stopped him and my mother from going anywhere or doing anything.

We did, though, observe the Jewish holidays, rituals, and traditions with as many friends and relatives as could fit around our dining room table. Those who joined us eagerly engaged in robust conversations, lively debates, and detailed storytelling, with thick accents that seamlessly moved between Hebrew, German, and English. 

Later, when I had children of my own, I continued the tradition of skipping synagogue in favor of gatherings around our table which we expanded to capacity. I was, by then, a writer and teacher, so I did my thing which was to choose Biblical tales to retell, discuss, and  analyze the stories. But in order to teach, I had to learn. And that meant re-reading the Torah.

I started at the beginning. Or tried to. As a child, I was confused when I realized that Bereshit wasn’t read during Rosh Hashanah, even though the holiday celebrated the beginning of the year and creation. Also confusing was that Rosh Hashanah fell during the seventh month, and not the first. 

It seemed to me that those early rabbis were comfortable with inconsistencies and contradictions, with nuance and context, and that appealed to me. I mean, they put two different stories of creation right next to each other in the opening chapters of Bereshit. There were valuable lessons to be learned from each version and each sequence of creation.

So, when I began again at the beginning during Simchat Torah, I found a different translation for the beginning for Bereshit. This translation didn’t translate the word Bereshit as “in THE beginning,” but rather “in A beginning.” Several internet searches reveled that the translation of the word Bereshit had been fixed by Rashi and Ibn Ezra about a thousand years earlier, though it had not caught on everywhere. Still, it explained much. Beginnings are a constant. Sometimes they happen by choice. More often they are prompted by, well, life. 

The thing is, I’d been raised on stories of new starts as my parents and their parents had endured several demanding beginnings. And on their belief in that old Jewish proverb that stories are truer than the truth. My parents’ stories brought them to the United States, their third county and their third language, all before the end of their third decade.

My mother’s family-tree chronicled 500 years of German residence before her parents fled Berlin for Jerusalem in the fall of 1933. My father’s family, fortunate to have survived Vienna’s Kristallnacht, made their way to Haifa in the days that followed. While participating in the push to create a Jewish state, my father gave himself a new Hebrew name in honor of this beginning. But polio forced another beginning as doctors sent him to New York City for medical care that was unavailable in Israel at the time.

When I was a kid, I liked to slip out of my bedroom window onto the roof of our house in Queens. Safe in my own fortress of solitude, I replayed my day and planned for the next one with renewed optimism and possibility. 

One thing I learned from my parents’ stories was to trust not knowing. Sure, what’s ahead might be horrible and miserable. But that moment of not knowing also holds the promise of possibility, of a beginning that lies ahead.

Elan Barnehama’s new novel, Escape Route, is set in NYC during the 1960s and is told by teenager, Zach, a first-generation son of Holocaust survivors, and NY Mets fan, who becomes obsessed with the Vietnam War and with finding an escape route for his family for when he believes the US will round up and incarcerate its Jews. Elan is a New Yorker by geography. A Mets fan by default. More info at elanbarnehama.com and Escape Route, available now

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Memories of My Grandmother Adele

by Christopher Bailey (Geneva, Switzerland)

For two summers I lived in San Francisco with my Grandmother Adele while I was with the American Conservatory Theater in San Francisco.  

Over the meals the two of us shared together, my grandmother often talked about what lore she could remember about the Jewish village in Romania where she was born, or at least the stories told to her, (she couldn’t remember the name of the village), her passage as a little girl in steerage with her sister and their mother to the United States, and their hard life living in tenement housing on the Lower East Side of New York, sharing an apartment and one bathroom with three other families.  

Her last name was Itzkowitz, not her given name, but the name the clerk at Ellis Island gave the entire boatload of Jews as he could not understand Yiddish.  But even seventy years later, my grandmother would tell me how her mother would take her and her sister Tillie up on deck twice a day from the hold for air—women and children were allowed this luxury—and how above them the ‘white people’ (she described their 1908 clothing as white dresses and jackets, like angels…)  would stand on the balcony looking down at them in pity, and toss leftover items from their breakfast to the hungry steerage passengers below.  Her mother would try and catch what she could to give to her young daughters. 

Once she caught an orange for my grandmother.  As she described the sensation a lifetime later, my grandmother told me she had never even seen an orange before and did not know how to eat it.  But it looked like sunshine.  When her mother helped her peel it, she could smell the anticipated taste from the spray of citrus oil released from the torn peel, and her ancient face lit up with the retelling.  

As she described taking her first bite, and feeling the sweet summery juice explode in her mouth and comfort her insides, she exclaimed as if again experiencing it for the very first time, “It was like tasting sunshine…”

Life was not easy on Essex Street.  The women from the earliest ages worked in the garment industry. Her father, who eventually joined them, could not find a job.  She remembers him sitting in a corner, holding up his Yiddish newspaper, looking for news of home, and trying to block out the chaos of the families beyond the wall of his newsprint paper, all the while holding in his regret and anger and sorrow for leaving Romania, anger which planted the seed of the colon cancer which soon would take his life, the same cancer that very nearly took mine a century later.  

My grandmother also described her ‘pet,’ a mouse in the tenement, which she slowly taught to trust her by saving scraps of food furtively stolen from the dinner table and laying them out for the mouse, a little nearer her little hand every day, until the mouse learned to eat right out of her hand, its tiny lungs and heart beating in double time in her tiny palm.  

Eventually, after growing up in the sweatshops, and as a young woman joining the labor movement, she eventually left New York with my drunken hard scrabbling grandfather for California, because in her words, “It’s where oranges come from.” 

Gabriel, my son, last year did a little ancestry research and actually found the village where my grandmother was born, a place called Lasi.  As he read up on it, he discovered that it was the site of the most systematic slaughter of Jews in Romania during the Holocaust.  As far as we know today, only those members of my family that took the boat survived.  

When my grandmother died some years ago, my father and his brother went to clean out the house.  I asked him months later where he kept the boxes of letters and journals she had shown me in her basement.  I mentioned it too late.  He had thrown everything out.  

That Thanksgiving, when he told me that he had emptied the house and kept nothing, I told him some of the stories that his mother had told me.  He knew nothing of them.  As I told them, I felt a chill coming over me as the realization began to sink in. My memories of those conversations were all that was left of that world. 

Christopher Bailey was educated at Columbia and Oxford Universities, as well as at the American Academy of Dramatic Arts. After a career as a professional actor and playwright, he is now the Arts and Health Lead at the World Health Organization, where he co-founded the Healing Arts Initiative, which looks at the evidence for the health benefits of the arts. As an ambassador for the field, he has performed original pieces such as Stage 4: Global Stories on Empathy and Health, and The Vanishing Point: A journey into Blindness and Perception, in venues around the world, hoping to spread the WHO’s definition of health as not merely the absence of disease and infirmity, but rather the attainment of the highest level of physical, mental and social wellbeing. To view some of his work, visit: The Vanishing Point and Chris Bailey at The Met in NYC

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At the Country Club with Superman 

by Jessica D. Ursell (Campania, Italy)

I’m a person who likes to understand. I like to go back and unravel events and have them make sense. I mean I’m a Jew. It’s practically part of our DNA. We think, we ponder, we discuss, and we try to figure out the why of things. 

I’m not a person who particularly minds feeling angry. It happens. But I’m precise and I value clarity. And I want to understand my emotions — all of them — especially why, after more than three and a half decades, I still have this smoldering anger at what happened and my response to what happened (or should I say my unfortunate, frustrating, and maddening lack of response) when I went to see Superman at the country club in the mid-1980s.

My parents didn’t belong to a country club. Not enough money then and, even if there were, membership in a country club just didn’t fit our European Jewish socialist Bundist ethos. We weren’t elite, even though my parents were elated as they moved us out of the Amalgamated Workmen’s Circle housing in the Bronx to the cushy azalea filled suburbs of Westchester.

Personally, I never expended any brain cells on whether we should try to join one of the several country clubs in our little exclusive enclave edged against the water of the Long Island Sound. These were the same clubs that 50 years earlier had signs saying “no dogs no Jews” or so the talk went. I just didn’t think about it. That is until I heard that Christopher Reeve was going to film a public service announcement for the Special Olympics at one of the country clubs in our town.

I knew this because a friend (and I use the term loosely especially in retrospect) told me about it because her Irish Catholic parents did have a membership at the club. And she asked me if I wanted to join her so that we could see Superman in person. Who knows, maybe we could even talk to him!

Dazzled at the opportunity, and thinking only of Superman with his wavy black hair and chiseled cheekbones, I was thrilled to be her guest. Thinking about it now, I wonder why she chose me and not any of her other friends. She and I weren’t really that close. She never came to my home after school, and I never went to hers. I suppose, despite her family‘s membership at the country club, she didn’t have many close friends. I realize now that she was a bit of a hanger-on and someone who struck me as wanting to impress. Unlike me, she craved approbation whereas I rather rejoiced in the opposite. To be sure I wasn’t a contrarian in the sense that I chose the opposite out of sheer obstinacy. More like I valued the unconventional, and whatever seemed different from the norm automatically held a sort of appeal for me. Conformity was boring, and I never wanted boring.

At home we weren’t religious. Not one bit. I didn’t go to Hebrew school. Nor were there yearly pilgrimages to synagogue on Yom Kippur and Rosh Hashanah, let alone on any of the other holidays. Most evenings at our dinner table, my brother, my parents, and I (and on weekends  my grandparents) discussed ideas. Frequent topics included: books (Art Spiegelman‘s Maus); philosophy (Bertrand Russell, Sun Tzu, Machiavelli); art (Picasso’s Guernica); and politics – lots of politics; music, too. Music was always playing…often classical, sometimes Gregorian chants, many times jazz, and those symphonic tangos beloved by my dad. So often our conversations turned to justice. What was right? Was the outcome fair? The Rosenbergs. The Palestinians. What about the other point of view? How can we make things better? For our family? For our community? For the world? In our home lived the very essence of Tikkun Olam.

Our Jewishness, my Jewishness, was not a fancy fur coat pulled out of the closet to wear on the high holy days. It was not something skimming the edges of our skin but bone deep. Automatic and visceral. My Jewish self was not something I ever questioned then or now. 

Every Seder, as I watched my grandmother‘s treasured cousin ladle out the matzoh balls for the chicken soup, I saw the numbers on her arm. A stark, indelible reminder of what we lost, what we had left, and all our hopes for the future.

To paraphrase the brilliant Elie Wiesel, Jews are the only people of antiquity to have survived antiquity as a people. I have always been immensely proud of this, and I feel the sweep of history as I am one part in an unbroken chain going back millennia.

The day finally arrived. Bright and sunny. I don’t remember what I wore, but I know I must have dressed with particular care. 

And then it happened. Just as we were about to enter. The commandment.  “Don’t act too Jewish.” 

Christopher Reeve was inside. Waiting…

Stunned into silence, I failed to respond. Nothing. In that moment I became a bystander in her attempt to have me erase my essence. I was to be an active participant in negating myself.

Rehashing this incident decades later with my husband, he pointed out that as a non-member of the club the only way I could see Christopher Reeve was if I went with her. I didn’t know any other members. I was, therefore, dependent on her “grace” for a once in a lifetime experience. It wasn’t as though she had given me her edict weeks before so I would have the chance to respond and, hopefully, decide that even Superman wasn’t worth compromising my integrity and my sense of self. In fact, had I had any time to think about it, it would’ve been obvious that acquiescing to her demand would be the very antithesis of everything that Superman represents. It is obvious now. And, in truth, I know that it was obvious even then. 

But I remained silent. And I can’t explain it. Not adequately, anyway. Never before nor since have I remained silent in the face of injustice or aggressions — micro and macro. But I failed here. And that is where my anger comes in.

I should have refused to enter. I should’ve told her then and there the absurdity and ignorance of her demand. Superman — the Superman of Truth Justice and the American way — was Siegel and Shuster’s uniquely Jewish creation, so how could she demand that I suppress my Jewish self? Did she not see the irony? If she viewed me as “the other,” as different, how could she not see that Superman epitomized the concept of “otherness”?

And what did she mean anyway? How much Jew is too much? 

Don’t act too Jewish

Too showy?

Too exuberant?

Too eager?

Too meek?

Too mild?

Too weak?

Too loud?

Too much?

The great irony of all of it is that the only thing I remember from this event is that I stayed silent. I’m so ashamed and angry that my silence constituted a negation of my essence. I would not be me without being Jewish.

We entered the club but, amazingly, I don’t remember seeing Christopher Reeve. I must have seen him. He was there. But I have zero memory of it. 

The only lesson that I can take from this event that still burns on the walls of my consciousness all these years later, the only lesson that I can draw strength from today, is that one must never be a bystander, nor must one ever participate in self erasure.

And I tell myself: Never again. 

Daughter of an immigrant Jewish mother from the foothills of the Himalayas and a South Bronx born Puerto Rican Jewish father, Jessica Ursell is a veteran officer of the United States Air Force, poet, attorney, and progressive political activist. The granddaughter of survivors of the Holocaust, Soviet gulags, and a descendant of a Taíno great-grandma, she understands in her bones what happens when intolerance, indifference, and ignorance take root in society. Jessica lives with her husband in Southern Italy where she writes poetry addressing the complex interplay between trauma, power, love, loss, and madness.

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My Father’s Hands

By Elaine Freilich Culbertson (Philadelphia, PA)

My father’s hands were what saved him. He became a shoemaker because his father was one, because his desire to be an engineer would not have helped him stay alive in the concentration camps. Nobody saved theorists, it was manual labor that was valued. It was only that he could watch and quickly imitate what others were doing, his quick mind absorbing and his talented hands obeying. He learned to value the leather and to shape it with reverence. He put aside the pencil and the slide rule for the sake of his life and became expert with a knife and an awl and a needle and thread. Later, after the war, these tools and materials would feed his family in the new land of America. The engineer in his head had to become the shoeman.

For many years his hands were stained with the dye that he used to color the shoes ladies bought to match their fancy dresses. His eye for color was amazing, and the potions that he mixed made his store a mecca during those years that everyone had to have shoes dyed to match. He taught himself to embellish the shoes with designs of rhinestones, pearls and lace. Everyone in the city knew where to find the closest match to their outfits. He customized the shoes, cutting the heels, modifying the fit so that even the woman with the biggest bunions and the most foot trouble could feel glamorous when she wore the shoes bought in his store. His hands were steady as he picked up the tiny gems one by one and placed them on the heel or toe of the shoe, not only devising the design but executing it perfectly.

He could tie your shoes so tight that your feet would throb for hours until the laces loosened a bit. He could bend an iron rod with his bare hands, as he did the time some mischievous boys ran away with the wand that raised and lowered the awning in front of the store window and he had to improvise a new one so that customers could see the shoes for sale. He could sketch, he could devise, and he could create almost anything. His grandson still talks about the pair of dice he carved out of blocks of wood, when the original dice were lost that day he was babysitting and the boy was heartbroken that his game was ruined without them. What he couldn’t do with finesse he did with sheer force, willing whatever tools and material he held to do his bidding; to disobey was useless. I remember the time he made wallpaper stick to the wall even after he had run out of glue! Sheer force!

When he shook your hand, he squeezed with intensity. Hugs were bearlike and delicious. Even in his later years, even in his dementia, he retained the strength in his hands. Those fat fingers that we used to laugh at, those huge paws so different from my own elongated fingers (my piano hands, he called them) are so vivid in my mind that I can still see them. He had a strangely misshapen index finger that I wondered about even as a child. The nail did not grow properly on that finger and I was never sure whether it was something he was born with or from an injury he sustained in the camps. If we meet again someday, I will know him not only by his blue eyes, his hair which did not turn gray even into his 80’s, his big nose that I used to tease him about, but by his hands as he grabs mine and pulls me toward him for that hug that I miss so much.

Elaine Culbertson is the chair of the Pennsylvania Holocaust Education Council, a statewide organization of teachers, survivors, and liberators who volunteer to keep the lessons of the Holocaust alive in the schools of the state. She is a member of the Pennsylvania Act 70 Committee and a convener of the Consortium of Holocaust Educators in the Philadelphia region. Elaine represented the United States Holocaust Memorial Museum as a Museum Fellow and a Regional Educational Consultant in the Mid-Atlantic. She presently provides professional development for teachers using Echoes and Reflections, a curriculum resource developed by the Shoah Foundation, Yad Vashem and the Anti-Defamation League.

Elaine retired as the director of Curriculum and Instruction in the Wallingford-Swarthmore School District, ending a 36-year career in public education. She is the executive director of the American Gathering of Jewish Holocaust Survivors and Their Descendants. For the past 18 years she has served as program director of the Holocaust and Jewish Resistance Teachers’ Program, a seminar based in Poland and Germany, that has provided professional development to more than 1100 teachers in its 36-year existence. She works with teachers and students to connect the events of the past with the genocides of the present day. Elaine has written chapters in five different books on Holocaust teaching methods and lectured across the United States, using the story of her own parents’ survival as the basis for her presentations on developmentally appropriate and morally responsible pedagogy. She is working on a memoir that incorporates her mother’s writing with her own reflections on being the daughter of survivors.

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Bound by stories

Elan Barnehama (Boston, MA)

I am the progeny of refugees with thick accents who passed on a heritage of the gloom of war and the promise of peace. They had the self-assurance that came from having survived and the mistrust of having had to.

My mother’s family fled Berlin for Jerusalem when Hitler came to power. My father’s family escaped Vienna for Haifa in the days following its Kristallnacht. Soon after Israel’s War of Independence, my father contracted polio and was shipped off to New York for medical care. That’s where my mother met him, as she was in New York City visiting friends and relatives. And there they stayed.

And there I grew up, in a place where no one could pronounce my name and no one considered me American. To them, I was Israeli even though I was more focused on why they killed Robert Kennedy and Martin Luther King and Malcolm X. I wanted to know why Newark was burning. I was worried that the war in Vietnam would still be going on when I reached draft age.

When it was time for me to prepare for my Bar Mitzvah, I had little interest. Why would I want to celebrate a God who allowed the Holocaust, a God who looked away as my father got polio and became confined to a wheelchair?

The thing is, while we were not remotely observant, my parents were proudly Jewish, and we marked the holidays at home. About our table were family and friends, most of whom also had their own stories of survival and persistence, who came to discuss and debate the meaning of those holy days, and not just recite pages in order to get to the food.

From an early age, Biblical stories drew me in. The writers offered different points of view, were comfortable with contradictions and highlighted that most of life resided in uncertainty. The opening chapters had two very different tellings of creation. It only took a few pages to encounter the first lie, quickly followed by the first murder. Brothers did not fare well. The stories were not simplistic or dogmatic. Context mattered.

The more I read, the more these texts resonated with me and helped me make sense of a senseless world. Increasingly, I felt connected to the Jewish story, if not the Jewish God. And that was how I knew I was going to follow through with my Bar Mitzvah. The Tribe had survived for thousands of years and countless attempts to get rid of it. Who was I to mess with a streak?

I remain strengthened by listening to and retelling these stories, even when they are not easy to hear or easy to repeat. And I am proud to add my story to our shared history.

_ _ _

Elan Barnehama’s new novel, Escape Route, is set in NYC during the 1960s and is told by teenager, Zach, a first-generation son of Holocaust survivors, and NY Mets fan, who becomes obsessed with the Vietnam War and with finding an escape route for his family for when he believes the US will round up and incarcerate its Jews. Elan is a New Yorker by geography. A Mets fan by default. More info at elanbarnehama.com, Escape Route, available now

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My Mother, A Jewish Southern Belle

by William Levine (Belmont, MA)

In a Yankee cemetery in 2006, my eulogy for my Atlanta born and bred mom, dead at 82, didn’t do her  justice. I didn’t play Dixie. I had contemplated using Elvis’s version from 1972, but my sense of political correctness trumped my Southern born and raised mom’s legacy.  

While I was growing up in suburban Boston in the ‘50s and ‘60s, Dixie was the only song my Boston born dad and my mom asked orchestras to play.  It was an anthem for mom.

Though mom lived over 5 decades in Massachusetts, and only two decades in Atlanta, she never stirred herself into the clam chowder melting pot.  She may have lost some of her accent over the years, but Atlanta and Georgia were always on her mind.  New England’s climate was always too cold and as were most of its inhabitants. She in turn always had that Southern graciousness so she fielded all her phone calls, from friend or foe, with a warm chatty, “How are you, dear.”  

Her real pet-peeve about Yankee living was the cost of it. She would often tout the cheap household labor in the South, not apologizing for Jim Crow.  Her well-off family always had live-in help and mom would sometimes sadly admit her maids raised her, an only child, as much as her parents did.  She would occasionally strongly suggest to my dad, an only moderately successful dentist, that we hire a maid.

Once as a precious elementary schooler, I told mom about the amazing Mount Rushmore in the far away   South Dakota with humongous carvings of the presidents.  She countered with Stone Mountain in Atlanta in which Southern heroes Stonewall Jackson. Robert E.  Lee and Jefferson Davis were carved into immortality.  What’s more she had actually seen Stone  Mountain in person. Whereas South Dakota in the early ‘60s might as well have been on the moon.

In the early 1960s, I asked mom about the two senators from Georgia, Richard Russell and Herman Talmadge. This inquiry most likely came after I had devoured the paperback, Meet the Senators, and wanted to get her informed opinion. I remember that mom extolled both legislators as Lions of The Senate types, ignoring their arch-segregationist credentials. 

Occasionally, her Yankee family would take a gentle swipe at her beloved South. Mom would then sometimes counter with “The South Shall Rise Again,” mostly joking.

Of course, I am raising the point that my mother sounded more like a Daughter of the Confederacy, than the grand-daughter of Russian empire Jewish immigrants, who arrived in Atlanta about 25 years after it burned down. Mom’s paternal Jewish family was large and well-known. Her father was one of 11 Bresslers and the spot of his department store in Atlanta is a registered neighborhood historic site.  Her uncle was president of Atlanta’s conservative synagogue. My mother, Irma Bressler, immersed herself in the clannish world of Atlanta’s Jewish population.  This world of temple, Jewish social events, Jewish organizations dances was the impetus for her happy teen years. She didn’t date Rhett Butler types, but was instead very happy to be popular with the boys at Georgia Tech’s Jewish frat. 

Her Jewish insularity most likely softened the antisemitism of 1920s and 1930s Georgia.  Mom was born in Atlanta in 1924, just 9 years after the infamous lynching of the Jewish pencil factory manager, Leo Frank, wrongly convicted, due to antisemitism, of murdering a young girl employee.  The Frank Case drove 3,000 worried Jews out of Georgia, though mom’s future parents were not among them.  When mom turned 1 in 1925, there were more Klansmen than Jews in the US.  The New Georgia Encyclopedia says about the post Frank trial years in Georgia, “During the succeeding decades Jews were attacked by the Klan, the Columbians, and other right-wing groups. They were tolerated but also singled out as different.”

It does seem ironic then that mom, a Southern outsider, embraced the Southern culture’s uber-maxim of “The Lost Cause” that emphasized the honor of the valor of a Confederacy fighting for states rights and home-turf protection and not slavery.  But though her innermost concentric cultural circles were Jewish, the larger, peripheral concentric circles advocating the Lost Cause were hard to ignore. Most likely she first learned of the War of Northern Aggression in the textbooks at the historic Spring Street school in the early 1930s.  From then there was Confederate Memorial Day, the statues of Civil War heroes, and social norms to reinforce her regional pride.

My mother’s racial biases were more societal than personal. Thus, she was easily awakened to the Civil Rights movement’s goals, I remember her being excited to attend a lecture by a Southern civil rights journalist in the late 1960s.  She always voted Democratic, as the South moved Republican after 1960. Most tellingly, I don’t know of any band playing Dixie for her, after a Bar Mitzvah my family attended in 1964.

Before Alzheimer’s locked down mom’s brain when she was 75, she understood that “Dixie” had become an anthem with many negative connotations. My sister and I also understood this, but we also understood that Dixie was a short-cut to her treasured Southern identity.  In 2014, we unveiled my dad’s grave marker.  Dad and Mom are buried in the same plot.  The gathering was just my son and I, and my sister and her two kids   We recited a few required prayers. Then we added our own flourish. My nephew, amped by his IPOD and Elvis, sang a few bars of his version of “Dixie.” To our family  this memorial requiem was not Lost Cause specific, or callously played.  The song just defined who mom was, a Jewish Southern Belle, for better or worse.  

Bill Levine is a retired IT professional and an active freelance writer residing in Belmont  MA.  He still prefers pecan pie to  Boston creme. 

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