Tag Archives: prayer

An Invitation

by Linda Laderman (Commerce Township, MI)

Invited to a friend’s grandson’s Bar Mitzvah I am divided,

directed to sit behind a gauzy white screen in the balcony.

My Siddur lies on my lap open to a random page.

Ancient words in a language that still feels foreign to me.

Yet I stand on command, a stranger in my old house.

Near the end of a long hardwood pew by the exit

I watch a round-faced woman, young enough to be my

granddaughter, hair hidden under a shiny black sheitel.

A bevy of blue ribboned ponytails nestle their restless bodies

close to her. In a meditative moment she stands and presses

her back against a wall. Eyes closed, she rests her fingers

in the sliver of space between her breasts and burgeoning belly,

then turns and gazes at the five fresh faces looking at her.

Each one returns her gaze, leaning toward her like a chain of flowers.

She pulls a fistful of candy from her pockets & passes pieces

of the sweets down the row, then beckons her girls closer.

Locking arms, they rise and follow her out to begin the long-skirted

walk home. Too late to catch her eye, wishing I could have told her how

I once sat & fished rock candy from my mother’s pockets, my tight

ponytail pulling at my forehead. I think of what it is to want and not want,

to separate from what is given. Boxed & bowed, waiting for me to open

the lid to take what’s there, a package I have been unwilling to unwrap.

After the last prayer is recited, I hurry down the stairs. For a minute,

I imagine I have time to catch up with the mother and her five Shana Maidelas.

 Linda Laderman grew up in Toledo, Ohio, where she has wonderful memories of walking to services and sitting in the balcony with her mother and grandmother at the old B’nai Jacob Synagogue. She earned an undergraduate degree in journalism from the E. W. Scripps School of Journalism at Ohio University in Athens, Ohio. Her news stories and features have appeared in media outlets and magazines. She returned to school in the 1990’s graduating with a Master’s of Liberal Studies and a Juris Doctor degree from The University of Toledo. Her memoir piece, “Grandmother’s Warning” was published in the summer 2021 edition of the Michigan Jewish Historical Society Journal, and later reprinted in the Detroit Jewish News. Her poetry has appeared in The Jewish Literary Journal, The Bangalore Review and The Sad Girls Literary Blog and is forthcoming this spring in The Scapegoat Review, The Write Launch and Beyond Words Literary Magazine. Linda currently lives in the Detroit area. For the last decade, she has volunteered as a docent at the Zekelman Holocaust Center, where she leads adult discussion tours and is a member of the Docent Advisory Committee. 

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The Word of God

by Eric Gabriel Lehman (New York, NY)

It was another Yom Kippur day a year and a half into the pandemic, and for a second time I davened in my dining area’s pop-up shul within sight of my kitchen sink. I scrolled through the Hebrew prayers on my phone, while up on my laptop the cantor, six-sided Keppel on his head and in sneakers, raised arms to his invisible congregation. Forgive our transgressions and our sins; claim us for Your own. The cantor’s music was no easier to resist than some memorized pop song and I sang along, even if the idea of sinning evoked my cigar-smoking grandfather’s sternness rather than my understanding of atonement as reflection and reconsideration. The day plateaued at the Musaf service, after seventeen or so hours of not eating or drinking, brain soft and eyes blurry in the dreamy afternoon light. Later, the dimming sky mirrored the melancholy of a year turning toward fall as we moved toward Ne’ila, whose final shofar blast would end the day like a mighty period. The ark’s opened curtain bared its theatrical cast of Torah scrolls in their embroidered vestments, each pair of rollers adorned with silver rimonim like jewelry. The chanting of the Thirteen Attributes, a threnody enumerating God’s compassion, mercy and grace, always rose like a collective sigh when sung live in the synagogue; my solitary rendition competed with ambulance sirens and the occasional car alarm, yet each attribute pulled me deeper into Ne’ila’s twilight. By the time we approached the edifice of Avinu Malkeinu, I felt ready to slip out of my body. Our Father, Our King, we have sinned in Your presence. Our Father, Our King, we have no sovereign but You. The prayer’s repetitive drumbeat inched me closer to an abyss, just when the seven repetitions of Adonai is God caught me and the final shofar sounding gathered me in its empyrean updraft. That’s when a familiar voice sounded within, half reminder, half reprimand, all party-pooper: You know you don’t really believe. 

2020’s initial laptop Yom Kippur experience was imbued with a valiant sense of making do and struggling against the odds—so Jewish. The familiar service was invigorated with novelty. This year’s, however, felt resigned. After an optimistic spring, the emergence of the Delta variant prompted my synagogue to cancel in-person services. Online or no, I donned pants and a dress shirt, in addition to tallit and kippah, as I had the year before, and I set my laptop upon a white tablecloth. Yet the forced retreat to the screen dampened my mood and tarnished Yom Kippur’s messages of hope and regeneration. Each freeze and lag reminded me how artificial the set-up was. When those permitted in the sanctuary laughed at the rabbi’s occasional joke, it sounded canned. The day’s cycle of prayers could have been a recording of the previous year’s services and the bima’s varied offerings of music and talk, a taped rehearsal. I began second-guessing my reactions. Would Avinu Malkeinu with its objectionable image of God as a ruler, bring tears? Would chanting the mantra-like Kaddish still connect me with my father, our relationship as problematic as the Kaddish itself, with its inventory of adulation for a God I’d always found hard to acknowledge? The High Holiday’s through-line of God as king/deliverer/judge demanding appeasement before granting life and health for another year felt like something out of a bad relationship: if I do x for you, regardless of how conflicted I am about it, you will love me. Each time I sang out the name of God I felt either hypocritical, sentimental or just plain lazy, performing by rote. Why, I asked myself, Passover’s wicked son, should a non-believer even utter the name of God at all?

My freshman year of college found me laying tefillin and eating on the kosher meal plan. I was pious enough to balk at singing out Jesus’s birth of a virgin in the Catholic Mass the university’s choir was going to perform in a crucifix-equipped church. (I eventually made my peace by humming the offending text.) I spent many Saturday mornings at the local Chabad House, tucked into a cozy building originally a Taco Bell, where I was drawn into the Lubavitcher’s bracing Chassidism, initially unsettling as a guest who’d shown up at the restrained supper of my Conservative Jewish upbringing and got everyone dancing on the table. The English major I was looked forward to the textual analysis of pilpul—as well as the rib-sticking cholent stew—after Shabbos services. Gradually, however, without my knowing why and unable to stop it, God began fading away. The Chabad rebbe’s express-train mumble of davening came to mean less and less. I couldn’t view Torah as holy writ any more than I could Shakespeare, however fascinating. I enjoyed being in a community of Jews, but like children coming to resent a parent’s interference, I questioned whether God had to be there. Complicating all this were the increasingly louder rumblings of a sexuality I knew the Torah condemned. Was I about to go Reform, with its goyish organ music and English prayers, or worse, become that ultimate sell-out, that pale imitation and oxymoron—the secular Jew?

When the Amtrak train taking me back to school—and to Chabad—after winter break slowed to yet another interminable stop in upstate New York, I found myself before a snow-covered field spread like the blank page of a journal awaiting my pen. I didn’t really know it then, but I was on a long and winding road toward claiming a Jewish identity without God. It would mean improvising and reinventing and some stumbling, but Jews had figured out how to remain Jewish without a temple and survived the Spanish Inquisition, hadn’t they? The snow stretched toward a lonely horizon line; I would miss Chabad House’s rowdy little stetl across from campus, cholent and all. The train’s sudden jostle into motion registered surprise at my conclusion. I had been brought up to believe in the evils of intermarriage and the ultimate sin of conversion, which my eight-year-old self once envisioned as lifelong exile from our apartment into the drafty, grimy hallway of our building in the Bronx. Yet even cast out into the cold, the air would be the same, I reasoned; I would keep on breathing. Even more surprising than this conclusion was how obvious it was. I wouldn’t experience anything as exhilarating yet straightforward until I came out.

Years later, beside him during an Orthodox High Holiday service after my mother died, my father commented that he never once heard me praying, even though he knew I read Hebrew. His was scanty; he depended on me to speak to God for the both of us. But I refused, determined to remain true to my Amtrak revelation. I should have realized that hearing the prayers out of my mouth might have soothed not hearing his wife’s voice from the other side of the mechitza, where she’d always sat. So there we were, two Jews stranded on islands of stubbornness and sadness, close enough to hear each other’s silence amidst so many full-throated affirmations of a God my father and I couldn’t or wouldn’t address, respectively.

This Yom Kippur, God’s name sounded especially distant through my laptop’s speaker. An all-powerful being able to create or destroy at will, unbeholden to any principle of justice other than its own, seemed unfathomable, even cruel, in the age of COVID. Such a God, supremely untouched by day-to-day turmoil, a remote, disinterested party, the very definition of a stranger, seemed unworthy of Yom Kippur’s abundant praise. Jonah’s story, read that afternoon, came across as an object lesson in the arbitrary nature of divine intervention, by turns micromanaging or else absent when needed. Such a mercurial, prissy God dipped no more than a toe into the messy world he was credited with creating, if systemic racism, climate catastrophe and imperiled democracy worldwide—for starters—were any indications. Like those able to retreat from COVID-plagued cities, he skipped town. 

The concluding prayers, with their many references to the book of life closing and the gates of heaven shutting, lent the gloaming of this past Yom Kippur a particularly end-of-time, Götterdämmerung feel. The yahrzeit candles lit for my parents had already burned low, the sounds of traffic out my window sank to a hush and the cantor’s voice sounded roughened by thirst. As the time for Avinu Malkeinu and the seven repetitions of Adonai is God approached, an ecstatic yearning I recognized from sitting cross-legged on a yoga mat chanting the Gayatri mantra or some other trayf snippet of Hindu spiritual embroidery overcame me. This troubled year, however, my mood gave me pause. Once, fearful of blasphemy, I resisted evoking the name of Jesus in the Mass, whose Latin I understood, but could I utter the name of God with a full heart in another language I knew if I didn’t really believe?

There in my dining area, body and mind—and for all I knew, soul—fragile and bowed beneath the full weight of the past eighteen months, I did what I hadn’t done in that Riverdale shul beside my father: utter the name of God. The God I named was no omnipotent force or intercessionist agent but what Sufis refer to as The One, the perfection of love, the embodiment of wisdom and compassion I might also embody. Such a name was shorthand for the divine in all of us; those Thirteen Attributes were our birthright, after all. The name of God I repeated seven times in a hoarse voice acknowledged the ineffable in lives often too encumbered and limited by what we are so sure we understand, sometimes to catastrophically shortsighted effect. I let myself tear up singing the Avineu Malkeinu loud enough to drown out my neighbor’s barking dog, part catharsis, part resolve. I will do better. We must do better. Then I recited the Kaddish’s many praises of God not only for my parents and grandparents and two cousins and a friend and someone from work but for my world in mourning, in pain, and sorely in need of healing.    

Eric Gabriel Lehman has published novels, short stories, and essays. His work has appeared in the New York Times, Brooklyn Rail, Raritan, and elsewhere. He teaches at Queens College/CUNY in New York, where he lives. You can find him online at Twitter (@eglehman1) and can reach him via email: Eric.Lehman@qc.cuny.edu

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When I Think About Prayer

by Rachel R. Baum (Saratoga Springs, NY)

We did not belong to the synagogue my grandparents attended

On the High Holy Days I stood next to my father

Surrounded by anonymity in dark suits

He mumbled the Hebrew fussed with the slippery borrowed tallis

As I followed the dots and lines of text with my finger

My father elbowed me “Look at that” he stage whispered

A diamond ring my sister would call a third eye

Dangled from a well-dressed woman’s finger

“I’m her” he teased, knowing how the benediction he bestowed

On any female with enviable money, talent, beauty, would be

Hurtful to my sister and me, and then “Read! Read!” he insisted

Though we both knew we were there to gossip not to pray

Real prayer was the cluster of swaying bearded men

We were observers gazing from the rim of an alien civilization

Although we rose for the silent Amidah

We vied to be the first to finish and sit

My mother admonished us for our whispered disregard

She turned the pages of the Siddur

As she would an album of photographs

Reciting the Hebrew from transliterated words

We left early to avoid the rabbi’s sermon

The Bema a distant stage with its costumed Torahs

An usher collected the pledge envelope

At the tollbooth of a sanctuary door

At home, another yarmulke was added to the drawerful

That my father forgot at shul to remove and return

Evidence of our yearly pilgrimage

Marking the passage of time and of faith.

Rachel R. Baum is a professional dog trainer, former librarian, licensed private pilot, kayak angler, and Covid Long Hauler. She is the author of the blog BARK! Confessions of a Dog Trainer and the editor of Funeral and Memorial Service Readings: Poems and Tributes (McFarland, 1999) Her poems have appeared in High Shelf Press, Ariel’s Dream, Drunk Monkeys, Wingless Dreamer, New England Monthly Poetry Digest, Poetica Review, Bark magazine, and Around the World anthology. To learn more about Rachel’s work, visit: https://rachelrbaum.wixsite.com/my-site

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My Grandfather’s Prayer Book

by Rick Black (Arlington, VA)

Detached cover.

Brittle, yellowed pages.

Partially erased, Hebrew letters.

His crumbling prayer book is mine now.

Stooped over in his living room, dovaning.

His white, short-sleeved shirt and shock 

of white hair; his thin, willowy frame.

The cigar stub between his lips.

The Bronx.

Roasting brisket and a shelf of pills. 

A Yankee game on the television console. 

Red geraniums.

A pale, florescent light.

Narrow, sickly-green vestibule 

with a picture of his youngest son,

killed in World War II.

We play checkers.

He nudges a checker to another square. 

Tobacco-tinted fingertips.

He doesn’t let me win. 

Now, I hold his prayer book

in my hands by the yahrzeit plaques,

by the tarnished and the yet to be tarnished, 

by the lit and the yet-to-be lit.

Rick Black is an award-winning book artist and poet who runs Turtle Light Press, a small press dedicated to poetry, handmade books and fine art prints. His poetry collection, Star of David, won an award for contemporary Jewish writing and was named one of the best poetry books in 2013. His haiku collection, Peace and War: A Collection of Haiku from Israel, has been called “a prayer for peace.” Other poems and translations have appeared in The Atlanta Review, Midstream, U.S. 1 Worksheets, Frogpond, Cricket, RawNervz, Blithe Spirit, Still, and other journals. 

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Open, Thou, My Lips

by Rick Black (Arlington, VA)

Three steps backward,

three steps forward,

I bend my knees. 

I struggle to part my lips,

to recite the words,

to offer praise. 

Let me taste rain.

Let me hear windchimes at night.

Let me inhale jasmine.  

How grateful I am,

a temporary resident

amid night stars. 

Rick Black is an award-winning book artist and poet who runs Turtle Light Press, a small press dedicated to poetry, handmade books and fine art prints. His poetry collection, Star of David, won an award for contemporary Jewish writing and was named one of the best poetry books in 2013. His haiku collection, Peace and War: A Collection of Haiku from Israel, has been called “a prayer for peace.” Other poems and translations have appeared in The Atlanta Review, Midstream, U.S. 1 Worksheets, Frogpond, Cricket, RawNervz, Blithe Spirit, Still, and other journals. 

If you’d like to learn more about Rick and his work, visit his website: Turtle Light Press

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The Sacred Snuggle

by Nina J. Mizrahi (Northbrook, IL)

I didn’t wear a tallit until my first year of rabbinic school when I lived in Jerusalem.  It never occurred to me to wear one until  I saw other women  wrapped in tallitot during prayer. I sensed their closeness with the Divine.  A yearning to share in this experience, to be enveloped by the wings of the Shechinah, arose from the depths of my soul.  Soon after, I remember shopping for my first tallit at Yad Lakashish, which means “lifeline for the old.”  The tallit was made by Jerusalem’s elders, giving them “a sense of purpose, self-worth and connection…through creative work opportunities…”  This added meaning to my Shehecheyanu moment.  

Returning from the Old City to my apartment, I unpacked and examined my new tallit. Aware that this was a significant moment in my spiritual life, I recited the Shehecheyanu, followed by the bracha for donning a tallit, kissed the two sides of the atarah (neckband), and then wrapped myself from the head down.  It was as if I were encasing myself in a sacred cocoon, imagining that I would emerge as my authentic self and be ready to commence my rabbinic studies. 

At first, having no words for that moment, I stood silently in this sacred, intimate space. At some point, powerful, unsummoned memories brought me to tears as I recalled how my father, zichrono livracha, would wrap me in his tallit.  I like to think that his deep faith in God, woven into the very fabric of his tallit, was now woven into mine.  I bathed in the warmth of the memory of these sacred snuggles, feeling deeply loved, protected and safe.  My heart overflowed with profound joy, flowing first to my father, then spilling into the universe, forming a deep connection to something greater than myself. 

So, there I was, a Jewish woman studying in Jerusalem, standing alone in an apartment that had been converted from a bomb shelter, wearing my tallit, holding its four corners in my hands.  It was a lot to take in, and I considered how the mitzvah of tzitzit requires us to look at the strings, knots and twists of the tzitzit with intention and a sense of sacred obligation.  

Committing to the mitzvah of wearing a tallit is both humbling and empowering. Since that first moment in Jerusalem forty years ago, I have wrapped myself in a tallit for prayer and hitbodedut (a solitary, intimate form of prayer offered by pouring one’s heart out to God).  I have wrapped my tallit around or held it like a chuppah over the heads of individuals, couples, families, lay leaders, teachers, and students as a way of welcoming, honoring, blessing, and celebrating. 

In Ahavat Olam, a prayer recited before the Shema, we gather the tzitzit and, imagining being united in peace, we say,”V’havienu l’shalom m’arba kanfot ha’aretz v’tolichenu komemiut l’lartzeinu — Bring us to peace from the four corners of the earth and lead us upright to our land.” 

Decades after my ordination, I attended Shabbat services in a small community where tradition was woven together with new rituals. Just before the Shema, everyone stood up and handed the tzitzit on one corner of their tallitot to someone on their left and another corner to someone on their right.  What a beautiful statement about the importance of joining together in our prayer and in our lives, which is not an easy thing in our complicated world.  Collected into one, we chanted words that the medieval Jewish mystic, Rabbi Isaac Luria (known as the ARI) is said to have recited before praying each day: 

Hareini mekabel alai (Behold, I hereby take upon myself

et mitzvat haboreh (the instruction of the creator)                         

v’ahavta l’rei’acha kamocha (“You shall love your neighbor as yourself”)

Whether or not wearing a tallit is part of your tradition or practice, it is a symbol of the transformative power of Chesed — acts of loving kindness.  We read in the Book of Psalms (89:3): “The world is built through chesed.” 

Acts of chesed precede all others because they alone are unconditional and unmotivated.  We read in the book of Psalms (89:3) that “The world is built with chesed” (Psalms 89:3) — acts of kindness.   

Rabbi Menachem Creditor, a social justice activist and founder of Rabbis Against Gun Violence,  wrote a beautiful song about this verse when his daughter was born right after 9/11:

I will build this world from love…yai dai dai 

And you must build this world from love…yai dai dai 

And if we build this world from love…yai dai dai 

Then God will build this world from love…yai dai dai 

(VIDEO: http://rabbicreditor.blogspot.com/2012/12/olam-chesed-yibaneh-with-newtown-in-my.html)

I’d like to invite you to wrap yourself in your tallit (or one that you can borrow for a moment). As you wrap yourself in a sacred snuggle, I encourage you to try sending compassion first to yourself and then to others, possibly beginning with those for whom you have positive feelings, and then to those with whom you are struggling. 

You may find your own words or adapt the following phrases as you see fit.  Begin by setting your intention for the recipient of your meditation and repeat this meditation silently: 

May …I/ you/ they……..be safe

May …… I/ you/ they…..be happy/content

May ……my/your,/their  life unfold with ease

May………………….

Click here for a beautiful lovingkindness meditation offered by Sylvia Boorstein, author, psychotherapist and Buddhist teacher.

May you be blessed by who you are and may you always bring blessing to others.

Rabbi Nina J. Mizrahi, a spiritual leader for 35 years, gleans wisdom from ancient and contemporary sources to inspire personal growth, with the purpose of understanding the mystery of being alive and human and celebrating life more fully. If you’d like to read more of Rabbi Mizrahi’s work, visit her website. And if you’d like to reach out to her, you can write via e-mail: ninajanemizrahi@gmail.com.

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Sunrise at the Wailing Wall

by Brad Jacobson (Columbia, MO)

A man with a black hat and beard asks, “Did you put on tefillin today? How about doing a mitzvah?”

“Ok,” I reply, and he unzips an old blue bag, takes out two black boxes and leather straps.

He reads a prayer in Hebrew and pauses to let me follow.

He places a black box around my bicep, pointing at my heart, and wraps a black leather strap seven times around my forearm, saying it’s the number of colors in a rainbow.

He stands on his tip-toes and lifts my Phillies cap to place a black box on my forehead. It points towards heaven. He puts my baseball cap back. Maybe now the Phillies will win the pennant.

He instructs me to read the Shema. Six holy words.

I close my eyes and recite the prayer by heart.

I recall the story of soldiers who were ambushed during the Six Day War.

The enemy ran away when they saw them wearing tefillin.

They thought the black boxes were bombs.

Brad Jacobson is a volunteer every summer in Israel in the SAREL program. He teaches TESOL at the Asian Affair Center at the University of Missouri, where he has an MEd in Literacy. In the summers he enjoys exploring places with his camera like the Old City of Jerusalem, Tzfat, and the Red Sea where he scuba dives. He has been published in Tikkun, Voices Israel, Poetica, Cyclamens and Swords, and the University of Missouri International News.

“Sunrise at the Wailing Wall” is from Brad’s new book, “Lionfish: The Poetic Collection Of A Traveler’s Experiences In Israel,” and reprinted here with the kind permission of the author and publisher.

Visit the link to see more of Brad’s work: https://www.amazon.com/dp/1946124648/ref=as_li_ss_tl?ref_=pe_3052080_397514860&linkCode=sl1&tag=beeps-20&linkId=b8e4722d77fdd5f0148ae60390d40ec2&language=en_US&fbclid=IwAR3ZBUQsla0CdU7voiaWm5FRPXzEEIglc0tuceGIUFwSsys5u14kBYEscLU

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Yom Kippur

by Rick Black (Arlington, VA)

At this hour of prayer,

when the gates are still open

and voices are expectant,

it must be known

that I am one who stays at home

to prepare a meal for

the dovaners.

I am closest to God

in the clanking of silverware,

in the rush of the kitchen faucet,

in the slicing of bread.

So, I wait for them 

to return from their distant,

serpentine journeys. 

Forgive me, 

but I am ready

to welcome them 

back home.

Rick Black, an award-winning book artist and poet, runs Turtle Light Press, a small press dedicated to poetry, handmade books and fine art prints. His poetry collection, Star of David, won an award for contemporary Jewish writing and was named one of the best poetry books in 2013. His haiku collection, Peace and War: A Collection of Haiku from Israel, has been called “a prayer for peace.” Other poems and translations have appeared in The Atlanta Review, Midstream, U.S. 1 Worksheets, Frogpond, Cricket, RawNervz, Blithe Spirit, Still, and other journals. To learn more about Rick’s work, visit: https://www.turtlelightpress.com

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“What do you want?”

by Mel Glenn (Brooklyn, NY)
Unscathed, I live comfortably in hibernation, 
my larder stocked, my outlook optimistic.
The morning air wafts through my open window,
and I can hear the call and response of birds
punctuated by the screams of ambulances.
Then there is a knock at my door.
It grows louder, and, finally, I say,
“What do you want?”
I peer out my window and go downstairs 
and see a strange man dressed all in black.
“I have some terrible news,
about your friend, Tony, I believe.”
“Tony?”
“Yes, I see you and Tony at the diner most days.
You often eat breakfast together. Is that not true?
And he’s a paramedic and loved by many?”
“He is a good friend. What’s wrong? Tell me!”
“He is in the hospital with Covid-19.”
“Oh, my God, Is he OK?”
“I’m sorry to say he’s on a ventilator.”
“Which hospital? Can I see him?”
“I’m afraid that’s impossible. Can I come in?
Perhaps we can pray together.”
“No, no, go away. You’re scaring me.”
“But there is more.”
“Don’t tell me he’s gonna die.”
“Most probably, but there is even more.”
“Are you coming for me?”
“Yes, possibly, and quite soon, I might add.”
Panic-stricken, I double-lock the door and shut the window.
I collapse in a chair and start praying for my friend,
but, upon reflection, I begin to say Kaddish for myself,
somehow hoping these words might save me.

 

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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A Sabbath Prayer

by Hadassah Brenner (Raanana, Israel)

It’s the Sabbath Eve
And the shuk is filled with wonderful smells-
Knafeh and fresh Challah bread
Chai tea, dried ginger, zahtar spice.
The cheapest deals you’ll find
Just before the stands close for the weekend.

I feel the sun, still strong against my back;
Sweat beads between my legs.
I wipe my upper lip, brush back my hair.
Sigh loudly.

All of Jerusalem seems to surge through Mahne Yehuda market.
Students. Tourists.
Little boys and girls, hands outstretched to catch fallen candy.
Black-hatted men, carrying their prayer books protectively.
Women with bright eyes shining through the narrow slits in their garb.
Soldiers, M16 rifles slung over their hunched shoulders.

Saba blesses the wine,
His voice still sweet and singsong,
Despite the years.
Vayihi Erev
Vayihi Boker.
There was night,
And there was day.”

I close my eyes,
Rocking ever-so slightly.
Saba smiles at me.

“Are you tired, my dear child?
Besiyata Dishmaya, Inshallah.
With the help of Heaven,
There will be peace in our land
And you will rest your wearied limbs.”

I look up at him, wonderingly.
“How can you be so certain, Saba?
We have yet to lay down our weapons
In the thousands of years that we have lived here.
How do you know the day will come?”
Saba presses the cup into my hands.
Wine bubbles against my lips,
Stinging my tongue lightly, as I sip.

“My child,
I know there will be peace
Because for every night,
There is day.
And on the Sabbath day,
It is written that we shall rest.”

It’s the Sabbath Eve
And the sun has finally set.
A fire streaked sky extends over the Judean Hills.
We are white angels drifting through the stillness,
Humming soft melodies
To welcome the Sabbath Queen.

This ancient song of a thousand voices
Rises from the Old City’s gates
And it doesn’t matter what mother tongue
The people speak
Or what God they call out to
Because it is the same prayer in every language:

Vayihi Erev
Vayihi Boker.
There was night,
And there was day.

Besiyata Dishmaya
Inshallah.
With the help of Heaven,
There will be peace.

Because for every night, there is day.
And on the Sabbath day,
It is written that we shall rest.

Hadassah Brenner moved to Israel after high school, was drafted into the IDF, and serves as a lone solider, a combat medic. For as long as she can remember, she has turned to words to help her understand and overcome challenges in her life. She writes about her experiences in Israel as a new immigrant, a lone soldier, and a woman searching for her place in the world, and has published a poetry collection titled The Warrior Princess Once Said https://www.amazon.com/Warrior-Princess-Once-Said-Fighting/dp/191607068X/ref=mp_s_a_1_1?keywords=the+warrior+princess+once+said&qid=1570378590&sr=8-1 and two blogs: Military Madness https://militarymadness.wordpress.com  and When the Wind Whispers https://whenthewindwhispers.wordpress.com

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