Tag Archives: prayer

After Lighting

by Jane Schulman (New York, NY)

Nana’s tale, Brooklyn, 1907 

My brothers stood on Mama’s right. 

I hung on her left, fistfuls of skirt  

clenched in my hand.   

Mama struck a match,  

lit the candles, chanted the blessing 

to welcome the Sabbath.  

The sound of keys in the lock  

cut the silence.   

Papa stomped into the room:  

Blow out those candles.  America’s no place  

for your bubbe’s mishegas. 

The mouths of my brothers rounded 

in fear.  They smelled the fight 

coming.

 

Candlesticks knocked to the floor.   

Flames stamped out.  

Then and again and again.  

    *       *        *        *        *        * 

Astoria, Queens   1983 

A Friday afternoon in May,  

Nana and I set the table  

with bread and wine  

and my best china.  

I light two candles after  

she lights hers. We cover  

our eyes and murmur  

the blessing, stumbling  

over the Hebrew words.  The taste  

of prayer new to our tongues. 

Jane Schulman is a poet and fiction writer. She works as a speech pathologist with children with autism and cognitive delays.  Jane published her first book of poetry, Where Blue Is Blue, with Main Street Rag in October, 2020.  Her writing has appeared widely online and in print. She was a finalist for the Morton Marr Prize at Southwest Review.     

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The Big Ask

by Rich Orloff (New York, NY)

To God
To my ancestors
To anyone who will listen
I ask and pray for this:

Bless me with a peace
That’s deeper than happiness
That makes room for profound sorrow
That accepts pain and loss
That’s not dependent on good news

Bless me with a peace
That comforts me when I feel anguish
That steadies me when I feel uncertain
That expands me when I think small
That finds a way through my fiercest resistance

Bless me with a peace
That stretches beyond my horizons
That heals even if I can’t explain why
That offers delight as an everyday gift
That allows me to see blessings

Bless me with a peace
That is a refuge from torment
That is an oasis from yearning
That is a sanctuary from trauma
That transcends all else
But never denies all else

Bless me with a peace
That renews my gratitude for life
And that I can access
Every time I let you in

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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An Unexpected Invitation

by Mel Glenn (Brooklyn, NY)

Brooklyn hosts many different religions,

but for this less than practicing Jew,

the invitation to attend a Mennonite

prayer service was indeed a surprise.

Much different from traditional

services in my own synagogue,

this service was held in a coffee shop

with hymns and readings wafting

over the cakes and pastries.

What impressed me most

was the unmistakable

sense of community,

a fellowship of followers.

Fundamentalists, sure, but

holders of a tenacious grip

to the tenets of their faith.

I bore witness to their devotion, 

admiring the warm coat 

of their faith while I shivered 

in my own garment of doubt,

a requirement, it seems,

of the Jewish religion,

while I sat and prayed during

the High Holidays. 

It must be so comforting

to be so sure.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Watch and Wait: A Jewish Mindfulness Practice

By Susan Spector (Cornville, AZ)

You. Have. A. Brain. Tumor.

Five words and everything changed. I became a patient on a Watch and Wait protocol I now call WaWa.

And that’s what I’m doing today. I stalk the online portal, waiting for my test results. The radiology report shows up just before bedtime. 

I skim over my three favorite words: the first one is “stable.” The second and third words go together: “grossly unremarkable.” Kinahora. That’s what my Yiddish-speaking Jewish grandmother would say, invoking the evil eye, not wanting to jinx the good news. 

I search out the fear, sensing I’ll find it, but not in a mindful, meditative or particularly grateful way. That gratitude I once believed would last forever, where did it go? 

FLAIR hyper intensities in cerebral white matter and white matter lesions.” And there it is. Something new. Something to be afraid of.

I chug my water, determined to flush away the gad, short for gadolinium, the intravenous contrast used earlier in the day. I want the heavy metal poison out of my body.  Gad is an injected light source used to illuminate what’s lodged deep inside my brain. Its atomic symbol is Gd, an acronym my tradition uses as a placeholder for the sacred nature of God’s ineffable and unpronounceable name. I contemplate a quote from the Holy Rascal teacher, Rabbi Rami Shapiro, “God is real and everything we say about God is made up.” It’s a mystery how the gad knows just where to go in my body. 

Ironically, I met the light of the Infinite Mystery, what the mystics call the Ein Sof, through the rogue cells deep inside my brain.  

When I broke out in a sweat on one of my bi-annual retreats inside the big magnet machine, I listened closely and heard a small voice, over and above the noise of the beast. I lay still.  Inhale, Sh’ma, pause. Exhale Yisrael, pause. Breathe in Adonai, pause. Exhale Eloheinu, pause. Breathe in Adonai, pause. Return the breath to the Source. Exhale, Echad. A six-word Jewish prayer mysteriously appeared. Despite the thrumming, drumming and clanking noise inside the machine, I connected. Partnered with divine energy, everything changed.

I head for an emergency visit to Dr. Google, worried I’m moving toward a life inside an assisted living facility. In the morning, I wake up early with no more clarity than the night before. I grab my coffee, sit down at the table, pull up an empty chair for my partner and anxiously fire up the laptop. I like to be early for the Zoom Room. It dials down the anxiety of meeting with the expert meditation guides. The neurodocs. 

In the beginning, they gave me the mantra for finding my sense of calm and quiet within. They gave me the practice. The WaWa. Now they keep me on track and pull me out of the rabbit holes I can’t seem to avoid. 

The lead meditation Teacher/Neuro-oncologist shows up, wearing a crisp white lab coat and looking radiant on the screen.  She gets right down to business, with her unusual combination of strength, clarity and comforting softness.

“Your MRI looks beautiful. All stable.”

“Yeah, but what are those new white matter lesions?”

She points to highlighted areas of the brain image on her screen share.

“This big white lesion is scar tissue. See how it follows the surgery path where Dr. Yirah did his magic to “let flow occur?” And these other white dots, well, you could call them “blessings of maturity.” 

She’s a poet. She skillfully moves the conversation and the meeting forward. 

“Were you comfortable with the nine-month scan interval or do you want to try and push it out to one year?”

“I don’t know, what do you recommend?”
“I would be comfortable either way.”

I turn to my partner, now sitting beside me at the table.

“What do you think?”

“I’d rather see sooner than later if something’s going to change” he says without

hesitation.

The neurodoc/poet moves the conversation along, directing the question back to me.

 “So, you’re the only one we haven’t heard from, what do you want?”

“Part of me wants to graduate to the annual milestone, but I’m more comfortable with 9 months also.” 

Everyone smiles at each other from their Zoom squares and I finally exhale.

The apprentice meditation teacher enters the Zoom room. He is a resident intern with a clipped data-only voice. 

“White matter lesions, clinically insignificant, 30% of MRI’s, higher in older people.” 

The master meditation teacher enters the Zoom room. The neurosurgeon.
I tell him I spent time last night with Dr. Google, chatting about white matter lesions.

“It’s Watch and Wait, not watch and worry. At least you weren’t consulting with

ChatGPT!” 

The mindfulness. The challenge. Return to the WaWa. 

Return to the breath. 

Susan Spector is a brain tumor survivor who focuses on writing as a path to healing She is a retired educator. Her true education began with her diagnosis at age 62. She is currently at work on a series of essays under the pen name Shoshanah bat Malka, with the working title Reporting Live from the Frontal Lobe. 

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A Psalm about Grappling

by Rich Orloff (New York, NY)

Grapple with me, says God
I do not ask you to believe in me
Or extol me
Or worship me
These are orders humans have decreed

But grapple with me
Not for my sake
But for yours

Would you feel you lived if you had never seen the color blue
(and you had a chance)
Would you feel you lived if you had never heard music
(and you had a chance)
I offer you this opportunity
To grapple with me

And if you don’t know how to start
Ask questions
What are my dimensions?
Where do I reside?
What are my office hours?

Ask patiently
Then ask again
Ask a third time, just for fun
Ask a fourth time, just in case
And a fifth time, so asking can become a habit

Please
Grapple with me
I may not provide the answers you wish for
But if you let me
I will show you the colors and sounds you’ve missed

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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A Prayer for Choosing a Shepherd

by Rich Orloff (New York, NY)

(a response to Psalm 23)

Unlike sheep
Each of us gets to choose our shepherd

I have sampled many shepherds
And haven’t always chosen wisely

I have chosen ego as my shepherd
And confined myself to a path no wider than I am

I have chosen tribalism as my shepherd
And refused to look beyond borders of my own making

I have chosen comfort as my shepherd
And convinced myself to be satisfied with meager grazing

I have chosen obligation as my shepherd
And filled my path with resentment

I have chosen distrust as my shepherd
And viewed every other sheep as a possible threat

I have chosen fear of rejection as my shepherd
And convinced myself I am still a fragile little lamb

I have chosen fear of death as my shepherd
And prevented myself from seeing how beautiful the land is

If I allow the Divine to become my shepherd
This choice stems not from wisdom
But from the simple admission
Of how poor my choices have been so far

Still, as I consider choosing the Divine as my shepherd
I fear the Divine will turn me into a sheep
Or one day banish me from the flock
Or even lead me to slaughter

As I wonder who to choose
I see that God has already chosen me
I stand before the Divine
Praying for the courage to trust my shepherd

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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A Psalm of Pizza

by Rich Orloff (New York, NY)

While waiting with great anticipation
For the cheese pizza I ordered
Because I am consumed with hunger
And I really need this pizza

God knocks on my door

I open the door
And God says
I offer you the universe and all of its wonders
And I offer you life’s greatest gift, love

That’s nice, I reply
But I was really expecting a cheese pizza
And I’m very hungry
Where’s my cheese pizza, God?

God smiles, in that inscrutable way God does
And leaves
Continuing a lonely mission to go door to door
Offering the universe and love to all who will receive it

While over and over
People respond with disappointment to God’s offering
Because they were expecting a cheese pizza
And God didn’t deliver their prayer

Rich Orloff writes both poems and plays.  His poems have been published in The PoetFragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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Ending Kaddish

by Pam Adelstein (Newton, MA)

Eleven months of showing up and standing up. The days blur together, sometimes feeling short, and other times feeling endless. People tell ME that it feels like I’ve been saying Kaddish forever. I think in response, it has been longer for me than it has been for you.

Countless Kaddishes feel like exposure therapy for public acknowledgment of grief.

I feel vulnerable and exposed each time I rise and hear the Kaddish uttered from my lips, as my voice fills the room.

In the traditional call and response, the kahal overpowers my voice. I know they are listening to me. Me –  one tiny insignificant mourner among centuries of Jewish mourners around the world.

Humbled and grateful, I take comfort in our togetherness. A daily minyan, where I stand with a group of mourners, who implicitly understand, no questions asked. I march blindly forward in their footsteps, often the youngest in the room. This has the effect of making me feel way too young to have lost my dad.

At our evening services the shliach tzibbur reliably inquires, “Is anyone observing a yahrzeit who would like to speak about their loved one?” Each time I stare blankly back, thinking, “Nope, still a poor schlepper.”

Finally, I learned what I have dubbed “the paragraph.” The talmedei talmedehon of the Kaddish D’Rabbanan.

Though I no longer feel nervous trepidation, sometimes while reciting the Kaddish I still feel as if the poetic Aramaic words are rocks in my mouth, projectile phrases from my throat, lyrics from my grieving soul.

The Kaddish words sometimes come out differently with every recitation. Someone jokingly asked if the words rearranged themselves on the page. I shared that reciting an imperfect Kaddish reminds me that my grief is imperfect. Like the Navajo people, who intentionally weave a flaw into their rugs to show that only a Supreme Being can produce perfection.

The end of my daily Mourner’s Kaddish is here. I have ordered my life around this prayer. I have observed the sun and the moon, the snow and the rain, and the day and the night through the skylight of Gann Chapel. Thinking about and searching for my father. Is he out there somewhere, looking in?

It feels as if a cliff’s precipice awaits me. A leap of faith, knowing that the sages thought we mourners would be okay at the eleven-month mark without the daily scaffolding of coming together briefly in community. Without those snippets of conversation before we return to our daily lives outside these walls.I wish those sages could guide me through the next phases of mourning, of integrating further back into regular life, as I ask: what do I do with my grief now?

Pam Adelstein is an active member of her Boston-area minyan. She is married, has two children, and is on the verge of becoming an empty-nester. She enjoys hiking, yoga and kayaking, and works as a family physician at a community health center. Writing is a way for her to express the emotions around her work and personal experiences, connect with others, and be creative. Her writing can be found at Pulse Voices (search Pam Adelstein), at WBUR, Doximity, and STAT.

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Reflections on a Wall

by David Drimer (Kingston, NY)

Every time I visit Jerusalem, it feels like the first time.

There is a force, a powerful magnet, always drawing me to the Kotel. No matter what prosaic thing I may be doing in the city, it’s always on the fringes of my consciousness. As I wander the streets of the Old City, inching ever closer, the pull becomes stronger.

As much for this reason as for any other, this is the essence of why I make a pilgrimage to Jerusalem every few years.

Finally, I approach the Wall in silence, if not awe. I enter the Plaza and move closer, keenly aware of those around me. Immediately I put my forehead against the Wall, my hands above my head, feeling the heat of the rock. I instantly marvel: “How many tens of thousands – hundreds of thousands – of my Jewish forebears have prayed here in this very spot?” Suddenly, I am – as I once titled a poem – “alone amongst them.”

Candidly, my thoughts quickly turn introspective and soon lead to grief. I unbury my personal pain, the pains of my loved ones, the pains of the world. I consider each in turn. My emotional response is far from unique. As David Wiseman wrote for the Israel Forever Foundation, “If tears could melt stone, the Kotel wouldn’t be standing.”

I bring little notes of prayer to place in the Wall. One is to my mother Doris/Devorah Leah (z”l), the other is to my father Gideon/Moishe Gidon (z”l). What I know of unconditional love, I first learned from my mother. She was sick for a long time, suffering in acute pain daily for many years. I have often looked for meaning in her suffering. I have still not found it. On my father’s 90th birthday, his last, I wrote him a card that said, “Whenever I have a tough ethical decision to make, I think, ‘What would my father do?’” It was true then. It remains true to this day. It’s a hard path. It has cost me. These are the mysteries of life, my road to travel. I consider the totality of their lives and speak my heartfelt prayers to them partially aloud, but sotto voce.

In this quiet period of meditation, I ask for guidance in solving my and my family’s problems, guidance on how to be a better man, a better father, a better husband. I seek guidance on how to best serve the interests of the Jewish community. It’s my career, it’s my calling, my hope is to do it the best I can. My single biggest remaining ambition is to bring my and my wife’s hopes for our Holocaust Awareness Initiative to full fruition. I pray unabashedly for help.

Time spent at the Kotel sobers me up a little. I start to breathe easier and become more cognizant of the peace of the place, more aware of the simple grandeur of this plain stone wall, a literal wreck for thousands of years.  I begin to sense relief. I have put down my burdens.

I finally remember to pray for the Mets to win the World Series. It can’t hurt. (NOTE: It didn’t work; eliminated in the first round of the playoffs.) I don’t bother with the Jets anymore. That ship sailed long ago.

My feelings now drift towards an increasing feeling of serenity and joy. Look at this amazing place. This phenomenal tradition. The spiritual power of this Wall calls people of many religions to dip their toes in the waters of Judaism.

I no longer think of myself as an especially “spiritual” person. Figuratively, I’m the man who blocks the door, while others behind me pray, at least temporarily but blissfully unaware of the looming threat of the outside world. I choose to be alert while others seek transcendence.

But in this place, just before we greet Shabbos, its transcendental for me, as well. It has also been written, again by Mr. Wiseman, “If hopes and dreams could make these stones fly, there would be a wall floating around somewhere in space.”

Eventually – I have no idea how much time has passed – I turn away.  The women of the wall (“My women of the wall”) have yet to emerge. I learn later my daughter went back to pray twice. My wife, who lost her mother just one year ago, finally emerges teary-eyed. I know precisely what she was praying about. But they are tears of joy. Her mother was a remarkable, powerful woman. My wife is the living embodiment of her mother’s very strong Jewish values. Ina Frey/Chaya Tsura (z”l) looms over our lives every day.

We leave, refreshed. Renewed. Reinvigorated. More inspired by our faith than when we entered. We exit the Plaza more committed to our cultural imperatives of Tzedakah (Charity) and Tikkun Olam (Repair the World).

Such is my “tongue’s poor speech,” as the 11th century Spanish Jewish poet Solomon ibn Gabirol wrote, on praying at the Western Wall.

David Drimer is the executive director of the Jewish Federation of Ulster County (UCJF) and a co-founder of the National Holocaust Awareness Initiative (NHAIonline.org). He had been national executive director of the Zionist Organization of America, (ZOA), and Associate Publisher/General Manager of the Forward newspaper. He had been a longtime executive and publisher at Knight Ridder newspapers and the Economist Group. He was recently named a Human Rights Commissioner by the Ulster County legislature. He also serves on the Ulster County Task Force for Preventing and Responding to Domestic Terrorism.

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Sanctuary

by Alison Hurwitz (Cary, NC)

Incongruous, that towered height among the holly, butternut, 

hydrangea, along the oaks, camellias, black-green laurel hedge —

there it rose, so tall it steepled everything, as if to say, remember,

pray to what grows green above us.

A field-worn, furrowed man called Shorty came knocking once. He said

when young, he’d planted a young redwood seedling there, brought back

from California, vaguely hoped that it would someday grow to be 

a landmark. He’d removed his crumpled hat, his hand a map of years, 

his eyes as wide as forests, asked if he could go and touch the trunk, 

already girthed to temple, breathing dusk. My mother understood,

she a tree parishioner, so both of them remained a while in silence.

When Shorty went away, he left his story grafted to its branches. 

Dad cut back the deck each year, to give the redwood room to ring. Rare 

days when grandparents sat dappled on the deck, polite and tightly furled,

Jews and Catholics baffled past translation, they sat in shade below it, and 

in stillness, shifted into softening; green a common tongue between them. 

At seventeen, I’d park with my first love across the street, and kiss until the night 

dipped branches dark with longing. When, same car, same street, same boy, 

time wrenched us into ending, the tree stood by to witness, a shelter until 

my loss let go its spores, until my heart referned with undergrowth.

Ten years later, beneath the tree, my new husband and I stood quiet while my parents, 

faces filigreed with leaf-light, planted blessings in us. They prayed we’d tend

a sapling, make a small repair, something to green the broken world. My parents’ hope 

could sing the music out of wood.  Mitzvot and Meritum. Their reverence, ringed.

The day after my father died, when all I had was absence, I stumbled out to sit 

below our redwood tree. There, grief burrowing among its roots, I stayed until 

I found a seed and held it in my palm. I breathed and felt the way that branches 

lifted into blue, its birds built nests, the fledglings flew, each ending bending to beginning: 

holy as the timeless sky.

Alison Hurwitz’s work has appeared in Global Poemic, Words and Whispers, Tiferet Journal, Writing in a Woman’s Voice, Anti-Heroin Chic, Book of Matches, and The Shore, and is forthcoming in Amethyst Review, Rust and Moth, Thimble Magazine, Academy of the Heart and Mind, and SWWIM Every Day. She writes gratefully in North Carolina. To read more about her and her work, visit alisonhurwitz.com

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