Tag Archives: mothers and daughters

Yahrzeit

by Leslea Newman (Holyoke, MA)

Golden autumn leaves
drift lazily through the air
onto Mother’s grave

White winter snowflakes
fall all over themselves to
blanket Mother’s grave

Gentle spring raindrops
are sent down from the heavens
to wash Mother’s grave

Warm summer breezes
chase pale yellow butterflies
around Mother’s grave

Today marks a year
endless tears soak one small stone
placed on Mother’s grave

Lesléa Newman is the author of 70 books for readers of all ages including the poetry collections, I Carry My Mother and October Mourning: A Song for Matthew Shepard (novel-in-verse) and the picture books A Sweet Passover, My Name Is Aviva, and Ketzel, The Cat Who Composed.

And if you’d like to view the book trailer for I Carry My Mother, visit:
https://www.youtube.com/watch?v=yf4ubYHObAM

“Yahrzeit” copyright © 2015 Lesléa Newman from I Carry My Mother (Headmistress Press, Sequim, WA 2015). Used by permission of the author.

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Filed under American Jewry, Family history, Jewish identity, poetry

How To Bury Your Mother

by Leslea Newman (Holyoke, MA)

Slip out of the dark limo
into the bright light of day
the way you once slipped
out of your mother:
blinking, surprised, teary-eyed.
Turn to your father
and let him take the crook of your arm
like the crooked old man
you never thought he’d become.
Feel your heels sink into the earth
with every sorry step you take.
Weave your way through the graves
of strangers who will keep your mother
company forever: the Greenblatts,
the Goldbergs, the Shapiros, the Steins.
Stop at a small mountain of dirt
next to a hole that holds the plain pine box
that holds what’s left of your mother.
Listen to the rabbi mumble
prayers you’ve heard a hundred times
but this time offer no comfort.
Smell the sweet honeysuckle breeze
that is making your stomach buckle.
Feel the sun bake your little black dress.
Wait for the rabbi to close
his little black book.
Bring your father close to the earth
that is waiting to blanket your mother.
Watch him shove the shovel
into the mound upside down
showing the world how distasteful
this last task is.
See him dump clumps of soil
onto your mother’s casket.
Hear the dull thuds
of your heart hammering your chest.
Watch how your father plants the shovel
into the silent pile of dirt
and then walks off
slumped over like a man
who finally admits defeat.
Step up to the mound.
Grasp the shovel firmly.
Lift it up and feel the warm wood
between your two damp hands.
Jab the shovel into the soil.
Toss the hard brown lumps
into that dark gaping hole.
Hear the dirt rain down upon your mother.
Surrender
the shovel to your brother.
Drag yourself away.
Do not look back.

Lesléa Newman is the author of 70 books for readers of all ages, including the poetry collections, I Carry My Mother and October Mourning: A Song For Matthew Shepard (novel-in-verse) and the picture books A Sweet Passover, My Name Is Aviva, and Ketzel, The Cat Who Composed.

If you’d like to take a look at the book trailer for I Carry My Mother, visit:
https://www.youtube.com/watch?v=yf4ubYHObAM

“How to Bury Your Mother” copyright © 2015 Lesléa Newman from I Carry My Mother (Headmistress Press, Sequim, WA 2015). Used by permission of the author.

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My Musical Mama

by Beverley Fingerhut (Toronto, Canada)

In Memory of Sonya Chula (1910-1999)

Music was woven into my life from a very early age. My mother came from a family of cantors in Poland and she herself had a beautiful voice and sang in choirs.  At the dinner table, I grew up with traditional fare such as names of famous conductors like Antal Dorati and Arturo Toscanini, the cantor Moshe Koussevitzky, opera singers such as Jan Pearce and Jussi Bjorling, the pianist Arturo Rubenstein, the violinist Jascha Heifetz as well as arias from “Madame Butterfly” and “La Traviata”. My story is a letter to my mother filled with memories of her musical legacy and how she transmitted her love of music to her children.

Dear Mom,

There you are, proudly in the front row, your voice soaring above the heavenly choir. How rich my life has been because of your beautiful voice and love of music. 

As a child, money was scarce in our house, but music was never scarce.  You had been a Hebrew teacher in Poland and dad had trained as an accountant, but when you and dad came to Winnipeg from Poland in 1928 and 1930, at the ages of 18 and 20, unable to speak English, you became factory workers in sweatshops. Dad, because of the terrible working conditions in the factories, was instrumental in forming unions to fight for workers’ rights and consequently was fired from many of his jobs. Despite the lack of money, you could still whip up savoury and geshmak meals from very little food and you saved pennies to purchase concert tickets. Because there was not enough money for all three of your daughters to attend, we picked the stalks from brooms to see who had the longest and who was the chosen one to accompany you to a concert.   I was often the lucky one, picking the longest stalk.

One of my favorite childhood memories is going to see the beautiful Madame Guiomar Novaes, considered one of the greatest female pianists of the 20th century. After the concert, you intrepidly took me backstage to meet her, whereupon she presented this shy, eight-year-old with a rose from the bouquet given to her at the end of the concert. I savoured this rose as if the queen had given it to me.  That year at our annual essay contest, I wrote my essay on this momentous event and won first prize, a lovely bracelet.

You walked around the house with your beautiful curly hair that dad loved and sang arias from “Madame Butterfly”, your favorite opera, or the Yiddish songs “My Yiddishe Mama” and “Oifen Pripitchik”. At dinnertime, along with your geshmak food, there was talk of famous conductors, stories of operas and composers. Our substantial record collection consisted of the likes of Beethoven’s “Emperor Concerto”, Grieg’s “Concerto in A minor”, Tchaikovsky’s “1812 Overture”, Chopin nocturnes, and Rachmaninoff’s concertos, as well as cantorial music by Jan Pearce. 

You never had a cleaning lady but instead you made sure that we had private piano lessons, and to this day your youngest daughter Marleyne continues to practice and play the piano. She recently reminded me that when we had our music and theory exams at the Royal Conservatory you determinedly asked permission to sit outside the door of our examining room (though it was not permitted).  When we emerged, shaken from the frightening experience, you smiled and were able to tell us exactly how we did, note by note.  Sure enough when we got our marks in the weeks to come, they were exactly as you had foretold.

Much to my chagrin and I’m sure yours, I did not inherit your musical gene. Two incidents stand out in my mind.  Firstly, the Jewish socialist school I attended from Grades 1-7 had a choir with a wicked choirmaster, Chaver Brownstone. We were terrified of him and his stick. I was necessary for the last row of the choir because of my height, but my voice was silenced.  I was instructed in a menacing voice that I was not to open my mouth to sing, but to mouth the words and if I dared to sing, he would wave the stick in front of my face.  

Secondly, my secret endeavour was to get singing lessons. I grew up thinking how wonderful it would be to be an opera singer and how thrilling it would be to hear beautiful music emanate from my body.  So when I was in my 50s I researched and found the name of a voice teacher who had a great reputation in dealing with difficult voices. I nervously went to the teacher and after she gave me some pointers about breathing I stood in front of a microphone and belted out what I thought was a knockout version of Patsy Cline’s “Crazy”. Well, they say that everybody can draw or paint, but it is not true that everyone can sing. 

When my oldest daughter got married in Toronto, you wanted to sing at her wedding. You always carried your song sheets in a special embroidered bag, but my older sister forgot to pack the bag in your luggage and so our plan for you to sing at the party in the evening went astray.  But you were a very strong-willed woman and you were determined to sing.  It was during the wedding ceremony as your granddaughter Natalie came down the aisle, with her arm linked with mine that you, sitting in the front row burst into song.  There was not a dry eye in the crowd and 15 years later, friends still remind me of that magical moment.                                                           

To the end of your life you sang in the Winnipeg Jewish choir, you were short and so you prominently sat in the front row and I was honored to see you proudly singing. You travelled with the choir to many cities in Canada and you were asked to sing at important Jewish community events. I remember that once you wore a long black silk dress with a shocking pink rose painted on it.  You had a flair for colours as well as music. 

The day of your funeral in Winnipeg the temperatures went down to -40. Riding to the synagogue, my family dressed in long johns and layers of clothing, double rainbows shone in the icy blue sky. We knew it was you, Mom, watching us. And at the funeral service when your grandchildren sang “Jerusalem of Gold”, one of the songs you loved, they ended by saying, Baba we know you’re up there telling us we were off key.

How rich my life has been. Over the years, Mom, I have seen the famous Rampal dance with his flute, Rostorpovich with his cello at one with his body, your Perly (Itzhak Perlman) making  his violin sing, and  your Pinky (Pinchas Zuckerman) with his beautiful grey hair.  I have been to the Met in New York, where I walked up and down the aisles in wonderment and listened to “Aida”.  I listen to the classical music station and sometimes I too can identify the music or the composer and it feels so instinctive and intuitive, because music has been such an integral part of my life.

To this day, I still have the thrill and pangs in my heart when I hear the opening bars of the Emperor Concerto.  And when I hear Chopin’s nocturnes, it brings back memories of the concert we attended when I was young, and saw the great Arturo Rubenstein famously bouncing up and down on his chair as he played.  Today, when I hear opera singers like Luciano Pavarotti, Jessye Norman, Monseurrat Caballe, and the Cantor Yaakov Stark, I turn the radio to its highest volume, the music envelops me and my heart soars.

Today Mom, I sing proudly and loudly at synagogue, oblivious and uncaring what I sound like.   And I am blessed with three handsome grandsons who love to dance and a little granddaughter Olivia, who has curly red locks like you, has an uncanny resemblance to you, is stubborn and strong-willed like you and best of all, loves to sing like you. Mom, your wonderful legacy has been strong and will endure through the ages.  

Beverley Fingerhut is program director at the Centre of Excellence in Business Analysis at the Schulich Executive Education Centre, Schulich School of Business, York University, in Toronto. As an academic she has been the course director for Entrepreneur Business Development Skills for the University of Toronto’s School of Continuing Studies as well as an adjunct professor in the Professional and Technical Writing Programme at York University. Beverley enjoys painting, reading, art history (in the past she was a part-time docent at the Art Gallery of Ontario), knitting, and spending time with her grandchildren.

“My Musical Mama” was published in Living Legacies – Volume IV: A Collection of Writing by Contemporary Canadian Jewish Women, edited by Liz Pearl (PK Press, 2014), and is reprinted here with the kind permission of the author and publisher. You can read more about the collection here: www.PKPress.ca

 

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I Changed My Mind

by Helga Harris (Sarasota, FL)

I hated you.

I didn’t hate you at the beginning.

When I was a little girl … I guess you were pretty. I didn’t notice. I took you for granted.

Every Friday night, from the time I was old enough to sit with my family at the dinner table, which looked the same each week—white linen, matching china, glistening silverware and sparkling glasses—there you were in all your splendor, the two and a half foot silver candelabra in the center of the table. With your graceful four ornate sculptured arms and the eagle at your center reaching to the heavens, you looked ready to soar. That was you. I was too young to appreciate you or your age.

You were conceived, hand crafted, circa 1860, in Austria-Hungry. My father, the youngest of five children, inherited you. He brought you into his marriage and treasured you, his only family memento. You were old the first time I saw you but what did I know?

Before sunset each Friday, my Papa came home with a bouquet of flowers. My older brother and I washed our hands and sat at the Shabbat table. Mutti lit the candles, said a prayer; Papa followed, cutting the chalah and chanting the appropriate blessing. After the amen, we ate the customary meal: gefilte fish, chicken noodle soup and of course … the roasted chicken. The vegetables varied from week to week and so did the dessert; usually it was stewed fruit compote, apple cake, cookies and tea. Cold seltzer in a spritzer bottle (it was fun to pump) and wine for the adults was always on the table.

I didn’t hate you when I was little. You were just there … like a piece of furniture or a painting on our dining room wall. I had no personal relationship with you then. That changed when I became a teenager.

The chore my mother gave me, from the time I was thirteen, was to polish you every Thursday afternoon so that you would shine on Friday night when the four candles on your winged arms were lit. By then I was old enough to see how grand you were. But polishing you was another story.

It was not fun. Did you realize that the candles dripped on you and hardened? Your body had over a dozen pieces that fit into each other. Polishing you took over an hour. I wanted to do other things … even homework. But my job was not negotiable. I had to keep you shining for the Shabbat. And I did; until I got married, left my childhood home and you. One of my wedding presents was a beautiful, contemporary candelabra.

Of course I saw you whenever I visited my parents. By then I was an adult and admired your beauty. You were and still are stunning. Who polished you after I left? It was no longer my concern. I was free.

But nothing is forever. Many years later, after my mother died and my father remarried, he presented me with his family heirloom. Papa wanted you to remain in our family. I was overcome by the gift. At that time I was in my fifties and lived in an apartment in Miami, facing Biscayne Bay. The view was breathtaking. I displayed you in my living room on a beautiful oak cabinet that my son, Jeffrey, had built for me. You stood out like a prized possession, which you still are. People took notice of you the moment they stepped into my home. You were gorgeous.

My freedom didn’t last. I was back to polishing you. However, the feeling was different; I was older, smarter and loved you. But … there is a big “but.” After two years, the salt air from Biscayne Bay damaged your silver. It pitted you like a skin rash. You looked sad. I wasn’t going to ignore your condition. I was your caretaker. Through research and recommendation I found an expert who came to my aid. In 1975, I paid $400 to have you re-silvered and treated. The maven promised that I would never have to polish you again. That sounded like beautiful music.

Decades passed. I became irreligious and didn’t light your candles weekly. But you retained the place of honor in my home. I always loved Jewish traditions and on each holiday you glowed. My favorite simcha is the Passover Seder when I invite eighteen people to dinner. (The number signifies life in Hebrew.)

When my daughter, Susie, realized your monetary worth, she recommended that I store you in the attic in case of theft. I wouldn’t hear of it. What is the point of having something so beautiful and not being able to enjoy it?

This week I polished you. On Saturday I will again have eighteen people at my Seder table. All the food and desserts are homemade … with love.

I took a serious look at you while I was sprucing you up. I, almost half your age, am of advanced age. You’re an antique and I, an octogenarian. We have a common bond … we’ve aged. Your arms are shaky and my legs wobbly. You, newly polished and shiny, and I, with makeup and extra mascara, are still good looking.

I love you.

Helga Harris was born in Berlin, Germany, and moved with her family to New York City in 1938. She attended Brooklyn College and graduated from Pratt Institute and worked as fashion designer for forty years.

A writer as well as an artist and designer, Helga has published a memoir, Dear Helga, Dear Ruth, as well as articles in The St. Petersburg Times, The Sarasota Herald Tribune and The Tampa Tribune. She has also contributed stories to anthologies, including Dolls Remembered, Doorways and various magazines. The most recent collection, We Were There, was published by the St.Petersburg Holocaust Museum. Her latest memoir is Susie … WAIT! and her first collection of nonfiction short stories is Nothing Is Forever.

She is currently co-leader of a writing program at The Lifelong Learning Academy (offered at the University of South Florida’s Sarasota campus).

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Remembering The Shoah Through Words and Action

by Janet R. Kirchheimer (New York, NY)

As the daughter of Holocaust survivors from Germany, I grew up with stories of the Shoah. I was recently asked if I recalled the exact moment I learned about what happened to my family. I answered no, there was no exact moment. It was always there. The knowledge seemed to have come through my mother’s milk.

I was that curious kid who asked about the kinds of foods my parents ate in Germany, what school was like, what clothing they wore, what life was like before Hitler came to power. I also began to ask questions about what happened to our family. As I got older, the questions became more serious. I asked my father to tell me about how he and his family hid in the basement of their home during the rioting of Kristallnacht in 1938, of what it felt like to be sixteen years old and be ordered to report to Town Hall the next morning and to be arrested and sent to Dachau.

There was the night my mother and I sat at the kitchen table and she told me about the kids in her kindergarten class who backed her up against a wall at school and threw rocks at her because she refused to say “Heil Hitler.” She told me how her parents got her out to a Jewish girls’ orphanage, The Israelitisch Meijesweishaus, in Amsterdam. We talked about her father’s nine brothers and sisters, of how only he and one brother and sister survived. My father and I spoke about his family, those who survived and those who did not. His mother, father, older sister who was twenty-two and his younger brother who was eleven. They got out of Germany to Maastricht, Holland and in August 1942 were deported to Westerbork and in November 1942 to Auschwitz and murdered upon arrival.

I had so many stories inside of me and poetry became the way to tell them. After writing and writing for almost fifteen years, in 2007 my book “How to Spot One of Us” was published.

Since publication, I have been speaking in public and private schools and for various organizations. I have told my family’s stories of life before the Holocaust, of trying to escape, of failing, of succeeding, of coming to America and learning a new language, becoming American citizens and of beginning, again. In my poetry, it is my goal to give voice to the dead. In my teaching, my goal is to encourage students to remember and study about the Holocaust and our world today, a world that is still rife with genocide.

Over the last two years I have become involved in other ways to remember the Shoah. I’m working with Emmy Award-winning director Richard Kroehling on BE•HOLD, a cinematic documentary that explores poetry, written by Jews and non-Jews, about the Holocaust from the rise of Nazism to the present. Poems are showcased by poets, survivors and their descendents. I am also part of a multi-media exhibit about children of survivors with photographer Aliza Augustine showing at The Kean University Human Rights Institute Gallery, consisting of my poetry and film and her portraits and photography.

I believe that the past is not simply in the past, but rather a vital part of the present and future. Seventy years ago, WWII ended. The last survivors of the Holocaust are aging and passing away. I feel it is my responsibility to remember and continue to tell the stories of my family before, during and after the Shoah in the hopes it will never happen again to anyone.

Jewish wisdom teaches that remembrance must include action. As a child, I was taught by my parents that every human being is created in God’s image and that is the way I should treat each person I meet. Our actions, small or large can help change the world. Whether it is treating the stranger with dignity or being active in causes to stop genocide, we each can remember the Shoah in our own way thus honoring the murdered and the survivors.

Janet R. Kirchheimer is the author of How to Spot One of Us (2007).  She is currently producing BE•HOLD, a cinematic poetry performance film. https://www.facebook.com/BeholdAPerformanceFilm.  Her work has appeared in journals and on line in such publications as Atlanta Review, Limestone, Connecticut Review, Lilith, Natural Bridge and on beliefnet.com.  She is a Pushcart Prize nominee and received Honorable Mention in the String Poet Prize 2014. 

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My Chanukah Miracle

by Eleanor Wachs (Sarasota, FL)

I would say that I was the only child in Borough Park, Brooklyn who begged for a menorah. When I was growing up, there was very little Jewish life in our apartment on 1466-49th Street. Yes, there were a few Yiddish words thrown in here and there, and, a few Jewish foods picked up at a delicatessen or kosher bakery or take-out to eat at home. But there was no mezuzah on the doorpost. No brown and white Hadassah Hospital sticker annually placed on the apartment door. No Shabbos candlesticks or Kiddush cup for wine. No Passover plate for a Seder. No Jewish calendar in Hebrew and English for benstch licht times. No blue tin tzedokah box for the poor that rattled nosily when coins were dropped in. There were no ritual objects in our home on display. Yet, I was surrounded by the signs of a continuing Jewish tradition. At a friend’s house, I learned when to use the soap with the blue stripe and when to use the soap with the red stripe when washing dishes. On Yom Kippur, I saw that it was expected to get dressed up but it was permitted to wear sneakers. It was much later, way past childhood, that I found out what a “shatnes” test was. I could not figure out why a dry cleaner could perform what I thought was medical test! (Orthodox Jews cannot wear clothing that mixes linen and wool.)

Brooklyn’s neighborhood of Borough Park where I grew up on 49th street was a Jewish world on display—noisy and busy—except for the Sabbath day, when it was peaceful and quiet. On Shabbos, everyone walked. Men in long, black kaftans flapping in the breeze like penguins’ wings and huge fur trimmed streimels, (black wide-brimmed hats designating a wearer as a member of a Chasidic sect) would walk with their small boys. Young girls, whether in the sweltering summer heat or the freezing winter, wore long sleeves and white tights, and would saunter across the sidewalks in groups of five or six connected by pinkies. Mothers wearing neat sheitls (wigs) and expensive suits strolled with other young mothers, infants, toddlers, and small children around them, gabbing effusively in Yiddish.

My street was bordered by two majestic temples. One was on 14th Avenue and one was on 15th Avenue. 14th Avenue had the Conservative temple with a choir, wooden pews, velvet and silver encased torahs and a rabbi with a booming voice that reached the 1,000 ears of the worshippers each Friday night and Saturday morning. The other temple, on 15th Avenue, was Orthodox with its beautiful Italianate dome that opened to show the evening stars. Four steibels (house synagogues) were on 49th where men, like rows of tall pepper shakers, rocked back and forth in prayer. Supposedly, there was a mikva, a ritual bath, in the basement of an unobtrusive red brick house with forsythia bushes and a decorative iron fence. The house was indistinguishable from the others on either side. How could there be a bath in the basement? What a mystery.

On Friday afternoon, everyone scurried around a bit faster to get ready for Shabbos. Bouquets of pink and white mums, dumped into white mop pails, were sold on the 13th Avenue corner next to the newspaper vendor where you could buy the Yiddish papers that were draped over the newsstand next to the New York Post, the Daily News and the New York Times. The silver candlesticks with the Shabbos candles were in windows by now. The crystal chandeliers in the front rooms on 49th Street were soon to glow for at least a full day, for turning on or off a light was forbidden. As I peeked into most any window, I would see the large dining table with a lace cloth. The next day, the table would be filled with crystal bowls of fruits and kosher candies. Sometimes, I would see the portrait of the “rebbe” hung on the center wall behind the dining room table; but, I never knew who he really was, or his name, or his importance.

Two enormous rosy pink apartment buildings stood tall near the end of our block. Our home was in 1466, apartment 4C. It was a cramped one bedroom apartment for four people. 1455 was its twin right across the street. In the dismal and dark lobby of 1466, (free of any furniture which had been stolen years ago), I would wait for the Shabbos elevator that stopped on every floor, and sniff the sweet aroma of chicken soup that whiffled through the first floor lobby, imagining the matzo balls in the steaming broth. Next course, I would guess, would be the chopped liver, a small delicious scoop sitting on a lettuce leaf, or perhaps an oblong of gefilte fish dunked in jelly sauce and magenta horseradish, followed by a few more courses and then a delicious dessert.

In this neighborhood, I wanted to celebrate Shabbos and all the Jewish holidays and their rituals. For Chanukah, I wanted a menorah. The menorah I yearned for was a plastic, chartreuse menorah with two lions at its base. It sat in the Barton’s Candy Shoppe window on 13th Avenue for the month of December. The lions’ heads were tilted back, their manes braided. They had a distinguished look for their important job of holding up the weight of the burning candles for every night of Chanukah, the Festival of Lights. Across the top of the menorah was a metal strip for nine candle holders and underneath the strip was a Hebrew script which, of course, I couldn’t read. Surrounding the menorah were shiny gold coins of chocolate Chanukah gelt or pretend money that children used for barter when spinning their dreidels, or tops. I wanted this menorah in the same way that a young girl would want a pretty doll or a fluffy stuffed animal, two worthless dust gatherers according to my mother.

I didn’t expect any gift for Chanukah from my parents; however, I had to go the annual Christmas party where my father worked and where Santa Claus with his big sack would pull out gifts for all the children: Christina! Camille! John! Ann Marie! Eleanor! Santa would usually give me some token—I remember a silver bracelet that soon had a greenish tinge. It was an annual ritual for my family to go – my father making the rounds, making sure he said hello to this general or that lieutenant, and my mother standing by his side, smiling. But the late afternoon affair, which was usually on a Friday, always filled me with a deep sadness—I knew that I wasn’t going to celebrate either holiday. Santa wasn’t going to visit 4C and no menorah would glow there. I had nothing to say to the other children who would ask me about my Christmas plans.

On my long walks on 13th Avenue to the public library on 43rd Street, my usual ruse to leave the apartment, I would linger at the Barton’s candy shop window, checking to see if the menorah was still there. It never dawned on me that the shop would have more than one. Maybe I was attracted to its unusual color, or its prominent place in the window, or its chocolate surroundings. Unlike the many stores on the avenue filled with very expensive Judaica, this was a simple menorah. My mother bought candy weekly in Barton’s or Lofts, their competitor, to feed her chocolate addiction—or you could say raise her serotonin levels with sugar to escape an unhappy marriage. All varieties of chocolates, from fancy truffles to plain Hershey bars, were staples in our home, like crackers, or green beans, or fruit at friends’ houses.

One chilly night, we were walking home side by side from the library on 43rd Street and 14th Avenue, both of us holding the treasures we had found on the library shelves. When we passed Barton’s, my mother stopped. “Let’s go in here for a moment,” she said as if it was an unusual stop. She marched ahead opening the heavy, glass door with its long designer style handle, as I followed behind, giving a quick peek in the window for the chartreuse menorah.

“Yes, a box of butter crunch, a box of mixed dark chocolates, and a half pound of orange peel, and two chocolate marshmallow squares” were my mother’s orders to the candy lady who scrambled up and down the counter from case to case as my mother pointed out what she wanted to buy. My mother took out her wallet from her purse to get the money to pay for the chocolate. I stood next to her, anxiously gathering up chutzpah to ask for the menorah, expecting to hear the familiar annoyance in her voice because of my request. I knew that I was going to displease her and I knew of her quickness to anger that would rise in seconds and could last for days and shut me out.

“Ma. Ma? MA?”

Did she hear me? Was she too involved in figuring out if she had enough cash to buy her chocolates?

“What is it, Eleanor?”

“Ma…Uhm, can I get…Can I….Uhm….Can I get the green menorah in the window?”

Everything stopped. I held my breath waiting for her answer. The cash which was soon to be extended to the candy lady was snatched back into the second button of her coat. The candy lady stopped the transaction. She leaned back against the back counter, crossed her arms across her white uniform and stared at us waiting for the outcome. Was the sale finished or not?

“Why would you want that? We don’t need it.”

“Please. I will take care of it.”

Here was the paradox. Denying a Jewish child in Borough Park a menorah was like refusing a Catholic kid in Italian Bensonhurst a Christmas tree. C’mon, lighten up. It’s Christmas.

“Please Ma. I’ll do all the lighting.”

“Well, all right. Does it come with any chocolate?”

The candy lady went to the window and pulled out the menorah and put it in a special box made for it which she stored in a shelf behind the counter closer to the front window. Then, she put it into a Barton’s plastic bag, and stretched over the counter and handed it to me. My mother paid for her candy, my menorah, and the Chanukah gelt, and we schlepped home on the icy city streets with her plastic bags of candy, my menorah and our library books.

I must have bought a blue box of Chanukah candles somewhere on the avenue since they were everywhere and inexpensive. On the back of the box, the prayer for lighting the candles was transliterated, and I mumbled it even though there wasn’t anyone around to correct me if I made a mistake in Hebrew. Who would know?

Even then, I knew we were different, yet Jewish. It was both confusing at times and shameful. I was unlike any of the other girls in the neighborhood. But now I had my plastic menorah and I could enact the ritual that I saw around me in my community. The candy shops are gone now and my mother died years ago. Yet, I still have my candy shop menorah. It’s my Chanukah miracle.

As a folklorist (Ph.D Indiana University) Eleanor Wachs has written and published articles about crime victim stories in New York City, urban legends, and personal experience narratives. She currently teaches courses on folklore and writing at Ringling College of Art and Design and has lived in Sarasota for ten years. 

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Inheritance

by Bonnie Widerman (Irvine, CA)

There is a hole in the fabric of my Jewish childhood,
something missing, gone, nowhere to be found,
though I’ve searched my childhood home high and low—
Not for a beautifully crafted Tallit left behind.
I was never given one—no girl was in those days.
Not for a handmade Challah cover,
embellished with my awkward scrawling and designs.
Surely that fell apart years ago.
Not for my mother’s Shabbat tablecloth,
white patterned fabric with a neatly scalloped edge.
All her tablecloths lie exactly where she kept them
when she was alive.
No. The treasure I inherited and lost all at once
was the very fabric of my mother’s Jewish life,
embodied in her Shabbat candlesticks—
A wisp of white smoke threading through the air
from an extinguished match.
A blessing in two voices, intertwined.
Two dancing flames casting shadows on the wall,
knitting our family together in Sabbath peace.
After my mother passed away, her candlesticks vanished
as if they were that matchstick smoke.
When I stand in her kitchen and look up at the shelf
where those pillars of blue-green enamel and brass once stood,
I feel the weight of their absence—and hers—in my heart.
I cannot bring back what is gone.
But the pattern of lighting candles with my mother
week after week, year after year,
is woven into the fabric of my life.
It unfolds into blessing every Friday night
as I light Shabbat candles at my own family’s table
with my daughters by my side.

Bonnie Widerman is the Director of Marketing & Communications for the Pancreatic Cancer Action Network, a national non-profit organization. She has been a professional writer and corporate communicator for more than 20 years. In her free time, she writes stories and poetry and her work has appeared in Ladybug magazine and Fandangle. Bonnie is currently editing a manuscript entitled, Her Kaddish: A Jewish Woman’s Journey through Mourning, which she wrote during the year she spent saying Kaddish for her mother, and which she hopes to share with others facing a loss.

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Unlocking the Past

by Shira Sebban (Sydney, Australia)

We did not expect to find the diary. A non-descript, navy-bound volume, it had been stashed away in a drawer of the massive wooden study desk at which our late mother had worked for so many years. Perhaps she had simply forgotten writing it? Or perhaps she had chosen not to share her youthful passions and agonies with her daughters… We will never know.

I had long abandoned any hope of uncovering more details of my mother’s past, her memories having been gradually extinguished by Alzheimer’s disease, which had afflicted her for the last decade of her life. Now, as I turned the diary’s yellowed pages filled with her distinctive script, I felt grateful for the opportunity to discover her anew, albeit in a younger form, becoming acquainted with the person she once was before I was born.

Written in English in the mid-1950s, when a postgraduate traveling scholarship had taken her back from Melbourne, Australia, to her birthplace of Israel for two years, the diary provides a glimpse of what life was like then for a single, 20-something woman. Attractive and bright, she was courted by a host of mostly unsuitable admirers, although occasionally, one would become the focus of her hopes and dreams. After all, as she notes, her mother had advised her to “secure a future” for herself, urging her to work hard to accomplish her purpose: in other words, “get married”.

Part-travelogue and part-social commentary, the diary reads like a film script, the vividly portrayed characters flitting in and out of various settings. One moment my mother is at a party or concert, describing the dating scene: “Noticed some very good looking men in the audience. Wonder where they usually hide.” The next, she is on a crowded bus, discussing the four young Yemenite girls seated behind her: “probably recent arrivals to the country. Full of joy of life, laughing and continuously talking in high pitched voices, cracking small black seeds and throwing shells on the floor of the bus.”

A picture builds of what life was like in what was then the recently established State of Israel. Many of those she meets are keen to move elsewhere, believing there is more opportunity overseas. A certain unease lurks behind the pages too, and on one occasion, she even has to identify a suspect at the police station after an elderly woman is raped across the street from her home. More often, however, she is scared to walk alone in isolated areas, having heard about “some unpleasant and unfortunate encounters with Arab infiltrators”.

The term, “infiltrator”, with its connotations of menace, danger and evil, has recently been revived to refer to African asylum seekers to Israel. Its origins date back to the early 1950s, when there were several attacks on Israeli settlements, resulting in around 100 casualties and culminating in the “Prevention of Infiltration Law” of 1954, which defined those citizens of surrounding Arab states, as well as Palestinians, who entered Israel illegally, as “infiltrators”, punishable by law, especially if they were armed or had committed crimes against people or property.

Emotions certainly ran high within Israel itself too. On a morning walk through the Carmel market near the family home in south Tel Aviv, my mother describes police arresting an “old Arab who was selling baskets… He was yelling his protests. Bystanders said he was allowed to sell his products in the main street, but not in the market.

“Further on I heard terrible cries, saw a young fellow who had slashed his own throat in protest at having had his cart full of vegetables taken to the police station. Apparently, he too had no permit to trade in the market.”

I had long known that after leaving Israel, my mother had undertaken an epic sea voyage to Italy, also visiting Paris and working in London before deciding to make her way to Montreal, where she would ultimately meet her future husband and my father. Until now, however, I had thought that those often-recounted stories had been buried with her. So imagine my delight to discover that the diary also contains a record of the first part of the journey she undertook by ship from the northern Israeli port of Haifa to Venice via Greece and then on to Milan by train.

Penniless, she could only gaze longingly at the elegant Italian shop window displays, but could “afford nothing no matter how cheap the prices were”. Arriving in Milan and not wanting to stay on her own, she was on the verge of boarding the night train to Paris with nothing to eat bar a box of biscuits, when she finally managed to contact the aunt and uncle of one of her best friends in Tel Aviv, who invited her to stay with them. Successful furriers, my mother writes, they had “made a name for themselves”, their shop frequented by “a good class of clientele”, including members of the aristocracy and movie stars.

Although most of the numerous names that appear in the diary remain unfamiliar to me, the family name of my mother’s good friend stood out. Hadn’t I gone to school with a boy of the same name?

It so happens I had been reminded of that particular family at the beginning of this year – before we discovered the diary — while on holiday in Israel, when I had learned that Michael, my old school friend, was staying in the same hotel. We spent some time catching up and also exchanged contact details.

Now, as I turned the pages of the diary, I realized that the characters so vividly depicted by my mother included various members of Michael’s extended family. My mother’s friend was Michael’s aunt, meaning the Milan furriers must have been his great aunt and uncle. I sent an email to Michael, who immediately put me in touch with the Italian branch of his family and all was confirmed. Even better, his elderly and frail aunt in Tel Aviv could still remember my mother and recalled the deep friendship between various generations of our families.

As it transpires, our familial ties date back at least a century to Poland via Tel Aviv and on to Australia: A tale of friendship and support, harking back to the days of our great grandparents, with the diary key to piecing together the puzzle of just how we are connected.

The ravages of Alzheimer’s disease had prevented my mother from recounting her memories long before her death last year. Her diary provides a portrait of her, as I never knew her: a young, passionate woman searching for intelligent companionship and the man of her dreams. It provides the key to unlocking a part of her past with which I was unfamiliar, a past that I thought had been lost forever.

Shira Sebban, a writer and editor based in Sydney, Australia, worked as a journalist for the Australian Jewish News. She previously taught French at the University of Queensland and worked in publishing. She also serves as vice-president on the board of  Emanuel School, a pluralistic and egalitarian Jewish Day School. You can read more of her work at: http://www.onlineopinion.com.au/view.asp?article=13636, as well as https://jewishwritingproject.wordpress.com/category/australian-jewry/ and http://shirasebban.blogspot.com.au/

 

 

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Filed under Australian Jewry, Family history, Jewish identity

My Olympics

By Ellen Norman Stern (Willow Grove, PA)

I didn’t think I had remembered. Or perhaps it was something I had wished to forget over the many years since it had happened.

But then the sight of the five interlocked Olympic circles, the flag-bearing gymnasts marching into the crowded spectator-filled stadium, the familiar melody of the Olympic hymn sounding through the television screen brought back a long-forgotten memory best not remembered.

In the summer of 1936, Berlin experienced an uncommon heat wave not usually felt in this temperate European zone. Earlier that late spring, as an eight-year old, I had suffered a heat stroke while playing in the school yard. As a consequence I was forced to spend the many days until summer vacation at home, dizzy and nauseous, lying on the bed in my darkened, spinning room, with a wet cloth covering my head.

Like everyone else in the city I hoped to be well again by the time August came around.

Then the much-awaited Olympic Games were to start in Berlin. The capital city was looking forward to become the site of a world event.

I had the fervent wish to be a part of it. To walk through the avenues flagged so splendidly with the banners of the Olympiad and Germany, its host country. To be in the crowd welcoming the many top sports champions from all over the world. To see them perform, perhaps. To witness their receiving the medals for which they had all struggled so hard.

How I would manage to achieve my dream I did not yet know. Nothing in the real Germany of the day favored the daydreams of a small Jewish child.

And yet…hadn’t I heard of things loosening up in the anti-Jewish world around me? Even from the hushed sound of voices in my parents’ living room rumors reached me that most of the fashionable restaurants in town were starting to remove the signs in their front windows, signs that spelled out Jews Not Welcome. “Even Dobrin and Kempinsky are among them,” I heard them mention two of Berlin’s top cafes. Many friends of my parents looked for every possible sign that the icy spirit of Hitler’s Germany was thawing before the eyes of the world.

Not many days later the sob-filled telephone call of my father’s secretary informed us that he had been arrested right within his office and that we had better not expect him home that evening because she assumed that he was taken right to prison. She had no idea what the charges were.

It took my mother several days of frantic investigating to discover that the charges were “bicycle theft” and were brought by an unknown party.

This type of “denunciation” had become a standard procedure in our day. Anyone with a grudge was using it to get “even” for an unknown slight. Especially if it was against a Jew.

However, it seemed particularly ridiculous in the case of my father. Even I knew that he hardly needed to stoop to such a crime. While we still lived in Hannover, prior to moving to Berlin, he had been a successful businessman driven by a chauffeur; my mother, a fashionable, artistic lady whose household had included a cook, cleaning maid, and a laundress. Why then, bother with such a lowly accusation?

A clue emerged a few days later when my mother received a letter from the police. She opened it with shaking hands, only to drop it with an outcry of horror.

“You are hereby informed to report immediately to the Olympiastadion in Grunewald where you are required to help in the construction of the “Reichssportfeld” by doing Feld-Arbeit clearing the grounds for the upcoming Olympic Games.

“This action is required in reparation for the charges incurred by your husband’s prison sentence and subsequent costs borne by the German government.

“Heil Hitler!”

I, of course, had not the slightest idea what all this meant. All I knew was that at last we, my mother and I, would be traveling to the site of my dreams, the Olympic Stadium in the Grunewald. And I was overjoyed!

Every morning of that summer of 1936 my mother and I boarded the U-Bahn (subway) at our stop in Charlottenburg and rode to the end of the line in the Grunewald Forest. Since no one was at home in our family, my mother was forced to take me along every day of her work. Each day she carried a sandwich for me and a bottle of water, plus a sunhat and appropriate clothing for me to wear during the heat spell. After all, I had already experienced one sunstroke.

This area was to be the future home of Berlin’s 1936 Summer Olympics. It had been designated long before, in 1912, by the International Olympic Committee.

The First World War had prevented any games from taking place. In 1933 when the Nazis came to power, the party decided to make the most of the tremendous propaganda occasion by using the Olympic Games as a showplace for the upcoming progressive world of the Third Reich.

The plan was the construction of the Reichssportfeld, a huge arena that was expected to take two years to build.

One of the sites included in the field was the Waldbuehne, an amphitheater with the capacity to seat 25,000 people.

It was this location which would require the labor of my mother and the many other women who were forced to convert the area into a showplace.

I had no idea of any of this when we arrived for work the first day.

With other women who had shared the train ride we climbed up the subway steps. A huge rock-strewn field of weeds awaited us at our destination.

I held my mother’s hand with one hand and carried my sandwich bag and a book with the other. We were met at the top by brown-clad SA men who registered us and turned us over to matrons who led us to a nearby cabin. There the women changed their dresses into more appropriate attire for the work ahead. Before each person left the cabin she was handed a rake and a hoe.

I do not remember any other children present. My mother settled me into an available chair, said that she would check on me whenever she could, and told me to be good.

And then she stepped outside into the burning sunlight and was assigned a stretch of the large field.

I could see her from my chair inside, although she was out of reach of my voice. In the stuffy heat of the cabin I saw my pretty mother chipping away at rocks or bending down to pull out the weeds she had loosened. It was an unreal, nightmarish view I wish I did not have to witness. It may well be the reason I have tried to forget this episode for a major part of my life.

So began each long, hot day, boring and tiring and far from my dreams of the Olympic experience. It was not until the sun began to set that the hoped-for hour of going home arrived.

August 1 arrived, and with it the opening of the 1936 Olympiade.

It was a time before television brought events into every home. I was not able to view the grand episodes I had hoped to see.

Eventually I saw pictures of the rock-strewn weed-filled field, which was now a lush green carpet terminated by a beautiful amphitheater named the “Dietrich Eckhard Buehne.” Another area of the terrain housed the special box of honor where Adolf Hitler greeted his guests. Everything was grand and splendid and politically motivated. The “Fuehrer” was shown bursting with pride, just as another evil dictator named Vladimir Putin would posture unsmilingly in a similar situation in another country many years later.

The sound of the Olympic Hymn in 2014 brought it all back. How little things have changed!

Born in Germany, Ellen Stern came to the United States as a young girl and grew up in Louisville, Kentucky. She’s the author of numerous books for young adult readers, including biographies of Louis D. Brandeis, Nelson Glueck, and Elie Wiesel. Her most recent publication is The French Physician’s Boy, a novel about Philadelphia’s 1793 Yellow Fever epidemic.

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Touched

by Bracha Mirsky (Jerusalem, Israel)

In Memory of Itka Rochel bas Shmuel z”l (1930-1974)

I’m a proud third-generation Canadian. I grew up in Ottawa the capital of Canada; the winters were long and cold. I remember the snow banks were higher than I was. Although my father was born and raised in Ottawa, by the time I was growing up most of my dad’s family had left the city. My mother was from Montreal where she had a large close-knit family she left to raise a family in Ottawa. We would visit and embrace the warmth of our family in Montreal as often as possible, but in Ottawa my mother was as isolated and lonely as if every day was winter.

I remember my grandparents’ towering gray stone house in Montreal. Even now, I can see through the eyes of a child and feel the warm wonder of the sights, smells and sounds of Pesach:  sweet gefilte fish, chicken soup, matzoh, grape juice, spilling the drops from our cup …to lessen our joy at the memory of the suffering of our enemies. I have fond memories of my grandfather, uncles, father and brothers at the head of the table singing. I looked forward to examining the drama of Pesach in pictures in a small, brightly colored Haggadah. My mother was a quiet woman; her attention was always focused on her children, ready with a kind word and a hug. She would help my grandmother prepare and serve the meal.

I’m nine-years-old.  I shyly ask my bubby, “Can I help too?”

“Of course,” my bubby replies. “What a big girl you are now. A shayna maideleh!”  I would help serve the gefilte fish and collect and wash the cutlery. I would bask in the glow of my mother’s pride in me.

My mother loved us so much! She was the emotional core of our family, yet we had no idea that in her quiet way she was instilling so much in us. She was a stay-at-home mom, with six children — that was no easy task! Dad worked hard but it was always difficult to make ends meet. There was no money for Hebrew school and so I went to the local public school.

As a child the world was puzzling to me. I could not connect the dots that others seemed to have no problem with; the world did not make sense.

“Dad, no one likes me, they won’t play with me, they’re mean and always try to get me in trouble.”  His only reply was, “Make yourself a small target.”

“Mom why do they call me a ‘Christ-killer’?”

“Just ignore them; they don’t know what they’re talking about.” I didn’t have the heart to tell her it was hard to ignore them while the boys were beating me up after school as the girls watched. Canada, 1968, I was 11-years-old.

“Where are you going Mom?”

“There is a protest to free the Soviet Jews.” My mother never missed a rally or any event to try and win the freedom of a fellow Jew. This woman who loved children and her people so much, who would not hurt a fly, always put a heavy wrench in her purse before each rally. Just in case the KGB tried to break it up, she intended to take a good swing at one!

I can still see Mom lighting Shabbos candles and the whole world seemed to glow in that soft light. With my mother at my side, the world was at peace.

Shul — a place to sing! Awesome! Reading the stories of the Bible, imagining what it would be like to have such faith. I already knew that God was everywhere and I could talk to him whenever I wanted. Talking to God was easy, understanding God was the hard part.

“Mom, are you not feeling well again?”

“No dear, don’t worry I’m OK.”  But she wasn’t. Visiting the hospital, not understanding, “When will Mom get better?”

“Soon dear, soon.”

It seemed so gradual, I didn’t even notice it. Mom could do less and less and I did more and more. I’m 16, my two older brothers are away at university leaving me, now the eldest at home, to look after and cook for my father and three younger siblings. My youngest brother is only six- years-old.

I visit Mom in the hospital every evening with my dad but she looks worse and worse, no one says anything. A wall of silence, we didn’t know…how could we not know? She kept the truth from us, it was cancer.

Waking up erev Rosh Hashanah, I can hear my dad talking on the phone “…last night…” I stiffen in my bed, my body rigid, waiting, but no one comes. I get up and go down to breakfast; Dad acts normally and sends us off to school.

It’s erev Rosh Hashanah.

I sit at the back of the school assembly hall right up against a wall. In that big darkened room with only the stage lit up I’m in a tiny corner all alone, feeling with every part of my being that my whole world has come crashing down and no one else notices it, their world hasn’t changed at all. Yet I still try to deny it, I repeat to myself, “I must have been mistaken, Dad would have told me if anything happened, therefore nothing happened,” I say this to myself over and over again. Surrounded by a sea of people, I’m all alone in the dark.

That afternoon I begin my slow walk home from school with a heavy heart, thinking to myself, “It’s erev Rosh Hashanah.”

I’m about half-way home, alone as usual, when something softly brushes my cheek. I stop and stand still. My hair is tied back in a ponytail, there is nothing near me. Again, something softly brushes my cheek. My heart leaps out — NO! It can’t be! It’s not you, you’re not dead! It must be the wind!  I turn to face the opposite direction. The same soft touch brushes the same cheek. Then I knew…she was gone.

Stunned, I sit on a nearby rock, I don’t know for how long. Now numb and beyond pain, I accepted the truth. Then I began to wonder at the strength of my mother, to come to me and give me this gift. To reach out and touch me to say goodbye.

It’s erev Rosh Hashanah.

My mother taught me many things. She taught me about family, to be a proud Jew and to never stop caring. In her last moments on earth she taught me that God is real and that nothing can stop love, not even death.

* * *

I look after my father and siblings for three years until I’m 19 and then it’s my turn to go away to college. I become a nurse and meet my husband. We are married in a lovely ceremony in an Orthodox shul. I miss my mom, but I believe she is happy for me. I could not have anticipated the surprises that were in store for me.

I married at 23, and two years later I give birth to triplets, two boys and a girl. Oh! How my mom would have loved this! Never have I missed her so much as then. For the first time since her passing, I can see her in my mind’s eye, holding her grandchildren, and the joy from her face is blinding!

Public health services provide a really sweet woman to help out for the first few months, but after that initial period I am on my own. I am told by the supervisor, “No one can manage on their own with triplets; you’ll have to hire some help.”

“Really?” I say, “We’ll see…”

God, fill our hands with your blessings. In this, I am truly my mother’s daughter. Five years later I give birth to twin boys. Life is busier and happier than ever!

They grow, the years pass and they develop as proud Jews who know their God, and they are very proud of their people and love every one of them. I know exactly who they got that from. All the Bible stories are real to them, they love going to shul, singing and giving me joy.

And their mother tells them stories of a special soul, the bubby they never knew.

Mom, pray for them.

Bracha Mirsky is a mother of triplets and twins, Registered Nurse, Labour Coach, Certified Parent and Infant Consultant and Diabetes Educator. She has worked as a member of the St. Elizabeth Nurses Maternal and Infant Care Team as a specialist and with her local Family and Child services, assisting families with parenting issues. Bracha is a guide to parents through classes, as an advice columnist and as an author. Her book, What Makes Kids Tick? Giving parents the tools to shape child behaviour, is based on the counseling she has given parents and her own parenting journey, filled with stories of the challenges and rewards of raising multiple children and the insights the adventure has given her. Bracha can be reached at www.whatmakeskidstick.com. She has recently made aliya.

This story was reprinted with permission from Living Legacies: A Collection of Writing by Contemporary Canadian Jewish Women, Volume III, edited by Liz Pearl. For more information about the book, visit:  http://at.yorku.ca/pk/ll3.htm

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