Tag Archives: bubbe

Encounters with Yiddish: The Old in the New World

By Ronald H. Linden (Pittsburgh, PA)

Among the basic tools we carry with us in life are our personal language experiences; what we heard first as infants, conversations around the dinner table, the cacophony of our larger communities. If we pay attention and are good mimics, we can connect with people outside and inside our families and homes using the building blocks of these languages.

But language does more than allow our comprehension and expression; it marks us and links us to our past—to “the old country” and the old places. This is especially true if we were fortunate enough to have experienced an environment suffused with Yiddish, which Leo Rosten called “The language of the heart.” 

For most of us Yiddish flowed from our grandparents.  They brought this language with them from all over Europe and the Middle East.  But their intermediaries—our own parents—often walled us out of their conversations, preferring to keep an adults-only method of kibbitzing with the rest of the mishpochah.

Still, the expressive power of Yiddish could not really be contained; for example, when a bubbe held a grandchild’s face in her hands and gushed over a shayna punim.  Or when that same bubbe wondered why you were leaving so soon, “What, have you got shpilkes?” 

For my father and many of his generation, the first born here, Yiddish was their mama loshen. It was the language of mother and home certainly, but it was to be confined there as part of a fierce struggle to be as American as possible, to be part of the new–not the old–world. And he succeeded.

Yet the staying power of his Yiddish, relegated to a minor chord, never left him. I had the opportunity to see this close up in an ironic and surprising way.  Near the end of the Cold War my family and I were living in Munich, Germany as I had a position with Radio Free Europe. My parents came to visit. My father had fought in World War II and my mother had lost her first husband in the Battle of the Bulge. For these reasons and because they were Jews, a trip to Germany was not a casual undertaking.  My father demonstrably stomped the ground in Hitler’s favorite city to announce his—and our people’s–presence.

An outgoing person with Yiddish in his pocket, my father wanted to communicate with the Germans, but he was understandably hesitant.  Unexpectedly—and ironically–the opportunity came through a casual meeting with a policeman on the street. The officer’s youth, openness and interest in America pushed the right buttons. In response, and perhaps unexpectedly even to him, my father’s ancestral language rose to the surface. The distance between them closed. I could see his excitement grow in the exchange and for the first time in ages, I saw him use expressions and deploy the language’s natural rhythm. In this most unlikely of places he made a cross-generational, cross-cultural human connection. Yiddish made that possible. (As a bonus for me, learning German, I was now included.)

 I learned from this encounter that your mama loshen is always with you. I saw this even more vividly some years later with my wife’s grandmother, whom everyone called, of course, Bubbe.  As an orphan from a tiny shtetl in the Russian empire, she was matched to an older man, whose wife had died, and moved to western Ukraine. With her husband soon gone to America, she and her family of four children were engulfed by WWI, the Russian Revolution and Civil War. She survived by trading across fluid territories and borders, adding Russian and Polish to her native Yiddish.

When her moment came to flee with her family, she and thousands of Jews took up residence in the new state of Poland and soon after left for America. Still unable to read or write, she nevertheless learned English and embraced her new country with deep gratitude. More than her businessman husband, she plunged into American life; she shopped, went to the movies and travelled. The orphan girl from a village without electricity who once spoke only Yiddish watched a man land on the moon on American television in English.

Then the mama loshen, which had never really left her, returned. As she grew older, Bubbe began to converse more and more in Yiddish only.  Her physical infirmities grew but her brain remained sharp—it just reverted back to its earliest tools for communication.  Even when she thought she was speaking English, out came Yiddish.  By then we had gained enough understanding of Yiddish ourselves to be with her and never let on. We entered her world as she was leaving it. The power of Yiddish was displayed once again in the form of a precious gift: the chance to create in America a meaningful and sweet goodbye to the orphan girl from the shtetl.

Ronald H. Linden is professor emeritus of political science at the University of Pittsburgh, where he directed the Center for European Studies and the Center for Russian and East European Studies. He served as Director of Research for Radio Free Europe in Munich, Germany during the extraordinary changes ending the Cold War in Europe. In addition to his scholarly publications and international commentary (see his professional profile here) Ron has authored essays on The Night The Berlin Wall Came Down,”Changing the rules — in life as in baseball”; “Finding Boba Fett: The Pandemic Leaves a Gift,” “The New Pogroms.”

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Bubbe and Zayde Take Me to the Ice Capades

by Judith Sanders (Pittsburgh, PA)

On their Bronx subway platform,

they hold my hands.

She with her hatpin and cloth coat.  

He in a button-down and tie clip, 

worn for this holiday 

from cashiering at a newsstand.

We wait for the train to Manhattan,

where they never go, except today, 

for me, their scrubbed, chubby grandchild, 

who can’t speak their language

and has her own room.  

She was never yanked from school. 

Would never know, God willing, 

the soldiers, the nightmare of ripping 

and smashing, the mother’s screams.  

My parents don’t care about the Ice Capades, 

the ladies in sequins, twirled by men in tights. 

They are going to the symphony.  

Bubbe and Zayde guard me, one on each side, 

from the clatter of the oncoming train.

They do not ask why I want to go 

to the Ice Capades, when my whole life 

is one glide down smooth ice, an escapade, 

a frolic.

Judith Sanders’ poetry collection In Deep was recently published by Kelsay Books.  Her work appears in numerous journals, including Pleiades, The American Scholar, Modern Language Studies, Der Pakn Treger, and Poetica, and on the websites Vox Populi and Full Grown People.  She lives with her family in Pittsburgh.

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Holy Ground

by Kayla Schneider-Smith (Rishon LeZion, Israel)

Bubby holds up a fist and makes a
zero with her fingers

This is how “Jewish”
Reform Jews are to me,

she shuffles me through crowded markets where
boiling men wear summer coats and study
their feet as we pass them

step to the side, step to the side,
Bubby goads, but all I hear is

make yourself smaller,
make yourself zero

Bubby buys me a white shirt
and a white skirt for Yom Kippur
the way she thumbs through the racks and lights up when
she finds something right
makes me feel like she loves me

so that each time the hot familiar anger rises
I remember how she bought me a Yom Kippur outfit and
walked me through the city with her rolling shopping bag and
poured me iced coffee slushies and
paid for taxi rides home and told me

I’m waiting for you to wake up

Wake up to what, Bubby?
to your God who
invalidates my God?
to my God who challenges yours?

Kayla Schneider-Smith is a poet, musician, and social activist from Monmouth County, New Jersey. A graduate of Bryn Mawr College, she recently completed the Yahel Social Change Fellowship in Rishon LeZion, Israel, where she taught English, piano and guitar to children, adults and senior citizens in a small neighborhood called Ramat Eliyahu. Kayla is currently pursuing her Masters of Fine Arts in Writing at The University of San Francisco and working as the Mindful Arts Program Coordinator at the San Francisco Education Fund. She aspires to be an English professor, Rabbi, or Interfaith Minister one day.

If you’d like to read some of her work in prose, visit: https://www.yahelisrael.com/single-post/2018/11/27/To-Be-Or-Not-to-Be-Progressive-Judaism-in-Israel

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The Circle of Life

 by Barbara Krasner (Somerset, NJ)

Yiddish births my mama’s mother tongue
Yiddish silences my mama at death
Yiddish curls around the circle of life
Yiddish comes up from beneath the dirt
Yiddish spits, curses, and insults
Yiddish grabs like my bubbe’s cheek pinch
It is the language I cannot speak.

Barbara Krasner holds an MFA from the Vermont College of Fine Arts. Her poetry and short fiction have appeared in or are forthcoming in Jewish Women’s Literary Annual, Poetica Magazine, Jewishfiction.net, Nimrod, Paterson Literary Review, Lips, Minerva Rising, The Copperfield Review and others. She teaches creative writing at William Paterson University in New Jersey. She is the author of Discovering Your Jewish Ancestors (Heritage Quest, 2001) and the forthcoming Goldie Takes a Stand! (Kar-Ben, Fall 2014), a tale of young Golda Meir. You can read more about her at her website www.barbarakrasner.com and blog The Whole Megillah – The Writer’s Resource for Jewish Story.

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