Category Archives: Jewish writing

What I know

By Marilyn Schonfeld-Davenport (Louisville, CO)

I am a first generation American and a second generation Holocaust survivor. 

My mother was born in Korosten, Ukraine. 

My father in the shtetl of Oleszyce, Poland. 

They came to this country in 1950 with my three-year-old sister who was born in a displaced persons camp in Ansbach, Germany.

They were lucky, my mother always said. They were not in concentration camps.

They met during the war on a Russian state-owned farm (Sovkhoz) in Aktyubinsk, Kazakhstan.

I do not know the name of the farm. I do not know how my father ended up there. Only that while in the Russian army, he jumped off a train to escape banishment to Siberia and found himself on the same Sovkhoz. 

They were lucky, my mother always said

They were not tortured. They did not starve.

They did not have to hide underground or in sewers or cellars with rats. 

They did not have to strip down naked and suffer inhuman conditions and humiliating treatment. 

They did not have to forage for food in the forests. 

They did not have to watch their children die.

My parents were lucky. 

Not like their dear survivor friends whose tragic stories I overheard as a child, amidst the shuffling cards and the clicking chips of the poker table. 

But still, their young lives were thwarted by the horrifying rampage of a madman.

They were scared. They were on the run. 

They were separated from their families. 

They scampered to strange places, seeking refuge and safety.

Their fate collided at the Sovkhoz where they fell in love and lived in relative peace. And waited. And wondered, when will it end?

They worked in the fields, repaired small machinery, slept in bunkers and occasionally had a decent meal of more than watered -down soup.

My mother worked in the canteen and snuck my father extra bread and cigarettes.

That’s all I know about their life there.

After the war, they got married and returned to Korosten so my dad could meet his in-laws and my mother could say hello and goodbye to her family. 

My dad set his sights on America. 

The land of promise. The land of opportunity.

She was going with him.

But first he wanted to go back to Poland to see what happened to his family. 

He had no idea if anyone was still alive.

Somewhere, somehow he discovered they all perished in Belzec. 

Except for one sister.

She escaped with the help of a priest and was in a displaced persons camp in Ansbach, Germany. 

And so they went there.

My mother said they walked.

But how? How did he find out about her? How did they walk all that way? 

Who helped them? How long did it take? 

My past is a patchwork of fragmented stories and unanswered questions.

They hang suspended looking for a place to rest, to make me whole.

My father never talked about his past or his childhood.

I try to seam it together through any research I can do, any tidbit I can find. 

A box of papers from the DP camp; sponsor forms, luggage tags, passport pictures, a diploma from ORT that said my father could make a shoe.

But I reach a dead end when it comes to my Polish family. There is so little.

There are only imagined faces of my relatives instead of photos that do not exist. 

Imagined lives in places I cannot fathom.

I never asked enough and they never said enough. 

I do not know enough. 

But I do know this.

I am a first generation American and a second generation Holocaust survivor. 

I am defined by that more than anything.

Marilyn Schonfeld-Davenport has always held the stories of her parents and her ancestors deep inside her, those few that she knows, those fragments that she can piece together. These stories composed the backdrop of a relatively carefree childhood in the suburbs of Chicago, but beneath the surface was the lingering impact of her parents’ trauma: her mother’s anger and fear, her father’s quiet introspection.

Throughout the years, Marilyn has returned to those haunting stories of her youth to try to weave the pieces together and better understand her past. She is currently working on a memoir of sorts, based on her mother’s notebooks of recorded minutes as the secretary of the Trossman Family Club. Uncle Sam Trossman, the patriarch, brought her parents and sister to this country after the war.  She lives in Louisville, Colorado with her husband Mark and dog Wilson. Her two grown sons live in Portland, Oregon and Minneapolis, Minnesota and she misses them every single day. 

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Hineni

by Jane Hillson Aiello (Denver, CO)

Raised between the transom

Of women’s lib and balabusta

No chance for ritual

No push to excel

No college application

Instead, a cross country trip

In Chevy’s version of a Conestoga

Landing in foothills

A place beyond knowing

Mamaloshen faded

Who am I      who am I

Echoed in the valley

My mother died before my poetic voice sprouted

Even though it was she who helped plant the seed

I will see her again one day

Beyond the heavens

In a field of fresh mown grass

She’ll be leaning on her Fairlane 500

As blue as the Colorado Sky

A scarf around her reed thin neck

Jackie O sunglasses

Cigarette in her right hand

I will call out to her in the ancient language

Of daughters

I am here mom 

Right here

Jane Hillson Aiello is a lifelong intuitive poet. Raised in a loosely conservative Jewish family in the suburbs of New York City, she calls the Front Range of Colorado home for more than forty years.  She also writes essays and memoir vignettes. Jane leads poetry workshops for Kavod on the Road and other organizations in the Denver metro. She has four poems featured in the soon to be released anthology Unplugged Voices. 125 Tales of Art and Life from Northern New Mexico, the Four Corners and The West.  Jane is a member of Poetry Society of Colorado. Read more of her work on her blog:  Poetry, Prose and Prattle 

Author’s notes: Hineni – Here I am; Balabusta – a good housewife; Mamaloshen – Mother tongue

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Ending Kaddish

by Pam Adelstein (Newton, MA)

Eleven months of showing up and standing up. The days blur together, sometimes feeling short, and other times feeling endless. People tell ME that it feels like I’ve been saying Kaddish forever. I think in response, it has been longer for me than it has been for you.

Countless Kaddishes feel like exposure therapy for public acknowledgment of grief.

I feel vulnerable and exposed each time I rise and hear the Kaddish uttered from my lips, as my voice fills the room.

In the traditional call and response, the kahal overpowers my voice. I know they are listening to me. Me –  one tiny insignificant mourner among centuries of Jewish mourners around the world.

Humbled and grateful, I take comfort in our togetherness. A daily minyan, where I stand with a group of mourners, who implicitly understand, no questions asked. I march blindly forward in their footsteps, often the youngest in the room. This has the effect of making me feel way too young to have lost my dad.

At our evening services the shliach tzibbur reliably inquires, “Is anyone observing a yahrzeit who would like to speak about their loved one?” Each time I stare blankly back, thinking, “Nope, still a poor schlepper.”

Finally, I learned what I have dubbed “the paragraph.” The talmedei talmedehon of the Kaddish D’Rabbanan.

Though I no longer feel nervous trepidation, sometimes while reciting the Kaddish I still feel as if the poetic Aramaic words are rocks in my mouth, projectile phrases from my throat, lyrics from my grieving soul.

The Kaddish words sometimes come out differently with every recitation. Someone jokingly asked if the words rearranged themselves on the page. I shared that reciting an imperfect Kaddish reminds me that my grief is imperfect. Like the Navajo people, who intentionally weave a flaw into their rugs to show that only a Supreme Being can produce perfection.

The end of my daily Mourner’s Kaddish is here. I have ordered my life around this prayer. I have observed the sun and the moon, the snow and the rain, and the day and the night through the skylight of Gann Chapel. Thinking about and searching for my father. Is he out there somewhere, looking in?

It feels as if a cliff’s precipice awaits me. A leap of faith, knowing that the sages thought we mourners would be okay at the eleven-month mark without the daily scaffolding of coming together briefly in community. Without those snippets of conversation before we return to our daily lives outside these walls.I wish those sages could guide me through the next phases of mourning, of integrating further back into regular life, as I ask: what do I do with my grief now?

Pam Adelstein is an active member of her Boston-area minyan. She is married, has two children, and is on the verge of becoming an empty-nester. She enjoys hiking, yoga and kayaking, and works as a family physician at a community health center. Writing is a way for her to express the emotions around her work and personal experiences, connect with others, and be creative. Her writing can be found at Pulse Voices (search Pam Adelstein), at WBUR, Doximity, and STAT.

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A Grandmother’s Love Story

by Esther Erman (Mountain View, CA)

I was named in memory of my maternal grandmother, Estera. She was named for the biblical Queen Esther, who risked her life to save the Jews of Persia—condemned to genocide in the fifth century BCE. Both women came to critical moments when they faced great risks and had to make life-or-death choices. I often look to both stories, but especially to my grandmother’s, for inspiration.

Grandmother Estera was born and raised in Garbatka-Letnisko, a village in east-central Poland that lies about ninety kilometers southeast of Warsaw. “Letnisko” means it was a summer resort, and visitors remembered the village as having clean mountain air fragrant with the scent of pines. However, Garbatka was not a summer resort for its Jews; they all lived on the wrong side of the tracks year-round.

Estera was born in the 1880s to a poor and pious family. She fell in love with Benjamin, a merchant, and the two young people wanted to marry. But back then, in that part of the world, parents arranged marriages. Benjamin’s parents required his bride to bring a dowry, meager though it probably would have been, to the marriage. Estera’s father asserted that if he had to provide a dowry, his daughter would marry a scholar, a much more prestigious occupation than a merchant.

As was expected of her, Estera obeyed her father and entered into an arranged marriage with the scholar Meyer. Benjamin subsequently married a woman who, evidently, brought a dowry. Were Benjamin’s wife and Meyer aware that they were not their spouses’ first choices? Did people then even expect their marriages to be happy?

Several years passed, during which Estera and Meyer had a son, Moishe, and a daughter, Gella. For reasons now shrouded in mystery, Meyer went to Jerusalem. When he returned to Garbatka, he said the whole family had to leave Poland, which was not a good place for Jews, and make new lives in Jerusalem.

Estera did not share her husband’s concerns about their home country. And she was devoted to her extensive family in Poland. No longer an obedient young girl, she told Meyer to go ahead and establish a home in Jerusalem, and then to send for the family. Meyer went to Jerusalem alone and set up a home. He then tried several times to convince Estera to bring their two children and join him there, but she repeatedly refused.

Finally, he sent her two things and demanded that she choose between them: tickets for travel and the offer of a get (a Jewish divorce, which only the husband had the right to initiate). Many men who emigrated abandoned their families back home and left their wives in the untenable position of being essentially without a husband and yet not able to remarry. Meyer’s offering Estera a get showed him to be a true gentleman.

In an extremely unusual move for a pious woman in her time and place, Estera chose the get. Might part of her motivation have been that Benjamin, her first love, was now a widower? In any case, Estera and Benjamin wed and had two children together—a son, Mendel, born in 1915, and one year after that a daughter, Gittel, who would eventually become my mother.

I hope Benjamin and Estera experienced great joy in their marriage. What they did not have was the gift of much time together: Benjamin soon died, very likely during the 1918 Spanish flu epidemic.

With Benjamin’s death, poverty gripped the family even harder. Estera had a mill for grinding buckwheat, which allowed her to eke out a living through backbreaking work. Gella, Estera’s daughter from her first marriage, earned some money as a seamstress. Close relationships with friends and relatives in Garbatka’s Jewish community helped Estera’s family deal with their difficult lives. In 1933, Moishe, the son from Estera’s first marriage, decided to join his father in Jerusalem. 

– – –

Blitzkrieg. In the month of September 1939, the Nazis crushed Poland. The Jews in Garbatka, just like those all over Poland and in the other defeated places, were torn from their homes, ghettoized, and forced into slave labor—a prelude to genocide.

The Jewish men were quickly murdered or deported. Estera now lived with both her daughters and her granddaughter in Pionki, a ghetto created by the Nazis twenty kilometers west of Garbatka. Deportations from the ghetto became more frequent. In dread that their family members’ names would appear on lists of those to be transported, the women checked each new posting. One day in September 1942, both Estera and Surele, Gella’s eleven-year-old daughter, appeared on the list, supposedly to be relocated to another ghetto for “work reassignment.” Neither Gella nor Gittel was on the list. One could add names, but not remove any. Gella, refusing to be separated from her child, immediately added her name.

Gittel went to put her name on the list also, to go with her mother, sister, and niece, but Estera stopped her. Gittel fought with her mother, arguing, “You all are going. Gella volunteered to go. I want to go with you.”

Estera was adamant in her refusal. “Gella is going to be with her daughter, with Surele.” “But you will be separated from me, your daughter,” Gittel protested. Estera shook her head and put her hand on Gittel’s shoulder. What love it must have taken for Estera to insist, “You are older than Surele and can work—maybe because of that, you will survive.”

As Gittel watched in unbearable loneliness and grief, her mother, sister, and niece—all that remained of her family in Pionki—were crammed into a train filled with frightened people.

The destination, Gittel would later learn, was not a work reassignment. Instead, the journey terminated at Treblinka—its passengers forced directly from the train to gas chambers.

Against the odds, and as my grandmother Estera had hoped, my mother Gittel did survive the war. Her survival entailed separation from her loved ones; years of slave labor, abuse, and starvation; transport via cattle car to Auschwitz; and a winter death march from Auschwitz to Bergen-Belsen. For the next half century, until she died in 2003, my mother shared just the bare bones of the story of her survival. I can only imagine the horrors and how their memories weighed on her.

Following her liberation from Bergen-Belsen in April 1945, my mother met and married my father—also a survivor of ghettos, Auschwitz, and slave labor—in a displaced person’s camp in the British sector of Germany. I was born just eighteen months after their liberation—a testament to my parents’ amazing recovery and resilience. The three of us immigrated to New York in 1947.

Earlier, when the war had broken out, all the members of my mother’s family had agreed that any who survived would contact my grandmother’s older son Moishe, who immigrated to Jerusalem in 1933, as a means of reconnecting. My mother was the only one he ever heard from.

In the summer of 1962, my mother fulfilled a dream: she reunited with her half-brother Moishe in Jerusalem. She also met Moishe’s father and Estera’s first husband, Meyer; he’d never remarried.

Unlike her namesake Queen Esther, my grandmother Estera did not save the Jews. She could not save herself, her daughter Gella, or her  granddaughter Surele. But she did save one person: my mother, Gittel.

I thought of this story on a Friday evening in 2019 as I gazed at the walls of Jerusalem, golden in the setting sun at the start of the Sabbath. I suddenly was overcome with sadness and regret that my grandmother had never been at this place. She had not saved herself by following her first husband there. At the same time, I knew that, had my grandmother not stayed in Poland and married my grandfather, my mother Gittel would not have been born. Choices. If only the decisions motivated by love always brought joy. For my grandmother Estera, the decision not to join her first husband in Jerusalem, for reasons of love and family, doomed her. She suffered the loss of her loved ones and her home, and then perished – all at the behest of a genocidal tyrant.

I am grateful to my grandmother for her sacrifices, and for her insistence that Gittel not go with her on the transport. I am grateful to Gittel, my mother, for surviving. I am grateful to them both, as well as to my father and his survival–for my life, for that of my brother, and for those of the children and grandchildren each of us has.

In 2022, the world shudders to see yet another, tragic chapter of war and loss at the behest of yet another tyrant. I acutely feel my connection with grandmother Estera as, once again, innocent people are forced to make impossible choices. My thoughts and prayers, and the actions within my grasp, go out to the heroes and the victims—those who die, as well as the scarred and traumatized survivors.

The words ring a bit hollow these days, but I repeat them with fervent hope that we can one day make them come true: “Never again!”

—-

The daughter of two survivors of the Shoah from Poland, Esther Erman was born in Germany. A naturalized citizen, she early developed a passion for language. After receiving her BA and MA in French from different divisions of Rutgers University, she returned there for her doctorate in language education. She wrote her dissertation about Yiddish, her first language, which she had abandoned at age five. A multi-published author, Esther now lives in the San Francisco Bay Area with her husband Lee. To learn more about her work, visit: EstherErman.com.

This story originally appeared in Art in the Time of Unbearable Crisis and was reprinted with permission of the author, who, like Rebecca, the heroine of her novel, Rebecca of Salerno: a Novel of Rogue Crusaders, a Jewish Female Physician, and a Murder, was a refugee. 

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Saturday morning

by Mel Glenn (Brooklyn, NY)

A man this Saturday
passes me on the street.
He is dressed in a suit and tie
and carries his tallis bag obviously 
on his way to the local shul.
He wears a yarmulke.
“Good shabbos,” he says.
I mumble the same in reply.

I feel I should be someplace else.

I am dressed in a 
tee-shirt, shorts, and sandals,
and on my head is a baseball cap.

I feel I should be someplace else.

The morning sun, 
rather than a call to prayer,
dictates my walk around the park
where I can think my little thoughts.
The air is fresh, my mind is clear,
and yet …

I feel I should be someplace else.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Reflections on a Wall

by David Drimer (Kingston, NY)

Every time I visit Jerusalem, it feels like the first time.

There is a force, a powerful magnet, always drawing me to the Kotel. No matter what prosaic thing I may be doing in the city, it’s always on the fringes of my consciousness. As I wander the streets of the Old City, inching ever closer, the pull becomes stronger.

As much for this reason as for any other, this is the essence of why I make a pilgrimage to Jerusalem every few years.

Finally, I approach the Wall in silence, if not awe. I enter the Plaza and move closer, keenly aware of those around me. Immediately I put my forehead against the Wall, my hands above my head, feeling the heat of the rock. I instantly marvel: “How many tens of thousands – hundreds of thousands – of my Jewish forebears have prayed here in this very spot?” Suddenly, I am – as I once titled a poem – “alone amongst them.”

Candidly, my thoughts quickly turn introspective and soon lead to grief. I unbury my personal pain, the pains of my loved ones, the pains of the world. I consider each in turn. My emotional response is far from unique. As David Wiseman wrote for the Israel Forever Foundation, “If tears could melt stone, the Kotel wouldn’t be standing.”

I bring little notes of prayer to place in the Wall. One is to my mother Doris/Devorah Leah (z”l), the other is to my father Gideon/Moishe Gidon (z”l). What I know of unconditional love, I first learned from my mother. She was sick for a long time, suffering in acute pain daily for many years. I have often looked for meaning in her suffering. I have still not found it. On my father’s 90th birthday, his last, I wrote him a card that said, “Whenever I have a tough ethical decision to make, I think, ‘What would my father do?’” It was true then. It remains true to this day. It’s a hard path. It has cost me. These are the mysteries of life, my road to travel. I consider the totality of their lives and speak my heartfelt prayers to them partially aloud, but sotto voce.

In this quiet period of meditation, I ask for guidance in solving my and my family’s problems, guidance on how to be a better man, a better father, a better husband. I seek guidance on how to best serve the interests of the Jewish community. It’s my career, it’s my calling, my hope is to do it the best I can. My single biggest remaining ambition is to bring my and my wife’s hopes for our Holocaust Awareness Initiative to full fruition. I pray unabashedly for help.

Time spent at the Kotel sobers me up a little. I start to breathe easier and become more cognizant of the peace of the place, more aware of the simple grandeur of this plain stone wall, a literal wreck for thousands of years.  I begin to sense relief. I have put down my burdens.

I finally remember to pray for the Mets to win the World Series. It can’t hurt. (NOTE: It didn’t work; eliminated in the first round of the playoffs.) I don’t bother with the Jets anymore. That ship sailed long ago.

My feelings now drift towards an increasing feeling of serenity and joy. Look at this amazing place. This phenomenal tradition. The spiritual power of this Wall calls people of many religions to dip their toes in the waters of Judaism.

I no longer think of myself as an especially “spiritual” person. Figuratively, I’m the man who blocks the door, while others behind me pray, at least temporarily but blissfully unaware of the looming threat of the outside world. I choose to be alert while others seek transcendence.

But in this place, just before we greet Shabbos, its transcendental for me, as well. It has also been written, again by Mr. Wiseman, “If hopes and dreams could make these stones fly, there would be a wall floating around somewhere in space.”

Eventually – I have no idea how much time has passed – I turn away.  The women of the wall (“My women of the wall”) have yet to emerge. I learn later my daughter went back to pray twice. My wife, who lost her mother just one year ago, finally emerges teary-eyed. I know precisely what she was praying about. But they are tears of joy. Her mother was a remarkable, powerful woman. My wife is the living embodiment of her mother’s very strong Jewish values. Ina Frey/Chaya Tsura (z”l) looms over our lives every day.

We leave, refreshed. Renewed. Reinvigorated. More inspired by our faith than when we entered. We exit the Plaza more committed to our cultural imperatives of Tzedakah (Charity) and Tikkun Olam (Repair the World).

Such is my “tongue’s poor speech,” as the 11th century Spanish Jewish poet Solomon ibn Gabirol wrote, on praying at the Western Wall.

David Drimer is the executive director of the Jewish Federation of Ulster County (UCJF) and a co-founder of the National Holocaust Awareness Initiative (NHAIonline.org). He had been national executive director of the Zionist Organization of America, (ZOA), and Associate Publisher/General Manager of the Forward newspaper. He had been a longtime executive and publisher at Knight Ridder newspapers and the Economist Group. He was recently named a Human Rights Commissioner by the Ulster County legislature. He also serves on the Ulster County Task Force for Preventing and Responding to Domestic Terrorism.

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Sanctuary

by Alison Hurwitz (Cary, NC)

Incongruous, that towered height among the holly, butternut, 

hydrangea, along the oaks, camellias, black-green laurel hedge —

there it rose, so tall it steepled everything, as if to say, remember,

pray to what grows green above us.

A field-worn, furrowed man called Shorty came knocking once. He said

when young, he’d planted a young redwood seedling there, brought back

from California, vaguely hoped that it would someday grow to be 

a landmark. He’d removed his crumpled hat, his hand a map of years, 

his eyes as wide as forests, asked if he could go and touch the trunk, 

already girthed to temple, breathing dusk. My mother understood,

she a tree parishioner, so both of them remained a while in silence.

When Shorty went away, he left his story grafted to its branches. 

Dad cut back the deck each year, to give the redwood room to ring. Rare 

days when grandparents sat dappled on the deck, polite and tightly furled,

Jews and Catholics baffled past translation, they sat in shade below it, and 

in stillness, shifted into softening; green a common tongue between them. 

At seventeen, I’d park with my first love across the street, and kiss until the night 

dipped branches dark with longing. When, same car, same street, same boy, 

time wrenched us into ending, the tree stood by to witness, a shelter until 

my loss let go its spores, until my heart referned with undergrowth.

Ten years later, beneath the tree, my new husband and I stood quiet while my parents, 

faces filigreed with leaf-light, planted blessings in us. They prayed we’d tend

a sapling, make a small repair, something to green the broken world. My parents’ hope 

could sing the music out of wood.  Mitzvot and Meritum. Their reverence, ringed.

The day after my father died, when all I had was absence, I stumbled out to sit 

below our redwood tree. There, grief burrowing among its roots, I stayed until 

I found a seed and held it in my palm. I breathed and felt the way that branches 

lifted into blue, its birds built nests, the fledglings flew, each ending bending to beginning: 

holy as the timeless sky.

Alison Hurwitz’s work has appeared in Global Poemic, Words and Whispers, Tiferet Journal, Writing in a Woman’s Voice, Anti-Heroin Chic, Book of Matches, and The Shore, and is forthcoming in Amethyst Review, Rust and Moth, Thimble Magazine, Academy of the Heart and Mind, and SWWIM Every Day. She writes gratefully in North Carolina. To read more about her and her work, visit alisonhurwitz.com

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Peel Away to Dust

—a pantoum after Psalm 103, verses 6-16

by Donna Spruijt-Metz (Los Angeles, CA)

Tonight—buoyed 

by making order—and rituals

of passing 

and there’s the fear of it.

By making order I am lifted—rites

of YOUR presence—

the fear of it—

the haunting stop

of YOUR presence

gentling me. Time—and yet

the haunting—stop—

I am blindfolded by my hands

as YOU gentle me—time—

the moving into—yet

my hands

along the walls of YOUR compassion

are absolute—yet 

the ghost persists, spirits me

along the walls of YOUR compassion—

fumbling YOUR fabled kindness.

I touch it, hungry

spirits peel—fragile—

as I fumble in YOUR kindness

YOU lift humiliation, my concerns—

peels me fragile,

frightened desertion. 

Unlock concerns

and dust feels pain.

I remember every desertion, 

going to dust

I am dust and dust feels pain

as I fertilize YOUR fields.

I, willful, mourn going to dust.

Wind passes through us all—moves us on.

I bless, fertilize YOUR fields

tonight, light, buoyed.

A few words from the author on the poem “Peel Away to Dust“–
For years, on most Thursday nights I have gathered with a group of friends to study psalms using a process called ‘Lectio Divina,’ borrowed (and morphed) from the traditional Christian monastic practice. Often these musings lead to poems. The repetition in the pantoum form helped me to express my halting approach towards the holy.

Donna Spruijt-Metz is a poet, a psychology professor, and a recent MacDowell Fellow. Her first career was as a classical flutist. She lived in the Netherlands for 22 years and translates Dutch poetry to English. Her poetry and translations appear in Copper Nickel, RHINO, Poetry Northwest, the Tahoma Literary Review, the Inflectionist Review, and elsewhere. Her chapbooks are ‘Slippery Surfaces’ (Finishing Line Press) and ‘And Haunt the World’ (a collaboration with Flower Conroy, Ghost City Press). Camille Dungy (Orion Magazine) chose her forthcoming full length ‘General Release from the Beginning of the World’ (January 2023, Free Verse Editions) as one of the 14 Recommended Poetry Collections for Winter 2022. She gets restless. Her website is https://www.donnasmetz.com/

And here’s a link to Donna’s debut collection, which will be released on January 1, 2023: https://www.amazon.com/General-Release-Beginning-World-Spruijt-Metz/dp/1643173510

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Chanukah Metaphor

by Mel Glenn (Brooklyn, NY)

Nun.

Gimel.

Hey.

Shin.

The four faces of the dreidel,

a game learned in childhood,

a metaphor for adults.

Take all, lose everything

put in two, take half.

Fate turns on a spin, 

fortunes flip on a dime, 

a fifty-fifty chance for the dime, 

a one-in-four shot for the dreidel. 

Thus, the questions I’ve wrestled with

ever since childhood:

is it luck, circumstance, or fate,

or are we all part of God’s plan?

Does He spin the dreidel for us?

Does He decide which side turns up?

Or are we subject to twirling all our lives 

and watching where we land?

Nun.

Gimel.

Hey.

Shin. 

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Filed under American Jewry, Jewish, Jewish identity, Jewish writing, Judaism, poetry

The Chanukah Candles Challenge

by Dvora Treisman (Figueres, Spain)

In 2001 I moved from the San Francisco Bay Area with my cat and husband to live in Barcelona, his hometown. After a couple of years we moved to Tarragona, then further south to L’Ametlla de Mar, and then we divorced. At that point I moved to Figueres near the French border, the birthplace of Salvador Dalí. For all those first few years, I would go to the kosher shop of a synagogue in Barcelona to buy Chanukah candles. One year I made the trip, an hour by train from Tarragona, to find that they were sold out. I made do with votive candles. The next year I found that Chabad-Lubavitch had set up in the center of Barcelona, so I headed over to their shop to get my candles. One year a friend who came to visit brought me two boxes, so I was set for a while.

It was 2012 and once again I was on my yearly quest to find Chanukah candles. This was not like California where any supermarket would have them sitting on the kosher foods shelf next to the gefilte fish. I was now living in Figueres where, I am sure, I am one of only two Americans and the only Jewish person. I knew of the two places that sold them in Barcelona, but Barcelona was two hours away by train.

Girona, being only about 30 minutes away, seemed like a better bet. In medieval times, Girona’s Jewish community was an important center of Jewish mysticism. There are no Jews left, but there is a Jewish museum in the middle of the historic district. This is what was, in the middle ages and before the Expulsion, the Jewish ghetto, the area just bordering the cathedral. The museum has a shop with books, mezuzzahs, menorahs, and chanukiot, and would surely have the candles.

The entrance to the museum didn’t look how I remembered it from my visit twelve years before. When I entered, the spacious reception area was empty, except for the two young women sitting at the reception desk. Neither looked up as I approached, so I said “Bon Dia” and that roused one of them.

When I had visited before, the museum was called the Center Bonastuc Ça Porta. Bonastuc Ça Porta is one name used to refer to the famous rabbi, philosopher, and kabbalist of Girona, Moisès ben Nahman, also known as Nachmanides, also known as Ramban. Kabbalah uses ciphers among other methods in its mystical interpretations of the Bible. Maybe that accounts for why this rabbi had so many names. I asked if this was the place where the famous rabbi used to live. Apparently I had that all wrong. This was the Jewish Museum, the young lady informed me. It’s not a house, it’s a museum. It seemed she didn’t suffer fools.

Clearly this woman was not interested in welcoming me into whatever there was on offer, rabbi’s house or not. So I asked where the shop was and headed in there hoping to find more tolerance and, more importantly, candles.

The shop looked just as I remembered it. It has a dark, old fashioned bookshop feel, overflowing with books, and other curiosities, among them many menorahs and chanukiot. I asked the man if he had any candles for the chanukiot. No, he didn’t. I asked if he could direct me to where I might buy some. No, he had no idea. Probably nowhere in Girona, he told me. I don’t think it ever occurred to him that those decorations he was selling have a use, and he evidently had no interest in what someone might do with the candelabras if they bought one.

At that point, I felt disgusted with this Jewish museum that doesn’t welcome visitors and the Jewish shop that doesn’t stock candles for the menorahs it sells. It was time to move on.

I had met Jaye through my blog and we became friends. She was a New Yorker living in France near the border and we sometimes would get together up there or down here in Figueres. This time I took the train up, she hopped on at her station, and we went together to Perpignan. Her agenda was to go to an Asian grocery to pick up some ingredients, and mine was to find the kosher shop where I planned to buy those elusive Chanukah candles.

When we arrived in Perpignan we went first to the address I had found for the kosher shop. I was a little doubtful because when I looked up the address on Google maps street view, it showed a car repair shop. But I had some vague hope of a Chanukah miracle.

It really was a car repair shop. So on we went to do other things, saving the Asian grocery for last. Once there, while Jaye was collecting her cooking supplies, I began browsing around. I was enjoying myself going up and down every aisle when all of a sudden, zap! There were packets of candles that, although they didn’t have Hebrew on the packaging and didn’t come in mixed colors, seemed to be the same size as Manischewitz candles.

My Chanukah candles that year were all white, they were made in Thailand, and they fit my chanukiah perfectly. Two friends in California had offered to send me candles, but no need. I travelled two hours to a city in France and, in an Asian grocery, found the perfect candles that were made in Thailand. For modern times, modern miracles.

Dvora Treisman was born in the Dominican Republic and raised in Los Angeles.  She moved to Berkeley in 1971 with her first husband where he attended graduate school at UC Berkeley and she found a job there in administration.  Years after their divorce, she married again — a Catalan from Barcelona whom she met while salsa dancing at the Candlelight Ballroom, and in 1999, at age 52, she, her cat, and her new husband went to live in his hometown.  This essay is excerpted from her recently published book No Regrets: A Life in Catalonia.  It can be found on Amazon, Barnes & Noble, other online retailers, and can be ordered from your favorite bookshophttps://www.amazon.com/No-Regrets-Catalonia-Dvora-Treisman/dp/B0BM3SWN93/ref=sr_1_1?crid=2YWBQOOKV14B1&keywords=no+regrets+a+life+in+catalonia&qid=1670865953&s=books&sprefix=no+regrets%2Cstripbooks%2C170&sr=1-1

She is also the editor of the book Ken Nirim: Reflections and Stories, a Collaborative Project of Former Members of Hashomer Hatzair in Los Angeles, available from Blurb. https://www.blurb.com/b/11400592-ken-nirim-reflections-and-stories

And she has a blog called Beyond The Pale:  https://beyondthepale-dvora.blogspot.com/

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Filed under American Jewry, European Jewry, Family history, Jewish, Jewish identity, Jewish writing