Tag Archives: Jewish memory

At Sixteen

by Annette Friend

I tell my mother
my honest truth
edged with blades

from a teenage
tongue that knows
only a pinch of the life

my mother suffered.
I am blinded by
my good fortune,

sheltered behind the veil
of my birth here in America
not the streets of the shtetel

in Poland where she grew up,
facing famines and pogroms,
the horrors of World War I,

Russian soldiers pillaging
her small village, friends, family,
when they invaded.

I listen, but don’t hear
the sad stories she tells me,
surrounded by the glow of America

even if the streets she found
weren’t paved with gold.
I scream, I will date whom I choose,

a handsome Italian-Catholic boy
who looks like Paul McCartney
What does my mother know?

This is a new world.
I cut her to the quick
with my sharp knifed words,

standing here well-fed
and clothed in freedom,
instead of buried

in an unmarked green grave
of the Poland she left
now almost Judenfrei

free of Jews as Hitler wanted,
only because of her courage
to book passage in steerage

at sixteen.

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, The San Diego Poetry Annual, The Jewish Writing Project, and the Paterson Literary Review. In August 2025, Annette along with artist Judy Langhoff published a book of ekphrastic poetry and paintings titled Pen and Brush: In Contemplation. She was honored to be chosen for third prize for her poem, “The Salvation of Books, Newark, N.J., 1959” in the 2026 Allen Ginsberg Poetry Awards.

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Filed under American Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

The Miter Box

by Ron Linden (Pittsburgh, PA)

“May their memory be for a blessing.” This Jewish invocation is pronounced when a loved one passes. It serves to comfort and remind us that the departed will continue to bless us with their presence as we remember who they were and what they did. Sometimes, such a blessing can take an odd form. Like that of a miter box.

A miter box-and-saw is a simple yet frustrating contraption that allows the user to cut wood or metal at a precise angle. Usually this is done to let the pieces fit together; for example, in the ceiling molding whose ends must be cut at the proper angles so the pieces can blend at the corners. A miter box-and-saw makes that possible.

In theory.

In practice, it takes the ability to conceptualize how the pieces fit together and even more important, the ability to handle the saw, the box and the wood simultaneously.  Of all the Jewish males in the world, an estimated 75% think they can do it. But a long concealed yet scientifically scrupulous test of the Jewish men in my family showed that exactly one could do so: my brother-in-law Jules.

Jules was one-of-a-kind. He was the first “married-in” to join our family when he wed my sister.  He embodied all the best qualities you would want in a new sibling—good humor, caring, respect, and understanding when his make-out sessions with my sister were interrupted by one of us.  He was extraordinarily and spontaneously generous with his possessions, his time, and his skills. The miter box proves it.

Some years ago our family moved to Pittsburgh and, like many in the city, bought an old house.  Windows, roofing, plumbing, kitchen–all needed attention. As a plumber and carpenter, I was more of a college professor. Jules, however, was a stereotype buster. He was a Jewish guy who knew which end of the hammer to use.  He was the Sandy Koufax of home repair.

But his skills are only part of the story. He and my sister visited us often in Pittsburgh and whenever they came, Jules fixed or built things in our house. He could do this and—to be honest—was a guest who could not sit still and be “entertained.” He had to do things while he visited and our old house provided a rich playground. Knowing this, he always brought the tools he would need—including a miter box.

Jules not only brought the miter box-and-saw to cut the molding strips, but he actually used it correctly without littering the basement with “first drafts.”  He was a one-person episode of “This Old House,” but that was only part of the story . Upon leaving, Jules would typically give us many of the tools he brought with him (probably hopeful of my potential). One of these was the miter box.  

Over the years it lay mysterious and unused as a tool.  But it glowed as a symbol of both my brother-in-law’s multifaceted talents and his expansive generosity. Now, more than a decade after his passing, when I see that miter box I feel the power of Jules’ energy, re-experience his nature, and see the many things he did with us and for our family. This curious contraption, this miter box, is a physical symbol of his generous spirit. In other words, it is–and remains–a memory and a blessing to those left behind.

Ronald H. Linden is professor emeritus of political science at the University of Pittsburgh, where he directed the Center for European Studies and the Center for Russian and East European Studies. He served as Director of Research for Radio Free Europe in Munich, Germany during the extraordinary changes ending the Cold War in Europe. In addition to his scholarly publications and international commentary (see his professional profile here) Ron has authored essays on “The Night The Berlin Wall Came Down,”; “Changing the rules — in life as in baseball”; “Finding Boba Fett: The Pandemic Leaves a Gift,” “The New Pogroms.”

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The Slant of Afternoon Light

by Arlene Geller (East Petersburg, PA)

There is a crack in everything, that’s how the light gets in.

—Leonard Cohen

Your palpable need to touch 

your long-missed father

led us both 

to touch history.

I never wanted to set foot 

in Warsaw or Krakow, 

Budapest or Prague.

(Never wanted to be near Germany.)

But drawn by age 

and fading opportunities, 

we overcame our individual 

and collective fears.

We journeyed to places immersed 

in histories unfathomably 

sorrowful, unfathomably rich—  

we will never be the same.

We let the light in.

You now hold images, 

memories that were always

just beyond your reach.

Arlene Geller’s collection of prose poems, The Earth Claims Her, is available at Plan B Press. Her second poetry collection, Hear Her Voice, is available at Kelsay Books Hear Her Voice on Kelsay Books and Amazon Hear Her Voice on Amazon.  

Author’s note: This poem was written after an intense Eastern European trip last year. My husband’s father came to the United States from Poland. Throughout our 45-year marriage, my husband, Hank, has longed for a connection to the father who died when Hank was only 7 years old. The early loss has been an undercurrent for so long that I thought it time to visit at least the country where my father-in-law was born.

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Filed under American Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism, poetry