Category Archives: poetry

First Snow

by Susan Michele Coronel (New York, NY)

It’s mid-January, nearly a month after Hanukkah 

ends, when I notice the first appearance 

of white flakes in 700 days. I celebrate 

the return of predictable winter joy, when ice 

slicks sidewalks, & fluffy blankets shroud 

windshields, press their weight into branches. 

I scrape my van after a spot of freezing rain, 

loosen snow & ice from door handles 

before temperatures plunge into the teens. 

On Facebook, I skim photos of my daughter’s 

campus, where kids haul cardboard rectangles 

up scenic slopes, clock tower behind, dots 

of city lights below. It’s the same campus where 

a professor said he found the Hamas attack 

in Israel “energizing” and “exhilarating.”

A British friend reports snow’s arrival with

photos on WhatsApp, streetlamps casting

a ghostly glow over parked cars & hedges.

He says he just checked on his sister,

who has poor balance due to cerebral palsy.

On my side of the world, darkness advances.

Trump wins the Iowa caucus without a sneeze.

The night before, I watch a documentary about

a 93-year-old Holocaust survivor visiting

Warsaw with her adult son. She recalls how

Jewish policemen beat ghetto Jews with clubs

to get them onto trains—if successful, they’d

spare their own lives. They wore the same

boots as Nazis, crisp black against the snow.

Outside my window, flake by flake, snow

tapers & stops. A few neighbors continue to

shovel or salt walkways. Maybe a few–

like me–look outside & gape in wonder

at a lavender sky that sheds white sparkles

over our ordinary lives. We are like candles, 

gazing through curtains at the ever present dark.

Susan Michele Coronel lives in New York City. She has received two Pushcart nominations and won the 2023 Massachusetts Poetry Festival First Poem Contest.  Her poems have appeared in publications including Spillway 29, Plainsongs, Redivider, and Fourteen Hills. In 2021 her full-length manuscript was a finalist for Harbor Editions’ Laureate Prize, and in 2023 another version of the manuscript was longlisted for the 42 Miles Press Poetry Award.

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Thirsty roots

by Jane Schulman (New York, NY)

We buried my father on a rise  

under a jack pine where steam rose 

from the fresh-dug grave, colliding  

with January air.  

My sons unloaded the casket  

from the back of a pickup and walked it  

to the open grave, a Star of David  

carved on the coffin lid. 

For years my father railed against  

synagogues, Zionism, all kinds  

of God talk – evangelical  

in his atheism.  

But in the end, when I asked  

one last time if I could bury him  

when he died, he shrugged and said 

if it means so much to you.  

It did.  It does. As his last gift,  

he let me bury him a Jew.  

Now the Star of David rests  

above his chest as thirsty roots 

of the jack pine mingle  

with heartache and nettle. 

Jane Schulman is a poet and fiction writer. She works as a speech pathologist with children with autism and cognitive delays.  Jane published her first book of poetry, Where Blue Is Blue, with Main Street Rag in October, 2020.  Her writing has appeared widely online and in print. She was a finalist for the Morton Marr Prize at Southwest Review.     

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The Gift

by Cynthia Bernard (Half Moon Bay, CA)

Aunty Anne always wore 
lovely dresses with long sleeves,
even on that sunny day in August
when I sat next to her
at the picnic table,
soft yellow silk slid up her arm,
and I glimpsed the numbers.

What’s that, Aunty Ann?

Oh, just something for grown-ups,
Shayne meydele
, she said,
gentle fingers kissing my cheeks.
Go and play.

And so she blessed me
with a few more years 
of childhood

Until that day in fourth grade,
somewhere on the cusp between 
only myself and the larger world,
when I learned about
the six million
and began my search for understanding—
which, of course, 
I have never found.

Cynthia Bernard is an Ashkenazi Jewish woman in her early seventies who is finding her voice as a poet after many years of silence. A long-time classroom teacher and a spiritual mentor, she lives and writes on a hill overlooking the ocean, about 25 miles south of San Francisco. Her work has appeared in Multiplicity Magazine, Heimat Review, The Beatnik Cowboy, The Journal of Radical Wonder, The Bluebird Word, Passager, Persimmon Tree, Verse-Virtual, and elsewhere.

Note:  This poem was first published on December 11, 2023 in Ritualwell and is reprinted here with permission of the author.

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Greeting

by Carol Grannick (Evanston, IL)

How could I have known on the night I began

tilting then circling my hands in front of my eyes 

pulling in light like a warm breeze at twenty below

welcoming Shabbat in with the light for the first time 

with gifts of candles, prayer, song, bread, wine

and my wondering, wandering self peeking 

as an explorer into something new undiscovered 

and yet there for generations before me 

Others knew the right place to go, where

to seek light and they guaranteed it was there

Trusting in this, I placed the candles just so

turned in prayer and welcomed Shabbat

and surprising me like a sudden embrace

she reached her arms out as if she 

had waited patiently, lovingly all these years

ancient and new, unmoved by my disregard. 

Carol Coven Grannick is a poet and children’s author whose middle grade novel in verse, REENI’S TURN (check out the wonderful trailer from Filmelodic and nice reviews!), debuted from Regal House Publishing in 2020. Her poetry for adults has appeared in Writing in a Woman’s Voice, Jewish Writing Project, NI+ Holocaust Memorial Issue, Bloom, Bluebird Word, Ground, The Birmingham Arts Journal, Capsule Stories, West Texas Review, Silver Birch Press, The Lake, and more. Her children’s fiction and poetry appeared/is forthcoming in Cricket, Ladybug, Babybug, Highlights, Hello, Paddler, and The Dirigible Balloon. There is rarely a day when she does not write in order to hold on to the treasure and meaning of being alive in this world.

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From The Old Country, Through Cuba, To The Family Duplex, Montreal

by Lisa Miller ( Lexington, KY)

For Ma—my great-grandmother

A five-year-old girl

schmaltz & gribenes, cholent, gefilte fish, chicken soup & matzah balls, tongue, chopped liver, latkes, stuffed cabbage, kishke, kasha, farfel, plátano frito, arroz con pollo, fricasé de pollo, ensalada Cubana—

The hands that smell like garlic, dill, parsley, parsnips, saffron—the kitchen—

soft, warmed, sheltering, applauding, soothing 

comfort—

Always Home.  

Lisa M. Miller is an inclusive mind-body health specialist. She facilitates therapeutic arts workshops that call in deep healing and synchronicity—a compass for meaning, intuition, and well-being. She’s an empty nester from Canada, living in Kentucky, married to her 1986 Jewish summer camp sweetheart. Her newest book, Woe & Awe, will be published by Accents (Spring 2024) Her podcast is called: The Women’s Well. Follow Lisa on Instagram: @LisaMillerBeautifulDay

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After Lighting

by Jane Schulman (New York, NY)

Nana’s tale, Brooklyn, 1907 

My brothers stood on Mama’s right. 

I hung on her left, fistfuls of skirt  

clenched in my hand.   

Mama struck a match,  

lit the candles, chanted the blessing 

to welcome the Sabbath.  

The sound of keys in the lock  

cut the silence.   

Papa stomped into the room:  

Blow out those candles.  America’s no place  

for your bubbe’s mishegas. 

The mouths of my brothers rounded 

in fear.  They smelled the fight 

coming.

 

Candlesticks knocked to the floor.   

Flames stamped out.  

Then and again and again.  

    *       *        *        *        *        * 

Astoria, Queens   1983 

A Friday afternoon in May,  

Nana and I set the table  

with bread and wine  

and my best china.  

I light two candles after  

she lights hers. We cover  

our eyes and murmur  

the blessing, stumbling  

over the Hebrew words.  The taste  

of prayer new to our tongues. 

Jane Schulman is a poet and fiction writer. She works as a speech pathologist with children with autism and cognitive delays.  Jane published her first book of poetry, Where Blue Is Blue, with Main Street Rag in October, 2020.  Her writing has appeared widely online and in print. She was a finalist for the Morton Marr Prize at Southwest Review.     

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My Grandmother’s Hands

by Arlene Geller (East Petersburg, PA)

Her hands, swollen with arthritis, don’t fail her
as she plucks the chicken for the Sabbath meal
kneads the dough for her must-be-dunked poppy seed cookies

Her hands once supple worked her Singer machine
                          (prized possession)
sewed my clothes, homemade creations 
marked her status as a working-class immigrant

She and my grandfather
tailors from the old country
opened a store and plied their craft

The old Singer humming along
sustaining their livelihood
as they raised a family, three sons and a daughter 
                          (prized possessions)

Fulfilling their Russian dreams of an American life
now envisioned through the rolling fog
as they drew nearer to Ellis Island
the Statue of Liberty waving them in

Poet/lyricist Arlene Geller has been fascinated with words from a young age. Two poetry collections, The Earth Claims Her and Hear Her Voice, were published in 2023 by Plan B Press and Kelsay Books, respectively. Her poetry has also appeared in Tiny Seed Journal, Tiferet Journal, The Jewish Writing Project, White Enso, and other literary journals and anthologies. Collaborations with composers include commissioned lyrics, such as River Song, featured in the world premiere of I Rise: Women in Song at Lehigh University and since performed in numerous national and international locations. Learn more at arlenegeller.com.

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Sestina On Changing The Name                                         

by Roseanne Freed (Burbank, CA)

for my Dad. Maishie.     

When my Dad left Israel at nineteen he changed his name

and I was his link to the past as I look like his mother.

This is Dad’s story from the grave:  Born in bed—

no need for details—we never had enough food

to eat. Like beggars we slept in the clothes

we wore all day. A religious man Tevya, my father

had nothing. God forgive me if I don’t praise my father—

but he never achieved anything, and I had to share his name.

I didn’t know people slept in special clothes

called pajamas—we only survived because of my mother’s

tenacity. Always hungry, you feel cold without food 

and Jerusalem is cold in winter—a thin blanket on the bed

to cover us, we four children sharing the one bed.

His only job to sit with the dead, my father

earned a pittance, so our stomachs cried for food.  

I’m the first one to change the name.

Cleaning houses of the rich my mother

worked for a dentist’s wife who gave us clothes.

We didn’t go to the dentist but wore his childrens’ clothes.

No furniture in our room except the two beds—

one night, falling asleep on top of the baby, my mother 

smothered it. If he got carpentry work at night my father

bought us herring and pita. I didn’t want his name

when he’d wake us up after midnight to eat the food,

but not all of it — god forbid—we had to save food

for tomorrow. We were shnorers, our clothes

full of patches, I couldn’t wait to change the name.

My poor mother, I never saw her resting in bed.

I had to go work at thirteen because my father 

couldn’t feed us. On special holidays my mother 

cooked meatballs, oy such delicious rissoles my mother 

made, my mouth waters to think of the food.

After I emigrated I celebrated my freedom from my father 

and his religion with bacon on Yom Kippur. I bought clothes

for the trip —a double-breasted suit. I never went to bed

hungry after I moved to South Africa and changed my name.

When I married at thirty I had a successful factory making hospital beds.

My four children and their mother always had food and clothes, 

and clean sheets. I hope my kids aren’t ashamed of their father’s name.

Roseanne Freed grew up in apartheid South Africa and now lives in Los Angeles, where she takes inner-city school children hiking in the Santa Monica mountains. A Best of the Net nominee, her poems have appeared in MacQueens Quinterly, ONE ART, Naugatuck River Review, Silver Birch Press and Verse-Virtual among others.  

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And Still

by Merri Ukraincik (Edison, NJ)

I see the beauty, though of late, only by half.

With one eye open,

the other shut,

I peer through the slats

of the window blinds,

my breath fogging up the glass.

Obscured, but there.

The beauty, I mean.

The Shabbos sky still shimmers.

Even the apples go on sweetening

in a bowl on the kitchen table. 

Then by mistake, I lift the lid on

the second eye and the ugly,

scene by scene, tears at my heart

until it’s tattered like an afghan

come unfurled, one thread at a time.

Yet my fraying Jewish soul still believes,   

G-d has not given up on us,

the smoke and ash notwithstanding.

Hope remains – for something more,

for the good that may still come

in this threadbare world, in our time.

Because unless you close both eyes

and seal the slats of the blinds,

the beauty is hard to miss.  

Merri Ukraincik is an award-winning writer whose work has appeared in numerous publications online and in print. She is the author of the book I Live. Send Help.: 100 Years of Jewish History in Images from the JDC Archives. Her memoir Wondrous Things: On Finding Joy and Faith in the Messy Business of Being Human is in search of a publisher. Follow her at https://merriukraincik.substack.com/ or on Facebook.

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Cover Photo

by Dennis Gura (Santa Monica, CA)

My mother brought back from France,

Sometime in the 1960’s,

An oversized book, these often-termed

Coffee table books, meant to be

Casually perused while comfortably seated.

She kept the tome prominently displayed, 

Moving the book from living room to family room

On occasion as if to insure that

Friends and family would encounter it.

In French, we could not read it. 

And she and I would spat, mildly, 

About it, for the cover photo of this

Photo book was gruesome, and was meant

To be: entitled La Deportation, a hollowed-

Eyed survivor stared dully out.

When I would come home from school,

I’d turn it face down, the photo 

Too difficult to see while sitting 

With a morning cup of coffee. 

I’d leave the house and, upon

Returning, be greeted by the grieving

Face front portrait. My mother never 

Chastised me for flipping the  book, and,

When I’d complain how disturbed the image

Left me, she’d simply say: we must remember. 

I miss my parents, who died natural deaths

In the natural course of days, and now

With pained reluctance, I must say I’m relieved

That they are exempt from witnessing again

Images as, perhaps, more gruesome.

This is a book which I cannot 

Flip over to avoid the image and

Alas

Will need to be left face up

To instruct us again

That we must remember. 

Dennis Gura is a father, husband, and an engaged and serious Jew who tries to understand a complex and confusing world as best as possible. A native Angeleno, he has been deeply engaged in Jewish thought and experiences his entire life–the ethnic, the ethical, the secular, and the religious.  He was privileged to study at Machon Pardes in 1982-83, and has since bounced around various LA synagogues and Jewish groups.

If you’d like to read more of his work, visit his Substack page:
https://dennisgura.substack.com

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