Category Archives: Jewish identity

April 7, 2014 · 8:48 am

My Olympics

By Ellen Norman Stern (Willow Grove, PA)

I didn’t think I had remembered. Or perhaps it was something I had wished to forget over the many years since it had happened.

But then the sight of the five interlocked Olympic circles, the flag-bearing gymnasts marching into the crowded spectator-filled stadium, the familiar melody of the Olympic hymn sounding through the television screen brought back a long-forgotten memory best not remembered.

In the summer of 1936, Berlin experienced an uncommon heat wave not usually felt in this temperate European zone. Earlier that late spring, as an eight-year old, I had suffered a heat stroke while playing in the school yard. As a consequence I was forced to spend the many days until summer vacation at home, dizzy and nauseous, lying on the bed in my darkened, spinning room, with a wet cloth covering my head.

Like everyone else in the city I hoped to be well again by the time August came around.

Then the much-awaited Olympic Games were to start in Berlin. The capital city was looking forward to become the site of a world event.

I had the fervent wish to be a part of it. To walk through the avenues flagged so splendidly with the banners of the Olympiad and Germany, its host country. To be in the crowd welcoming the many top sports champions from all over the world. To see them perform, perhaps. To witness their receiving the medals for which they had all struggled so hard.

How I would manage to achieve my dream I did not yet know. Nothing in the real Germany of the day favored the daydreams of a small Jewish child.

And yet…hadn’t I heard of things loosening up in the anti-Jewish world around me? Even from the hushed sound of voices in my parents’ living room rumors reached me that most of the fashionable restaurants in town were starting to remove the signs in their front windows, signs that spelled out Jews Not Welcome. “Even Dobrin and Kempinsky are among them,” I heard them mention two of Berlin’s top cafes. Many friends of my parents looked for every possible sign that the icy spirit of Hitler’s Germany was thawing before the eyes of the world.

Not many days later the sob-filled telephone call of my father’s secretary informed us that he had been arrested right within his office and that we had better not expect him home that evening because she assumed that he was taken right to prison. She had no idea what the charges were.

It took my mother several days of frantic investigating to discover that the charges were “bicycle theft” and were brought by an unknown party.

This type of “denunciation” had become a standard procedure in our day. Anyone with a grudge was using it to get “even” for an unknown slight. Especially if it was against a Jew.

However, it seemed particularly ridiculous in the case of my father. Even I knew that he hardly needed to stoop to such a crime. While we still lived in Hannover, prior to moving to Berlin, he had been a successful businessman driven by a chauffeur; my mother, a fashionable, artistic lady whose household had included a cook, cleaning maid, and a laundress. Why then, bother with such a lowly accusation?

A clue emerged a few days later when my mother received a letter from the police. She opened it with shaking hands, only to drop it with an outcry of horror.

“You are hereby informed to report immediately to the Olympiastadion in Grunewald where you are required to help in the construction of the “Reichssportfeld” by doing Feld-Arbeit clearing the grounds for the upcoming Olympic Games.

“This action is required in reparation for the charges incurred by your husband’s prison sentence and subsequent costs borne by the German government.

“Heil Hitler!”

I, of course, had not the slightest idea what all this meant. All I knew was that at last we, my mother and I, would be traveling to the site of my dreams, the Olympic Stadium in the Grunewald. And I was overjoyed!

Every morning of that summer of 1936 my mother and I boarded the U-Bahn (subway) at our stop in Charlottenburg and rode to the end of the line in the Grunewald Forest. Since no one was at home in our family, my mother was forced to take me along every day of her work. Each day she carried a sandwich for me and a bottle of water, plus a sunhat and appropriate clothing for me to wear during the heat spell. After all, I had already experienced one sunstroke.

This area was to be the future home of Berlin’s 1936 Summer Olympics. It had been designated long before, in 1912, by the International Olympic Committee.

The First World War had prevented any games from taking place. In 1933 when the Nazis came to power, the party decided to make the most of the tremendous propaganda occasion by using the Olympic Games as a showplace for the upcoming progressive world of the Third Reich.

The plan was the construction of the Reichssportfeld, a huge arena that was expected to take two years to build.

One of the sites included in the field was the Waldbuehne, an amphitheater with the capacity to seat 25,000 people.

It was this location which would require the labor of my mother and the many other women who were forced to convert the area into a showplace.

I had no idea of any of this when we arrived for work the first day.

With other women who had shared the train ride we climbed up the subway steps. A huge rock-strewn field of weeds awaited us at our destination.

I held my mother’s hand with one hand and carried my sandwich bag and a book with the other. We were met at the top by brown-clad SA men who registered us and turned us over to matrons who led us to a nearby cabin. There the women changed their dresses into more appropriate attire for the work ahead. Before each person left the cabin she was handed a rake and a hoe.

I do not remember any other children present. My mother settled me into an available chair, said that she would check on me whenever she could, and told me to be good.

And then she stepped outside into the burning sunlight and was assigned a stretch of the large field.

I could see her from my chair inside, although she was out of reach of my voice. In the stuffy heat of the cabin I saw my pretty mother chipping away at rocks or bending down to pull out the weeds she had loosened. It was an unreal, nightmarish view I wish I did not have to witness. It may well be the reason I have tried to forget this episode for a major part of my life.

So began each long, hot day, boring and tiring and far from my dreams of the Olympic experience. It was not until the sun began to set that the hoped-for hour of going home arrived.

August 1 arrived, and with it the opening of the 1936 Olympiade.

It was a time before television brought events into every home. I was not able to view the grand episodes I had hoped to see.

Eventually I saw pictures of the rock-strewn weed-filled field, which was now a lush green carpet terminated by a beautiful amphitheater named the “Dietrich Eckhard Buehne.” Another area of the terrain housed the special box of honor where Adolf Hitler greeted his guests. Everything was grand and splendid and politically motivated. The “Fuehrer” was shown bursting with pride, just as another evil dictator named Vladimir Putin would posture unsmilingly in a similar situation in another country many years later.

The sound of the Olympic Hymn in 2014 brought it all back. How little things have changed!

Born in Germany, Ellen Stern came to the United States as a young girl and grew up in Louisville, Kentucky. She’s the author of numerous books for young adult readers, including biographies of Louis D. Brandeis, Nelson Glueck, and Elie Wiesel. Her most recent publication is The French Physician’s Boy, a novel about Philadelphia’s 1793 Yellow Fever epidemic.

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March 17, 2014 · 9:01 am

The Circle of Life

 by Barbara Krasner (Somerset, NJ)

Yiddish births my mama’s mother tongue
Yiddish silences my mama at death
Yiddish curls around the circle of life
Yiddish comes up from beneath the dirt
Yiddish spits, curses, and insults
Yiddish grabs like my bubbe’s cheek pinch
It is the language I cannot speak.

Barbara Krasner holds an MFA from the Vermont College of Fine Arts. Her poetry and short fiction have appeared in or are forthcoming in Jewish Women’s Literary Annual, Poetica Magazine, Jewishfiction.net, Nimrod, Paterson Literary Review, Lips, Minerva Rising, The Copperfield Review and others. She teaches creative writing at William Paterson University in New Jersey. She is the author of Discovering Your Jewish Ancestors (Heritage Quest, 2001) and the forthcoming Goldie Takes a Stand! (Kar-Ben, Fall 2014), a tale of young Golda Meir. You can read more about her at her website www.barbarakrasner.com and blog The Whole Megillah – The Writer’s Resource for Jewish Story.

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February 24, 2014 · 9:46 am

Exploring “Emotional Genealogy”

What is “emotional genealogy” and how does it differ from traditional genealogy?

Award-winning travel journalist Judith Fein describes “emotional genealogy” as a combination of a family’s history and the behavior of family members who have created that history.

An acclaimed speaker and workshop leader, Fein is the author of Life Is A Trip: The Transformative Magic of Travel and the just-released The Spoon From Minkowitz: A Bittersweet Roots Journey to Ancestral Lands. (If you’d like to read an excerpt  from The Spoon From Minkowitz, click here: https://jewishwritingproject.wordpress.com/2014/01/20/minkowitz-and-me/)

She was kind enough to share some thoughts on “emotional genealogy” with readers of The Jewish Writing Project:

JWP: How did you first come upon the idea of emotional genealogy?

Fein: I noticed that when I saw names and dates on my family tree, I fell asleep under the branches. I so admire people who do genealogical research, but I realized that I am definitely not one of them. On the other hand, whenever my parents or relatives related the slightest crumb of family stories, I became ravenously hungry.  “Hmm,” I thought. “What do you call it if you are mesmerized by the tales of those who came before you? Emotional genealogy. It seemed to fit.

JWP: What is emotional genealogy?

Fein: It is not only the stories that are told and have been handed down, but it is also the family behavior patterns that are transmitted. There are positive behaviors–like optimism, the thirst for social justice, kindness, an artistic or musical bent–but also the dark ones like rage, violence, lying, addiction, stonewalling silence.

JWP: What if I don’t know anything about my ancestors?

Fein: There is always a snippet of information or a piece of a story. Even the most minor details are pieces of the puzzle. If you have older relatives who are living, they are a prime source. If you have cousins, they may have some stories. As a child, you certainly observed behaviors of your relatives. Do you see them in yourself?

JWP: What if no one in my family knows or wants to talk about them?

Fein: Then you go to Plan B, which involves research or using your intuition. Are you particularly drawn to a certain country? You may have had ancestors there, even without knowing for sure. Are you attracted to certain types of people? Well, you may have an ancestral connection. Your own intelligence, creativity and intuitive instincts are sources of a different kind of information.

JWP: What did you gain from approaching your genealogy search in this way?

Fein: First, by learning the stories, I feel that I have roots in a very rootless world. They give me a sense of meaning and purpose. That is why I wrote my book, The Spoon From Minkowitz: A Bittersweet Roots Journey to Ancestral Lands.

Second, I have understood the behavior patterns in my family–especially the toxic ones. I have seen how negative traits are passed down from one generation to another. And I have vowed that the buck stops with me. As someone recently told me, “If you don’t transform it, you transmit it.”

JWP: Thank you, Judith. Good luck with your explorations!

If you’re interested in exploring your own emotional genealogy, visit Judith Fein’s website for more information: www.emotionalgenealogy.org.

And if you’re interested in hearing her speak, click on this link to hear her inspiring TED talk on the beauty of travel: http://www.youtube.com/watch?v=GErjagMyrYk&feature=youtu.be

You can view more of her work at her website: http://globaladventure.us

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February 3, 2014 · 7:30 am

Haftorah

by Richard Epstein (Washington, DC)

One syllable at a time
with correct cantillation.
That’s how I learn
the portion of the Torah
I will read on my
bar mitzvah day.

Again and again
I recite one
maybe two
syllables
until
the cantor
decides
the melody
embeds
itself
into my small brain.

I’m sorry to say
I never learned
the meaning of
the sacred words
I so carefully sang.

Richard Epstein lives in the Washington DC area and is active in the Warrior Poets sponsored by Walter Reed Medical Center, the Veterans Writing Project and he hosts an open mic venue for veterans and friends of veterans on the National Mall 

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January 20, 2014 · 9:43 am

Minkowitz and Me

by Judith Fein (Santa Fe, NM)

When I was 10 years old, while other girls were playing with dolls, I was obsessed with the shtetl, or village, my grandmother came from. I begged my parents to take me to Brooklyn, so I could sit next to her, feel the softness of her skin, and ask her about her village in Russia.

My grandmother was not forthcoming. Nor did she know exactly where her shtetl was located because it was an isolated village, and the only time she ventured any real distance from it was to come to the United States when she was 17.

“Grandma, where do you come from?” I would ask.

“Far.”

“What was it like?”

“Feh.”

The less she said, the more my imagination went wild, conjuring up images of a dark, mysterious place in Russia with sinewy alleys. I was awed that my grandmother, the woman who was my mother’s mother and called me “mamaleh,” lived in such a place and knew its secrets.

“Please, Gram, tell me.”

“It’s better to forget about it.”

She never spontaneously talked about Minkowitz, and I never gave up questioning her or trying to find out about her life before she came to America, before I knew her. Who was she before she was my grandmother?

“Tell me what you ate there, Gram.”

“Food.”

“Where did you buy it?”

“There was a market once a week, on Tuesdays. We had beans, potatoes, beets, corn….” her voice trailed off. She went into the kitchen to stir the chicken soup, and I watched the yellow chicken legs float to the surface and then disappear.

“Are you hungry, mamaleh?” she asked.

When I nodded, she opened the refrigerator and took out a jar full of schmaltz—rendered chicken fat—that was speckled with burnt onions. She spread half an inch of schmaltz on a piece of rye bread, and handed it to me.

“Did you eat schmaltz in Minkowitz?”

She nodded yes. I took a huge bite of bread, relishing the schmaltz, because it linked me to my grandmother’s village.

I was never very interested in religion, but I loved everything about my grandmother’s culture: the Yiddish newspaper that was folded up on an overstuffed, upholstered armchair in the living room; the front parlor, where I slept, and which looked out over the street; the pantry closet which smelled vaguely from matza. Most of all, I loved that she came from Minkowitz. It sounded so exotic. It was somewhere across the ocean, in a vast country called Russia. She wasn’t born in America, like I was. She came from a mysterious place and she was a foreigner with secrets. I felt about her the way the ancients must have felt about travelers who arrived in their midst; they wanted to hear stories, to learn about how people lived in faraway lands. The slightest details that my grandmother divulged about Minkowitz became indelibly imprinted on my brain.

“Gram, did you go to school?”

“No, mamasheyna.”

“Why not, Gram?”

“We weren’t allowed to.”

“Why couldn’t you go to school?”

I was like a little prosecuting attorney, and my grandmother softened on the witness stand. She got a faraway look in her eyes.

“I stood at the bottom of the hill, looking up at the school where the Russian girls studied. They wore blue uniforms. I wanted to be educated like them.”

“But you couldn’t….?”

She shook her head no. I wrote down everything she told me, and thought about it until the next time I saw her. Then I started asking questions again.

“If you didn’t go to school, what did you do all day in Minkowitz?”

“When I was 10 years old, like you are now, I was working.”

“What kind of work?”

“I dried tobacco leaves in the field with the women.”

I had never seen a tobacco leaf. Why did they need to be dried? I wrote down what my grandmother told me, and mulled it over until our next conversation. My mother said I was making my grandmother crazy. I didn’t understand what I was doing wrong. I loved my grandmother. I was just asking her about her childhood.

“Tell me about your house, Gram. What did it look like?”

“The floor was made from goat dreck.”

Goat shit for a floor. Were there clumps of dung? Who spread them out? Did they stink? What happened if you walked on the floor with bare feet? I clung to each tidbit, marinating it in my mind and imagination, repeating it to myself as though my life depended upon my remembering it.

On one visit, I was playing with cans of food in my grandmother’s hall closet, stacking them, and unstacking them, using them like big tin Legos. She walked by and patted me affectionately on the shoulder.

“Where in Russia was Minkowitz, Gram? Do you know the name of the biggest city in the area?”

“Oy. Always Minkowitz. The biggest city was Kamenetz Podolsk.”

Again, I wrote down every word she said. I thought I was getting ancestral gems, but later, when I looked at the content, it was paltry indeed. No stories. No slice of life anecdotes. Just six facts about my grandmother’s life in Minkowitz. That was it. The weekly market was on Tuesday. When she was 10 years old, she dried tobacco leaves with the women. She lived at the bottom of a hill. The Russian girls went to school on top of the hill. The floor of the house was made of goat dung.  Kamenetz Podolsk was the big town. I repeated the scant facts over and over, clinging to them, imagining what they looked like, felt like, smelled like. It was so vivid that I felt as though I had lived in Minkowitz too.

I knew that in Minkowitz they spoke Yiddish. I started trying to imitate the sounds of the language since I couldn’t speak it. Instead, I invented a sort of fake Yiddish. I would call my grandmother, and, when she answered the phone, I would cheerfully ask, “Grandma, vus habastups-du?”

“Judie,” she would say sadly, “I don’t understand your Eedish.” That’s how she pronounced it: “Eedish.”

The next time I called, I greeted her with the bogus, “Grandma, hoison boisin galempt.”

“Judie, I’m sorry. I just can’t understand your Eedish.”

When I was 19, bedridden with mononucleosis and hepatitis, I didn’t have the energy to roll over or kick the covers off when it got too hot. My grandmother got on a train in Brooklyn, which was unusual for her, and came to see me in Queens. She sat next to my bed, on a folding chair, and informed me that she finally figured out why she didn’t understand my Yiddish. “Because you go to college and you speak a very educated Eedish.” If I had had the energy, I would have leapt out of bed and hugged her.

Judith Fein is an award-winning travel journalist who has written for more than 100 publications. An acclaimed speaker and workshop leader, she is also the author of Life Is A Trip: The Transformative Magic of Travel and the just-released The Spoon From Minkowitz: A Bittersweet Roots Journey to Ancestral Lands, from which this piece is excerpted and reprinted with the kind permission of the author. Her website is http://www.GlobalAdventure.us

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December 23, 2013 · 2:42 pm

Christmas Eve

by Richard Epstein (Washington, DC)

I wore socks on my hands as I played
kick-the-can in the middle of the cobblestone court.
The neighborhood kids asked me to sneak
some of my mom’s potato kugel and mandle bread.
They promised to trade pierogies and kielbasa
the next time we play.

No one asked about the flickering candles
in the front window of our house.
No one asked why we didn’t have
a Christmas tree. That night, I sat
on the parlor floor in front of the tall
Philco radio, while mom darned socks
and dad fell asleep with the newspaper
held high in his hands.

I listened to Buffalo Bob to see if Santa
received my letter. I asked for a Red Flier
and Captain Midnight Secret Decoder Ring.
Grandma stopped rocking and looked up
from her knitting when she heard Buffalo Bob
announce my name on the radio.
“Vas es daas?”  she asked.

We listened to the Lone Ranger, Jack Benny,
the Shadow and the Creaking Door.
After every one was asleep I tip-toed
down the creaky stairs and left a glass
of milk and cookies on top of the radio.

I shut my eyes tight and made a wish
for Santa to bring me a something other
than a wooden dreidel, a cap and bag of socks
from my Aunt, Chanukah gelt
and a shiny lump of coal.

Richard Epstein lives in the Washington DC area and is active in the Warrior Poets sponsored by Walter Reed Medical Center, the Veterans Writing Project and he hosts an open mic venue for veterans and friends of veterans on the National Mall in Washington, DC every Veterans Day and Memorial Day.

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December 16, 2013 · 9:22 am

An Unexpected Discovery

by Laurie Rappeport (Safed, Israel)

Several years ago I became involved in guiding a group of students who were studying the history of the American Jewish Experience through music. The kids were examining Jewish America of the 21st century.

Toward this end they explored the traditional liturgy and music of successive waves of immigrants who made their way to America’s shores over the past 400 years. It was probably one of the most interesting subjects that I’ve ever tackled with a group of students.

The project first brought me into contact with the Milken Archives of American Jewish Music, which provided the students with a significant percentage of our research material. Much of the Milken material relates to the first Jewish immigrants who arrived in South Carolina from Brazil in the mid-1600s. These people were refugees from the Spanish and Portuguese Inquisitions and, after fleeing to South America, were forced to run again when the Inquisition reached South America.

The students had a wonderful time and I put the experience in the back of my mind until recently when I suddenly discovered that the history of the Sephardic Jews who were expelled from Spain and forced to wander the world, looking for sanctuary, was, in fact, my own history.

Until that time, as far as I knew, I was a bona fide gefilte fish and kreplach Jew with roots in Poland, Belerus and Lithuania. However, it turns out that one of my grandfathers, who hailed from England, was the descendent of Dutch Jews who were almost certainly of Spanish origin.

In 2008 I received an email from a man in New Zealand. Geoff had been born in Birmingham England and immigrated to New Zealand in the ’50s with his father and brother. However, recent documents had come to light that indicated that Geoff had, in fact, been adopted, and that his biological father had been Jewish.

In following through the family history that my family knew, as well as the history that Geoff had been able to determine, we were able to ascertain that Geoff and my mother were second cousins. A subsequent DNA test with my mother’s brother confirmed the relationship.

Throughout the following year Geoff showed great interest in his Jewish ancestry. Still living in New Zealand, he read voraciously about Judaism and Israel and contacted me on Skype several times a week to find out my take on the things that he was reading. In 2009 Geoff and his wife, Jenny, came to Israel to meet the family and attend my son’s wedding.

Geoff and Jenny continued to research our family’s history but they were also fascinated by Judaism. They returned to Israel the following year to celebrate Rosh Hashana with us and in February 2011, under Israel’s Law of Return, made aliyah. To say that no one was more surprised than I was is an understatement!

Geoff and Jenny joined an ulpan course to learn Hebrew and completed a formal conversion program in February 2012 with a giur and a Jewish wedding celebration as a new Jewish couple. The story of their return to Judaism was featured as a Friday spread in Israel’s largest newspaper. They bought a home and now live a 20-minute walk from my house in Safed in northern Israel.

Geoff has continued to explore our common genealogy and discovered a number of interesting details of our family’s life in England. The majority of England’s Jews are, like America’s Jews, descended from Jews who emigrated from Eastern Europe in the late 19th and early 20th centuries. (One interesting note: many of these immigrants had intended to make their way to America but, when the ships docked on the eastern shore of Scotland or England, were tricked by the sea captains into thinking that they had arrived in America and never completed the train ride that would have taken them to the western shore and their second boat to America.)

What Geoff discovered was that, in at least two lines of our family, our lineage can be traced back to Dutch Jews who were welcomed to England by Oliver Cromwell in the late 1600s. (Jews were expelled from England in 1266 and were not allowed back into the country until Oliver Cromwell, Lord Protector of the Commonwealth of England, invited them to return.)  The majority of the Jews in Amsterdam during that period were descendants of Jews who had fled Spain in 1492.

Suddenly, my students’ project took on a whole new meaning as I realized that the art, music, traditions and customs of the Mediterranean and Sephardic world comprised my own heritage as well.

There’s still much left to determine about our family’s history, but access to the increasing availability of both English and Dutch records may open the door to new discoveries. One far-flung cousin was able to find her ancestor’s ketubah in Italy while another break-away branch of the family has been located in Australia and New Zealand. It turns out that one of their descendants lives up the road from me in the Golan Heights!

In the meantime, Geoff and Jenny have become core members of our local synagogue. (Geoff arrives every Shabbat morning at 8:00 am. I told him that, in my entire life, I’d never made it to shul before 10:00 am.) Their latest project is wine-making, which they undertook so that, when they spend time in Italy (which they do every summer), they’ll have plenty of kosher wine.

Laurie Rappeport is originally from Detroit. She is an online educator who works with Jewish day school and afternoon school students to teach them about Judaism and Israel. She frequently uses the Milken Archives as a resource for historical studies about Judaism. 

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December 2, 2013 · 9:21 am

Escapee

 by Mel Glenn (Brooklyn, NY)

I could have been one of them,
made to stand in an open trench,
hands in the air, too young
to be embarrassed by my nakedness.
I could have been one of them,
made to walk in line
on my way to the showers,
with my mother whispering tensely to me.
I could have been one of them,
made to augment  the round number
of 6 million who were never heard of again.
Yet because of luck and/or God,
I made my way to American shores,
unaware of the horrors I had left behind.
That was my gift outright.
Second-hand survivors’ guilt
flicks at me now like fires from the ovens,
illuminating the ancient question of whether
I am worthy of such largess.

I could have been one of them.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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November 4, 2013 · 10:01 am

Navigating Between Two Worlds

by Bruce Black (Sarasota, FL)

When my friends and I entered our synagogue for Shabbat services or for Hebrew school during the week, we were required to cover our heads. A pile of yarmulkes was kept in a large wooden bin standing by the door to the sanctuary.

Back then we didn’t call them kippot but yarmulkes, a Yiddish word meaning skullcap, which linked us more closely to our roots in Eastern Europe than to the new seeds that had been planted in Israel in the 1940s and 1950s and were beginning to sprout in America in the 1970s. Yarmulkes were made of soft velvet or scratchy nylon. They sat perched, rumpled and creased, on top of my head and on the heads of my friends as we bent over our Hebrew primers or sat bored out of our skulls waiting for junior congregation services to conclude. Yarmulkes looked like small rags or tiny handkerchiefs that my grandfather might have taken out of one of his dresser drawers. Kippot, on the other hand, were usually small, round, knitted or crocheted head-coverings that fit snugly to the back of one’s head, often held there by two or three bobby pins.  Young, modern Orthodox Jews wore kippot, while mostly older men wore yarmulkes. We weren’t modern Orthodox Jews, so my father and my brother wore yarmulkes, and I wore one, too, no matter how silly I thought it made me look.

The only other time during the week that I wore a yarmulke was on Friday night. We gathered in our dining room around a table set with fine china plates and crystal glasses. Mom lit the candles to welcome Shabbat, and Dad raised his wine goblet to recite the blessing over the wine. Standing at the head of the table, his prayer book open in one hand, a silver Kiddush cup filled with wine in the other, his reading glasses balanced at the end of his nose, Dad would read the Hebrew words with the slightest of accents, a holdover of the Eastern European-accented Hebrew that he’d learned as a boy. I’d watch his body tilt slightly forward, as if in the shape of a question mark, and noticed his hand tremble slightly. My eyes were fixed on the Kiddush cup. I watched to see if he’d accidentally spill any wine onto the white tablecloth.

On those Friday nights, the yarmulke on top of my head felt odd. It made me feel like an alien. How could a flimsy piece of cloth perched precariously on the back of my head make me a better Jew? Besides, it was distracting. How could I concentrate on the words of the prayers if I was worried about the yarmulke falling to the floor whenever I shifted my head from one side to the other? Even though I sat perfectly still while Dad recited the Kiddush and then the motzi, the blessing over the challah, I had trouble thinking about anything besides how foolish I felt wearing the yarmulke. I don’t think that I ever felt comfortable wearing one, but I never considered removing it. I’d been told that wearing a yarmulke was a sign of respect for God, and I wanted to be a respectful Jew, even if I didn’t fully understand all the prayers or rituals, or why wearing a yarmulke was a sign of respect.

Each time I reached into the bin as a boy to select a yarmulke and set it on my head, I felt as if I’d found a magic talisman with mystical power, a symbol of being Jewish which made me feel as if I’d stepped inside Jewish history, linking myself to all the Jewish men who had covered their heads throughout our people’s history to show their faith and loyalty to God. Someone—a teacher, my father, or a friend—must have told me that I needed to cover my head when observing Jewish rituals or stepping inside a synagogue. At baseball games, though, when we sang the National Anthem, we had to remove our hats. In contrast, in temple we kept them on. It was confusing, this business of being Jewish. Each time I put on a yarmulke, I felt this confusion. It was disorienting to make the transition from one world to another.

As incredible as it may sound now, I wasn’t fully aware of living in two different worlds as a boy, except during the month of December. Every year, from kindergarten through sixth grade, I dreaded the week after Thanksgiving when the custodian placed a 6-foot tall, freshly cut pine tree in the school’s central foyer signaling the start of the Christmas season. The tree gave off the sharp, tangy scent of a far-away forest, and I loved that smell but felt guilty for liking the tree so much. Over the next month the scent of its pine needles filled the hallway and classrooms, and, like my non-Jewish friends, I became excited at the sight of the red-and-green lights blinking on and off in its branches. On the night of our school’s Christmas concert, shiny gifts wrapped beneath the tree made it look as if Santa Claus had just dropped them off his sleigh.

Our music teacher was a skinny woman with toothpick-thin legs, eyes the same shade of blue as a robin’s eggs, and hair as straight and silky as the gold tassels that hung from ears of corn in July. Each year she lined us up in rows according to height on the half-dozen shallow steps in front of the tree. And every year I felt more and more uncomfortable standing next to the tree in the back row, worried people in the audience might mistake me for a Christian singing Christmas songs, afraid God, in his disapproval, might see fit to punish me for not standing up for my faith.

During those concerts I barely opened my lips to sing. I trembled with the certain knowledge that if I sang the name of Jesus aloud, God might send a bolt of lightening to end my life. Instead, I stood in the back of the choir pretending to sing, and hoped none of my friends standing on either side of me, or any of the adults sitting in the audience, would notice my silence. Nobody seemed to care about my Jewish identity or about my feelings as a Jew singing in a Christmas concert. For weeks after the concert, long after the last notes of the songs had faded away and the tree had been taken down and tossed into the incinerator room, I felt as if I’d betrayed my people and my God.

As a young boy, I didn’t realize how many seemingly inconsequential choices, such as putting on a yarmulke or singing in a Christmas concert, I had to make to navigate through the shoals of forming a Jewish identity. Nor did I recognize the larger, more significant choices that I had to make to help solidify my connection with Judaism and my link to the Jewish people. Somehow I made these choices—keeping kosher, attending Hebrew school, preparing for my bar mitzvah—without resenting them, even though I must have offered some resistance. Was it my father who insisted that I attend Hebrew school? Or was it my mother who gently pushed me into making these decisions? Or perhaps I was nudged quietly by my own conscience?

Now I can see how these choices added up to create in me a sense of being Jewish. But then, as I was making these choices, I was confused, uncertain about which path to follow. I had no way of knowing, except for some internal compass that was nearly impossible to read, which choice would lead me closer to my heritage and which might take me further away.

Bruce Black is the founder of The Jewish Writing Project. His work has appeared in The Jewish Week, The Jewish Exponent, Reform Judaism Magazine, and The Reconstructionist, as well as in The Sarasota Herald-Tribune, Cricket and Cobblestone magazines. You can read more about his book, Writing Yoga, here: http://www.rodmellpress.com/writingyoga.html

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October 14, 2013 · 8:45 am

Numbers On My Arm

by Mel Glenn (Brooklyn, NY)

In Israel,
grandchildren wear their grandparents’
concentration camp numbers on their arms,
at once a strike against Talmudic law,
and a sign to future generations to never forget.
The numbers sit,
not on my arm,
but on my soul.
Who am I to declare such legacy?
What chutzpah I must have
to stand in line with those
who were marched to the ovens.
I am haunted by my escape.
What or whom
has given me license to live?
And why?
Why am I so blessed?
Or cursed?
You say I am not qualified to grieve?
How could I possibly know?
I know, I know.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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