Tag Archives: rituals

Braiding the challah

by Miriam Bassuk (Seattle, WA)


            for Rachel


I watched as your hands melted

into soft dough, the dome of it,

puffed and swollen, and how naturally

your fingers formed and divided it

into four roughly equal parts,

then each of those into snakes,

the kind I remembered creating

in kindergarten with clay.

 
I watched as you designed four

round Challahs as Rosh Hashanah

gifts for friends. You said it was easy, 

and I wanted to believe that, as I observed

you, the snake charmer, plaiting the strands. 

You alone knew the rhythm, the form 

of what would soon become four fragrant crowns.

Miriam Bassuk’s poems have appeared in Snapdragon, Between the Lines, PoetsWest Literary Journal, and 3 Elements Review. She was one of the featured poets in WA 129, a project sponsored by Tod Marshall, the Washington State poet laureate. As an avid poet, she has been charting the journey of living in these uncertain times beyond Covid.

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The Back of Our Hands                 

by Annette Friend (Del Mar, CA)

My nephew’s afternoon wedding in upgraded

Jersey City— a rose covered Chuppah overlooks

the sun-speckled Hudson River, the jagged NYC skyline.

My granddaughter, six, sits on my lap,

in a flowered pink dress, beige patent leather

shoes with tiny bows, softly touches the back

of my hand, traces brown liver spots, blue veins,

red splotches of skin damaged by too much sun,

baby oil slathered teenage skin at the Jersey Shore.

Her pure, pink skin, unblemished, smooth

as rose petals, in stark contrast to my time splattered

covering.  She maps the spots up and down my arm

as if trying to decipher clues about my life.

“What happened here?” she whispers,

points to a thin white scar on my thumb.

“Cut myself with a knife making latkes.

I’ll be more careful when I come to visit,

and we make latkes for Hanukkah.”

Her pearly fingertips march up my saggy arm,

“Your skin is squishy like Jello, Granny A.”

I laugh, she giggles snuggling against me.

Does it matter if my skin tells tales of time

passing when she’s here with me in the sunshine

smiling on this happy, sparkling day?

We watch the bride and groom parade

back down the aisle to applause, the groom

has finally smashed the glass after five tries.

All Jewish celebrations are tinged with ancient

adversity, the broken glass, some say, a reminder

of the Temple we lost thousands of years ago

When I was young these customs

made me shrug my shoulders, annoyed, we Jews

can never just kick up our heels, relax and enjoy.

Now my skin proclaims me an old relic as I watch

fresh young lives around me begin to bloom, I realize

stories of the past show us our strength, the beauty

and pain all of our history contains, the past

entwined in all the moments that we are alive,

part of a tradition that teaches us how to survive.

In this moment, the past, the present, the young

and the old, the sun sets, yet rises, on a new marriage,

and our two hands, my granddaughter’s and mine,

side by side, woven in gold.

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, and The San Diego Poetry Annual.

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Peel Away to Dust

—a pantoum after Psalm 103, verses 6-16

by Donna Spruijt-Metz (Los Angeles, CA)

Tonight—buoyed 

by making order—and rituals

of passing 

and there’s the fear of it.

By making order I am lifted—rites

of YOUR presence—

the fear of it—

the haunting stop

of YOUR presence

gentling me. Time—and yet

the haunting—stop—

I am blindfolded by my hands

as YOU gentle me—time—

the moving into—yet

my hands

along the walls of YOUR compassion

are absolute—yet 

the ghost persists, spirits me

along the walls of YOUR compassion—

fumbling YOUR fabled kindness.

I touch it, hungry

spirits peel—fragile—

as I fumble in YOUR kindness

YOU lift humiliation, my concerns—

peels me fragile,

frightened desertion. 

Unlock concerns

and dust feels pain.

I remember every desertion, 

going to dust

I am dust and dust feels pain

as I fertilize YOUR fields.

I, willful, mourn going to dust.

Wind passes through us all—moves us on.

I bless, fertilize YOUR fields

tonight, light, buoyed.

A few words from the author on the poem “Peel Away to Dust“–
For years, on most Thursday nights I have gathered with a group of friends to study psalms using a process called ‘Lectio Divina,’ borrowed (and morphed) from the traditional Christian monastic practice. Often these musings lead to poems. The repetition in the pantoum form helped me to express my halting approach towards the holy.

Donna Spruijt-Metz is a poet, a psychology professor, and a recent MacDowell Fellow. Her first career was as a classical flutist. She lived in the Netherlands for 22 years and translates Dutch poetry to English. Her poetry and translations appear in Copper Nickel, RHINO, Poetry Northwest, the Tahoma Literary Review, the Inflectionist Review, and elsewhere. Her chapbooks are ‘Slippery Surfaces’ (Finishing Line Press) and ‘And Haunt the World’ (a collaboration with Flower Conroy, Ghost City Press). Camille Dungy (Orion Magazine) chose her forthcoming full length ‘General Release from the Beginning of the World’ (January 2023, Free Verse Editions) as one of the 14 Recommended Poetry Collections for Winter 2022. She gets restless. Her website is https://www.donnasmetz.com/

And here’s a link to Donna’s debut collection, which will be released on January 1, 2023: https://www.amazon.com/General-Release-Beginning-World-Spruijt-Metz/dp/1643173510

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Where Do We Begin?

Elan Barnehama (Boston, MA)

My childhood home in New York City was within walking distance of several congregations, but my parents rarely took us to synagogue. And I was fine with that. And it wasn’t because my father wasn’t within walking distance to anything, what with him being confined to a wheelchair since getting infected by polio in Israel, ten years after his family fled Vienna, and one year after Israel became a state. His polio made mobility difficult, but it had never stopped him and my mother from going anywhere or doing anything.

We did, though, observe the Jewish holidays, rituals, and traditions with as many friends and relatives as could fit around our dining room table. Those who joined us eagerly engaged in robust conversations, lively debates, and detailed storytelling, with thick accents that seamlessly moved between Hebrew, German, and English. 

Later, when I had children of my own, I continued the tradition of skipping synagogue in favor of gatherings around our table which we expanded to capacity. I was, by then, a writer and teacher, so I did my thing which was to choose Biblical tales to retell, discuss, and  analyze the stories. But in order to teach, I had to learn. And that meant re-reading the Torah.

I started at the beginning. Or tried to. As a child, I was confused when I realized that Bereshit wasn’t read during Rosh Hashanah, even though the holiday celebrated the beginning of the year and creation. Also confusing was that Rosh Hashanah fell during the seventh month, and not the first. 

It seemed to me that those early rabbis were comfortable with inconsistencies and contradictions, with nuance and context, and that appealed to me. I mean, they put two different stories of creation right next to each other in the opening chapters of Bereshit. There were valuable lessons to be learned from each version and each sequence of creation.

So, when I began again at the beginning during Simchat Torah, I found a different translation for the beginning for Bereshit. This translation didn’t translate the word Bereshit as “in THE beginning,” but rather “in A beginning.” Several internet searches reveled that the translation of the word Bereshit had been fixed by Rashi and Ibn Ezra about a thousand years earlier, though it had not caught on everywhere. Still, it explained much. Beginnings are a constant. Sometimes they happen by choice. More often they are prompted by, well, life. 

The thing is, I’d been raised on stories of new starts as my parents and their parents had endured several demanding beginnings. And on their belief in that old Jewish proverb that stories are truer than the truth. My parents’ stories brought them to the United States, their third county and their third language, all before the end of their third decade.

My mother’s family-tree chronicled 500 years of German residence before her parents fled Berlin for Jerusalem in the fall of 1933. My father’s family, fortunate to have survived Vienna’s Kristallnacht, made their way to Haifa in the days that followed. While participating in the push to create a Jewish state, my father gave himself a new Hebrew name in honor of this beginning. But polio forced another beginning as doctors sent him to New York City for medical care that was unavailable in Israel at the time.

When I was a kid, I liked to slip out of my bedroom window onto the roof of our house in Queens. Safe in my own fortress of solitude, I replayed my day and planned for the next one with renewed optimism and possibility. 

One thing I learned from my parents’ stories was to trust not knowing. Sure, what’s ahead might be horrible and miserable. But that moment of not knowing also holds the promise of possibility, of a beginning that lies ahead.

Elan Barnehama’s new novel, Escape Route, is set in NYC during the 1960s and is told by teenager, Zach, a first-generation son of Holocaust survivors, and NY Mets fan, who becomes obsessed with the Vietnam War and with finding an escape route for his family for when he believes the US will round up and incarcerate its Jews. Elan is a New Yorker by geography. A Mets fan by default. More info at elanbarnehama.com and Escape Route, available now

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The Blue Mikvah

by Edna Shochat (Boise, ID)

To each his Temple.

My house of worship was established years ago

for young men, Christian.

Today YMCA is simply “The Y”.

Why? Because now everyone is welcome

regardless of age, gender, or faith.

Neither young nor male,

Jewish by birth and atheist by choice,

I attend, religiously, a daily ritual in the pool.

Like joining a Minyan

gathering for morning prayer at the Shul

I dip into the blue mikvah

and under watchful eyes of young lifeguards

swim like a gray-haired mermaid

counting my blessings.

Edna Shochat was born in British Mandate Palestine and grew up in Israel, leaving for the United States to follow career opportunities. Four years ago she and her husband followed their grandkids to Idaho. She discovered poetry at a Writing Through Cancer program while undergoing chemotherapy in 2011, and joined the YMCA to help her recovery. She continues to write poetry “to help carry her on the journey we all share, of aging.

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Pesach

by Simon Constam (Toronto, Canada)

Who today asks 

down to the last detail,

as the Haggadah wants us to do,

down to the revi’it of wine, 

the kezayit of matzah, 

whether in the absence of children 

the afikoman ought to be hidden? 

And we rush over the business about it being us 

in Mitzraim. 

Our people were slaves in Egypt,

isn’t that enough

someone always asks. 

And someone always says that there are natural explanations 

for all the plagues.

And someone always mentions the Palestinians. 

And at least one kid always asks, aren’t we done yet. 

“Call down thy wrath upon…” begins then

and some of us and always the guests shift uneasily in their chairs. 

And Eliyahu 

disguised as the cat

no longer comes in 

when the door is opened

as he used to when I was young. 

Grandfather (it’s always a surprise to know that is me)

is a baby boomer who’s going to live too long.  

Here it is early April and he’s already been out on his motorcycle.

To some this is mildly embarrassing. 

But he’s still needed, 

the only one with even a smattering of Hebrew, 

one of only several now who can remember 

how Seders used to be. 

Simon Constam is a Toronto poet and aphorist. Since late 2018, he has published and continues to publish, under the moniker Daily Ferocity, on Instagram, a new, original aphorism every day. He also sends them out to an email subscriber list. His first book of poetry, Brought Down a book of Jewish poetry, was just published by Wipf and Stock Publishers. He can be reached at simon.constam@gmail.com

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Missing my synagogue, my shul

by Tania Hassan (Gilbraltar)

I miss the synagogue.  Not my husband’s exquisitely vintage and stunningly intricate synagogue of his childhood but mine–my synagogue, my shul–the one that started out in a basement with doilies and shiny kippas in a basket by the entrance, and a chain across the parking lot (“lichvod Shabbat kodesh”) that forced shul goers to find parking around the corner.

How can I describe to you the ties that bind me to this most simple of communities or the profound love and connection in which the roots of my Avodat Hashem were planted and watered?

From lap to lap I shuffled as a child, gathering candies and friendships.  From wide-eyed babyhood, I grew into a sulky preteen and then a bride, a mother… all within the warm embrace of my parents’ friends and the fellow  members of Tiferet Yisrael Congregation, or “congregatation,” as the shul president sometimes called it – English not being his first or second language.

This shul was not just a place to pray.  It was our favorite playground. During shul hours, the parking lot and the coat room were begging for our imaginations to transform them into dangerous faraway lands. The choicest hiding spot was under Jack Oziel’s lush mink fur coat, which felt like melted butter against our hopelessly chapped and cracked lips. I can still feel it and smell the musty cloves that lingered in old pockets from havdalah to havdalah.

Believe it or not, in our neck of the woods, during “shalushudis” or rather, seudah shelisheet, we kids were sort of allowed to play in the main sanctuary, stomping on the hollow bimah, hiding in the velvet curtains of the Aron, and even peeking at and kissing the precious scrolls.

We were always shooed out by a red-faced, cranky Moroccan, who, with great flourish and a dismissive wave of his hand, locked us out and banished us back to the coat room.

But it was all a show because the next week, for 20 years, they would forget to lock the sanctuary and ignore the sudden disappearance of literally all the kids from the seudah shelisheet kids’ table.

I grew up pecking the men and women once on each cheek until I was bat mitzvah, at which time the men did a sort of slight Shabbat shalom bow, always amused at my adherence to religion despite my very childish appearance and antics. This familial style of greeting and interacting is very telling of the sort of community we grew up in.  One didn’t proceed to the kiddush or the exit without greeting every single shul goer.

Simchat Torah was The Best. No other synagogue with their enormous budgets and catered lunches could compare to the laughter, dancing, and, of course, fried sharmila and spicy orissa of my childhood Simchat Torah’s.

Age was irrelevant in this place. Old men were the coolest dancers and were always the first to whip those candies right back at us, usually resulting in the candy bouncing off the tinted glass that was our mechitza and hitting another horrified octogenarian. These were the days before Sunkist jelly candies. The older I got, the more sophisticated the candies became.  Rumor has it that now they throw whole packs of Twizzlers, O’ Henry’s, and the like.  Believe me when I tell you there’s nothing like a Moroccan shul.

__________

Yom Kippur. Oh, Yom Kippur, I miss you! I miss leaning on all the mollycoddling ladies. I miss the smell of lemons and Heno de Pravia cologne my grandmother would bring to keep her going. I miss the chazzan whose voice is the one I still hear in my head every time I utter a prayer. His strong, zealous service of God in a stunning clear call that still brings in my own Shabbat here across the whole world or wherever I go, whoever is up at the Bimah. In my ears, it’s always him. 

I miss the unity that I used to feel on Yom Kippur.  I don’t think everyone in that shul was Jewish, but we were One. That night and all the next day, we were shoulder to shoulder, intertwined souls, with the single mission to carry each other to the finish line, supported, cared about, and joyful.

We were happy on Yom Kippur because with all the petty politics of a shul out of the way, we focused on what we liked about each other. We laughed a lot until we elbowed each other or got stern looks from the chazzan or his wife, our eim bayit. We weren’t misbehaving, but we were so happy and united. The little things made us laugh.

We cried too. We knew each other so well—who had lost their mother that year , whose husband was ill, whose conversion was imminent. We prayed for ourselves, but hand in hand.

On this day, the Shabbat drivers put on their leather running shoes to walk home or to the house of a nearby host.  Yom Kippur was sacred to all, and we celebrated that accomplishment of theirs with great pride. To this day I can’t tell you which members were fully Shabbat observant and which weren’t, aside for the obvious ones, such as the chazzan and his family.

The tinkling Spanish of the ladies with their heavy perfumes and broaches, the croaky davening of tone deaf middle-aged men pierced by the melodious honey-like harmony of the chazzanim and their sons, or a delightful guest…the jar of chili peppers in the basement fridge that called our names every Friday night (after which we wiped our lips on Jack Oziel’s mink coat)… the diversity and the oneness… it shaped my entire being beyond the service of Hashem.

The shul shaped my perspective of the world. It helped me understand the world my parents had left behind and tried to recreate on much more frigid, colorless shores. And it embedded itself in the roots of my soul, in that space where self-esteem and formative experiences matter so much as to affect you forever.

People used to make fun of our shul. They saw it as a nebbish smattering of old school Spanish Moroccans, and Israeli and Russian ba’al teshuvas without a grand hall or grand communal accomplishments.  But there were those of us who found the secret to life along with the musty old cloves in deep pockets of simple and happy men.

And if your synagogue held gala dinners, or charged thousands of dollars in annual membership (barring the entry of a poor man longing to connect to His Maker), or catered a five-star kiddush with a VIP table, you just wouldn’t understand.

Tania Hassan is an ABA therapist who lives in Gibraltar, a 2.2 km squared British peninsula that shares a border with Spain.  Her Spanglish is superb, her British accent less so.  When she has spare time, she writes and pines for Canadian winters. 

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As Our Father Neared Death

by Herbert J. Levine (Philadelphia, PA)

As our father neared death, his mind raced
between fantasies and the facts of his life,
his speech like the black box of an airplane that had crashed,
the record of its journey jumbled beyond reconstruction.
My brother and I cared for him, sometimes
feeding, sometimes reading to him
from the Book of Psalms. I led him
beside green pastures and still waters
when he, in a soft voice, as if from far away, blessed me:
May God bless you and keep you. May God shine His Face upon you
until its end. Am I not the brother who wrapped himself in a tallit,
who stood before the congregation on Shabbat and holidays
to lead it in prayer to an improbable God? But all that ritual
razzmatazz fooled my fond old man and me.

After his death, my brother came every Shabbat and holiday
to say Kaddish with our mother.
She said to me every Sunday when I visited her,
“Your father would be so happy
that your brother is saying Kaddish for him.”
Thus my brother received her blessing for the great kindness
he did her, a kindness that only the living can receive.

Herbert J. Levine published his first book of poetry, Words for Blessing the World, at the age of 67. His previous books were scholarly treatments of Yeats and Psalms. To learn more about Herb and his work, visit: https://benyehudapress.com/books/words-blessing-world/

Note: “As Our Father Neared Death” was first published in slightly different form in Words for Blessing the World  (Ben Yehuda Press, 2017). The poem is reprinted here with permission of the author.

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Shalach Manot

by Janet Ruth Falon (Elkins Park, PA)

The first time you surprised me with a package
I couldn’t imagine what I’d done
or what special day it was
to inspire the gift.

It contained:
A teeny box of Sun-Maid raisins
Three small hamantashen you’d bought in Brookline
A Baggie of mint lentils (the candy you hoarded, teasing, in a glass jar)
and a few pennies,
and was left, unsigned,
in a brown paper bag.

When you explained it to me
I kept seeing parallels between Purim and Halloween
like dressing up, out of character and into another,
and sweets,
and the flip-flop tension between evil and good.
And then I tried to figure out why you’d given the gift to me
since you only have to present shalach manot of at least
two foods to one person
and I was never sure if I was your favorite;
was it because you knew my other name is Esther
or because you knew what knowledge hadn’t been passed along to me?

So many things I learned from you:
Like wearing white for Yom Kippur, and no leather,
and how to douse the Havdalah candles in wine,
and that people bought Kosher toothpaste for Pesach.
Like how to shuckle with prayer, moving to the rhythm of the words,
and how to invite, then welcome, the white noise of Sabbath,
and dress up Saturday lunch, and elongate it, then nap.

So I want to thank you for the present
and what you taught me in the past
about how to be a Jew
like maybe my grandparents — or before — knew,
and even though I pared back to being me
(then added other layers, slowly, and organically)
I hope someone has given you gifts
that surprise and enrich you
and make you eager to open brown paper bags
which, you’ve learned to imagine,
may well contain something sweet.

Janet Ruth Falon is a writer and writing teacher in Elkins Park, PA.  Her latest book, In the Spirit of the Holidays: Readings to Enrich Every Jewish Holiday, contains 146 poems about the holidays and can be purchased on Amazon at http://a.co/d/5pejb3w, or through Janet at janetfalon@gmail.com.

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Sunday Morning Ritual

by Diana Rosen (Los Angeles, CA)

I am five,
standing eagerly at his side,
my face at my dad’s elbow,
a ready audience for this most
amazing experience: The Shave.

He pulls his nose first right, then left,
his razor whispers scritch-scratch,
edging over his upper lip; then he strokes
down through the shaving cream
leaving even rectangles on his cheeks,
a lawn mower plowing through snow.

Stroke by stroke, vanishing strips of
white foam expose his deeply tanned face.
“Damn,” he swears, as a ribbon of vermilion
winds its way down his deeply-brown chin.

Automatically, I hand him
some toilet paper to sop up
the spoils of the Gillette.
Then comes the part I like best.

He pours into his hands some crackling
cologne from the white crockery bottle
with its tiny neck and the blue sailboat
on the ballooning bottom of the bottle.

The room explodes with the scent
as he slaps it on his face:

Plop!
Plop!
Platt!

And together we say,
“Now that’s a mechayeh.”

[Mechayeh—Yiddish for “a pleasure.”]

Diana Rosen’s flash fiction and poetry have been published in anthologies and journals including, among others, Kiss Me Gooodnight and Altadena Poetry Review, Rattle, Tiferet Journal, Silver Birch Press, Ariel Chart, and Poetic Diversity. She has published thirteen non-fiction books. and teaches freewrite classes at senior citizen centers.

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