Tag Archives: prayer rituals

How I See God: In the Breath, the Body, and the Movement of the World

By Alvin Raúl Cardona (Northfield, IL)

People often ask me where I feel closest to God. Of course, one of the main places is in my synagogue, when praying with a minyan, and when I’m surrounded by community. But outside of that, I also feel deeply connected to God when I’m practicing Kung Fu, when I’m teaching a student to move and breathe with intention. When the body, mind, and spirit are aligned in a single, purposeful act. During these times, I feel the Divine clearly, powerfully, in the breath, in the body, and in the beat of the world around me.

I didn’t always have the words for it. As a young martial artist, I simply knew something was happening beneath the surface, something deeper than technique or strength. I felt a current, a presence, a kind of electricity running through me. With time, and through learning with my rabbi, I discovered a name for it: “Ein Sof”, the Infinite. God’s light. God’s energy. The Life Force that sustains all things. It changed how I moved, how I teach, and how I live.

How I See God

So how do I see God in daily life?

I see God in the morning when I’m wrapping my tefillin.

I see God when I say Shema Israel, but I also see God in the way the afternoon sunlight hits the floor of my studio.
I see God in the breath of a nervous student who finally finds calm.
I see God in the stillness after training Kung Fu, when the body is at rest but the soul is wide awake.

This is why I teach. Not just to show people how to defend themselves, but to help them reconnect with what’s already inside them: their breath, their balance, their light, their soul. To remind them that they are vessels of sacred energy, a vessel that houses the Divine spark within.

Moving with purpose helps deepen that connection. It’s important that we connect with the Divine and awaken our inner sense of being.

God Is in Everything and Everywhere

In Jewish thought, we don’t believe God is confined to one place or one moment. God is everywhere and in everything, in every place, in every moment, and in every breath.

I believe that our role as Jews is to bring holiness into the world. We need to just stop for a moment and be fully present. Think about what we’re about to do, and if possible, say a blessing over it. Whether you’re about to eat something, go on a trip, or you’ve just woken up in the morning, stop, and make it holy. That simple act of awareness can transform an ordinary moment into something special.

When we pause and say a blessing over bread, over wine or over the washing of our hands, we’re not just performing ritual, we’re awakening the Divine energy already present in the moment. We’re recognizing that holiness isn’t something distant. It’s right here, if we’re paying attention.

The same applies to movement. When I step onto the training floor, it’s not just to work out. I take a minute and I make a blessing. As Jews, we have blessings for everything. I stop and I thank God for allowing me another day to train. I especially don’t take this for granted after undergoing quintuple bypass heart surgery.

(Here’s the link to that story if you’d like to take a peek: Tai Chi for Healing: My Journey to Recovery After Open-Heart Surgery)

After that blessing, I become more aware of the space around me and my movements. Focusing on the present and recognizing that Ha Kadosh Baruch Hu (The Holy One, Blessed be He) is always present.   

The Body

Too often, people separate the spiritual from the physical, as if God belongs only to the mind or the soul. But the Torah tells us that God breathed life into us. Not ideas but breath.

In Hebrew, the word for soul is Neshamah, which comes from Nasham to breathe.

That breath lives in the body. So, when I stretch my limbs, when I feel my feet grounded to the earth and my spine rising tall like a tree, I’m not just doing Kung Fu, I’m recognizing that this body is a vessel for something holy. That movement itself can be a form of connection, a way to align with the Divine energy flowing through all things.

This is about awareness. You can call it energy, Divine presence, consciousness, or chi. What matters is that you feel it. That you tune into it. That you allow it to guide your movements and open your heart.

Sometimes, you just have to inhale deeply, exhale slowly, and remember you are alive and that the Divine spark is within you.

Flowing

In Kung Fu, there’s a moment when everything clicks. You’re not thinking. You’re not forcing. You’re just flowing. The breath steadies you. The world quiets down. And in that silence, you feel it, that presence, that light, that flow.

That’s a connection to something greater than oneself.

The Divine is not always loud. Sometimes, it’s as soft as the space between your breaths.

Wisdom

As a Sephardic Jew, I see the world through the stories of great Kabbalists, Rabbis, and the members in our community. Their teachings have been passed down through generations to guide us.

Rabbi Aryeh Kaplan once wrote that meditation “loosens the bond of the physical, allowing the practitioner to reach the transcendental, spiritual realm and attain Ruach HaKodesh (Holy Breath or Wind).” In many ways, this is exactly what happens when movement and breath become unified in practice. It’s not just exercise, it’s a doorway to something higher.

The Ramban (Nachmanides) taught that a person should “not separate his consciousness from the Divine while he journeys on the way, nor when he lies down nor when he rises up.” To me, this means our entire lives, from our most sacred rituals to our smallest routines can be filled with Divine energy.

The challenge is to stay aware. To remember.

That’s the essence of Kung Fu.
That’s the path of Torah.
Constant refinement. Constant connection.
Making the ordinary holy.

So the next time you ask where to find God, try this:

Close your eyes.
Take a slow breath in.
Feel your body as it is in this moment.
And listen, not for a voice, but for the stillness beneath all sound.

That’s where God lives.
Right there.
In the breath.
In the body.
In the beat of the world.

Alvin Raúl Cardona is a Sephardic Jewish storyteller, martial artist, and sommelier from Chicago. He holds a B.A. in Communication, Media, and Theatre and a Master’s in Journalism. A 9th-generation Eagle Claw Kung Fu master, he teaches Tai Chi, Kung Fu, and meditation in Northfield, Illinois, and is currently writing a self-healing book based on the principles of Tai Chi and meditation.

1 Comment

Filed under American Jewry, Jewish, Jewish identity, Jewish writing, Judaism

Is God at my diner?

By Mel Glenn (Brooklyn, NY)

This Rosh Hashonah

I did not go to services.

I did not pray 

with the congregation.

I did not walk 

up to the Ark.

Instead, I went for my morning coffee

at the local diner.

Was this a crisis of faith?

I don’t think so.

God sat at the next table over

watching me, making sure

I was all right.

He’s OK with me 

ordering my usual fare

while I assure Him 

my belief is constant and true,

whether I’m reading a

prayer book or a menu.

The practice of religion

may be communal,

but it is also deeply personal,

I think, as I sip my hot coffee

and know with certainty

that in the coming Yom Kippur

I will be inscribed

wherever I happen to be.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

1 Comment

Filed under American Jewry, Brooklyn Jews, Jewish, Jewish identity, Jewish writing, Judaism, poetry

Unetaneh Tokef

by Theresa Werba (Spring City, PA)

Oh God, I am so afraid.

The future looms before me, unknown.

I fear what I do not know,

cannot know.

I fear your power over my fate.

You’re going to judge me, so I must speak of the

sacred power of this day.

I pray for mercy and truth,

because you are the judge

who knows, and sees all.

What will you write, and seal?

How will you record, and count?

What will you remember, of all 

I have forgotten?

I love books, but the Book of Remembrance

I fear, as it reads itself aloud.

What will I hear?

What has my hand signed?

The sound of remembrance!

The shofar— loud, penetrating,

piteous, strong, strange,

elemental, earthy, and

yet of spirit— but within myself

will I hear your still, small voice?

Will I rush forth with angels,

seized with trembling and terror

as they proclaim, “Behold, The Day of Judgment”?

Will I be judged as angels?

Will you judge me as a shepherd does

his sheep, passing, counting, numbering,

decreeing my living soul, my nefesh,

its destiny?

B’Rosh Hashanah yikateivun,

Uv’Yom Tzom Kippur yechateimun.

Oh righteous God,

will I live? Will I die?

Do I have an appointed time?

Will I drown? Will fire consume me?

Will I be stabbed? Will an animal destroy me?

Will I starve? Will I die of thirst?

Will the earth shake? Will malady decimate me?

Will I be stoned? Or burned?

Will life be peaceful, or will I suffer more?

Will I be poor, or rich?

Will I be brought low, or raised up?

I worry about all these things, and yet,

You give me some control over my fate,

because I can turn to you, pray to you,

and do good in the world,

wherein you may alter the course,

alleviate the punishment,

change the decree of my future.

And so I stand, expectantly,

in the New Year,

knowing that I have atoned,

trusting in your judgments,

though I do not understand them, or you, or why.

And I try to be less afraid of the future.

B’Rosh Hashanah yikateivun,

Uv’Yom Tzom Kippur yechateimun.

Theresa Werba is the author of eight books, including What Was and Is: Formal Poetry and Free Verse (Bardsinger Books, 2024), Finally Autistic: Finding My Autism Diagnosis as a Middle-Aged Female (Bardsinger Books, 2024) and Sonnets, a collection of 65 sonnets (Shanti Arts, 2020). Her work has appeared in such journals as The Scarlet Leaf Review, The Wilderness House Literary Review, Spindrift, Mezzo Cammin, The Wombwell Rainbow, Fevers of the Mind, The Art of Autism, Serotonin, The Road Not Taken, and the Society of Classical Poets Journal. Her work ranges from forms such as the ode and sonnet to free verse, with topics ranging from neurodivergence, love, loss, aging, to faith and disillusionment and more.  She also has written on adoption and abuse/domestic violence. Werba is the joyful mother of six children and grandmother to seven. Theresa holds a Master of Music with distinction in voice pedagogy and performance from Westminster Choir College and is known for her dramatic poetry readings. She is a member of Beth Israel Congregation in Eagle, Pennsylvania where she will be singing “Aveinu, Malkeinu” for the high holidays. 

You can find more about Theresa Werba and her work at www.theresawerba.com and on social media and YouTube @thesonnetqueen. 

Leave a comment

Filed under American Jewry, Jewish, Jewish identity, Jewish writing, Judaism, poetry

Hands

by Rick Black (Arlington, VA)

I watch others pass by, pushing strollers, 

carrying tallit bags, wearing yarmulkes.

And I imagine them in shul, reciting ancient prayers, 

their hands uplifted  to God.

And yet I would rather be here,

bent prostrate, nurturing the arugula seedlings.

Hunched over in torn jeans and invisible phylacteries,

I worship with them daily, my co-worshippers.

I use my hands to dig into the soil,

to clear away stones. 

Rick Black is an award-winning book artist and poet. His artist books are represented in private and public collections, including the Library of Congress, Yale University and the U.S. Holocaust Memorial Museum. A journalist for many years, Rick’s poetry collection, Star of David, won Poetica Magazine’s 2012 poetry chapbook contest for contemporary Jewish writing. A reading of Star of David was held in the Middle Eastern & African Division of the Library of Congress. He recently published a new collection, Two Seasons in Israel: A Selection of Peace and War Haiku.

5 Comments

Filed under American Jewry, history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

I Said the Words

by Herbert Munshine (Great Neck, NY)

I said the prayer for a very long year
to remember my mother
(as if I could forget)
to honor her
(as if I needed to)
to show my love for her
(as if that was the so official way
as if that could replace the feeling
fading just too quickly from my mind).

I journeyed to the synagogue
one vacant block from where my father worked
and sat with bearded ancient men
who shared a musty smell
with the hall which they inhabited,
who sought responsibility to guide the child
that I was and would forever be.

I listened to the words of the Kaddish
spoken quite precisely in a foreign tongue
a phrase at a time
and then I found myself repeating sounds
that had no meaning and no substance to me,
but it was my job, as I was told
(as if I had a choice).

And so I went, day by day, and I obeyed
and parroted the words
but never had the chance to say
the words that needed to be said,
about the ties we’d had, my mom and I,
about the caring that we knew
and love and strong security
now shattered — and the joy
of helping her whenever she put on
that apron and began to cook
from European scratch.

I said the words that were my duty,
words so alien to me
with men so distant from my needs
but with each word I mispronounced and mumbled
was the childhood-crafted
realization of what I no longer had
but needed very much.

I said the prayer
but wondered in my elemental way
why any God could be so cruel
to cleave a mother from a child
and substitute the words that had no meaning
to my soul.

Herbert Munshine grew up in the Bronx and graduated from C.C.N.Y. with both a B.S. in Education and a Master’s Degree in English. You can find his baseball poetry on Baseball Bard where he has had more than 100 poems published, and where he was recently inducted into that site’s Hall of Fame. He lives with his wife in Great Neck, NY.

2 Comments

Filed under American Jewry, Family history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

Devotional

by Miriam Flock (Palo Alto, CA)

His thigh thrown over mine,

my head nestled against his clavicle—

for thirty years, my husband never guessed

as he embraced me before sleep 

that I was praying: a hymn to that good Lord 

who forms our souls, pairs us in the ether, 

then hurls us into life, solitary 

until we recognize each other 

in the college cafeteria. Thank God, 

I say into my husband’s chest, 

his heart singing me to sleep.

Miriam’s work has previously been published in Poetry, Berru, Salmagundi, CCAR, and other journals.  She was the winner of the 2019 Anna Davidson Rosenberg Award for poems on the Jewish experience.  Her chapbook, “The Scientist’s Wife,” was published by Finishing Line Press in 2021.

Leave a comment

Filed under American Jewry, Family history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

After Lighting

by Jane Schulman (New York, NY)

Nana’s tale, Brooklyn, 1907 

My brothers stood on Mama’s right. 

I hung on her left, fistfuls of skirt  

clenched in my hand.   

Mama struck a match,  

lit the candles, chanted the blessing 

to welcome the Sabbath.  

The sound of keys in the lock  

cut the silence.   

Papa stomped into the room:  

Blow out those candles.  America’s no place  

for your bubbe’s mishegas. 

The mouths of my brothers rounded 

in fear.  They smelled the fight 

coming.

 

Candlesticks knocked to the floor.   

Flames stamped out.  

Then and again and again.  

    *       *        *        *        *        * 

Astoria, Queens   1983 

A Friday afternoon in May,  

Nana and I set the table  

with bread and wine  

and my best china.  

I light two candles after  

she lights hers. We cover  

our eyes and murmur  

the blessing, stumbling  

over the Hebrew words.  The taste  

of prayer new to our tongues. 

Jane Schulman is a poet and fiction writer. She works as a speech pathologist with children with autism and cognitive delays.  Jane published her first book of poetry, Where Blue Is Blue, with Main Street Rag in October, 2020.  Her writing has appeared widely online and in print. She was a finalist for the Morton Marr Prize at Southwest Review.     

1 Comment

Filed under American Jewry, Brooklyn Jews, Family history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

Reflections on a Wall

by David Drimer (Kingston, NY)

Every time I visit Jerusalem, it feels like the first time.

There is a force, a powerful magnet, always drawing me to the Kotel. No matter what prosaic thing I may be doing in the city, it’s always on the fringes of my consciousness. As I wander the streets of the Old City, inching ever closer, the pull becomes stronger.

As much for this reason as for any other, this is the essence of why I make a pilgrimage to Jerusalem every few years.

Finally, I approach the Wall in silence, if not awe. I enter the Plaza and move closer, keenly aware of those around me. Immediately I put my forehead against the Wall, my hands above my head, feeling the heat of the rock. I instantly marvel: “How many tens of thousands – hundreds of thousands – of my Jewish forebears have prayed here in this very spot?” Suddenly, I am – as I once titled a poem – “alone amongst them.”

Candidly, my thoughts quickly turn introspective and soon lead to grief. I unbury my personal pain, the pains of my loved ones, the pains of the world. I consider each in turn. My emotional response is far from unique. As David Wiseman wrote for the Israel Forever Foundation, “If tears could melt stone, the Kotel wouldn’t be standing.”

I bring little notes of prayer to place in the Wall. One is to my mother Doris/Devorah Leah (z”l), the other is to my father Gideon/Moishe Gidon (z”l). What I know of unconditional love, I first learned from my mother. She was sick for a long time, suffering in acute pain daily for many years. I have often looked for meaning in her suffering. I have still not found it. On my father’s 90th birthday, his last, I wrote him a card that said, “Whenever I have a tough ethical decision to make, I think, ‘What would my father do?’” It was true then. It remains true to this day. It’s a hard path. It has cost me. These are the mysteries of life, my road to travel. I consider the totality of their lives and speak my heartfelt prayers to them partially aloud, but sotto voce.

In this quiet period of meditation, I ask for guidance in solving my and my family’s problems, guidance on how to be a better man, a better father, a better husband. I seek guidance on how to best serve the interests of the Jewish community. It’s my career, it’s my calling, my hope is to do it the best I can. My single biggest remaining ambition is to bring my and my wife’s hopes for our Holocaust Awareness Initiative to full fruition. I pray unabashedly for help.

Time spent at the Kotel sobers me up a little. I start to breathe easier and become more cognizant of the peace of the place, more aware of the simple grandeur of this plain stone wall, a literal wreck for thousands of years.  I begin to sense relief. I have put down my burdens.

I finally remember to pray for the Mets to win the World Series. It can’t hurt. (NOTE: It didn’t work; eliminated in the first round of the playoffs.) I don’t bother with the Jets anymore. That ship sailed long ago.

My feelings now drift towards an increasing feeling of serenity and joy. Look at this amazing place. This phenomenal tradition. The spiritual power of this Wall calls people of many religions to dip their toes in the waters of Judaism.

I no longer think of myself as an especially “spiritual” person. Figuratively, I’m the man who blocks the door, while others behind me pray, at least temporarily but blissfully unaware of the looming threat of the outside world. I choose to be alert while others seek transcendence.

But in this place, just before we greet Shabbos, its transcendental for me, as well. It has also been written, again by Mr. Wiseman, “If hopes and dreams could make these stones fly, there would be a wall floating around somewhere in space.”

Eventually – I have no idea how much time has passed – I turn away.  The women of the wall (“My women of the wall”) have yet to emerge. I learn later my daughter went back to pray twice. My wife, who lost her mother just one year ago, finally emerges teary-eyed. I know precisely what she was praying about. But they are tears of joy. Her mother was a remarkable, powerful woman. My wife is the living embodiment of her mother’s very strong Jewish values. Ina Frey/Chaya Tsura (z”l) looms over our lives every day.

We leave, refreshed. Renewed. Reinvigorated. More inspired by our faith than when we entered. We exit the Plaza more committed to our cultural imperatives of Tzedakah (Charity) and Tikkun Olam (Repair the World).

Such is my “tongue’s poor speech,” as the 11th century Spanish Jewish poet Solomon ibn Gabirol wrote, on praying at the Western Wall.

David Drimer is the executive director of the Jewish Federation of Ulster County (UCJF) and a co-founder of the National Holocaust Awareness Initiative (NHAIonline.org). He had been national executive director of the Zionist Organization of America, (ZOA), and Associate Publisher/General Manager of the Forward newspaper. He had been a longtime executive and publisher at Knight Ridder newspapers and the Economist Group. He was recently named a Human Rights Commissioner by the Ulster County legislature. He also serves on the Ulster County Task Force for Preventing and Responding to Domestic Terrorism.

1 Comment

Filed under American Jewry, Family history, Jewish, Jewish identity, Jewish writing, Judaism

Sanctuary

by Alison Hurwitz (Cary, NC)

Incongruous, that towered height among the holly, butternut, 

hydrangea, along the oaks, camellias, black-green laurel hedge —

there it rose, so tall it steepled everything, as if to say, remember,

pray to what grows green above us.

A field-worn, furrowed man called Shorty came knocking once. He said

when young, he’d planted a young redwood seedling there, brought back

from California, vaguely hoped that it would someday grow to be 

a landmark. He’d removed his crumpled hat, his hand a map of years, 

his eyes as wide as forests, asked if he could go and touch the trunk, 

already girthed to temple, breathing dusk. My mother understood,

she a tree parishioner, so both of them remained a while in silence.

When Shorty went away, he left his story grafted to its branches. 

Dad cut back the deck each year, to give the redwood room to ring. Rare 

days when grandparents sat dappled on the deck, polite and tightly furled,

Jews and Catholics baffled past translation, they sat in shade below it, and 

in stillness, shifted into softening; green a common tongue between them. 

At seventeen, I’d park with my first love across the street, and kiss until the night 

dipped branches dark with longing. When, same car, same street, same boy, 

time wrenched us into ending, the tree stood by to witness, a shelter until 

my loss let go its spores, until my heart referned with undergrowth.

Ten years later, beneath the tree, my new husband and I stood quiet while my parents, 

faces filigreed with leaf-light, planted blessings in us. They prayed we’d tend

a sapling, make a small repair, something to green the broken world. My parents’ hope 

could sing the music out of wood.  Mitzvot and Meritum. Their reverence, ringed.

The day after my father died, when all I had was absence, I stumbled out to sit 

below our redwood tree. There, grief burrowing among its roots, I stayed until 

I found a seed and held it in my palm. I breathed and felt the way that branches 

lifted into blue, its birds built nests, the fledglings flew, each ending bending to beginning: 

holy as the timeless sky.

Alison Hurwitz’s work has appeared in Global Poemic, Words and Whispers, Tiferet Journal, Writing in a Woman’s Voice, Anti-Heroin Chic, Book of Matches, and The Shore, and is forthcoming in Amethyst Review, Rust and Moth, Thimble Magazine, Academy of the Heart and Mind, and SWWIM Every Day. She writes gratefully in North Carolina. To read more about her and her work, visit alisonhurwitz.com

1 Comment

Filed under American Jewry, Family history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

The Blue Mikvah

by Edna Shochat (Boise, ID)

To each his Temple.

My house of worship was established years ago

for young men, Christian.

Today YMCA is simply “The Y”.

Why? Because now everyone is welcome

regardless of age, gender, or faith.

Neither young nor male,

Jewish by birth and atheist by choice,

I attend, religiously, a daily ritual in the pool.

Like joining a Minyan

gathering for morning prayer at the Shul

I dip into the blue mikvah

and under watchful eyes of young lifeguards

swim like a gray-haired mermaid

counting my blessings.

Edna Shochat was born in British Mandate Palestine and grew up in Israel, leaving for the United States to follow career opportunities. Four years ago she and her husband followed their grandkids to Idaho. She discovered poetry at a Writing Through Cancer program while undergoing chemotherapy in 2011, and joined the YMCA to help her recovery. She continues to write poetry “to help carry her on the journey we all share, of aging.

Leave a comment

Filed under American Jewry, Jewish, Jewish identity, Jewish writing, Judaism, poetry