Tag Archives: post-Holocaust

Meditations on My Yiddish Name:  Mudke Velvel ben Yankel Yisroel, ha-Levi

by Bill Siegel (Boston, MA)

1.  Mudke

They named me Mudke

          Makes me think of mud cakes, mud crawlers

          Muddy Waters

But they must mean Mordche

          which translates to Mordecai

The Latin mort, Death

          coupled with the Hebrew chai, Life

In America, they changed it to Morton

          dropping the chai, taking the life out of the name

How could you saddle a baby with a name like that?

          My aunt chided her sister

As if forgetting it was her own father’s name given to me

As if forgetting it would keep their father’s name alive

2. Velvel

A stutter, or better, a strut

One syllable with each shoulder’s swagger

          Vel~right shoulder forward and

          Vel~with the left now 

Say his name twice if you say it once:

          Vel~Vel

3. Ben

Son of,

          the rising sun of the father’s new life

The dawn of his hopes

The bend when a river changes course

          Giving birth in its time to a new flow

Ben, bene, bien

The good son

          May he not forget his ancestors

          May he remember where he comes from

          May he remember his names

          That they may carry him

Where he’s going

4. Yankel Yisroel

Who wrestled with God’s Messenger

          Or maybe God Himself

The original knock-down, drag-out, one-fall, winner-take-all

          first fixed bout, a mismatch made in Heaven

Who wrestled with the mighty Thunder King

          forcing It to reveal Its name

Jacob, who became Israel

Yankel, who became Yisroel

Yankel Yisroel

Who patrolled the Shadow of Death

          lined with the dead of Hitler’s demons

          That would boil his people

          To make soap for the armpits of strangers

Peel their skin for lampshades

Who stood, barely 20 years old,

at liberated death camps, surrounded

          by the dead, the dying and the barely surviving

Who stood between captured German officers

          And the interrogating Americans

Using his Yiddish to translate,

          to bridge the combatting languages

To make what happened perfectly clear

5.  ha-Levi

Children of Levi, the one desert clan

          To keep their name for 40 centuries

Through 400 years of slavery

          And 40 years in the desert

Temple servants and warriors

          Guardians of the faith, stationed in every city

And still the tribe with no land of our own

          4000 years and still we wash

The hands of the Cohanim

before the priestly blessing

Look now at the graves of ha-Levi, the Levites

          See the cup carved into the stone

Like all Levis before me, my stone

will honor Miriam ha-Levi

          And her well of Living Water

          that will never run dry

6.  Mudke Velvel ben Yankel Yisroel, ha-Levi

All this in one name.

          All this in my name.

Bill Siegel lives in the Boston MA area, and writes both prose and poetry – about family, fishing, jazz, and more. He has two manuscripts in process: “Printed Scraps”, poems inspired by Japanese woodblock prints; and “Waiting to Go Home”, about family and memories of growing up. His work has been published in “Beyond Lament: Poets of the World Bearing Witness to the Holocaust” (Northwestern University Press), and “Indigenous Pop: Native American Music from Jazz to Hip Hop” (University of Arizona Press). His poems also appear in Blue Mesa Review, Rust+Moth, JerryJazzMusician, Brilliant Corners, and InMotion Magazine, among others.

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Ladies and Gentlemen Lunch is Served

by Kavita Ezekiel Mendonca (Calgary, Canada)

After Tadeusz Borowski’s ‘This way for the Gas Ladies and Gentleman.’

The well-groomed student 

Formal yellow jacket, white shirt black pants bow tie

Starched white napkin over his left arm

Announces lunch at the College of Catering

Where I teach English in a pristine environment,

‘Ladies and Gentlemen lunch is served.’ he says

No pistol by his side, no baton thrust into my ribs

No barking command for immediate compliance.

A flash of white sarees, black pants and white shirts

Move in animated chatter

Professional dress as per the code

Rushing up the stairs to the dining room

Following the tempting aromas.

Taking our seats quickly, we study the menu

Devour the three course French meal

Served to us in style, the company delightful

No food fights necessary, portion sizes are generous.

A walk around the campus

Works off the meal and it’s back to work.

No guards or dogs to chase us

The walk is leisurely, pleasant

The hot Bombay sun the only thing at my back

I imagine the barbed wire around the campus

My imagination cast back to prison walls 

Only beautiful trees and flowers bloom happily.

Here by the friendly gate.

Borowski lived  history, I read its horror

Dazed people stumbling out of cattle cars

Stripped naked headed for the gas chambers

Unaware of their gruesome destination

Unlike me headed for a sumptuous meal.

What evil could devise this violent plan?

I want to give away Borowski’s collection

With the haunting title, but to whom?

Everyone wants to read something edifying

So many are in denial

Survivors don’t lie, make up stories. 

The plateful of food  before me now could  feed two

I put some back into the pot, remembering

The children starved by hatred

The women beaten violently

The man calling out to his God

His mouth dry, his thirst unslaked.

When white smoke emerges from the chimneys

Here in the winter landscape 

I see the blackened sky

The birds fly frantically for fresh air

Trees turn to the color of ash

Some birds disappear and I weep

When I can’t see them.

The six million blur my vision.

What violence prompts people to herd others

Like cattle over a cliff?

Violent thoughts stirring in a violent mind.

The camps an invention of cruel machinations

The journey, the deliberate torment of hell.

I cry out to the oppressors with Borowski

Your country — a stock market transaction
 and hoarded sacks of grain.
My country — the gas chamber
and the Auschwitz flame.*

In a career spanning over four decades, Kavita Ezekiel Mendonca has taught English in Indian colleges, AP English in an International School nestled in the foothills of the Himalayan mountains in India, and French and Spanish in private schools in Canada. Her poems are featured in various journals and anthologies, including the Sahitya Akademi Journal Of Indian Literature, the three issues of the Yearbooks of Indian Poetry in English, Verse-Virtual, The Madras Courier, and the Lothlorien Poetry Journal, among others. Kavita has authored two collections of poetry, Family Sunday and Other Poems and Light of The Sabbath. Her poem ‘How To Light Up a Poem,’ was nominated for a Pushcart prize in 2020.  Her poems celebrate Bombay, the city of her birth, Nature, and her Bene Israel Indian Jewish heritage. She is the daughter of the late poet Nissim Ezekiel. 

 *(Author’s note: These lines are from Two Countries – Poetry of Tadeusz Borowski (wordpress.com))

(Editor’s note: This poem was originally published in the Usawa Literary Review in a slightly different form with the permission of the author.)

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The Slant of Afternoon Light

by Arlene Geller (East Petersburg, PA)

There is a crack in everything, that’s how the light gets in.

—Leonard Cohen

Your palpable need to touch 

your long-missed father

led us both 

to touch history.

I never wanted to set foot 

in Warsaw or Krakow, 

Budapest or Prague.

(Never wanted to be near Germany.)

But drawn by age 

and fading opportunities, 

we overcame our individual 

and collective fears.

We journeyed to places immersed 

in histories unfathomably 

sorrowful, unfathomably rich—  

we will never be the same.

We let the light in.

You now hold images, 

memories that were always

just beyond your reach.

Arlene Geller’s collection of prose poems, The Earth Claims Her, is available at Plan B Press. Her second poetry collection, Hear Her Voice, is available at Kelsay Books Hear Her Voice on Kelsay Books and Amazon Hear Her Voice on Amazon.  

Author’s note: This poem was written after an intense Eastern European trip last year. My husband’s father came to the United States from Poland. Throughout our 45-year marriage, my husband, Hank, has longed for a connection to the father who died when Hank was only 7 years old. The early loss has been an undercurrent for so long that I thought it time to visit at least the country where my father-in-law was born.

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Sonnet for the survivors.

by Linda Laderman (Commerce Township, MI)

Praise the Holocaust Survivors who ask us never to forget, but live life 

in the present and the future. Praise their resilience, the ones who dance 

the Hora at their grandchildren’s weddings, the grandchildren they couldn’t

imagine they’d have, the weddings they couldn’t dream would take place.

Praise the pastries they take home wrapped in a napkin, because they can’t

know for sure if the cake will have to be left in haste, a dish of dry crumbs.

Praise their unwillingness to take freedom for granted, to refuse to bow to

the demands of demagogues, to stay clear-eyed about our new fear mongers.

Praise the man who hid in plain sight, moving from place to place to evade

the Jew hatred, then began a life in America where he believed he was safe.

Praise him, and his wife, who at 83, bakes cookies because, she says, every-

one deserves sweetness in their life. Praise the children who come to visit 

the Holocaust Center, then walk wide-eyed around the train exhibit, and ask

why Jews were forced into cattle cars. Praise their young eyes, because they see.

Linda Laderman grew up in Toledo, Ohio, where her family belonged to B’nai Israel Synagogue. Though she attended Hebrew and Sunday School, no one spoke of the Holocaust. In 1959, when she was ten, Linda had a Hebrew teacher with numbers tattooed in her arm. Curious, she asked what they were, but her question went unanswered. Years later, as a docent at The Zekeleman Holocaust Center near Detroit, she came to better understand the reluctance of many survivors to talk about their painful past. Linda is a past recipient of Harbor Review’s Jewish Women’s Prize and has received a Pushcart Prize nomination. Her poetry and prose have appeared in many literary journals and media outlets. She lives near Detroit with her husband Israel Grinwald. Linda dedicates this Sonnet to the survivors of the Shoah. For the six million who did not survive, may their memory be a blessing. 

If you’d like to read more of her work, here are two poems that she shared previously with The Jewish Writing Project: Observations and An Invitation.

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My father never offered me

by Herbert Munshine (Great Neck, NY)

My father never offered me, 

in the decades of the ‘50’s and the ‘60’s, 

when our relationship had reached its fullness,

the opportunity to return with him 

to his native Augustowów, Poland, 

to visit relatives (if any had managed 

to survive the forced labor camps or 

mass killings in its ghetto when the Nazis 

controlled the fates of thousands of its Jews). 

He never painted for me a work of art 

or shared words depicting the Netta River

or the town’s canal or spacious marketplace 

or the smiling, gentle people of his youth, 

perhaps because they had ceased to exist,

or perhaps because the agony was great.

Shouldn’t it be the birthright of any immigrant 

to return, if only for special moments, 

or for his or her offspring to walk 

the streets and bathe in the tranquil moonlight 

of the place that was the home a parent knew 

and felt fondness for even in brief moments

many years before?

The difficulty is that when a generation 

suffers massive torture, loss and execution, 

many generations will be forever scarred 

or devoured. Innocence is no defense to 

war crimes against humanity. 

Now I try to envision my father’s happy youth, 

his frolicking with friends and gentle neighbors, 

but the fantasy quickly dissipates into sharp reality 

when I recall the subject not once broached by him, 

rather compelled to dwell in the ash-heap of his memory.

In my old age, it is enough for me to know deeply that

he never offered me knowledge of his Augustowów

because he wanted to shield me from his pain. Even

in his silence, his love for me expressed itself. 

He did not leave his heart in Poland. He brought it to

America and shared it with me in his silence, 

which shouted love when I’d grown

wise enough to hear it.

Herbert Munshine grew up in the Bronx and graduated from C.C.N.Y with both a B.S in Education and a Master’s Degree in English. You can find his baseball poetry on Baseball Bard where he has had more than 100 poems published, and where he was recently inducted into that site’s Hall of Fame. He lives with his wife in Great Neck, NY.

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Henoch: An Inventory

by Barbara Krasner (Somerset, NJ)

After Lauren Russell

A butcher’s apron pockmarked with dried blood that banging it against the river’s rocks cannot erase. An abacus to calculate the change he owes his patrons. The skill to sever an animal’s carotid arteries, jugular veins, and windpipes in one swift move. A sharp butcher’s knife to cleanly sever a chicken’s head and to break a cow down to its finest parts to sell at a premium to anyone who can afford it. His cleaver whacks away his disappointments until his own fingers bleed with hope for his children. Evening candlelight to read the sacred texts and pray. Meetings of the Baron Hirsch School trustees. His children, even the girls, will get an education, damn the naysayers. An American stamp on his passport from when he arrived in New York with younger brother Benzion. An Austro-Hungarian Empire stamp on his passport from when he returned because Pesia was pregnant. She needed him. No photographs to fold into Chava’s hands when she leaves for America. Plans for his widowed mother’s aliyah to Palestine. The burden of this place and time. No prescience that all but two of his children–the eldest and the youngest–will be murdered. Of the four grandsons named for him, only Herman Krasner is born under the flag of the American Dream.

while the others lie

in the sky in the ashen

shadow of the moon.

Barbara Krasner holds an MFA from Vermont College of Fine Arts and a PhD in Holocaust & Genocide Studies (HGS) from Gratz College, where she teaches in the HGS graduate programs. The author of two poetry chapbooks and three novels in verse, her work has appeared in Jewish Literary Journal, Tiferet, Minyan, Jewishfiction.net, Michigan Quarterly Review, and elsewhere. She serves as Director, Mercer County (NJ) Holocaust, Genocide & Human Rights Education Center.

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Tzipa

by Nina Zolotow (Berkeley, CA)

“You also have a Jewish first name,” my mother told me. “It’s Tzipa.” 

“Tzipa?” I asked, trying to reproduce the completely unfamiliar sound I was hearing.

“Yes, Tzipa. She was grandma’s sister who died.”

“Oh,” I said “Okay.”

There we were, sitting together on the couch in the light-filled living room of our brand-new house, up on a hillside in a canyon in the Santa Monica Mountains in Los Angeles, California, and I was young enough to simply accept the mystifying information that, in addition to my English first name, Nina, I had a “Jewish” first name, Tzipa, without asking any questions. But I always remembered what my mother told me. Even as the years passed and I never heard anyone call me Tzipa (my relatives called me Ninala or Ninatchka), I always remembered that name.

I also believed that no one else I knew had two first names. I didn’t realize then that it is very common for Jewish people to have a Hebrew name in addition to their name in the language of the country where they were living, and that their Hebrew names were not just second names in another language, but they were spiritual names in “God’s holy language.” I missed out on learning that, I think, because my parents, as well as my grandparents, were not religious, so I never went to synagogue or Hebrew school.

So that made me think that it was only me who had a secret name. It was like a magpie surprised me with a gift, dropping a small shiny object at my feet, and having no idea what to do with it but not wanting to get rid of it, I put it in a box with other precious objects. And I took that box along with me with every move I ever made, from city to city and even from one country to another.

I might have learned more about Hebrew names had I married a Jewish man. But, instead, I married a man who, despite being raised by parents from a small Protestant religious sect, the Church of the Brethren, always believed that everything he learned in Sunday school was just so many stories, stories that had no relationship to the world as he knew it. And he and I together raised two children who we brought up just as I had been raised without any religion.

“Do you remember me telling you about my Hebrew name, Tzipa?” I asked my husband recently.

“Tizpa?” Brad said. “No, not really.”

“I guess that name doesn’t mean anything to you,” I said. “But I definitely told you. I think you might remember when I tell you that it means little bird.”

“Ah, little bird,” he said, smiling fondly. “Yes, I do remember something about that.”

When I became an adult, my appreciation for my secret name grew because even though I didn’t like the sound of it, I learned that it means “little bird.” Tzipa, you see, is a diminutive of the biblical name Tzipporah, which is derived from the Hebrew word for bird, “tzippor.” And because birds can soar across the vastness of the skies above us, free from the restrictions that keep humans tied to the earth, in Jewish symbolism birds represent freedom. They also represent the awakening of the spirit and the connection between the earth and heaven, the material world and the spiritual one.

“Did you know that I have a Hebrew name?” I asked my brother, Danny “It’s Tzipa.”

“No, but I like the sound of that,” he said. “How did you find out about it?”

“Mom just told me that when I was a kid.”

“So, you mean that Mom and Dad gave you a Hebrew name?”

“Yes. They named me after Grandma Goldie’s sister who died in the Holocaust. But maybe you didn’t know that because no one ever called me by that name.”

“Okay…. Well, that’s a good person to be named after. It’s a nice way of keeping someone’s memory alive, whether the name gets used or not.”

Then, less than a year ago, my first cousin, Susan, sent me the result of the research she had done on our maternal grandmother’s family, the Levinstein family from Kudirkos-Naumienstis (also known as Naishtot) in Lithuania. And there at the end of the document was quite a lot of information about Tzipa, who she was and how she died.

I learned that Tzipa, who was one of the older sisters of my maternal grandmother Goldie Levinstein, had been born in Kudirkos-Lithuania in the 1890s. And that unlike her three sisters, she did not emigrate to the U.S. but instead stayed in the town where her parents and two brothers still lived. She married a rabbi named Itzhak, and together they had six children, five sons, Haim, Eliyahu, Israel, Dov, and one other whose name and fate we don’t know, and one daughter, Leah.

Then, on June 22, 1941, the Germans invaded the town and set the Jews to work under the supervision of local Lithuanians until a day in early July when a group of Lithuanian “activists,” under the command of Germans, attacked the city. This group ordered all Jewish males above the age of fourteen out to the streets and then took the Jewish men in groups of fifties to the Jewish cemetery. There the Germans and Lithuanian activists together shot one hundred ninety-two prisoners at the edge of pits they had already dug. The women and children were later forced into a ghetto within the town. On September 16, the 650 remaining women and children, and a few remaining men, were transported to the Parazniai forest by armed Lithuanians, who forced them to take off all their clothes and then lined them up and shot them all.

But Tzipa, her husband, and three of her children, Leah, Israel, and Dov, escaped the mass murders. After frantically packing up some kosher food, they ran for their lives. Once across the river, they fled into a more rural area. The first few days there they spent in an open field eating grass and finishing up the last of the kosher food. Then they found an abandoned shack and moved into it.

During those first long summer days, I imagine they must have seen birds of all kinds flying from tree branch to tree branch or high up in the distant blue sky above them and longed to be free like that, to fly far, far away from that place. Because things soon got worse.

Israel and Dov both left, joining the Lithuanian army that was attempting to fight off the Nazis. So Tzipa went away for few days, returning with flour for making bread, which she had purchased with money she received from selling her gold fillings. But her husband Itzhak, the rabbi, refused to eat non-kosher food. So he gradually starved to death. And then Tzipa herself came down with dysentery. 

What must it have been like for her to be dying and know that she was leaving her young daughter—only 14—completely alone?

Dov was killed fighting the Germans in the open fields. Haim was murdered by the Germans and their Lithuanian collaborators, as was Eliyahu, along with his wife and their two month-old baby. But two of Tzipa’s children survived. Her son, Israel, was badly wounded and became disabled—his hand was seriously damaged, and he lost the toes on one foot—but after the war, he emigrated to Brazil. And her daughter, Leah, also survived. After her mother died, she found a job at a factory where they paid her with small amounts of food. And after the war, she found her way to Israel, which is how our family knows this story.

“Did I ever tell you that I have a Hebrew name.” I said to Quinn, our child who is a scientist now living in Scotland and who strongly identifies with being Jewish.

“Yeah, I remember you telling me,” Quinn replied. “I actually wrote the name out for you in the Hebrew alphabet when I was studying Yiddish.”

“I’m very glad you do remember. What are your thoughts about me having the name of a woman who died during the Holocaust while trying to save her family?”

“Yes, well, I do think it’s nice to keep her memory alive by giving her name to someone in the family, but it’s also some heavy shit because it represents how you grew up with the Holocaust all around you—after all, you spent a lot of time as a child around adults who must have had a traumatic response to that genocidal event.”

“That’s true,” I said. “Even though I didn’t understand much about it at the time, I always had some awareness of it.”

To be honest, I’m still grappling with what it means to me to carry the name of that extraordinary woman. But, at last, I finally know what to do with the gift of the Hebrew name that was given to me all those years ago. I am taking it out of my box of precious things where it has been hidden all these years, placing it in the palm of my left hand, and reaching my hand out toward you, saying, “Here. Look at this.”

Nina Zolotow just loves to write, and she has been doing it for her entire adult life. Currently she is writing creative non-fiction and experimental fiction/poetry, which you can find on her blog Delusiastic!, where there is both brand new and older works, and you can also subscribe to her on Substack, where she is releasing one story a week. Nina has also written or co-written four books on yoga (seeyogafortimesofchange.comas well as being the Editor in Chief and writer for the Yoga for Healthy Aging blog for 12 years. Before that there was 20 years of writing instructional manuals for the software industry, including many books for programmers. And somewhere in there was an MFA from San Francisco State in Creative Writing. All of that taught her how to write simply and clearly when needed but also to go crazy with words when that seems right. 

This story originally appeared on Nina’s blog, Delusiastic! and is reprinted here with permission of the author.

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My Mother Museum

by Lev Raphael (Okemos, MI) 

First Gallery

My father lost her cookbook after multiple moves, the black-and-white student’s notebook in which she wrote down her favorite recipes in bold, foreign-looking script. It was the one possession of hers I wanted most after she died.  I relished watching her cook with the ease and flair of a professional chef in our dimly-lit Washington Heights kitchen with a view of another Depression-era apartment building across the street.  Same gold and brown bricks, with an equally ridiculously English name like The Windermere in a neighborhood that had been filled with German-Jewish refugees and was slowly becoming Hispanic.  But the book was unique, my mother as curator.

Second Gallery

The small cameo brooch of a woman in profile must be fifty years old or more but looks brand new because she never wore it.  A friend brought it back for her from Italy is all I remember her saying.  But who?  Was it the Polish man I heard about from a family friend after she died, the man she “should have married,” a socialist from Vilnius like her instead of my born-on-a-farm father?  Why did she keep it if she never put it on/why did she never put it on?  What did it mean to her?  I’m asking these questions too late.  It nestles in its white cardboard box lined with cotton, untouched, pristine, a buoy in a mysterious sea.  

Third Gallery

The cream-colored enameled compact weighs over half a pound, is embossed with leaves and a bird in flight.  Embossed in gold and made in France: modèle déposé, registered design.  There’s room for a lipstick, there’s a mirror inside on the left, there’s a lidded compartment for face powder on the right.  It’s an object out of a film noir, the kind of thing a lustrous femme fatale would use with magical, elegant hands to make herself up while people stared at her effrontery, her chic.  Oh, she was definitely chic.  One of her students from Belgium said “Elle avait du chien“: French for desirable, intelligent, and strong.  I see that in some photos from the late 40s.  By the 50s the look has disappeared and she’s an American housewife.

Fourth Gallery

Hanging in her closet in a plastic dry cleaner’s bag like any ordinary dress was the slave labor camp dress she was wearing when freed by Americans in eastern Germany, April 15, 1945.  Dark gray strips that seem almost purple on light gray stripes.  Thin, grim cotton with a roughly-sewn beige number patch above her heart.  The number helped me access German records of her incarceration in ghettos and camps.  Was this relic kept as evidence that she might not have survived if WWII had lasted longer?  That the crimes she endured were real?  It won’t tell me.  Can you really call it a “dress” or even a “uniform”?  Reality seems too big for such small words, for the bomb lurking there day after day. 

Last Gallery

This particular lined notebook has not been lost, but I wish it had been.  Black-and-white exterior, starker still inside: a record of her deepening dementia caused by years of chain smoking.  Here, instructions are repeated about when to take which pill.  Bits of news randomly copied from the New York Times.  Worst of all, grotesque, are the definitions of “Memory” she transcribed from a dictionary.  Remember, Remember, Remember says every miserable page.   The desperate lament of a mind drifting out to sea, the words of a voluble, witty, multi-lingual woman ordered at first, then scrambled, finally misspelled, broken, gone.  I want to destroy it but I can’t—it’s her anguished Last Will and Testament.

Gift Shop

CLOSED

Lev Raphael is an American pioneer in writing about the Second Generation, a project that he began in the late 1970s.  He’s the author of Writing a Jewish Life, Dancing on Tisha B’av, My Germany and 24 other books in many genres.  His work has appeared in fifteen languages and he’s done invited talks and readings in Israel, France, Belgium, Italy, Germany, England, Scotland, Canada and all across the US.  Venues included the Jewish Museum in Berlin, Oxford University, and The LIbrary of Congress. Lev taught creative writing at Michigan State University and Regents College in London, and has been invited to teach at Leipzig University in Germany.  Michigan State University has purchased his literary papers and they are available to students and scholars for research.

The piece first appeared in The Chaffin Review and is reprinted here with permission of the author.

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I Cannot Scrub Your Blood from My Bones

by Barbara Krasner (Somerset, NJ)

Deep within my marrow

flows my DNA, your blood,

your ambitions, your regrets,

your aches, your pains, your nightmares.

Deep within my memory

I call up your shtetl, its fields,

thatched roofs, unnamed streets.

Bold numbers nailed to door jambs,

revealing the town plan. Deep within

this hiccup murmurs your Galician dialect

of southeastern Poland, the bleats 

of goats, the shofar during High Holy Days.

Deep within the walls of the stucco homes

childbirth cries. Deep within

the burrows of the streets resounds the beat

of hobnailed boots and rapid gunfire.

You weren’t there during the invasions.

You weren’t there for mobile killing squads.

You weren’t there during deportations.

But you experienced it all the same,

just as I did. 

Barbara Krasner holds an MFA from Vermont College of Fine Arts and a PhD in Holocaust & Genocide Studies (HGS) from Gratz College, where she teaches in the HGS graduate programs. The author of two poetry chapbooks and three novels in verse, her work has appeared in Jewish Literary Journal, Tiferet, Minyan, Jewishfiction.net, Michigan Quarterly Review, and elsewhere. She serves as Director, Mercer County (NJ) Holocaust, Genocide & Human Rights Education Center.

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An Odyssey to Auschwitz

 by Cara Erdheim Kilgallen (Trumbull, CT)

I entered the gruesome gates of Auschwitz on a recent journey to Poland with my parents and husband.  Half-way through our guided tour, my stoic husband Bill turned to me and said, “I feel like throwing up.”  

The humid June air did not help our collective nausea.  As the sun beat down upon our shoulders, the four of us toured two of the darkest death camps from history and witnessed true Holocaust horror.

As a Jew with family members who perished in the Shoah, I had always felt determined to visit Auschwitz.  My eighty-three-year-old Dad, a Jewish former Marine who proudly wears a Star of David that says, “never again,” came along.  So did my mom, a seventy-seven-year-old dynamo who has worked as a psychoanalyst with Holocaust victims and their children.  Bill, my Catholic husband, wanted to experience history and planned the entire trip.  It had been on our bucket list for sure.

We began with Auschwitz, designed initially as barracks for the Polish Army, and then moved onto the darkest death and extermination site, Birkenau.  The structures at Auschwitz still stood, but they somehow didn’t feel real and the buildings almost resembled college dorms from the outside.  When I walked inside, the death site became more palpable.  Hairbrushes, belts, shirts, toothbrushes, and other discarded items from various victims highlighted the utter inhumanity of it all.  We began the brief bus ride to Birkenau, the neighboring camp, which was worse.

“Brace yourselves,” warned our guide Chris.  This next site will be tougher to take.”

“More difficult than this?” I asked incredulously while thinking about the gas showers we had just seen.

“Sadly, yes,” Chris responded.

Birkenau, the adjoining death camp to Auschwitz, made us all even sicker.  

As Bill and I stood in shock staring at the piles of wood upon which victims slept, Chris explained how those on the top bunks often bled onto those below.  The prisoners slept in old horse barns, each one of them containing hundreds of innocent human beings.  I wondered if they received blankets in winter and learned that groups of twelve or so sleepers were sometimes allowed one small sheet.  We stood inside these cramped quarters, which smelled like death.

My shock and sorrow manifested in an intense back pain that I had never felt before.  There was no place to sit on our three hour walk through dark dungeons and barren barracks.  Feeling too guilty to rest amidst all of the documented human suffering that we witnessed, I tried to stretch out my back as the tour guide led us into a room filled with children’s shoes displayed in a large case secure behind a glass wall.

Until this point, I had not cried at all, perhaps out of sheer shock; however, as the mother of a toddler, I could not contain myself at this point and my eyes filled with tears.  I thought instantly about my daughter, back home in the United States with excellent caregivers, and juxtaposed this privilege against the extreme evils.  The Nazis robbed every ounce of innocence from these young lives, for no reason other than their difference, which most often was their Jewish identity.  

We learned about the pride that those running the camp took in exterminating as many victims as possible.  Chris told us that the Nazis viewed destruction as economic productivity and recorded their killings with precise record keeping.  Furthermore, so many corporations profited from this loss.  Human hair from the deceased was used for clothing, and gold teeth were removed from mouths of the dead.  

Survivor and author Eli Wiesel has written and spoken poetically about the overwhelming silence at Auschwitz.  I felt this quiet all throughout our visit, and my normally inquisitive self held most of my questions until the end.

“As we conclude our journey today, I would like to leave space and time for questions,” Chris kindly offered as though he sensed my overwhelming curiosity and that of my mother the psychologist.  

“Have you encountered any Holocaust denial in any of your visitors?” My Mom jumped in almost immediately.

“Just once,” Chris responded.  “A man on one of my tours questioned why a picture contained no chimney smoke and claimed that this absence meant no gas chambers.  I countered him immediately with the truth that this very photo had documented a factory in Krakow, not the death camp, which contained countless ashes and human remains as evidence.”

I marveled at Chris’s calmness, intelligence, and sensitivity.  He explained that he and his wife had met giving tours at Auschwitz and felt more determined than ever to educate their young children on these historic atrocities.

“Although it would have made our commute to work easier, we stopped short of moving closely to the camps,” Chris emphasized when I remarked about the tennis courts down the road.  “We want them to be Holocaust aware, but having our home on site was too close for comfort.”

“Of course,” we all responded, and then discussed the clear contrast between Chris’ humane response with that of the Nazi Commander who chose to live and raise his family, children playing in the yard and all, on top of the gas chambers.

My family and I left the site of Holocaust horror, and immediately saw a woman run to the bathroom to vomit.  The one silver lining was that others had felt touched and moved by this experience.  They recognized and respected the most profoundly painful parts of human history.

How could I not have journeyed here before?  Why did it take my Catholic husband to plan such a trip for my Jewish parents and me?  My Mother had travelled with a friend twenty-five years ago to Auschwitz, but she has always felt determined to return with family.  

Bill, who had felt profoundly moved by reading Victor Frankl’s Man’s Search for Meaning at his Catholic high school, made it happen.  A survivor of multiple concentration camps, Frankl founded Logotherapy after his entire family perished in the Holocaust; he spent his life empowering others to discover purpose within their own lives. 

My intergenerational Odyssey to Auschwitz and Birkenau has strengthened an interfaith marriage, solidified firm family bonds, and made each moment of life feel all the more meaningful and precious.

Cara Erdheim Kilgallen is a mother, an author, an academic, an athlete, and a professor who truly treasures family and friendship.  She is dedicated to teaching literature and writing, as well as a lifelong ice skater and someone who is deeply passionate about sport (particularly tennis and golf).  Raised culturally Jewish, Cara deeply values her roots and embraces Judaism as foundational to the Judeo-Christian tradition and beyond.  She hopes for more interfaith and intercultural dialogue.  Cara hopes that through Jewish storytelling, this piece speaks to the horrors of all human suffering, which the world sadly has far too much of at present.

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