By Shai Afsai (Providence, RI)
— Prague, Czech Republic
Tisha Be-av and Tu Be-av 82 liftrat katan/August 2022
After Yehuda Amichai’s “Poem Without an End”
In a synagogue
they have made a Jewish museum.
The Torah scrolls and rabbi’s chair
are gone.
There are no children running
through the aisles
no elderly congregants
claim their regular seats.
In their place —
men with bare heads
and women without much clothing
move about the sanctuary.
They have made a Jewish museum
in a synagogue.
Exhibit panels line the walls
where siddurim and ḥumashim.
would be shelved.
Instead of prayer and study
cameras snap,
cellphones sweep the room
for panoramic pictures,
and tourists pose
for selfies.
No more amen,
no more yehe sheme rabba,
no more shabbat derasha,
no more kiddush levana.
Come evening,
members of a local symphony orchestra
perform medleys to great applause
for culture-worshipers.
After fifty years
of fascists and communists
there are not enough Jews left
to fill the beautiful space
with devotion.
For what else can the building be used?
In this bustle
it is at least safe
for now
from being covered with the thickening cobwebs
of I. L. Peretz’s golem
or becoming home
only to Kafka’s marten-sized animal.
The full moon wanes.
In a cemetery once
at a burial,
I heard a Jewish woman
say:
“The problem with the Orthodox
is they made Judaism into a religion.”
But in this building
I see the trouble
is
that others
have rendered the religion
into a memorial.
Shai Afsai (shaiafsai.com) lives in Providence. In addition to short stories and poems, his recent writing has focused on Benjamin Franklin’s influence on Jewish thought and practice, and on the works of the contemporary Dublin author Gerry Mc Donnell. Afsai’s writing has been published in Anthropology Today, Ibbetson Street Magazine, Journal of the American Revolution, Review of Rabbinic Judaism, Shofar: An Interdisciplinary Journal of Jewish Studies, and Studies: An Irish Quarterly Review.
Note: This poem first appeared on Poetry Super Highway, and is reprinted here with the kind permission of the author.
The Jewish Writing Project 