Category Archives: American Jewry

You Want Me to Keep a Kosher Kitchen? Really? 

by Carol Blatter (Tucson, AZ)

I was surprised when my husband-to-be told me that he wanted me to keep a kosher kitchen.  

“How do you keep kosher?” I asked.

“I can show you. I use white gold-rimmed glass dishes which are ok for both meat and dairy on the first two shelves of that cabinet.” 

He pointed to a wooden four-shelf cabinet with a brass handle on its door above the Formica counter. 

“I keep pans for dairy and meat on the third and fourth shelves. On the back side of each one is incised with either a D or an M.  I can put sticky notes on each of these drawers so you will know which silverware is for dairy and which is for meat. It’s really easy.”

“I don’t think it sounds so easy. . .” 

Anxiety visited me. My stomach felt tense and I started to sweat. My heart rate climbed. I’ve never been very good at change and I’ve always feared failure. Now recollections of old failures tried to take hold of me again. 

A few deep, steady breaths helped me relax. Keeping kosher is not a test of competence. What are the worst things that can happen? Maybe I will mix up meat and dairy silverware? Maybe I will make an egg and cheese omelet using a meat pan instead of a dairy pan? Then I reminded myself that mistakes are inevitable. There’s no penalty I could think of for goofing up with the exception of my slightly damaged ego, some embarrassment, and some shame which will all be short-lived. Maybe I will disappoint my husband-to-be, but that’s ok. He’ll have to get over it.

I took the big step. I told him I would keep kosher.

“Yes,” I said. “I’ll help you.”

* * *

My husband, unlike me, grew up in a kosher home. His parents never mixed meat and milk. They had separate meat dishes and dairy dishes. And they had separate dishes, pots and pans, silverware, and utensils set aside only for the eight-day holiday of Passover. That’s what he knew and keeping kosher was his choice in adulthood.

“We’ll work on this together,” he told me. “I use these bowls for cereal at breakfast and small dishes for sandwiches like tuna and egg salad for lunches on the weekends when I’m not at work. And I use these large plates at dinner time for a meat or chicken meal. Sometimes I use these larger bowls for kosher soups. Almost all are parve except for the chicken soup.”

“What’s parve?”

“Neutral. Parve foods can be eaten alone or with meat or dairy. Glass doesn’t retain either. ”

“What else will I need to know?” I asked, feeling my stomach churn again.

“Don’t get too worried. You’ll be fine. We’ll work together preparing our Shabbat dinner. What about chicken for the main meal? 

“I know many ways to make chicken,” I said, relieved to know I could cook some of my favorites, like baked chicken with seasonings of onion salt and paprika, mixed with wine and orange juice, and chicken cacciatore, chicken browned first with minced garlic and baked with a tomato, onion, and basil sauce.

“Wow, that all sounds great. I was a bake ‘n shake man until you joined me.”

* * *

We married a few days before Passover to avoid the eight-week no-marrying period between Passover and Shavuot.

All I remember about Passover was seeing a box of matzah on the kitchen table in our apartment. We didn’t search for the chametz. I never saw my mom do a mega-house cleaning. I don’t think we even had a seder. So how could I have possibly known what to do?”

Fortunately, friends invited us to the first seder on Passover just after we got married. We arrived early. I told Bobbie, our hostess, that I had no idea how to keep kosher for Passover. She showed me the pantry where she kept the Passover-only dishes, silverware, pots, pans, and utensils. In a second pantry, she kept Passover-only non-perishable foods. Bobbie taught me which foods were appropriate for Passover.

In the middle of the table was the seder plate with the roasted egg, the shank bone, the celery, the hazeret, the charoset, and shavings from the horseradish root. We read from the Haggadah and discussed the theme of freedom from slavery and the current forms of enslavement. I’ve never forgotten that seder. It shaped my understanding of Passover and my desire to give seders in the future.

* * *

Throughout the fifty-four years of our marriage we have kept kosher. For me, keeping kosher is part of being a proud and devoted Jew, continuing a practice that has contributed to Jewish survival for thousands of years. 

Carol J. Wechsler Blatter is a recently retired psychotherapist in private practice. She has contributed writings to Chaleur Press, Story Circle Network Journal and One Woman’s Day; stories in Writing it Real anthologies, Mishearing: Miseries, Mysteries, and Misbehaviors, Real Women Write: Growing/ Older, Real Women Write: Seeing Through Their Eyes, Story Circle Network’s Kitchen Table Stories, The Jewish Writing Project, Jewish Literary Journal, New Millennium Writings, 101words.org, and poems in Story Circle Network’s Real Women Write, Beyond Covid: Leaning into Tomorrow, and Covenant of the Generations by Women of Reform Judaism. She is a wife, mother, and grandmother. 

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Rebel

by Lori Levy (Sherman Oaks, CA)

If everyone else is doing it, that’s a good reason not to do it—

     Dr. Richard (Reuven) Sobel, my father, RIP

In my granddaughter’s jujitsu class

there’s a boy named Rebel—

a name to live up to, I think.

I am not a rebel

but the rebel in me roars

when it comes to holidays, traditions, rituals.

I want to do them my way

which means no fasting on Yom Kippur.

Fasting gives me a headache. I need coffee

when I wake up, food to start the day.

Only then, belly full, can I contemplate my sins.

If it’s up to me, we don’t have to bother with the symbols

required for a Passover plate: shank bone, bitter herbs, haroset.

Can’t we skip the long prayers and just eat matzo?

One year we are in Spain on Rosh Hashanah,

all of us there for my nephew’s wedding.

We celebrate the holiday with apples and honey

on a blanket at the beach. Perfect, I think.

My rebel smiles and disappears.

Sometimes, filled with guilt, I accuse my rebel:

you’re just lazy—too lazy to cook and host

a big holiday meal, though you don’t seem to mind

when others do the cooking. What kind of Jew are you?

No, not lazy! I shout. (Am I my rebel?)

I do want my loved ones at the table with me,

not for prayers, not for the Bible I never read,

just a meal, togetherness.

I wasn’t raised on holidays—except Hanukkah,

for a few gifts, so we wouldn’t feel left out

when all the other kids in our small Vermont town

were getting toys and clothes under their Christmas trees. 

No Purim for us, or Succot. No synagogue in our town

or Jews in my class. No Bar Mitzvah for my brother— 

but when he turned 13, my atheist father and 

non-religious mother took us on a trip to Israel.

Several years later, there we were, living in Israel.

I could talk about history, the Holocaust—or just say

I fell in love with the country. Or maybe

with Israeli men. I married one.

We celebrated the holidays with his family,

but now, years later, I’m back where I began,

not wanting the rituals that were never, back then,

a part of my life. I’m happy to be a Jew, but

this is my Judaism: my Israeli husband,

Israel, my kids born there. It’s not about Moses or

the Torah. Maybe it’s nothing more than

hummus and pita, Israeli pickles and olives.

We eat them in Los Angeles now.

Lori Levy’s poems have appeared in Rattle, Nimrod International Journal, Paterson Literary Review, Poet Lore, Mom Egg Review, and numerous other literary journals and anthologies in the U.S., the U.K., and Israel.  Her work has also been published in medical humanities journals and in Jewish journals such as The Reform Jewish Quarterly, Shirim, and The Jewish Journal. Her chapbook, Feet in L.A., But My Womb Lives in Jerusalem, My Breath in Vermont, is forthcoming from Ben Yehuda Press in the fall/winter.  She lives with her extended family in Los Angeles, but “home” has also been Vermont and Israel and, for several months, Panama.

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A Psalm about Grappling

by Rich Orloff (New York, NY)

Grapple with me, says God
I do not ask you to believe in me
Or extol me
Or worship me
These are orders humans have decreed

But grapple with me
Not for my sake
But for yours

Would you feel you lived if you had never seen the color blue
(and you had a chance)
Would you feel you lived if you had never heard music
(and you had a chance)
I offer you this opportunity
To grapple with me

And if you don’t know how to start
Ask questions
What are my dimensions?
Where do I reside?
What are my office hours?

Ask patiently
Then ask again
Ask a third time, just for fun
Ask a fourth time, just in case
And a fifth time, so asking can become a habit

Please
Grapple with me
I may not provide the answers you wish for
But if you let me
I will show you the colors and sounds you’ve missed

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com. 

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What’s In A Name                            

by Annette Friend (Del Mar, CA)

Annette.
Yes, that’s right.
Like Annette Funicello
if you are old enough to remember
the most popular Mouseketeer’s
television career.

Yes, named after my grandmother,
Hannah, or, in English, Anna.
A Jewish tradition,
naming for the dead,
so their memory and names are not lost
like forgotten pages in time.
Annette is “little Anna”
but definitely not French.

Ancestors from what is now Ukraine.
Before that Russia.
Before that Poland.
Before that a genetic mutation
hurtles me back in time
to the First Temple
in Jerusalem.

We Jews assimilate
but carry our names and histories
with us where ever troubles
and travels take us.
Our names, reflections
of double or triple identities.
In Hebrew
my name is Channah Bat Shayna
and Bat Lev.
Channah daughter of Shayna
who became Jean,
Lev who became Leo
when they crossed
the Atlantic sick in steerage.

We carry our heavy histories,
sometimes unbearable,
fastened on our backs.

I asked my mother once
why she never named me
for her sister Mae,
killed by the Nazis in Poland.
She said there were too many tears
that soaked that name.

But my new great niece
is named Paisley Mae.
A red-cheeked North Carolina baby
who carries the past
as a piece of her
like a pure white pebble
perhaps smoothed over
by the passage of time
until the rough edges
of history disappear.

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, and The San Diego Poetry Annual.

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Something about the rugelach

by Carol Coven Grannick (Evanston, IL)

Something about the rugelach…

they bring her to mind 

the word rolling out like pastry dough

spreading smooth and silky, caressed then cut

they bring her to mind 

as part of the duet with Dad during nighttime travel

dark-lit stars, Yiddish lullabies in the language of then 

the word rolling out like pastry dough

with tastes of comfort and warmth and now

tenderness of hugs still desired this long time later

spreading smooth and silky, caressed then cut

fondled, filled and curled with tenderness then baked

now infusing my mind with the delicate aroma of my mother’s memory.

Carol Coven Grannick is a poet and children’s author whose award-winning novel in verse, Reeni’s Turn, debuted in 2020. Her poetry for adults and children appears/is forthcoming in numerous print and online magazines, and she has received two Illinois Arts Council grants and a Ragdale Foundation Residency for her work.

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Bar Mitzvah

by Perri Weinberg Schenker (Cincinnati, OH)

Like Moses, you stand poised to ascend,

wrapped up in the tassels of your courage and your fear.

Man-child, my child.

Child of God, child of green grass,

of ocean waves and snowflakes,

of flames that never consume.

Surely you know—surely—

that today you will leave behind

the spindly legs and tender leaves

that propelled you here.

Before this crowd of sinners and supplicants,

you will shed that skin, and rise.

Will the mountain expand you,

braid your soft sinew into knots?

What will you learn from the pebbles beneath your feet?

Man-child, my child,

Child of Abraham, Isaac, and Jacob,

square your shoulders

so they can bear the heavy stones.

Plant your foot into rock, foot into rock,

finding the rhythm, 

finding the crevices where secret knowledge hides.

Wedge yourself a foothold

in the footsteps of your fathers,

and climb

—away from me.

Perri Weinberg Schenker is a writer and editor in Cincinnati, Ohio, where she focuses on academic publications, textbooks, medical manuscripts, and marketing communications. She has always been a closeted poet, and “Bar Mitzvah” is her coming-out poem. Perhaps she’ll share more in the future—who knows?

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Connections

by Liz Paley (Concord, MA)

There’s a certain time of day when the light comes in my kitchen that reminds me of my childhood home. Only recently did I start to notice it. My father died in January, on New Year’s Day, and now he and the house are gone. I miss him terribly. It’s during the late afternoon when this light comes in, and it’s the same time of day that I usually called my dad. 

“Well, good afternoon,” he always said, when he picked up his old landline. 

My father grew up in the Bronx, in a segregated neighborhood; Jews in one area and Blacks in another. So, at an early age, he understood injustice. He was the first in his family to attend college and after marrying my mother, who was not Jewish, they moved to Long Island. They built a life there for my sister and me and he was deeply rooted in the community. A local newspaperman, my father was fair and forward thinking. 

He ran for town supervisor in the 1960’s. He was a Democrat in a Republican stronghold, but also a Jewish Democrat in a predominantly Irish and Italian community. He told us that when he campaigned he would introduce my mother using her maiden name, a recognizably Italian one. It was a strategy, he said matter-of-factly. He knew he was up against antisemitism and he wanted the Italian vote. He still lost. It took me years to recognize the vulnerability and courage it must have taken for him to run for office.             

Our family embraced our different backgrounds but most of what I learned about Judaism was from my mother, not my father. He was a man who had faith in family and community, but not in religion. My mother, the daughter of immigrants, grew up in a tenement on the Lower East Side of Manhattan. She went to Brooklyn College where she met my father who was seated alphabetically next to her. A schoolteacher, she tried her best to teach us about Jewish holidays and tradition. Growing up, we would celebrate with both sides of our family, and it was fun – Seders with some cousins and Easter egg hunts with others. Sometimes, grandparents, aunts, uncles, and cousins from both sides would gather at my parents’ house. What we all had in common was a connection to each other. 

For me, though, there were times I felt I belonged to both traditions and other times when I felt as if I didn’t have either fully. I watched my mother hide the Christmas wrapping paper when she brought gifts to my Jewish grandparents because she didn’t want their neighbors to see. And I remember when the Rabbi in our town told my sister she could no longer attend Jewish youth group because a parent had complained she was there. These experiences were all part of my foundation. 

In the last few years of my father’s life, we sat quietly in the house he had lived in for over sixty years. It was the one I grew up in. I can picture him sitting in his worn black leather chair holding a pencil nub, working on a Sudoku puzzle in the New York Times, and sipping lukewarm coffee from a mug he’d poured earlier in the day. The afternoon light would fall across the room. I found purpose and love in those visits, and my father and the house anchored me. 

After my mother’s death, a few years prior, I often felt powerless. I turned to family recipes as a connector with my father. I made the dishes for him that my grandmother had made when I was a young girl. I’d make her matzo ball soup, challah bread (to mixed reviews) and sour cream cake, carefully following her cursive notes in an old cookbook. I’m not all that sure of the connection my father felt with his parents. His emotion was often kept at bay. My grandfather had failed my father in many ways, mostly through his absence. But the food helped me feel connected to my past, my Jewish heritage, and most of all, my father. 

I have unanswered questions about what my father’s Jewish identity meant to him. I feel a sense of loss now in not having discussed it more with him. I do, however, know what his identity as a newspaperman meant to him. My father instilled in me a love of words and using them to somehow try to make sense of things, even if we got parts wrong. He modeled a life of curiosity and reflection. Today, I continue to question the role of religion in my life but I do have faith. I also follow in my mother’s footsteps by trying my best to pass down Jewish traditions to my daughters. 

New Year’s Day seems like an odd day for a life to end; it can be a time of anticipation and hope. It was one of my mother’s favorite holidays and I’d like to think they spent this past one together. Someone once told me if you’re not looking for signs, you won’t find them. So I look. I notice the afternoon light coming in and wonder what my father would think of this exploration of our family’s Judaism. I watch shadows dance across the floor and listen closely for my father’s, “Well, good afternoon.” 

Originally from New York, Liz Paley worked in social services for many years. She now lives in Concord, MA where she teaches preschool. Her writing has appeared in The Boston Globe and Ruminate Magazine. She was a finalist in Ruminate Magazine’s 2021 William Van Dyke Short Story Prize. She has two grown daughters.

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Caught in the Middle

by Mel Glenn (Brooklyn, NY)

I am lucky enough to have

friends on either side

of the religious diamond, 

fundamentalists who swing from the right,

and atheists who bat from the left.

I stand squarely in the middle,

unsure which side to root for,

let alone play for.

I am caught between 

piety and protest, tradition and rebellion.

There are so many teams,

as there are so many religions.

For which team do I sign a long-term

contract on the dotted line?

The Pittsburgh Protestants?

The Boston Buddhists?

The Miami Muslims,

or the Jersey City Jews?

Doesn’t God pitch for all the teams?

Who is to say which team is best,

which team is strongest,

which team leads the league?

We are all essentially on the same playing field.

We are all part of the same cosmic lineup.

We need to feel connected,

no matter which team we play for.

We do not wish to be wandering alone.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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A Psalm of Pizza

by Rich Orloff (New York, NY)

While waiting with great anticipation
For the cheese pizza I ordered
Because I am consumed with hunger
And I really need this pizza

God knocks on my door

I open the door
And God says
I offer you the universe and all of its wonders
And I offer you life’s greatest gift, love

That’s nice, I reply
But I was really expecting a cheese pizza
And I’m very hungry
Where’s my cheese pizza, God?

God smiles, in that inscrutable way God does
And leaves
Continuing a lonely mission to go door to door
Offering the universe and love to all who will receive it

While over and over
People respond with disappointment to God’s offering
Because they were expecting a cheese pizza
And God didn’t deliver their prayer

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com. 

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Coming of age on Blake Avenue

by Janice Alper (La Jolla, CA)

Six days a week, after morning prayers at synagogue, Zayda set up his notions stand, with needles, threads, barrettes, bobby pins, hairnets, and other stuff, on the sidewalk in front of his basement knitting store on Blake Avenue in the East New York section of Brooklyn. He lumbered up and down the steps hauling six sawhorses and three planks of wood. Once in place, he disappeared into a dark storage space, and carried up flimsy cardboard boxes laden with the goods. By 9:30 am, in all seasons, he was ready for business.

The dark, dank basement underneath a two-family house—sandwiched between Sapoff’s children’s shop and Brodsky’s appliance store—reeked of kerosene from a black stove even when it wasn’t on. Along the curb a pushcart sold fruits and vegetables. Another sold fresh fish, where the pushcart man yelled, “Fresh flounder today.” 

The fish, with clear glassy eyes, sat on a pile of shaved ice. Grandma bought some and the man wrapped it in newspaper. “Enjoy,” he said, as he handed it to her.

On the farthest corner a commercial laundry belched steamy, moist clouds which floated over to us from the large dryers. Across the street, the German bakery perfumed the air with fresh breads Grandma bought at the end of the day—crusty seeded rye, thick black pumpernickel, and onion rolls saved for breakfast the next morning. Sometimes she treated me to a crumb bun. The powdered sugar covered the front of my clothes as I gobbled it up and licked my lips to get the last of the sweetness.

Even at five years old, I noticed Zayda was different at his stand than he was at home where he seemed as if he was the giant in Jack and the Beanstalk. I covered my ears and fled to my room when he came home from the store. He only spoke Yiddish and was strict about my behavior, making me say a morning blessing and warning me no to talk to boys.

“How come you don’t speak English to me?” I asked.

He looked down on me with his beady brown eyes, “Sha, Yenta,” and put his finger to his lips.

My parents opened their grocery store in another neighborhood when I started kindergarten in 1945, so Grandma took me to Blake Avenue every day after school. To pass the time I’d sort the plastic barrettes by shape and color—pink butterflies, mock red ribbons, and white daisies. Whenever I held a pair up to my hair, Zayda wagged his finger at me. I’d escape to the safety of the basement where Aunt Hilda sold yarn, knitting needles, knitting books, and provided knitting instructions to the customers.

Downstairs, I crossed my arms around myself in the coolness. It felt comfortable, despite the smell of kerosene in winter and summer, and as time passed, I didn’t notice it. Even on gloomy winter days, when Zayda stood huddled in a warm overcoat, hands in pockets, a muffler on his neck, and earmuffs to keep the frost from his ears, it was still brighter outside than the store below where the light came from two bulbs, each one pulled on with a metal chain. On the counter in back rested a bronze cash register where numbers popped up in a window when you touched the keys.

Along the walls the yarns were in boxes—light-weight ones for cardigans and baby sweaters, heavier ones for scarves, or for crew necks with reindeer patterns. The names of the colors were written on the boxes—scarlet, maize, beige. Some of the wool came in balls where you pulled out a thread and it was ready for knitting. Others were hanks that had to be made into balls before you could use them. More than once Aunt Hilda said, “Stick your arms out, Janice.”

She took the loops of the skein and placed them on my wrists. I’d spread out my arms so the wool wouldn’t droop as she wound it into a ball. It tickled and I loved the soft feel against my skin.

One day Aunt Hilda handed me a pair of knitting needles with two rows of bright red stitches on one of them. “How would you like to learn to knit?” she asked.

“Oh, can I?”

“Of course, I’ll show you.”

I sat on a stool and faced Aunt Hilda whose plaid woolen skirt covered her knees. She bent her head, with its crown of long braided hair framing her face and showed me how to wind the yarn on my finger and transfer the stitches from one needle to the other. My first attempts were clumsy, and I kept dropping the stitches. “It’s hard,” I whined.

“Don’t cry, I’ll help you.” She guided my hands until I managed on my own. I wrapped the long belt that I had just made around my waist and paraded in front of Aunt Hilda. “You look satisfied,” she said.

I marched up the stairs to show Zayda, “Look what I made.”

“Good Yentele,” he said and patted me on the head.

Grandma packed Zayda’s lunch every day: two hard boiled eggs, two slices of buttered rye bread, an apple, and a large thermos of coffee. Sometimes she surprised him with a tuna fish sandwich. He took his lunch downstairs and sat next to the kerosene stove he used for a tabletop.

Grandma watched the stand while Zayda was gone. I liked being there with her, especially since she couldn’t hear so well, and I sometimes had to shout what people were asking her. I’d lean over and repeat what the customer wanted into the hearing aid on her chest.

One time as I arranged the cards of barrettes, she took a pair, shaped like red ribbons, and handed them to me. With her finger on her lips she whispered, “Don’t tell Zayda.”

Later at home I looked at myself in the mirror with the plastic barrettes in my dirty blond hair and paraded up and down, hands on hips, like the ladies in Mommy’s Redbook magazine.

As I got older and could be on my own, I didn’t go to the knitting store after school; instead, I stayed home by myself. It was a relief to be free of the place. I had time to spend with my friends enjoying an egg cream at Vogelson’s candy store, or playing a game of stoop ball, before I took the bus to Hebrew school.

….

On a rainy Sunday, in 1953, as Zayda sat in the entrance to the basement store, the black kerosene stove exploded and started a fire. Zayda ran up on to the sidewalk and scratched his head as he watched the firemen work. Not much was salvaged, and the knitting store closed forever.

My mother shared the news with me and added, “I don’t know what Papa will do now without the store.”

Zayda continued with his habit of going to shul twice a day. 

I, on the other hand, had been doing without the store for many years by then. Already in eighth grade, and no longer at Talmud Torah, my time after school was filled with band and Honor Society. However, Young Judaea replaced my formal Jewish education. Fascinated with the egalitarian role of women in the fledgling state of Israel, I began to seek ways to be part of a an egalitarian community. Something I continue to this day.

It all began on Blake Avenue.

Janice Alper has reinvented herself in her senior life as a writer of poems, personal essays, and memoirs which have been published in San Diego Poetry Annual (2018, 19, and 20) The San Diego Union-Tribune, and Shaking the Tree. 

Currently, Janice’s memoir, Sitting on the Stoop, about her Brooklyn, New York childhood from the mid-1940s to mid-1950s, is available on Amazon. You can view it here:

Sitting on the Stoop

Words Bursting in Air, her book of poetry, may be obtained by contacting her at janicealper@gmail.com. And you can follow Janice on her occasional blog at www.janicesjottings1.com

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