Tag Archives: grandparents

Five Silver Dollars

by Nina Zolotow (Berkeley, CA)

 “Why are we celebrating Hannukah this year?” I asked my mother. “I thought our family never celebrates Hannukah.”

“Grandpa made a special request for this year,” she explained.

“But it’s just a family dinner, right? Like what we have for Passover? Because we’re not religious, because Grandma and Grandpa are atheists, right?”

Even though I grew up in a Jewish family, the only Hannukah I remember from my childhood was the first time (and the last time) my mother’s family celebrated it. That’s because in our family Hannukah was a minor holiday that we ignored on principle, even though it was the holiday that the Jewish kids at my school bragged about (presents for eight days in a row!). 

“All those bourgeois Jews,” my mother would say scornfully. “They’re just building up an unimportant holiday to compensate for feeling left out at Christmas. Passover, Rosh Hashanah, and Yom Kippur are the important holidays, Nina, not Hannukah.”

But on that winter night when I was maybe eight years old, our family of four—my mother, my father, my younger brother, and me—left our house up in the Santa Monica Mountains and headed off to Venice, where my mother’s parents lived, because my grandma was having a Hannukah dinner. 

In those days, Venice was still a Jewish neighborhood—before Main Street became hip and trendy and real estate shot through the roof—where my grandparent’s neighbors spoke Yiddish just like them, where there was Hebrew writing on the fronts of the small shops and Jewish things to buy inside them, and where there was a Jewish temple, the Synagogue by the Sea, right on the beach. Their home was an apartment in a small, nondescript, two-story building that they owned and managed. On that winter night, it looked the same as aways, with a neat green lawn and geometrically trimmed hedges that you might see anywhere, and with only a few large, shaggy palm trees and flame-colored Birds of Paradise that gave the neighborhood a Southern California vibe. 

When we arrived at the front door, my grandmother Goldie greeting us, saying warmly, “Come in! Come in!” and she pressed my cheeks with her soft, warm hands and kissed me tenderly, saying “Ninala!” Once inside, I noticed that the big table was already set up in the dining room, covered with the treasured lace tablecloth and the place settings that Grandma used for every family dinner. As always, there was nothing to indicate which holiday we were celebrating. 

I had always known that I was Jewish. It was my bloodline, my parents told me, and it was even on my mother’s Illinois birth certificate as “Color: Jewish.” But I always understood, too, that my family was different than other Jewish families, especially the families of the Jewish kids at my grammar school, which was in the upper-middle class, predominately Jewish neighborhood of Westwood. This was because it wasn’t just my parents who did not believe in God, but neither did my mother’s parents. Even though both my grandmother and grandfather grew up in Lithuania in Jewish shtetls and my grandmother’s father had been a rabbi, my grandparents both were committed Communists who believed that religion was “the opiate of the masses.” So at that time, I had never even set foot in a temple, and when most of the Jewish kids at my grammar school went off to Hebrew school on Tuesdays and Thursdays, I simply went home on the school bus. I had to admit I was very curious about what this “Hebrew school” thing was and sometimes even felt a bit left out, but I was also happy enough not to be going to any more school, whatever the kind. 

After saying hello to everyone, the first thing I did was to walk around the big table, counting the places: Grandma, Grandpa, Mommy, Daddy, Auntie Estelle, Uncle Morrie, Cousin Susan. That meant there were not enough seats at the table for us three kids—me, my brother, Danny, and my cousin Stevie! So we were going to be exiled to a “kid’s table” in the kitchen again! I hated that. I always wanted to be at the big table where the stories and the jokes were told, even if sometimes the punch lines were delivered in Yiddish and when the grownups laughed, I had no idea what was so funny.  

Then I went into the kitchen to verify that, yes, the small red and silver kitchen table was set for three. But what was that next to each of the plates? A small, mesh bag of gold coins! Auntie Estelle walked up behind me, placed her hands on my shoulders, and laughed.  “It’s Hanukah gelt!” she said.

Suddenly I was happy. I’d seen those golden “coins” before in Jewish delis and was fascinated by the candy that looked like money, just as I was by any candy that looked like something else, no matter how it tasted. But these, I knew, were chocolate coins. My grandmother was a renowned cook, who baked perfect desserts that the grown-ups raved about, like mandel bread, poppy seed cookies, and sponge cakes. But those plain desserts were always disappointing. I always wondered: Where were the chocolate chips? Where was the yummy chocolate frosting?  

Then my Grandma Goldie came into the kitchen, put her flowered apron on over her neat navy blue dress, and started grating potatoes for latkes. On Jewish holidays, my grandma always cooked an entire multi-course meal for the family from scratch, making the same dishes that her two daughters and their husbands remembered from their childhoods. I sat down at the kitchen table and watched my lovely grandmother—with her soft pale skin, soft curly grey hair, soft smile, and soft voice—doing one of the things that she did best: cooking delicious food for her family.

Then Danny and Stevie came running into the kitchen but stopped suddenly, eyes growing larger, when they saw what was on the table.

“It’s Hanukah gelt!” I said.

“Oh, boy, candy!” 

“And it’s chocolate candy!”

As the boys scrambled into their seats at the table, I could hear the adults in the other room, saying “delicious, Goldie,” and “absolutely wonderful,” about the chopped liver they were smearing onto pieces of matzoh. I wondered as always how they could possibly love the pungent, rancid, fatty flavor of that unappetizing-looking brownish paste. Then, as they often did, they started to talk about people who were not there. 

I knew that my grandfather, Meyer, who was the oldest son in his family, had come by himself to the U.S. from Lithuania when he was only sixteen, settling in Chicago where there was already a community of Lithuanian Jews. Once there, he earned enough money to bring his father over to join him, and then he and his father worked together to earn the money to bring the rest of the family over to join him, including his mother and the rest of his siblings. That was why Meyer was a hero to his family, and all his siblings looked up to him.

My mother had told me so many stories about what it was like to grow up as part of that extended Davis family—all those crazy aunts and uncles, with their radical politics, vegetarian diets and goat’s milk fresh from the farm, nude swims at night in Lake Michigan, and romantic spats, and the crowd of all-girl cousins who played cards and gossiped and slept together in an abandoned box car on the lake shore every summer. Most of that family was still in Chicago, where I had never been.

My grandmother, who was from a different part of Lithuania than my grandfather, had also come to the U.S. alone at age 18. She had joined two of her older sisters in Chicago, then met and married my grandfather shortly after that. So, although my grandmother’s parents, brothers, and one sister stayed behind in Lithuania, my grandmother, too, had a few relatives the Chicago area. And both my mother and her sister, Estelle, had grown up there, surrounded by a large, extended family, as had Cousin Susan, Estelle’s daughter from her second marriage. 

All those relatives from Chicago—whom I had never even met—seemed to be what the grownups in the family talked about when we gathered together on holidays. For me, in their ghostlike presence, they vastly outnumbered the group of real, live humans sitting at the family table, making our immediate family feel small and incomplete. 

Soon the kitchen was filled with the warm, savory smell of frying onions and potatoes, and my grandmother set the first batch of latkes on the kitchen table in front of Danny, Stevie, and me. She served us each a pancake, along with boiled chicken, cooked carrots, and applesauce. “Eat, children! Enjoy!” she said and then turned back to the stove. And no one, I noticed, was saying anything about Hannukah—there were still no special words about what we were celebrating or why. 

And when the grownups were finally served their dinner, I heard them saying the same two words they always said at the beginning of our dinners, “La chaim!” That simply meant, I knew, “To life!” And those words were not religious, not a blessing, not a prayer, not any kind of grace. But even just that simple Hebrew phrase told me that being Jewish still meant something to my family. Yes, they were all atheists, but they always gathered together on holidays like Passover and Rosh Hashanah that only Jewish people celebrated, where they ate food that only Jewish people cooked—chicken soup with matzo balls gefilte fish chopped liver potato latkes blintzes stuffed cabbage brisket smoked white fish pickled herring tzimmes potato kugel kasha varnishkes kishke noodle kugel rye bread matzo taiglach mandelbrot sponge cake halvah hamantaschen

I knew that my grandparents, both Jewish, had married each other, and my mother had married a Jewish man, my dad, and all her girl cousins had married Jewish men, too, and all three of Aunt Estelle’s husbands had been Jewish. I knew that something happened to my grandma’s family in Lithuania during the Holocaust, but besides the fact that being Jewish was something you could be killed for, what else did being Jewish really mean to my family? 

Grandma’s latkes were perfect: crisp and golden on the outside, tender and savory on the inside. And the carrots were slightly firm and deliciously sweet. We three kids quickly polished off our food, including second helpings of the latkes, and then gazed longingly at our bags of Hannukah gelt. Then we had a conversation that went something like this:

 “I wonder what ‘gelt’ is,” I said

“It means ‘money,’ I think,” Stevie said.

“Money,” I said. “Yeah, ‘cause it looks like money. Hmmm. But why is the chocolate money Jewish? And why is there chocolate money on Hannukah? 

“’Cause it’s Hannukah tradition,” Stevie said, “you know, like the menorah.”

“But isn’t the menorah ‘cause Hannukah is supposed to celebrate some miracle of oil burning in some temple for eight days instead of one?”

“Well, yeah.”

“That doesn’t seem like very big of a miracle,” Danny said.

“What doesn’t?” Stevie said.

“Oil for eight days.”

“Well, maybe that’s why it’s a dumb holiday we don’t usually celebrate in our family,” I said.

“Yeah, ‘cause the miracle isn’t very miraculous!” Stevie said. We all laughed.

 “I want to eat my gelt now!” Danny said.

 “I’ll ask!” Stevie said. 

When permission was granted, we ripped open our mesh bags and poured the golden coins onto the table to inspect them. There were coins in three different sizes, each embossed with mysterious Hebrew characters. I wanted to make my candy last as long as possible, so I selected one of the smallest coins to start with. I carefully peeled off the top layer of foil to reveal a flat, round disk of soft, limp milk chocolate, broke off a piece, and inhaled an odd sickly sweet scent that reminded me of Play Doh. When I placed the chocolate on my tongue, I concluded that it was blander, softer, and nowhere near as good as a Hershey Bar, but still it was chocolate, something I never ever had before at grandma’s house. 

As the three of us were focused on taking tiny bites of our chocolate coins, both of our grandparents came into the kitchen and stood together next to the table. I was surprised that my grandfather, who typically ignored all his grandchildren, was now gazing down at us with interest. A tall, thin, handsome man with iron grey hair and glasses, remote and mysterious, he always seemed to be sitting at the kitchen table with a cup of coffee, smoking a cigarette and reading the Daily World when Danny and I were spending time with our grandma.

“Your grandpa wants to give you real Hannukah gelt,” our grandma said. Then my grandpa reached into his pockets and handed each of us five large silver coins. “He made a special trip to the bank just to get silver dollars for you children,” grandma added.

“Happy Hannukah,” grandpa said.

I stammered, “Uh, thank you, Grandpa.”

And the boys chimed in, “Yeah, thank you, Grandpa! Happy Hannukah.”

After our grandparents returned to the dining room, I held the heavy silver coins in the palm of my hand and studied them. I realized then that for this night a special dinner had been arranged just so my grandfather could give us, his grandchildren, a gift. I guessed that giving coins to children on Hannukah was traditional, and that my grandpa had been given them when he was a child in Lithuania because, otherwise, why else would he have given them to us? But it was so difficult to imagine the world from which he and my grandmother had come. There was a religion I didn’t understand, a language I didn’t know, and a feeling of belonging to a group of people I had never seen, yet I was somehow tied to it all, through these two people, my grandparents, and through these very coins they had given me. 

The gift from my grandfather should have been making me glad, so why did I feel so much sorrow mixed in with my happiness, like that time I went swimming in a natural hot springs up in the Sierras, and the strong current of the hot geyser water that was bubbling up from a crack in the earth kept pushing me back out into the icy water of the river of melted snow that was rushing down from the mountains, and I had to keep swimming and swimming just to stay in the warmth?

“Wow! Five whole silver dollars!” Stevie said. “That’s a lot of money. And they’re probably worth even more than just a dollar ‘cause these coins are really old. Look at the year on this one: 1898!” 

“I’m not gonna spend mine,” I said. “I’m just gonna keep them. I’m gonna eat all the chocolate but I’ll keep the real money forever and ever.” 

“Me, too!”

“Me, three!”

Nina Zolotow just loves to write, and she has been doing it for her entire adult life. Currently she is writing creative non-fiction and experimental fiction/poetry, which you can find on her blog Delusiastic!, where there is both brand new and older works, and you can also subscribe to her on Substack, where she is releasing one story a week. Nina has also written or co-written four books on yoga (see yogafortimesofchange.comas well as being the Editor in Chief and writer for the Yoga for Healthy Aging blog for 12 years. Before that there was 20 years of writing instructional manuals for the software industry, including many books for programmers. And somewhere in there was an MFA from San Francisco State in Creative Writing. All of that taught her how to write simply and clearly when needed but also to go crazy with words when that seems right. 

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Collecting Languages

After White Squares by Lee Krasner (USA) 1948 *

by Barbara Krasner (Somerset, NJ)

I won a Hebrew contest once,

not because I understood

the text blocks reading right to left,

            although I knew zeh meant “this”

            and ha meant “the”

but because I understood the random

algorithm of standardized testing

and that I couldn’t color in

too many D choices with my No. 2 pencil.

I won Honorable Mention

in a German Declamation contest once playing

a Hausfrau in Wolfgang Borchert’s “Die Küchenuhr,”

my hair in pink curlers, wearing my mother’s housecoat

on the Rutgers stage, the only top contestant

who did not speak German at home.

As a teen, I performed “Tri Medvedya,”

the “Three Bears,” to get eighth graders

interested in taking Russian classes

at the high school.

            Odna devoshka poshlya v lecu i zablyudilas.

            A girl went into the forest and sat down.

I took Greek classes from a Rutgers professor,

            So much based on the aleph bais of Hebrew

            Even the Russian kukla for doll

Czech lessons in Prague,

            Where I recognized from Russian

            Infinitives k’ pti to drink and plakat to cry

tried French with Rosetta Stone.

            L’éléphante est dans l’avion

The elephant is on the airplane

But it was my frustration with not knowing

my grandparents’ Yiddish that led me

to formal classes, to confront what little

I knew, what little I had absorbed,

robbed of linguistic heritage

by immigrant grandparents

who died too soon.

Barbara Krasner holds an MFA from Vermont College of Fine Arts and a PhD in Holocaust & Genocide Studies (HGS) from Gratz College, where she teaches in the HGS graduate programs. The author of two poetry chapbooks and three novels in verse, her work has appeared in Jewish Literary Journal, Tiferet, Minyan, Jewishfiction.net, Michigan Quarterly Review, and elsewhere. She serves as Director, Mercer County (NJ) Holocaust, Genocide & Human Rights Education Center.

* Editor’s note: This poem–an ekphrastic poem–was inspired by Lee Krasner’s work, White Squares. To view Krasner’s artwork, visit: https://whitney.org/collection/works/504

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In His Hands

by Barbara Krasner (Somerset, NJ)

My grandfather once held my grandmother’s hands in his. I never knew her. He held the keys of his wooden register in his hands. Canned goods. Fresh produce. Milk bottles for the 1915 free milk campaign as announced in the Newark Evening Star. He held my infant father in his hands, an American-born baby of a Litvak and a Galitzianer. He held his aging mother’s hands and when I was born, and my mother asked him for a name, he gave me the name of his mother, Bryna, and his eldest sister. Doba, who died in the 1918 flu pandemic. He once held shoelaces that he dipped in leather in his first job at a Newark tannery. He once held pencils and rulers in his work as a joiner in Russia. He once held the parcels of his Russian life as he steamed across the Atlantic at age 19 on the SS Rotterdam in 1899 to join his brother in Newark. He held the fringes of his tallis and the leather straps of his phylacteries that I now keep in a special treasures drawer. My grandfather once held the remote to his Amana television to watch The Lawrence Welk Show and used it to change the channel to The Wonderful World of Disney for me. He once held the lever to vote for Al Smith for American president after he became a US citizen. He once held the keys to a corner lot house after decades of living behind the general store he and my grandmother owned and operated. As he aged, he held the iron-wrought banister of the outdoor stairs to my father’s car. He held my father’s hands for support. He held onto life itself to the age of 93.

But with all that my grandfather held, I don’t think he ever once held me.

Barbara Krasner holds an MFA from Vermont College of Fine Arts and a PhD in Holocaust & Genocide Studies (HGS) from Gratz College, where she teaches in the HGS graduate programs. The author of two poetry chapbooks and three novels in verse, her work has appeared in Jewish Literary Journal, Tiferet, Minyan, Jewishfiction.net, Michigan Quarterly Review, and elsewhere. She serves as Director, Mercer County (NJ) Holocaust, Genocide & Human Rights Education Center.

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I Heard My Grandparents’ Voices

By Esther Munshine (Great Neck, NY)

My grandparents stared from the portrait

Hanging on the wall — dead eyes, expressionless

I used to fantasize that they were somewhere 

Still out in the world, lost, but rescued at the

End of the war, not murdered horrifically, lost in

The mingled ashes at the hell that was Auschwitz

I dreamt that they were survivors who would

Miraculously be found so we could be reunited

Leave it alone! My hope was the naivete of a child

And then the discovery more than half a century later,

My mother’s papers:

Letters from Vienna during the war from

My grandparents to their children and a brother and 

Two sisters caring for my mother’s 

Mother — a tragic figure old and lost

My great-grandmother, an invalid with no words

She couldn’t speak English and I am

Not sure she even knew where she was

From my mother’s closet, several letters from

Her parents, hidden from us in her lifetime

Being read at our behest

In the vocally halting translation by a woman who

Struggled to decode the high German no longer in use

I heard the voices of my grandparents trying to

Encourage the Jewish children they had sent to the safety

Of loving arms in America

They spoke, sending regards to other relatives and friends

I knew well

Having grown up with — making my family suddenly full

Our two central figures included

Finally, part of me in a way that I could keep them forever

They had saved me too by sending their children 

To America…

But they were hiding behind window shades

In their once comfortable Vienna apartment

In terror they were suppressing while making small

Talk about daily life revealing true devotion to 

Each other and their children — hoping to be saved

Knowing they would do what they could to survive

Even as the chessboard of history was countering

Their moves, it was too strong

They used parental injunctions to their boy and girl

To behave and study well and to thrive

And there I sat and met my grandparents who were

Calmly discussing their household management

One time as if at a séance with spiritual intervention

Their tones alive with love; it was in that fractured moment

As if my dream had come true if only for that one–time

Visit — as if they had been merely misplaced in the fog of war —

As if they had survived

Esther Munshine started teaching when she was 20. Her career spanned 50 years, with a generous interruption to raise her family. In 2019, she began writing poems in earnest.  During the pandemic, she met online regularly with other writers sharing their work, safely at a distance. She was an invited featured poet to the second annual National Baseball Poetry Festival in Worcester, Massachusetts in 2024, where she read “Take Me Out” and “First Baseball Game for First Grandson”. “I Heard My Grandparents Voices” is an experience that their grand-daughter is still processing and she appreciates having the chance to share that experience with the community in the Jewish Writing Project. If you’d like to read more of the Esther’s work, visit: https://www.baseballbard.com and Reflections in Poetry and Prose 2023 https://www.uft.org/chapters/retired-teachers-chapter/retiree-programs/reflections-poetry-and-prose

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Trekking to Lakewood, New Jersey 

by Carol Blatter (Tucson, AZ)

“It will be a boring visit, I know it will be. I want to be with my friends. They’re going to the movies, and I’ll be left out. Do we have to go, Mom?”

“We have to visit Grandma. She always expects us a week before Passover every year and we don’t want to disappoint her. It’s too hard for her to make a seder. So going a week ahead gives her the feeling that we are together, like it’s a real seder. And as always, we will celebrate two nights of seders, one with friends, and one with the three of us at home next week.”

Dad nodded his head in agreement. 

“No discussion, we’re going.”

“Ok, I guess we’re going.” I hated that long ride down the Garden State Parkway. “Maybe I’ll read a book on the way or take a nap. Maybe we won’t have to stay long.”

Dad and Mom glared at me after I said that. Clearly, they were displeased with me.

Once we arrived, Grandma kissed me and gave me a huge embrace. I almost lost my balance.

Dad greeted his Mother. “Rosie, how are you?” Dad always called his Mother by her first name. I always thought it was disrespectful but I kept this to myself. Dad never liked to be challenged.

It was no surprise to see Grandma scrubbing the sink, then slicing some foods on a special board set aside for Passover each year. Grandma followed the requirements for Passover food preparation.  How she managed to do all her Passover cooking in this tiny kitchen still surprised me. She changed dishes, pots, and pans for this holiday. It was hard to imagine where she stored these Passover-only kitchen items after the eight-day holiday ceased. It was here in Grandma’s kitchen I learned about keeping Passover.

Grandma and her second husband, Max, lived in an dingy upstairs apartment with a  kitchen, a living room, a dining room, and a bedroom. Max was a miser. Anyone seeing this apartment would have been amazed to learn of my step-grandfather’s wealth. His adult children made sure there was a prenuptial agreement so that Grandma had no inheritance upon Max’s death. While my dad was upset when he learned of this, he and Grandma realized that she should go ahead with the marriage. It was better for Grandma to have a companion despite the spitefulness of Max’s adult children. Grandma started almost penniless prior to marrying Max, and she ended up the same way.

From the moment we arrived at Grandma’s apartment, I noticed how much older she and my step-grandfather looked from last year. Grandma was a short, stout lady with white hair pinned up behind her head, probably in her seventies then, maybe older, and she looked shorter and heavier. Max was a tall, slim, white-haired man, partially bald, who looked tired and frailer. He barely spoke. I never remember having any conversation with him. 

Suddenly, instead of disliking this trip, I wanted to help Grandma with the food preparations. I can’t explain the change in my mood. Instead of being sullen and annoying, I started to act more grown-up, not like a spoiled pre-adolescent. Maybe I wanted a relationship with my grandma and felt sad that so many years had passed since I had last seen her. So many of my friends had Zadies and Bubbies they were close with. Some lived with their families; some lived close by. I wasn’t so fortunate. We lived far apart. Maybe it had to do with my father’s distant relationship with his Mother; they were only intermittently close. Perhaps Dad’s relationship with Grandma had been marred by his having to go to work at the age of 14 in order to support their family. He had lost his childhood and his education. Maybe he suppressed his anger at her. But I also sensed in that hug, as their eyes met, he really loved her.

I still remember a surprising thing that happened when I saw Grandma many years ago. We were having a great time. I told her about my teacher and my friends. Then I remember saying that I had eaten a bacon, lettuce, & tomato sandwich for lunch that day. Grandma became upset. I had no idea why. She went into our kitchen, and within a few minutes I heard nasty rumblings between Grandma and Dad. I heard the word “bacon.” Why were they arguing about bacon? Several years later, I understood why Grandma had been so upset. She observed kosher dietary laws. Bacon isn’t kosher. She and Max ate only kosher meat and poultry, supervised by a rabbi with an OU label on each product. I think she was disappointed that we didn’t keep kosher. I wondered why my parents didn’t, but I never asked them. Mom came from an Orthodox Sephardic Jewish home, and Dad had grown up in an Orthodox Ashkenazi Jewish home. Why didn’t they follow the traditions that they had grown up with?

From these visits to Lakewood, I learned how to choose kosher for Passover foods and make a home clean and ready for Passover. Grandma told me that she cleaned cabinets, counters, closets and searched for crumbs, chametz, which had to be disposed of before the holiday began. Did Max help her? I doubted it. He was a sedentary, reclusive person. Maybe she never asked him. Throughout her life, Grandma worked hard and rarely had help. She was used to it. But as she aged, I could see how it became harder for her to do some of the things she used to do.

“Grandma, let me help. I know how to do things for Passover. I have friends whose parents keep everything kosher for Passover.”

“Here, you can put these dishes on the table.”

“And what about the silverware?

“Yes. And you can put them out, too.”

“Grandma, do you want me to put a piece of lettuce on each small plate to go under the gefilte fish?”

“Yes, bubbelah. Yes, meine aynikl.”

“Do you want me to fill these glasses with wine?”

“Yes.” 

“Can I have some?”

“How old are you now my bubbelah?”

“Eleven.” 

“Ok, a little schnapps can’t hurt.”

Then she pressed me against her large bosom, gave me a huge hug, and kissed me on each cheek. Her face filled with a warm glow that I felt for days afterwards. 

I knew Grandma had traveled in steerage with her parents and siblings from Poland to New York in the late 1800’s. I knew they had been sick for days in choppy waters. She spoke Yiddish and had to learn English in a foreign land. I knew her first marriage to a physically and emotionally abusive man had been a disaster. More choppy waters. And I knew she had raised four children herself after she locked my Grandpa out of their apartment. I doubt that Grandpa Henry gave her any money to support their children once she locked him out. 

Many years later, she married Max, who enjoyed her meals and her housekeeping without providing her with a more enjoyable and enriching life. Why would they remain in this little apartment when they could have lived with a little more luxury? When Grandma held me to her bosom and hugged and kissed me, I realized how amazing it was that she had any love left, having been deprived of love most of her life. I withheld tears. Grandma deserved better.

We sat down to eat lunch in their small dining area. The table was just big enough to fit five of us. The meal was reminiscent of what we would eat next week at the seder at the home of our friends. Gefilte fish. Then chicken soup with matzah balls followed by slices of potato kugel. For the main dish, she served chicken breasts seasoned with paprika and cloves of garlic, covered in onion slices, and bathed in chicken broth for baking. Everything tasted delicious. Then came my favorite. Dessert. Chocolate-covered macaroons, a specialty every year for Passover. Swee-touch-nee tea, Kosher for Passover,  ended the meal.

After lunch, I asked Grandma to tell me how she made gefilte fish. Like many old-world cooks, she didn’t have a recipe. She was a professionally trained guesser.

“Bubbelah, I grind carp, white fish, pike, mush them together with matzah meal and eggs, shape them round or into a log, like today. Broth, onions, fish skins, heads, bones, add carrot slices. Then boil them.” 

Can you tell me anything else? How much fish to use? How much matzah meal? How many eggs? How many carrots? How long do you boil them?”

“I don’t know, I just do it.”

I didn’t get specifics for making gefilte fish but I learned a lot about Grandma. What I thought would be a boring day turned out to be one of the most memorable days of my life. 

Carol J. Wechsler Blatter has contributed writings to the 2024 Birren Collection The Gift of A Long Life, Chaleur Press, Story Circle Network Anthologies, Writing it Real anthologies, The Jewish Writing Project, the Jewish Literary Journal, True Stories Well Told, Writer’s Advice, New Millennium Writings, and 101words.org. She has contributed poems to Story Circle Network’s Real Women Write, Growing/ Older, and Covenant of the Generations by Women of Reform Judaism. Ms. Blatter is a recently retired psychotherapist, she is also a wife, mother, and grandmother of her very special granddaughter who already writes her own stories  

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My Grandmother’s Hands

by Arlene Geller (East Petersburg, PA)

Her hands, swollen with arthritis, don’t fail her
as she plucks the chicken for the Sabbath meal
kneads the dough for her must-be-dunked poppy seed cookies

Her hands once supple worked her Singer machine
                          (prized possession)
sewed my clothes, homemade creations 
marked her status as a working-class immigrant

She and my grandfather
tailors from the old country
opened a store and plied their craft

The old Singer humming along
sustaining their livelihood
as they raised a family, three sons and a daughter 
                          (prized possessions)

Fulfilling their Russian dreams of an American life
now envisioned through the rolling fog
as they drew nearer to Ellis Island
the Statue of Liberty waving them in

Poet/lyricist Arlene Geller has been fascinated with words from a young age. Two poetry collections, The Earth Claims Her and Hear Her Voice, were published in 2023 by Plan B Press and Kelsay Books, respectively. Her poetry has also appeared in Tiny Seed Journal, Tiferet Journal, The Jewish Writing Project, White Enso, and other literary journals and anthologies. Collaborations with composers include commissioned lyrics, such as River Song, featured in the world premiere of I Rise: Women in Song at Lehigh University and since performed in numerous national and international locations. Learn more at arlenegeller.com.

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Filed under American Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism, poetry, Russian Jewry

Bubbe and Zayde Take Me to the Ice Capades

by Judith Sanders (Pittsburgh, PA)

On their Bronx subway platform,

they hold my hands.

She with her hatpin and cloth coat.  

He in a button-down and tie clip, 

worn for this holiday 

from cashiering at a newsstand.

We wait for the train to Manhattan,

where they never go, except today, 

for me, their scrubbed, chubby grandchild, 

who can’t speak their language

and has her own room.  

She was never yanked from school. 

Would never know, God willing, 

the soldiers, the nightmare of ripping 

and smashing, the mother’s screams.  

My parents don’t care about the Ice Capades, 

the ladies in sequins, twirled by men in tights. 

They are going to the symphony.  

Bubbe and Zayde guard me, one on each side, 

from the clatter of the oncoming train.

They do not ask why I want to go 

to the Ice Capades, when my whole life 

is one glide down smooth ice, an escapade, 

a frolic.

Judith Sanders’ poetry collection In Deep was recently published by Kelsay Books.  Her work appears in numerous journals, including Pleiades, The American Scholar, Modern Language Studies, Der Pakn Treger, and Poetica, and on the websites Vox Populi and Full Grown People.  She lives with her family in Pittsburgh.

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Filed under American Jewry, Family history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

What My American Grandmother Said

by Herbert J. Levine (Sarasota, FL)

That she had come to this country from the Austro-Hungarian empire at age two,

that her mother ‘s Viennese relatives were cousins of Theodor Herzl,

that her step-mother felt jealous of her good looks,

that she had become a Suffragette at age sixteen and raised money for the cause selling flowers on the Boston Common,

that the grandson of Henry Wadsworth Longfellow had been smitten with her appearance as Isaiah’s wife at a play at the West End YMHA,

that he had asked her to marry him on the spot, saying “my grandfather the poet loved your people,”

that she had replied, “Well my father doesn’t love yours,” 

that she married an American-born man twelve years her senior,

that she and her husband embraced whenever they met one another in whatever room of the house it was,

that it took her seven years after she married at nineteen to realize that she could get on top,

that she had gone every Sunday night to the Ford Hall Forum to hear visiting intellectuals who lectured on every topic under the sun,

that she had practiced saying, “every day, in every way, I’m getting better and better,” as one of them had advised,

that her sister who lived upstairs once said, “Rosie, what are you constipating to do?”

that there was nothing more beautiful than the sunset seen through her kitchen window,

that she lived as a widow forty-two years after Hyman‘s death, half of those working for the Federal government,

that the buses she took to work were designed for making friends with her neighbors,

that if you don’t own a car, it’s very important to befriend people who do,

that rush tickets at Symphony Hall were half-price for Friday afternoon rehearsals,

that there was nothing better for the spirit when visiting historic sites than saying “I love America!”

that it was important for young people to cultivate a sense of intimacy – she had been reading Erik Erikson at the time –

that she would never live long enough to use that bottle of one thousand buffered aspirin that I bought her,

that she left to her children and grandchildren her love of the sun and the moon and the stars and the sky

that she would spend her money before she died, which she did not, 

that I should say at her funeral that every morning she recited the Twenty-Third Psalm, but not until after she had eaten her bagel.

Herbert Levine is the author of two books of bi-lingual poetry, Words for Blessing the World (2017) and An Added Soul: Poems for a New Old Religion (2020). He is currently working on a humanist and earth-based prayer book: Blessed Are You, World: A Siddur for our Time. This is the fifth of his family portraits shared on the Jewish Writing Project. To learn more about Herb and his work, visit:https://benyehudapress.com/books/words-blessing-world/

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Filed under American Jewry, Boston Jewry, Family history, Hungarian Jewry, Jewish, Jewish identity, Jewish writing, Judaism, poetry

Furniture

by Steven Sher (Jerusalem, Israel)

Before proposing, Grandpa Sam

bought furniture and Grandma Anna,

pragmatic, agreed to marry him.

That’s what passed back then for love,

the young torn from their families and homes,

fleeing Russia before the next pogrom.

A couple needed a proper bed,

a table and chairs, a dresser and sofa.

They even believed that sturdy

furniture would prop up any failings

in their feelings, that they could build

a life around it and six kids.

Sam died before I was born. Named after him,

I don’t put too much stock in furniture.

Anna outlived him thirty years,

the stern and proper widow

always sitting straight and proud

in an upholstered high back chair

before the family when we gathered

every week around the solid table

Sam had bought so many years before.

Steven Sher’s recent titles include What Comes from the Heart: Poems in the Jewish Tradition (Cyberwit, 2020) and Contestable Truths, Incontestable Lies (Dos Madres Press, 2019). A selection of his Holocaust poems, When They Forget (New Feral Press), is due out in 2021, while his prose will appear in New Voices: Contemporary Writers Confronting the Holocaust. For Flowstone Press, he is editing an anthology of Oregon poets. Steven lives in Jerusalem. If you’d like to read more about Steven Sher, visit his website: steven-sher-poetry.wixsite.com/writing

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Filed under Family history, Jewish, Jewish identity, Jewish writing, Judaism, poetry, Russian Jewry