Tag Archives: children of the Holocaust

My Mother Museum

by Lev Raphael (Okemos, MI) 

First Gallery

My father lost her cookbook after multiple moves, the black-and-white student’s notebook in which she wrote down her favorite recipes in bold, foreign-looking script. It was the one possession of hers I wanted most after she died.  I relished watching her cook with the ease and flair of a professional chef in our dimly-lit Washington Heights kitchen with a view of another Depression-era apartment building across the street.  Same gold and brown bricks, with an equally ridiculously English name like The Windermere in a neighborhood that had been filled with German-Jewish refugees and was slowly becoming Hispanic.  But the book was unique, my mother as curator.

Second Gallery

The small cameo brooch of a woman in profile must be fifty years old or more but looks brand new because she never wore it.  A friend brought it back for her from Italy is all I remember her saying.  But who?  Was it the Polish man I heard about from a family friend after she died, the man she “should have married,” a socialist from Vilnius like her instead of my born-on-a-farm father?  Why did she keep it if she never put it on/why did she never put it on?  What did it mean to her?  I’m asking these questions too late.  It nestles in its white cardboard box lined with cotton, untouched, pristine, a buoy in a mysterious sea.  

Third Gallery

The cream-colored enameled compact weighs over half a pound, is embossed with leaves and a bird in flight.  Embossed in gold and made in France: modèle déposé, registered design.  There’s room for a lipstick, there’s a mirror inside on the left, there’s a lidded compartment for face powder on the right.  It’s an object out of a film noir, the kind of thing a lustrous femme fatale would use with magical, elegant hands to make herself up while people stared at her effrontery, her chic.  Oh, she was definitely chic.  One of her students from Belgium said “Elle avait du chien“: French for desirable, intelligent, and strong.  I see that in some photos from the late 40s.  By the 50s the look has disappeared and she’s an American housewife.

Fourth Gallery

Hanging in her closet in a plastic dry cleaner’s bag like any ordinary dress was the slave labor camp dress she was wearing when freed by Americans in eastern Germany, April 15, 1945.  Dark gray strips that seem almost purple on light gray stripes.  Thin, grim cotton with a roughly-sewn beige number patch above her heart.  The number helped me access German records of her incarceration in ghettos and camps.  Was this relic kept as evidence that she might not have survived if WWII had lasted longer?  That the crimes she endured were real?  It won’t tell me.  Can you really call it a “dress” or even a “uniform”?  Reality seems too big for such small words, for the bomb lurking there day after day. 

Last Gallery

This particular lined notebook has not been lost, but I wish it had been.  Black-and-white exterior, starker still inside: a record of her deepening dementia caused by years of chain smoking.  Here, instructions are repeated about when to take which pill.  Bits of news randomly copied from the New York Times.  Worst of all, grotesque, are the definitions of “Memory” she transcribed from a dictionary.  Remember, Remember, Remember says every miserable page.   The desperate lament of a mind drifting out to sea, the words of a voluble, witty, multi-lingual woman ordered at first, then scrambled, finally misspelled, broken, gone.  I want to destroy it but I can’t—it’s her anguished Last Will and Testament.

Gift Shop

CLOSED

Lev Raphael is an American pioneer in writing about the Second Generation, a project that he began in the late 1970s.  He’s the author of Writing a Jewish Life, Dancing on Tisha B’av, My Germany and 24 other books in many genres.  His work has appeared in fifteen languages and he’s done invited talks and readings in Israel, France, Belgium, Italy, Germany, England, Scotland, Canada and all across the US.  Venues included the Jewish Museum in Berlin, Oxford University, and The LIbrary of Congress. Lev taught creative writing at Michigan State University and Regents College in London, and has been invited to teach at Leipzig University in Germany.  Michigan State University has purchased his literary papers and they are available to students and scholars for research.

The piece first appeared in The Chaffin Review and is reprinted here with permission of the author.

5 Comments

Filed under American Jewry, European Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism

An Odyssey to Auschwitz

 by Cara Erdheim Kilgallen (Trumbull, CT)

I entered the gruesome gates of Auschwitz on a recent journey to Poland with my parents and husband.  Half-way through our guided tour, my stoic husband Bill turned to me and said, “I feel like throwing up.”  

The humid June air did not help our collective nausea.  As the sun beat down upon our shoulders, the four of us toured two of the darkest death camps from history and witnessed true Holocaust horror.

As a Jew with family members who perished in the Shoah, I had always felt determined to visit Auschwitz.  My eighty-three-year-old Dad, a Jewish former Marine who proudly wears a Star of David that says, “never again,” came along.  So did my mom, a seventy-seven-year-old dynamo who has worked as a psychoanalyst with Holocaust victims and their children.  Bill, my Catholic husband, wanted to experience history and planned the entire trip.  It had been on our bucket list for sure.

We began with Auschwitz, designed initially as barracks for the Polish Army, and then moved onto the darkest death and extermination site, Birkenau.  The structures at Auschwitz still stood, but they somehow didn’t feel real and the buildings almost resembled college dorms from the outside.  When I walked inside, the death site became more palpable.  Hairbrushes, belts, shirts, toothbrushes, and other discarded items from various victims highlighted the utter inhumanity of it all.  We began the brief bus ride to Birkenau, the neighboring camp, which was worse.

“Brace yourselves,” warned our guide Chris.  This next site will be tougher to take.”

“More difficult than this?” I asked incredulously while thinking about the gas showers we had just seen.

“Sadly, yes,” Chris responded.

Birkenau, the adjoining death camp to Auschwitz, made us all even sicker.  

As Bill and I stood in shock staring at the piles of wood upon which victims slept, Chris explained how those on the top bunks often bled onto those below.  The prisoners slept in old horse barns, each one of them containing hundreds of innocent human beings.  I wondered if they received blankets in winter and learned that groups of twelve or so sleepers were sometimes allowed one small sheet.  We stood inside these cramped quarters, which smelled like death.

My shock and sorrow manifested in an intense back pain that I had never felt before.  There was no place to sit on our three hour walk through dark dungeons and barren barracks.  Feeling too guilty to rest amidst all of the documented human suffering that we witnessed, I tried to stretch out my back as the tour guide led us into a room filled with children’s shoes displayed in a large case secure behind a glass wall.

Until this point, I had not cried at all, perhaps out of sheer shock; however, as the mother of a toddler, I could not contain myself at this point and my eyes filled with tears.  I thought instantly about my daughter, back home in the United States with excellent caregivers, and juxtaposed this privilege against the extreme evils.  The Nazis robbed every ounce of innocence from these young lives, for no reason other than their difference, which most often was their Jewish identity.  

We learned about the pride that those running the camp took in exterminating as many victims as possible.  Chris told us that the Nazis viewed destruction as economic productivity and recorded their killings with precise record keeping.  Furthermore, so many corporations profited from this loss.  Human hair from the deceased was used for clothing, and gold teeth were removed from mouths of the dead.  

Survivor and author Eli Wiesel has written and spoken poetically about the overwhelming silence at Auschwitz.  I felt this quiet all throughout our visit, and my normally inquisitive self held most of my questions until the end.

“As we conclude our journey today, I would like to leave space and time for questions,” Chris kindly offered as though he sensed my overwhelming curiosity and that of my mother the psychologist.  

“Have you encountered any Holocaust denial in any of your visitors?” My Mom jumped in almost immediately.

“Just once,” Chris responded.  “A man on one of my tours questioned why a picture contained no chimney smoke and claimed that this absence meant no gas chambers.  I countered him immediately with the truth that this very photo had documented a factory in Krakow, not the death camp, which contained countless ashes and human remains as evidence.”

I marveled at Chris’s calmness, intelligence, and sensitivity.  He explained that he and his wife had met giving tours at Auschwitz and felt more determined than ever to educate their young children on these historic atrocities.

“Although it would have made our commute to work easier, we stopped short of moving closely to the camps,” Chris emphasized when I remarked about the tennis courts down the road.  “We want them to be Holocaust aware, but having our home on site was too close for comfort.”

“Of course,” we all responded, and then discussed the clear contrast between Chris’ humane response with that of the Nazi Commander who chose to live and raise his family, children playing in the yard and all, on top of the gas chambers.

My family and I left the site of Holocaust horror, and immediately saw a woman run to the bathroom to vomit.  The one silver lining was that others had felt touched and moved by this experience.  They recognized and respected the most profoundly painful parts of human history.

How could I not have journeyed here before?  Why did it take my Catholic husband to plan such a trip for my Jewish parents and me?  My Mother had travelled with a friend twenty-five years ago to Auschwitz, but she has always felt determined to return with family.  

Bill, who had felt profoundly moved by reading Victor Frankl’s Man’s Search for Meaning at his Catholic high school, made it happen.  A survivor of multiple concentration camps, Frankl founded Logotherapy after his entire family perished in the Holocaust; he spent his life empowering others to discover purpose within their own lives. 

My intergenerational Odyssey to Auschwitz and Birkenau has strengthened an interfaith marriage, solidified firm family bonds, and made each moment of life feel all the more meaningful and precious.

Cara Erdheim Kilgallen is a mother, an author, an academic, an athlete, and a professor who truly treasures family and friendship.  She is dedicated to teaching literature and writing, as well as a lifelong ice skater and someone who is deeply passionate about sport (particularly tennis and golf).  Raised culturally Jewish, Cara deeply values her roots and embraces Judaism as foundational to the Judeo-Christian tradition and beyond.  She hopes for more interfaith and intercultural dialogue.  Cara hopes that through Jewish storytelling, this piece speaks to the horrors of all human suffering, which the world sadly has far too much of at present.

Leave a comment

Filed under American Jewry, European Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism

Apple Strudel from Cramer’s Bakery 

by Julie Standig (Doylestown, PA)                      

Because it was Rosh Hashanah I was on the hunt

for good strudel and a mislaid memory.

Because of a trip to Poland, coffee and strudel

was a must-have at Café Mozart in Prague’s Old Town.

Because strudel and Eastern Europe are intertwined,

Rudy’s words, spoken long ago, come to mind.

Because he slowly stood up on our visit to Terezin’s

hidden synagogue to speak about his mother.

Because his eyes filled with tears as he recalled

the flaky pastry she rolled to cover the dining room table.

Because she crafted not only strudel but a tender memory

that Rudy clearly told at the age of eighty.

Because I left the bakery with apple strudel in tow, hands

tightly placed on the steering wheel, my wrists aglow in gold.

Because my left was adorned with the watch my father made

for my mother, and on the right, was a wide link bracelet once worn

by my Auschwitz surviving, parachute-making aunt.

Because these holidays always hold a mixture of salt and sugar.

Julie Standig’s poetry has appeared in Schuylkill Journal Review, US1 Poets/Del Val, Gyroscope Review and Crone editions, as well as online journals. She has a full collection of poems, The Forsaken Little Black Book and her chapbook, Memsahib Memoir. A lifelong New Yorker she now resides in Bucks County, Pa. with her husband and their Springer Spaniel. If you’d like to learn more about Julie and her work, visit: https://juliestandig.com

3 Comments

Filed under American Jewry, Family history, Jewish, Jewish identity, Jewish writing, Judaism, poetry, Polish Jewry

Lord’s Prayer in Lebensgarten

by Miriam Bassuk (Seattle, WA)

Compassionate Listening Training 

between Germans and Jewish Americans

Lebensgarten – September 27 through October 7, 2002

Attic room full of light,

the Lord’s prayer written

in careful German letters 

on the back wall.

Vater unser im Himmel

Lebensgarten, once a munitions 

factory, now a community 

devoted to peace.

Our circle is thirty-five strong, 

half Germans, half Jews. We 

hold hands, pass the peace feather 

to speak what is most alive in us. 

Sounds of German translated to English, 

English to German. Make space for 

the wound, now layered by several 

generations, a curse that wants to be 

forgotten, yet keeps leaking out.

Together we move, the first grief cry,

afraid for so long to release it. 

Hold me sister, hold me 

brother. Embrace the child in me 

who still can’t understand.

Miriam Bassuk’s poems have appeared in Snapdragon, Between the Lines, PoetsWest Literary Journal, and 3 Elements Review. She was one of the featured poets in WA 129, a project sponsored by Tod Marshall, the Washington State poet laureate. As an avid poet, she has been charting the journey of living in these uncertain times beyond Covid.

2 Comments

Filed under American Jewry, European Jewry, German Jewry, history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

Ancestral Family Secrets 

by Ronit Widmann-Levy (Sunnyvale, California)

In the summer of 2013, my Swiss uncle, Albrecht, invited the extended German side of my family to visit Rostock for a family reunion and to hear from a historian who was commissioned by the city of Rostock to write the story of a prototypical Jewish family between the seventeen hundreds till today. 

Curious to learn about my family’s origins, and interested in filling in the many blanks, I accepted the invitation and flew to Germany to partake in this reunion, bringing my thirteen-year-old son and three-year-old daughter with me.

Holding my sleeping daughter in my arms, I stood at the arrivals terminal scanning the crowd for a driver who was supposed to pick us up. My eyes locked briefly with those of a short, blond-haired, middle-aged man who seemed to have recognized me upon sight and appeared, oddly, somewhat startled. Tired from our 12-hour flight, I didn’t think much of it. The man began walking directly towards me.  

“Frau Widmann-Levy”? 

“Yes, that’s me”  

“I’m Frank, your guide and the historian who wrote the thesis about your family, the Josephys” 

”I’m honored. Thank you for coming to meet us here.  I was expecting a driver,” I replied.

“I can drive too,” he quickly responded, and picked up my luggage and walked us to his car, an old, rickety Volkswagen station-wagon.

Later that day, Frank sat me down in the lobby of the hotel and showed me old photos of the Josephy family, including one of a young woman named Carla. Looking at the face gazing back at me from the faded old photo was like looking in a mirror. I felt an immediate connection to Carla.  And so began my acquaintance with a woman who had influenced my life in many profound ways long before I became familiar with her life story.  

In the following days, Frank walked us through the streets of Rostock and shared in great detail his research of our family’s history and origins. Walking the cobblestone streets of Rostock hand-in-hand with my two children that summer, the year of my son’s Bar Mitzvah, was surreal. As we were walking, Frank pointed at the still-standing homes of our ancestors. The well-restored or preserved original buildings and apartments were all inhabited by tenants who had taken over our family’s homes after they were forced out.

Frank unraveled the Josephys family’s history for us—where they had lived, whom they had married, where they had worked, and gone to school. At a certain moment, he pointed at a specific building with windows facing the street where we were standing. Leaning out the windows were tenants currently living in those apartments. Upon seeing our group, they all withdrew, clearly dismayed to see us and our animated guide. 

On the front lawn, children at play were pulled back into apartments in a flash while windows and shutters were slammed shut. Frank, who was explaining about the past while pointing at their building, was not whispering, to say the least. He shared his findings enthusiastically while sweating through his white linen shirt and smoking like a chimney.

Carla’s complete story — and the reality of how I ended up having both Christian and Jewish branches in my family — was revealed to me on my second day at Rostock when Frank, recounting more of our family’s history, mentioned an aunt, (tante) Carla Josephy, a famed Jewish opera singer in Germany before WWII. I had a  surreal image of the words coming out of his mouth and enveloping me, wrapping me in a blanket made of the sum total of my family’s journey. That was the summer of 2013.  

As our little group traversed the streets of Rostock, my great-uncle marched in front. He had been the child in the story and was now eighty years old. I couldn’t help but think again the one thought that had always popped into my head since I was a school-age girl living in Israel. Would I have survived? Would my blue eyes and blond hair have saved me? 

Carla’s story, the alias she created, saving her children by giving them to the nuns, marrying her gay colleague and traveling to Havana Cuba, made me rethink my long time assumption that my seemingly Aryan features would have been enough for me to survive the war. I understood that it was not Carla‘s Aryan features that saved her but rather her creativity and resilience. I stopped putting so much weight on external features as equating a better chance of survival. From that point on, surviving meant something completely different to me. It meant not just coming out of the experience with a pulse, alive, but rather having your soul intact and your spirit in a reparable condition. 

I knew that many people had physically survived the war. They were mere shadows of who they had been six years earlier, and they walked the earth for the remainder of their days agonizing over what they had lost, unable to move forward. After hearing Carla’s story, I understood that living meant more than coming out of the war alive. It meant not just presenting to the world the shell of who you were but truly engaging with life.

I looked at my uncle and saw the boy within, with a one-way ticket on the train to Basel the day his mother put him in charge and responsible for his five-year-old sister. Relinquishing her children may seem like an extreme and heartless choice on Carla’s part, but in fact, this was an act of tremendous bravery and infinite love. Both children would be fostered and saved by a Swiss Catholic family, and  Albrecht and Dorotea would grow up and dedicate their lives to leaving the world a better place than they found it.

My uncle’s wife, children, and grandchildren enveloped him with love and affection,  accompanying him on this self-afflicted journey that he was so determined to go through. 

The next few days would change my life forever. Every part of my being realized that in the face of an existential threat, it is the silence of our neighbors and friends that is deafening. It’s a silence that contains many shades of betrayal. 

Ronit Widmann-Levy, a luminary in the arts world, boasts a multifaceted career spanning curation, fundraising, branding, presenting, and strategic planning. Her remarkable expertise encompasses public arts administration and cultivating global partnerships. Renowned for her captivating performances, Ronit has sung in Carnegie Hall under the baton of Michael Tilson Thomas and recorded for PBS Great Performances. Notably, she serves as the Director of the Israel Museum Bay Area Council, a role that reflects her commitment to promoting art and cultural exchange. Passionate about the synergy of arts and technology, Ronit co-chairs and produces TEDxPaloAlto.  She champions art’s transformative role in fostering inclusivity, celebrating diversity, and instigating impactful change. Her career is marked by unwavering dedication to innovation, social responsibility, and exceptional leadership that fuels brand longevity and sustainability in the arts sphere. Ronit resides in Sunnyvale California.

6 Comments

Filed under American Jewry, German Jewry, history, Jewish, Jewish identity, Jewish writing, Judaism

What I know

By Marilyn Schonfeld-Davenport (Louisville, CO)

I am a first generation American and a second generation Holocaust survivor. 

My mother was born in Korosten, Ukraine. 

My father in the shtetl of Oleszyce, Poland. 

They came to this country in 1950 with my three-year-old sister who was born in a displaced persons camp in Ansbach, Germany.

They were lucky, my mother always said. They were not in concentration camps.

They met during the war on a Russian state-owned farm (Sovkhoz) in Aktyubinsk, Kazakhstan.

I do not know the name of the farm. I do not know how my father ended up there. Only that while in the Russian army, he jumped off a train to escape banishment to Siberia and found himself on the same Sovkhoz. 

They were lucky, my mother always said

They were not tortured. They did not starve.

They did not have to hide underground or in sewers or cellars with rats. 

They did not have to strip down naked and suffer inhuman conditions and humiliating treatment. 

They did not have to forage for food in the forests. 

They did not have to watch their children die.

My parents were lucky. 

Not like their dear survivor friends whose tragic stories I overheard as a child, amidst the shuffling cards and the clicking chips of the poker table. 

But still, their young lives were thwarted by the horrifying rampage of a madman.

They were scared. They were on the run. 

They were separated from their families. 

They scampered to strange places, seeking refuge and safety.

Their fate collided at the Sovkhoz where they fell in love and lived in relative peace. And waited. And wondered, when will it end?

They worked in the fields, repaired small machinery, slept in bunkers and occasionally had a decent meal of more than watered -down soup.

My mother worked in the canteen and snuck my father extra bread and cigarettes.

That’s all I know about their life there.

After the war, they got married and returned to Korosten so my dad could meet his in-laws and my mother could say hello and goodbye to her family. 

My dad set his sights on America. 

The land of promise. The land of opportunity.

She was going with him.

But first he wanted to go back to Poland to see what happened to his family. 

He had no idea if anyone was still alive.

Somewhere, somehow he discovered they all perished in Belzec. 

Except for one sister.

She escaped with the help of a priest and was in a displaced persons camp in Ansbach, Germany. 

And so they went there.

My mother said they walked.

But how? How did he find out about her? How did they walk all that way? 

Who helped them? How long did it take? 

My past is a patchwork of fragmented stories and unanswered questions.

They hang suspended looking for a place to rest, to make me whole.

My father never talked about his past or his childhood.

I try to seam it together through any research I can do, any tidbit I can find. 

A box of papers from the DP camp; sponsor forms, luggage tags, passport pictures, a diploma from ORT that said my father could make a shoe.

But I reach a dead end when it comes to my Polish family. There is so little.

There are only imagined faces of my relatives instead of photos that do not exist. 

Imagined lives in places I cannot fathom.

I never asked enough and they never said enough. 

I do not know enough. 

But I do know this.

I am a first generation American and a second generation Holocaust survivor. 

I am defined by that more than anything.

Marilyn Schonfeld-Davenport has always held the stories of her parents and her ancestors deep inside her, those few that she knows, those fragments that she can piece together. These stories composed the backdrop of a relatively carefree childhood in the suburbs of Chicago, but beneath the surface was the lingering impact of her parents’ trauma: her mother’s anger and fear, her father’s quiet introspection.

Throughout the years, Marilyn has returned to those haunting stories of her youth to try to weave the pieces together and better understand her past. She is currently working on a memoir of sorts, based on her mother’s notebooks of recorded minutes as the secretary of the Trossman Family Club. Uncle Sam Trossman, the patriarch, brought her parents and sister to this country after the war.  She lives in Louisville, Colorado with her husband Mark and dog Wilson. Her two grown sons live in Portland, Oregon and Minneapolis, Minnesota and she misses them every single day. 

Leave a comment

Filed under American Jewry, European Jewry, Family history, Jewish, Jewish identity, Jewish writing, Judaism, poetry, Polish Jewry, Ukrainian Jewry

A Grandmother’s Love Story

by Esther Erman (Mountain View, CA)

I was named in memory of my maternal grandmother, Estera. She was named for the biblical Queen Esther, who risked her life to save the Jews of Persia—condemned to genocide in the fifth century BCE. Both women came to critical moments when they faced great risks and had to make life-or-death choices. I often look to both stories, but especially to my grandmother’s, for inspiration.

Grandmother Estera was born and raised in Garbatka-Letnisko, a village in east-central Poland that lies about ninety kilometers southeast of Warsaw. “Letnisko” means it was a summer resort, and visitors remembered the village as having clean mountain air fragrant with the scent of pines. However, Garbatka was not a summer resort for its Jews; they all lived on the wrong side of the tracks year-round.

Estera was born in the 1880s to a poor and pious family. She fell in love with Benjamin, a merchant, and the two young people wanted to marry. But back then, in that part of the world, parents arranged marriages. Benjamin’s parents required his bride to bring a dowry, meager though it probably would have been, to the marriage. Estera’s father asserted that if he had to provide a dowry, his daughter would marry a scholar, a much more prestigious occupation than a merchant.

As was expected of her, Estera obeyed her father and entered into an arranged marriage with the scholar Meyer. Benjamin subsequently married a woman who, evidently, brought a dowry. Were Benjamin’s wife and Meyer aware that they were not their spouses’ first choices? Did people then even expect their marriages to be happy?

Several years passed, during which Estera and Meyer had a son, Moishe, and a daughter, Gella. For reasons now shrouded in mystery, Meyer went to Jerusalem. When he returned to Garbatka, he said the whole family had to leave Poland, which was not a good place for Jews, and make new lives in Jerusalem.

Estera did not share her husband’s concerns about their home country. And she was devoted to her extensive family in Poland. No longer an obedient young girl, she told Meyer to go ahead and establish a home in Jerusalem, and then to send for the family. Meyer went to Jerusalem alone and set up a home. He then tried several times to convince Estera to bring their two children and join him there, but she repeatedly refused.

Finally, he sent her two things and demanded that she choose between them: tickets for travel and the offer of a get (a Jewish divorce, which only the husband had the right to initiate). Many men who emigrated abandoned their families back home and left their wives in the untenable position of being essentially without a husband and yet not able to remarry. Meyer’s offering Estera a get showed him to be a true gentleman.

In an extremely unusual move for a pious woman in her time and place, Estera chose the get. Might part of her motivation have been that Benjamin, her first love, was now a widower? In any case, Estera and Benjamin wed and had two children together—a son, Mendel, born in 1915, and one year after that a daughter, Gittel, who would eventually become my mother.

I hope Benjamin and Estera experienced great joy in their marriage. What they did not have was the gift of much time together: Benjamin soon died, very likely during the 1918 Spanish flu epidemic.

With Benjamin’s death, poverty gripped the family even harder. Estera had a mill for grinding buckwheat, which allowed her to eke out a living through backbreaking work. Gella, Estera’s daughter from her first marriage, earned some money as a seamstress. Close relationships with friends and relatives in Garbatka’s Jewish community helped Estera’s family deal with their difficult lives. In 1933, Moishe, the son from Estera’s first marriage, decided to join his father in Jerusalem. 

– – –

Blitzkrieg. In the month of September 1939, the Nazis crushed Poland. The Jews in Garbatka, just like those all over Poland and in the other defeated places, were torn from their homes, ghettoized, and forced into slave labor—a prelude to genocide.

The Jewish men were quickly murdered or deported. Estera now lived with both her daughters and her granddaughter in Pionki, a ghetto created by the Nazis twenty kilometers west of Garbatka. Deportations from the ghetto became more frequent. In dread that their family members’ names would appear on lists of those to be transported, the women checked each new posting. One day in September 1942, both Estera and Surele, Gella’s eleven-year-old daughter, appeared on the list, supposedly to be relocated to another ghetto for “work reassignment.” Neither Gella nor Gittel was on the list. One could add names, but not remove any. Gella, refusing to be separated from her child, immediately added her name.

Gittel went to put her name on the list also, to go with her mother, sister, and niece, but Estera stopped her. Gittel fought with her mother, arguing, “You all are going. Gella volunteered to go. I want to go with you.”

Estera was adamant in her refusal. “Gella is going to be with her daughter, with Surele.” “But you will be separated from me, your daughter,” Gittel protested. Estera shook her head and put her hand on Gittel’s shoulder. What love it must have taken for Estera to insist, “You are older than Surele and can work—maybe because of that, you will survive.”

As Gittel watched in unbearable loneliness and grief, her mother, sister, and niece—all that remained of her family in Pionki—were crammed into a train filled with frightened people.

The destination, Gittel would later learn, was not a work reassignment. Instead, the journey terminated at Treblinka—its passengers forced directly from the train to gas chambers.

Against the odds, and as my grandmother Estera had hoped, my mother Gittel did survive the war. Her survival entailed separation from her loved ones; years of slave labor, abuse, and starvation; transport via cattle car to Auschwitz; and a winter death march from Auschwitz to Bergen-Belsen. For the next half century, until she died in 2003, my mother shared just the bare bones of the story of her survival. I can only imagine the horrors and how their memories weighed on her.

Following her liberation from Bergen-Belsen in April 1945, my mother met and married my father—also a survivor of ghettos, Auschwitz, and slave labor—in a displaced person’s camp in the British sector of Germany. I was born just eighteen months after their liberation—a testament to my parents’ amazing recovery and resilience. The three of us immigrated to New York in 1947.

Earlier, when the war had broken out, all the members of my mother’s family had agreed that any who survived would contact my grandmother’s older son Moishe, who immigrated to Jerusalem in 1933, as a means of reconnecting. My mother was the only one he ever heard from.

In the summer of 1962, my mother fulfilled a dream: she reunited with her half-brother Moishe in Jerusalem. She also met Moishe’s father and Estera’s first husband, Meyer; he’d never remarried.

Unlike her namesake Queen Esther, my grandmother Estera did not save the Jews. She could not save herself, her daughter Gella, or her  granddaughter Surele. But she did save one person: my mother, Gittel.

I thought of this story on a Friday evening in 2019 as I gazed at the walls of Jerusalem, golden in the setting sun at the start of the Sabbath. I suddenly was overcome with sadness and regret that my grandmother had never been at this place. She had not saved herself by following her first husband there. At the same time, I knew that, had my grandmother not stayed in Poland and married my grandfather, my mother Gittel would not have been born. Choices. If only the decisions motivated by love always brought joy. For my grandmother Estera, the decision not to join her first husband in Jerusalem, for reasons of love and family, doomed her. She suffered the loss of her loved ones and her home, and then perished – all at the behest of a genocidal tyrant.

I am grateful to my grandmother for her sacrifices, and for her insistence that Gittel not go with her on the transport. I am grateful to Gittel, my mother, for surviving. I am grateful to them both, as well as to my father and his survival–for my life, for that of my brother, and for those of the children and grandchildren each of us has.

In 2022, the world shudders to see yet another, tragic chapter of war and loss at the behest of yet another tyrant. I acutely feel my connection with grandmother Estera as, once again, innocent people are forced to make impossible choices. My thoughts and prayers, and the actions within my grasp, go out to the heroes and the victims—those who die, as well as the scarred and traumatized survivors.

The words ring a bit hollow these days, but I repeat them with fervent hope that we can one day make them come true: “Never again!”

—-

The daughter of two survivors of the Shoah from Poland, Esther Erman was born in Germany. A naturalized citizen, she early developed a passion for language. After receiving her BA and MA in French from different divisions of Rutgers University, she returned there for her doctorate in language education. She wrote her dissertation about Yiddish, her first language, which she had abandoned at age five. A multi-published author, Esther now lives in the San Francisco Bay Area with her husband Lee. To learn more about her work, visit: EstherErman.com.

This story originally appeared in Art in the Time of Unbearable Crisis and was reprinted with permission of the author, who, like Rebecca, the heroine of her novel, Rebecca of Salerno: a Novel of Rogue Crusaders, a Jewish Female Physician, and a Murder, was a refugee. 

1 Comment

Filed under American Jewry, European Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism, Polish Jewry

Afternoon at the Holocaust Museum (from a dream)

by Annette Friend (Del Mar, CA)

There you were Mom and Pop,
middle-aged, well-dressed,
on a bustling afternoon
in the Holocaust Museum.
So odd, since I’ve rarely seen you
appearing so alive
since you’ve both died.

I was so enchanted seeing you again,
I barely thought of context at first,
you both docents on display at this exhibit.
I think you were excited to see me
although you were quite preoccupied
showing spectators around
the Jewish apartment in Berlin containing
the average artifacts that fill all our lives,
except these rooms were turned to rubble,
up-ended couches, dishes smashed,
curtains slashed, lives ripped apart
at the seams, by black-booted beasts
on a sunny April afternoon in 1939.

You both smiled seraphic
at the rapt crowd,
radiant as angels,
which maybe you were,
as if, finally, you both were detached
enough from the horror,
even as memories
encroached on all sides.

Maybe you’ve embraced all the relatives,
friends, whose lives were leveled
years ago at vicious hands of Nazi brutes.
Has that holy reunion given you a type
of peace to be able to tour
through the past without shattering
into shreds?

Or perhaps God in His inimitable wisdom
sat down with you both on His white mantel of clouds,
patiently gave you His explanation for His silence,
willingness to wait out the Atrocity
while sitting on His hands.

Perhaps that explanation is enough,
if only in the afterlife.                                                            

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, and The San Diego Poetry Annual.

3 Comments

Filed under American Jewry, European Jewry, Family history, German Jewry, Jewish, Jewish identity, Jewish writing, Judaism, poetry

My Father’s Hands

By Elaine Freilich Culbertson (Philadelphia, PA)

My father’s hands were what saved him. He became a shoemaker because his father was one, because his desire to be an engineer would not have helped him stay alive in the concentration camps. Nobody saved theorists, it was manual labor that was valued. It was only that he could watch and quickly imitate what others were doing, his quick mind absorbing and his talented hands obeying. He learned to value the leather and to shape it with reverence. He put aside the pencil and the slide rule for the sake of his life and became expert with a knife and an awl and a needle and thread. Later, after the war, these tools and materials would feed his family in the new land of America. The engineer in his head had to become the shoeman.

For many years his hands were stained with the dye that he used to color the shoes ladies bought to match their fancy dresses. His eye for color was amazing, and the potions that he mixed made his store a mecca during those years that everyone had to have shoes dyed to match. He taught himself to embellish the shoes with designs of rhinestones, pearls and lace. Everyone in the city knew where to find the closest match to their outfits. He customized the shoes, cutting the heels, modifying the fit so that even the woman with the biggest bunions and the most foot trouble could feel glamorous when she wore the shoes bought in his store. His hands were steady as he picked up the tiny gems one by one and placed them on the heel or toe of the shoe, not only devising the design but executing it perfectly.

He could tie your shoes so tight that your feet would throb for hours until the laces loosened a bit. He could bend an iron rod with his bare hands, as he did the time some mischievous boys ran away with the wand that raised and lowered the awning in front of the store window and he had to improvise a new one so that customers could see the shoes for sale. He could sketch, he could devise, and he could create almost anything. His grandson still talks about the pair of dice he carved out of blocks of wood, when the original dice were lost that day he was babysitting and the boy was heartbroken that his game was ruined without them. What he couldn’t do with finesse he did with sheer force, willing whatever tools and material he held to do his bidding; to disobey was useless. I remember the time he made wallpaper stick to the wall even after he had run out of glue! Sheer force!

When he shook your hand, he squeezed with intensity. Hugs were bearlike and delicious. Even in his later years, even in his dementia, he retained the strength in his hands. Those fat fingers that we used to laugh at, those huge paws so different from my own elongated fingers (my piano hands, he called them) are so vivid in my mind that I can still see them. He had a strangely misshapen index finger that I wondered about even as a child. The nail did not grow properly on that finger and I was never sure whether it was something he was born with or from an injury he sustained in the camps. If we meet again someday, I will know him not only by his blue eyes, his hair which did not turn gray even into his 80’s, his big nose that I used to tease him about, but by his hands as he grabs mine and pulls me toward him for that hug that I miss so much.

Elaine Culbertson is the chair of the Pennsylvania Holocaust Education Council, a statewide organization of teachers, survivors, and liberators who volunteer to keep the lessons of the Holocaust alive in the schools of the state. She is a member of the Pennsylvania Act 70 Committee and a convener of the Consortium of Holocaust Educators in the Philadelphia region. Elaine represented the United States Holocaust Memorial Museum as a Museum Fellow and a Regional Educational Consultant in the Mid-Atlantic. She presently provides professional development for teachers using Echoes and Reflections, a curriculum resource developed by the Shoah Foundation, Yad Vashem and the Anti-Defamation League.

Elaine retired as the director of Curriculum and Instruction in the Wallingford-Swarthmore School District, ending a 36-year career in public education. She is the executive director of the American Gathering of Jewish Holocaust Survivors and Their Descendants. For the past 18 years she has served as program director of the Holocaust and Jewish Resistance Teachers’ Program, a seminar based in Poland and Germany, that has provided professional development to more than 1100 teachers in its 36-year existence. She works with teachers and students to connect the events of the past with the genocides of the present day. Elaine has written chapters in five different books on Holocaust teaching methods and lectured across the United States, using the story of her own parents’ survival as the basis for her presentations on developmentally appropriate and morally responsible pedagogy. She is working on a memoir that incorporates her mother’s writing with her own reflections on being the daughter of survivors.

7 Comments

Filed under American Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism

Anne Watches Me

by Mel Glenn (Brooklyn, NY)

Anne Frank and the Marranos of the
Portuguese Synagogue of Amsterdam
would not be proud of me as I walk, with cane,
a second day in this canal-laced capital.
Even surrounded by rich Jewish tradition,
located in the center of town,
I feel tangential to the teachings of
Spinoza and Maimonides.
What will make me feel more Jewish?
I have broken too many rules,
avoided too many rites, to lay claim to
being an active participant in my own religion.
And yet,
I am my father’s son,
he who escaped the Holocaust,
who suffered survivor’s guilt,
who nevertheless passed his heritage on to me.
I think of him, and all Jews, those who perished,
those who survived, as I slowly climb the stairs
in the Anne Frank House in the heart of a city that
has remembered and respected its Jewish history.
Ascending those stairs to the “Secret Annex,”
I can hear Anne’s footsteps behind me,
asking questions for which there are no answers:
Why me? Why us? Why now? –-
questions that echo both past and present
as tyrants then and now seek to control the world.
Anne, I feel your strength and bravery
wandering the rooms of your abbreviated adolescence
as a renewed Jew here in the old city of Amsterdam.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. Lately, he’s been writing poetry, and you can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

 

1 Comment

Filed under American Jewry, European Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism, poetry