Watch and Wait: A Jewish Mindfulness Practice

By Susan Spector (Cornville, AZ)

You. Have. A. Brain. Tumor.

Five words and everything changed. I became a patient on a Watch and Wait protocol I now call WaWa.

And that’s what I’m doing today. I stalk the online portal, waiting for my test results. The radiology report shows up just before bedtime. 

I skim over my three favorite words: the first one is “stable.” The second and third words go together: “grossly unremarkable.” Kinahora. That’s what my Yiddish-speaking Jewish grandmother would say, invoking the evil eye, not wanting to jinx the good news. 

I search out the fear, sensing I’ll find it, but not in a mindful, meditative or particularly grateful way. That gratitude I once believed would last forever, where did it go? 

FLAIR hyper intensities in cerebral white matter and white matter lesions.” And there it is. Something new. Something to be afraid of.

I chug my water, determined to flush away the gad, short for gadolinium, the intravenous contrast used earlier in the day. I want the heavy metal poison out of my body.  Gad is an injected light source used to illuminate what’s lodged deep inside my brain. Its atomic symbol is Gd, an acronym my tradition uses as a placeholder for the sacred nature of God’s ineffable and unpronounceable name. I contemplate a quote from the Holy Rascal teacher, Rabbi Rami Shapiro, “God is real and everything we say about God is made up.” It’s a mystery how the gad knows just where to go in my body. 

Ironically, I met the light of the Infinite Mystery, what the mystics call the Ein Sof, through the rogue cells deep inside my brain.  

When I broke out in a sweat on one of my bi-annual retreats inside the big magnet machine, I listened closely and heard a small voice, over and above the noise of the beast. I lay still.  Inhale, Sh’ma, pause. Exhale Yisrael, pause. Breathe in Adonai, pause. Exhale Eloheinu, pause. Breathe in Adonai, pause. Return the breath to the Source. Exhale, Echad. A six-word Jewish prayer mysteriously appeared. Despite the thrumming, drumming and clanking noise inside the machine, I connected. Partnered with divine energy, everything changed.

I head for an emergency visit to Dr. Google, worried I’m moving toward a life inside an assisted living facility. In the morning, I wake up early with no more clarity than the night before. I grab my coffee, sit down at the table, pull up an empty chair for my partner and anxiously fire up the laptop. I like to be early for the Zoom Room. It dials down the anxiety of meeting with the expert meditation guides. The neurodocs. 

In the beginning, they gave me the mantra for finding my sense of calm and quiet within. They gave me the practice. The WaWa. Now they keep me on track and pull me out of the rabbit holes I can’t seem to avoid. 

The lead meditation Teacher/Neuro-oncologist shows up, wearing a crisp white lab coat and looking radiant on the screen.  She gets right down to business, with her unusual combination of strength, clarity and comforting softness.

“Your MRI looks beautiful. All stable.”

“Yeah, but what are those new white matter lesions?”

She points to highlighted areas of the brain image on her screen share.

“This big white lesion is scar tissue. See how it follows the surgery path where Dr. Yirah did his magic to “let flow occur?” And these other white dots, well, you could call them “blessings of maturity.” 

She’s a poet. She skillfully moves the conversation and the meeting forward. 

“Were you comfortable with the nine-month scan interval or do you want to try and push it out to one year?”

“I don’t know, what do you recommend?”
“I would be comfortable either way.”

I turn to my partner, now sitting beside me at the table.

“What do you think?”

“I’d rather see sooner than later if something’s going to change” he says without

hesitation.

The neurodoc/poet moves the conversation along, directing the question back to me.

 “So, you’re the only one we haven’t heard from, what do you want?”

“Part of me wants to graduate to the annual milestone, but I’m more comfortable with 9 months also.” 

Everyone smiles at each other from their Zoom squares and I finally exhale.

The apprentice meditation teacher enters the Zoom room. He is a resident intern with a clipped data-only voice. 

“White matter lesions, clinically insignificant, 30% of MRI’s, higher in older people.” 

The master meditation teacher enters the Zoom room. The neurosurgeon.
I tell him I spent time last night with Dr. Google, chatting about white matter lesions.

“It’s Watch and Wait, not watch and worry. At least you weren’t consulting with

ChatGPT!” 

The mindfulness. The challenge. Return to the WaWa. 

Return to the breath. 

Susan Spector is a brain tumor survivor who focuses on writing as a path to healing She is a retired educator. Her true education began with her diagnosis at age 62. She is currently at work on a series of essays under the pen name Shoshanah bat Malka, with the working title Reporting Live from the Frontal Lobe. 

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Needless To Say 

by Lesléa Newman (Massachusetts)

                                    October 30, 2023

“I’m back to counting noses,” says my friend

who needless to say is Jewish. As needless to say

am I. We bend our dark heads together

across the narrow table, leave our coffee 

to grow cold and speak in hushed voices

which needless to say is so unlike us 

usually so out, loud, and proud

which needless to say is now totally

out of the question in this New England café

as we quietly question ourselves:

Should we unclasp the Jewish stars around our necks?

Yank the mezuzahs off our doorposts?

Straighten our hair?

Change our names?

Ask friends if they would hide us?

Are we overacting?

Are we underreacting?

How did our ancestors know when it was time to leave?

Is it time to leave?

Needless to say, there is nowhere to go.

Lesléa Newman has created 85 books for readers of all ages including the dual memoir-in-verse, I Carry My Mother and I Wish My Father and the children’s books, Gittel’s Journey: An Ellis Island Story, The Babka Sisters and Ketzel the Cat Who Composed. Her literary prizes include two National Jewish Book Awards and the Sydney Taylor Body-of-Work Award. Her newest book, Always Matt: A Tribute to Matthew Shepard, a fully illustrated book-length poem celebrating the life and legacy of Matthew Shepard, has just been published. For more information about Lesléa, visit her website:  www.lesleanewman.com .

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Outwitting the Angel of Death

By Elaine Freilich Culbertson (Philadelphia, PA)

My mother was extremely superstitious, and her superstitions guided much of what went on in our home. We were held to certain behaviors, what we should and should not do and most importantly how to overcome bad luck. Spitting three times (pooh, pooh, pooh) was a regular practice whenever compliments were given or received. We couldn’t whistle in the house or sit on a made bed. We couldn’t open an umbrella inside or step over someone’s feet. If my mother was fixing a hem on a dress I was wearing, I had to chew on a thread to keep my wisdom from being sewn away. Babies could not be held up to mirrors and if you sneezed while someone was talking about a dead person, you had to pull your left ear up to avoid the angel of death. Never hand a knife to someone with the edge out and most importantly don’t take a direct path home from the cemetery lest the angel of death follow you.

My mother used to say that when a baby falls, an angel swiftly glides underneath to cushion the impact. She believed there were angels and was particularly well-versed in how to recognize and avoid the angel of death. I liked the idea of angels being on guard for babies, angels whose wings provided safety, but I was never sure what to think about the angel of death, in Yiddish the “malachomovitz.” Death was inevitable, this I understood. Outwitting the “malachomovitz?” How could a mere mortal do that? To say someone looked like or acted like the angel of death was the greatest insult. To get the better of the angel of death was the greatest heroic feat.

One day my mother and I were assured of the presence of angels when I told her about an eerie incident that had occurred on the off ramp at 22nd St. and I-676 in Center City Philadelphia.

It was on the way home from work in the western suburbs during rush hour that I was exiting I-676 to my home in the Fairmount section of Philadelphia. I had the reverse commute – everyone coming out of the city while I was coming back in from the suburbs. The myth was that there was less traffic going in that direction, but it wasn’t the truth. Each evening the crawl from I-95 onto 676 seemed to last longer than the evening before. On this night, I was aware as I crept up the highway of how the seasons were changing. The sun had started to set earlier each day as it does when fall fades into winter. It was that time of day when shadows and objects can play tricks on one’s perception, when the sun can blind you with its brilliance as you are driving and then suddenly disappear from the horizon, leaving only the first wan glow of illuminated streetlights as guides. Things look different at that time of day and the eye can be fooled by the descending darkness. I’ve heard it called “the gloaming,” that romantic time of day when the light has mostly faded but it’s not quite dark yet, a time when on this night I was fumbling for my headlights, realizing that I thought I saw a person standing on the 22nd St. ramp.

As I approached, what had been an almost amorphous figure resolved into the shape of a woman clad only in a short-sleeved shirt and a long skirt that almost touched the ground. Her hair was blowing in the wind. It was a chilly day, but she had no coat or outer garment to protect her from the oncoming night air. The expression on her face was one of distress. She was attempting to stop cars as they drove up the ramp, indicating with her hands that drivers should roll down their windows to listen to her pleas. No one was complying. This was years before the stop light had been installed at the top of the ramp, and it was always a bit of a free-for-all as cars tried to merge onto 22nd St. The drivers that evening had no intention of stopping for her and as she grew more frantic, she stepped further and further into the lane of traffic. 

By the time I reached the top of the ramp she was in front of my car, determined to stop me. I rolled my window down and asked her to step aside. She shook her head and began retelling her story of why she was on the ramp. Her car was on the road below, just past the off ramp, broken down. She needed money to get home. Any amount would help. She insisted that she was not a beggar, but a commuter who had a sudden mishap.

Something about her touched my heart. I hated seeing women in desperate straits. A homeless woman on the street was a more pathetic sight to me than a man. Her vulnerability seemed double that of a man in the same dilemma. I imagined myself in her situation. I wondered if anyone would stop for me. Certainly, I was better dressed, but in that helpless moment might I have left my coat in the car and started walking, hoping someone would help? 

I told her I would give her $10 if she would step away from my car. The tears were running down her face as she mouthed a thank you. I found $10 in my wallet and handed it to her. If that was all it took to save her in this moment, then I didn’t feel I had been duped in any way. 

The cars behind me were beeping furiously. How dare I stop to help this street person! How rude of me to extend their commute time by even 10 seconds, for that was all the time it took.

“Please get off the ramp!” I was sure she could hear the insistence in my voice.

“I will,” she replied, and as I started to drive away, I lost sight of her. 

I made the turn onto 22nd St. and just as I was ready to pull through the first intersection on the Ben Franklin Parkway, a car traveling at ridiculously high speed ran through the red light, completely heedless of anyone, vehicle or pedestrian that might have the right of way.

I gasped. 

If I had been one second sooner onto the ramp and into the intersection, that car would have broadsided me, surely injuring or perhaps killing me.

Because I had stopped to help the woman on the ramp, I had been late to what might have been a dreadful fate.

That evening I called my mother, as I did each evening, to recount the day’s events. At this point in her life, she lived in a retirement home, and anything I might tell her was of great interest, as the days stretched out uneventfully for her.  When I told her about the woman on the ramp and the speeding car, she said very determinedly, “She was an angel.”

“Mom. I thought angels only helped little babies or led people to their deaths.”

“You are my baby. She didn’t let you get hurt. She was an angel. I am sure of it.”

Who knows, maybe she was. That angel of life had helped me outwit the “malachomovitz.”

Elaine Culbertson is the chair of the Pennsylvania Holocaust Education Council, a statewide organization of teachers, survivors, and liberators who volunteer to keep the lessons of the Holocaust alive in the schools of the state. She is a member of the Pennsylvania Act 70 Committee and a convener of the Consortium of Holocaust Educators in the Philadelphia region. Elaine represented the United States Holocaust Memorial Museum as a Museum Fellow and a Regional Educational Consultant in the Mid-Atlantic. She presently provides professional development for teachers using Echoes and Reflections, a curriculum resource developed by the Shoah Foundation, Yad Vashem and the Anti-Defamation League.

Elaine retired as the director of Curriculum and Instruction in the Wallingford-Swarthmore School District, ending a 36-year career in public education. She is the executive director of the American Gathering of Jewish Holocaust Survivors and Their Descendants. For the past 18 years she has served as program director of the Holocaust and Jewish Resistance Teachers’ Program, a seminar based in Poland and Germany, that has provided professional development to more than 1100 teachers in its 36-year existence. She works with teachers and students to connect the events of the past with the genocides of the present day. Elaine has written chapters in five different books on Holocaust teaching methods and lectured across the United States, using the story of her own parents’ survival as the basis for her presentations on developmentally appropriate and morally responsible pedagogy. She is working on a memoir that incorporates her mother’s writing with her own reflections on being the daughter of survivors.

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21 Alternative Recipes: Notes from a Google Search History

October, 2023

by Tzivia Gover (Massachusetts)

what does ethereal mean

when is the pool open for lap swimming

what’s happening in the middle east

fighting in israel and gaza news headlines

the power of baking challah together in hard times

can you use expired instant yeast

how to make sourdough challah

how to make whole wheat challah

easy challah recipe

when was the yom kippur war

can you substitute honey for sugar

beautiful braided challah

how to braid challah

do you grease the baking sheet

what does taking the challah mean

what is the blessing for baking challah

what is the miracle of sarah’s challah

where to send money

does active yeast expire

where to put dough to rise

what if there is no warm place

Tzivia Gover’s most recent book, Dreaming on the Page: Tap into Your Midnight Mind to Supercharge Your Writing, combines writing, spirituality, and dreamwork. Her poems have been published in dozens of journals and anthologies including The Mom Egg Review, The Naugatuck River Review, and Lilith Magazine. She shares her poetry and reflections as she reimagines the life of the biblical matriarch Sarah in her Substack newsletter, “The Life of H” https://tziviagover.substack.com.

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The Last Lullaby

by Lesléa Newman (Massachusetts)

                                    (October 7, 2023)

Never again the sound of their laughter,

Never again the sound of their cry.

Never again the sight of their smiles,

Never again the sight of their eyes.

Their tiny starfish hands—gone.

The small stones of their toes—gone.

Never again their shrieks of terror,

Never again their shrieks of joy.

Never again to play peek-a-boo,

Never again to say, I see you.

Their milk-white baby teeth—gone.

Their desert-smooth dimpled cheeks—gone.

We didn’t know it would be their last supper,

The last sip of soup, the last slice of bread.

We didn’t know it would be their last bath time,

The last soaping up, the last rinsing off.

The last lifting of arms to slip into pajamas,

The last carefully chosen story to read.

Never again their warm weight on our laps,

Never again their quick hop into bed.

The last tucking in, the last goodnight kiss,

The last lullaby, the last shutting the light.

Gone….the last….never again.

We didn’t know. We didn’t know.

Lesléa Newman has created 85 books for readers of all ages including the dual memoir-in-verse, I Carry My Mother and I Wish My Father and the children’s books, Gittel’s Journey: An Ellis Island Story, The Babka Sisters and Ketzel the Cat Who Composed. Her literary prizes include two National Jewish Book Awards and the Sydney Taylor Body-of-Work Award. Her newest book, Always Matt: A Tribute to Matthew Shepard, a fully illustrated book-length poem celebrating the life and legacy of Matthew Shepard, has just been published. For more information about Lesléa, visit her website:  www.lesleanewman.com .

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You Want Me to Keep a Kosher Kitchen? Really? 

by Carol Blatter (Tucson, AZ)

I was surprised when my husband-to-be told me that he wanted me to keep a kosher kitchen.  

“How do you keep kosher?” I asked.

“I can show you. I use white gold-rimmed glass dishes which are ok for both meat and dairy on the first two shelves of that cabinet.” 

He pointed to a wooden four-shelf cabinet with a brass handle on its door above the Formica counter. 

“I keep pans for dairy and meat on the third and fourth shelves. On the back side of each one is incised with either a D or an M.  I can put sticky notes on each of these drawers so you will know which silverware is for dairy and which is for meat. It’s really easy.”

“I don’t think it sounds so easy. . .” 

Anxiety visited me. My stomach felt tense and I started to sweat. My heart rate climbed. I’ve never been very good at change and I’ve always feared failure. Now recollections of old failures tried to take hold of me again. 

A few deep, steady breaths helped me relax. Keeping kosher is not a test of competence. What are the worst things that can happen? Maybe I will mix up meat and dairy silverware? Maybe I will make an egg and cheese omelet using a meat pan instead of a dairy pan? Then I reminded myself that mistakes are inevitable. There’s no penalty I could think of for goofing up with the exception of my slightly damaged ego, some embarrassment, and some shame which will all be short-lived. Maybe I will disappoint my husband-to-be, but that’s ok. He’ll have to get over it.

I took the big step. I told him I would keep kosher.

“Yes,” I said. “I’ll help you.”

* * *

My husband, unlike me, grew up in a kosher home. His parents never mixed meat and milk. They had separate meat dishes and dairy dishes. And they had separate dishes, pots and pans, silverware, and utensils set aside only for the eight-day holiday of Passover. That’s what he knew and keeping kosher was his choice in adulthood.

“We’ll work on this together,” he told me. “I use these bowls for cereal at breakfast and small dishes for sandwiches like tuna and egg salad for lunches on the weekends when I’m not at work. And I use these large plates at dinner time for a meat or chicken meal. Sometimes I use these larger bowls for kosher soups. Almost all are parve except for the chicken soup.”

“What’s parve?”

“Neutral. Parve foods can be eaten alone or with meat or dairy. Glass doesn’t retain either. ”

“What else will I need to know?” I asked, feeling my stomach churn again.

“Don’t get too worried. You’ll be fine. We’ll work together preparing our Shabbat dinner. What about chicken for the main meal? 

“I know many ways to make chicken,” I said, relieved to know I could cook some of my favorites, like baked chicken with seasonings of onion salt and paprika, mixed with wine and orange juice, and chicken cacciatore, chicken browned first with minced garlic and baked with a tomato, onion, and basil sauce.

“Wow, that all sounds great. I was a bake ‘n shake man until you joined me.”

* * *

We married a few days before Passover to avoid the eight-week no-marrying period between Passover and Shavuot.

All I remember about Passover was seeing a box of matzah on the kitchen table in our apartment. We didn’t search for the chametz. I never saw my mom do a mega-house cleaning. I don’t think we even had a seder. So how could I have possibly known what to do?”

Fortunately, friends invited us to the first seder on Passover just after we got married. We arrived early. I told Bobbie, our hostess, that I had no idea how to keep kosher for Passover. She showed me the pantry where she kept the Passover-only dishes, silverware, pots, pans, and utensils. In a second pantry, she kept Passover-only non-perishable foods. Bobbie taught me which foods were appropriate for Passover.

In the middle of the table was the seder plate with the roasted egg, the shank bone, the celery, the hazeret, the charoset, and shavings from the horseradish root. We read from the Haggadah and discussed the theme of freedom from slavery and the current forms of enslavement. I’ve never forgotten that seder. It shaped my understanding of Passover and my desire to give seders in the future.

* * *

Throughout the fifty-four years of our marriage we have kept kosher. For me, keeping kosher is part of being a proud and devoted Jew, continuing a practice that has contributed to Jewish survival for thousands of years. 

Carol J. Wechsler Blatter is a recently retired psychotherapist in private practice. She has contributed writings to Chaleur Press, Story Circle Network Journal and One Woman’s Day; stories in Writing it Real anthologies, Mishearing: Miseries, Mysteries, and Misbehaviors, Real Women Write: Growing/ Older, Real Women Write: Seeing Through Their Eyes, Story Circle Network’s Kitchen Table Stories, The Jewish Writing Project, Jewish Literary Journal, New Millennium Writings, 101words.org, and poems in Story Circle Network’s Real Women Write, Beyond Covid: Leaning into Tomorrow, and Covenant of the Generations by Women of Reform Judaism. She is a wife, mother, and grandmother. 

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Rebel

by Lori Levy (Sherman Oaks, CA)

If everyone else is doing it, that’s a good reason not to do it—

     Dr. Richard (Reuven) Sobel, my father, RIP

In my granddaughter’s jujitsu class

there’s a boy named Rebel—

a name to live up to, I think.

I am not a rebel

but the rebel in me roars

when it comes to holidays, traditions, rituals.

I want to do them my way

which means no fasting on Yom Kippur.

Fasting gives me a headache. I need coffee

when I wake up, food to start the day.

Only then, belly full, can I contemplate my sins.

If it’s up to me, we don’t have to bother with the symbols

required for a Passover plate: shank bone, bitter herbs, haroset.

Can’t we skip the long prayers and just eat matzo?

One year we are in Spain on Rosh Hashanah,

all of us there for my nephew’s wedding.

We celebrate the holiday with apples and honey

on a blanket at the beach. Perfect, I think.

My rebel smiles and disappears.

Sometimes, filled with guilt, I accuse my rebel:

you’re just lazy—too lazy to cook and host

a big holiday meal, though you don’t seem to mind

when others do the cooking. What kind of Jew are you?

No, not lazy! I shout. (Am I my rebel?)

I do want my loved ones at the table with me,

not for prayers, not for the Bible I never read,

just a meal, togetherness.

I wasn’t raised on holidays—except Hanukkah,

for a few gifts, so we wouldn’t feel left out

when all the other kids in our small Vermont town

were getting toys and clothes under their Christmas trees. 

No Purim for us, or Succot. No synagogue in our town

or Jews in my class. No Bar Mitzvah for my brother— 

but when he turned 13, my atheist father and 

non-religious mother took us on a trip to Israel.

Several years later, there we were, living in Israel.

I could talk about history, the Holocaust—or just say

I fell in love with the country. Or maybe

with Israeli men. I married one.

We celebrated the holidays with his family,

but now, years later, I’m back where I began,

not wanting the rituals that were never, back then,

a part of my life. I’m happy to be a Jew, but

this is my Judaism: my Israeli husband,

Israel, my kids born there. It’s not about Moses or

the Torah. Maybe it’s nothing more than

hummus and pita, Israeli pickles and olives.

We eat them in Los Angeles now.

Lori Levy’s poems have appeared in Rattle, Nimrod International Journal, Paterson Literary Review, Poet Lore, Mom Egg Review, and numerous other literary journals and anthologies in the U.S., the U.K., and Israel.  Her work has also been published in medical humanities journals and in Jewish journals such as The Reform Jewish Quarterly, Shirim, and The Jewish Journal. Her chapbook, Feet in L.A., But My Womb Lives in Jerusalem, My Breath in Vermont, is forthcoming from Ben Yehuda Press in the fall/winter.  She lives with her extended family in Los Angeles, but “home” has also been Vermont and Israel and, for several months, Panama.

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A Psalm about Grappling

by Rich Orloff (New York, NY)

Grapple with me, says God
I do not ask you to believe in me
Or extol me
Or worship me
These are orders humans have decreed

But grapple with me
Not for my sake
But for yours

Would you feel you lived if you had never seen the color blue
(and you had a chance)
Would you feel you lived if you had never heard music
(and you had a chance)
I offer you this opportunity
To grapple with me

And if you don’t know how to start
Ask questions
What are my dimensions?
Where do I reside?
What are my office hours?

Ask patiently
Then ask again
Ask a third time, just for fun
Ask a fourth time, just in case
And a fifth time, so asking can become a habit

Please
Grapple with me
I may not provide the answers you wish for
But if you let me
I will show you the colors and sounds you’ve missed

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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One People, Many Faces

By Steve Pollack (Woxall, PA)

My son’s bar mitzvah year called us to the northernmost Israeli seacoast town of Nahariya in the summer of 1991, the year that 15,000 Ethiopian Jews were airlifted as part of “Operation Solomon.” We wanted to lend our hands to the historic and miraculous effort.

The Israeli government provided the new immigrants with temporary housing, Hebrew language classes, and job training. Local B’nai B’rith leaders collected clothing and other personal needs. One day we were assigned to distribute various powders & liquids—soaps for bathing, washing clothes or cleaning dishes—and to demonstrate their use for people accustomed to washing in a river, not certain the purpose of each plumbing fixture in a hotel bathroom. That assignment is what sent me to an upper floor where I met a man whose priestly position in the tribe I learned only later. 

I did not ask his name nor speak mine. I did not speak Amharic, the official language in Ethiopia. Yet I stood before him, an elder among recent immigrants ravaged by famine and civil-war, awed by his dignity and personal warmth. His coarse cotton robe, white ragged beard, and distinctive scepter of smooth wood and horsehair held upright looked to my Western eyes as unfamiliar as my shorts and baseball cap must have appeared to him.

The elderly man motioned for me to sit by him on the bed and opened a well-worn leather-bound volume. He turned the thick book to a page inside the back cover and together we recited the twenty-two letters of the Hebrew alphabet—Alef, Bet, Gimel… This was no test or school lesson, no bland reading. The experience felt like a joyful song, an ancient chant of profound connection.

Our group of B’nai-B’rith volunteers visited the new immigrants most afternoons. We strolled the mosaic promenade parallel to the Mediterranean Sea holding hands with the youngest children while their parents prepared evening meals served in a common dining hall. Lean teenagers walked with us, their English vocabulary more extensive than my Hebrew. They taught us their Amharic names, articulations unpronounceable by my lips. 

While at local playgrounds or on Nahariya sidewalks, we were greeted with broad smiles from Israelis going about their everyday routines. A tribe of African kids parading with North Americans was a sight that became a local headline. We were hosted like celebrities at the Mayor’s city hall office and gifted commemorative pins; the city’s name, from nahar, Hebrew for river, its iconic water tower and idyllic position by the sea symbols on the crest.

During an evening talk with our group, an Israeli-educated anthropologist who had fled from Ethiopia only a handful of years before highlighted his community’s history and customs on the Horn of Africa. I learned that the elderly man who I had met was much respected. His scepter was a sign of sacred wisdom, not kingly wealth. 

I learned, too, that to be married in their tradition, young couples presented him with family documents going back seven generations, proof they were not too closely related. It was quite a contrast to the way my wife and I had applied for a marriage license in Philadelphia. We had gone to city hall, passed blood tests, and then a rabbi in tailored business suit witnessed our names and wrote the wedding date on our ceremonial ketubah

Sitting among new friends during that informal evening, and often during the many years since, I thought about the many leafless branches on my family tree—before immigrant grandparents I was privileged to know. Of those who never boarded a boat, I know nothing. How many millions of lives could have been saved if US quotas had not been imposed, if safe harbor had been open ten years before 1948, when the modern state of Israel was born in my lifetime? 

Social scientists have researched several theories about the Ethiopian Jewish community, and notable rabbis authenticated their origins to the tribe of Dan, one of the ten lost tribes. I wondered also about millennia before, which of Jacob’s twelve sons, which mother carried my seed—concubine or wife? I must be satisfied with Biblical narratives, stories of struggle and strength, grateful for names and traditions passed forward, one generation to the next. 

During our month-long adventure that year, we also took in sights and tastes as tourists from the Mediterranean to the Red Sea, from chalk cliffs of Rosh Ha’nikra to sandstone mountains of Eilat, from Galilee to Dead Sea, from Nahariya to Jerusalem. But it was those minutes that I shared with a black African man who had traveled across a desert and flown through clouds to a Promised Land thatheightened my pride in being Jewish and broadened my sense of Am Yisrael

Although Jews are dispersed in different lands, across seas and circumstance, all of us are bonded through an alphabet, the poetic language of urgent prayers, and the covenant of an enduring faith.

We are one people of many faces.

Steve Pollack hit half-balls with broomsticks, rode the Frankford El, sailed across the equator on the USS Enterprise. He’s been an usher, delivery boy, engineer and administrator. Creative writing found him later. “Bashert”, appeared in Jewish Literary Journal. His poems in print and on-line, most recently Poetica Magazine and Schuylkill Valley Journal. His poetry chapbook, “L’dor Vador–From Generation to Generation”, was published in 2020 by Finishing Line Press. He serves on the One Book One Jewish Community team sponsored by Gratz College, and sings bass with Nashirah: the Jewish Chorale of Greater Philadelphia.

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A Prayer for Choosing a Shepherd

by Rich Orloff (New York, NY)

(a response to Psalm 23)

Unlike sheep
Each of us gets to choose our shepherd

I have sampled many shepherds
And haven’t always chosen wisely

I have chosen ego as my shepherd
And confined myself to a path no wider than I am

I have chosen tribalism as my shepherd
And refused to look beyond borders of my own making

I have chosen comfort as my shepherd
And convinced myself to be satisfied with meager grazing

I have chosen obligation as my shepherd
And filled my path with resentment

I have chosen distrust as my shepherd
And viewed every other sheep as a possible threat

I have chosen fear of rejection as my shepherd
And convinced myself I am still a fragile little lamb

I have chosen fear of death as my shepherd
And prevented myself from seeing how beautiful the land is

If I allow the Divine to become my shepherd
This choice stems not from wisdom
But from the simple admission
Of how poor my choices have been so far

Still, as I consider choosing the Divine as my shepherd
I fear the Divine will turn me into a sheep
Or one day banish me from the flock
Or even lead me to slaughter

As I wonder who to choose
I see that God has already chosen me
I stand before the Divine
Praying for the courage to trust my shepherd

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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Filed under Jewish, Jewish identity, Jewish writing, Judaism, poetry