Category Archives: poetry

Passover 5784

by Roberta Tovey (Melrose, MA)

This year’s Passover approaches.

I am sick at heart.

I’m thinking of adding dill

to the obligatory matzoh balls,

for a change.

Will it make a difference?

For my parents, this was a time 

to remember both unthinkable evil

and unexpected redemption.

This year I see only the unthinkable

burgeoning around me.

Nevertheless I will add dill–

the unexpected herb–

hoping against hope

it will make a difference.

Roberta Tovey has spoken and written about living with depression on TV and radio, as well as in online and print publications and blogs. She has been an editor and published author in the fields of business, healthcare, education, and the environment, and an assistant professor at Clark University. Dr. Tovey received her bachelor’s degree with highest honors at Brandeis University, and her doctorate in English literature from Princeton University. Her poetry has appeared in The Mizmor Anthology.

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Why I am impatient for peace 

by Miriam Bassuk (Seattle, WA)

Because we once were sisters

and our mothers were best friends.

Because I can still recall the swell of your hand 

in mine, and I miss that warmth. 

Because, though the sky darkens with soot and ash 

and the rip of rocket fire sets my teeth on edge,

I want to sleep through the night near you.

Because the olive trees still flourish.

Though originally from the east coast, Miriam Bassuk treasures her life in the Northwest. Her daily walks inspire her with the teeming life of eagles, herons, and the occasional sighting of Orcas. She has been published in The Journal of Sacred Feminine Wisdom, Raven Chronicles, PoetsWest Literary Journal, and 3 Elements Review, and she was one of the featured poets in the digital portion of the WA 129 project sponsored by Tod Marshall, the Washington State poet laureate.

(“Why I am impatient for peace” first appeared in Consequence and is reprinted here with permission of the author.)

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Henoch: An Inventory

by Barbara Krasner (Somerset, NJ)

After Lauren Russell

A butcher’s apron pockmarked with dried blood that banging it against the river’s rocks cannot erase. An abacus to calculate the change he owes his patrons. The skill to sever an animal’s carotid arteries, jugular veins, and windpipes in one swift move. A sharp butcher’s knife to cleanly sever a chicken’s head and to break a cow down to its finest parts to sell at a premium to anyone who can afford it. His cleaver whacks away his disappointments until his own fingers bleed with hope for his children. Evening candlelight to read the sacred texts and pray. Meetings of the Baron Hirsch School trustees. His children, even the girls, will get an education, damn the naysayers. An American stamp on his passport from when he arrived in New York with younger brother Benzion. An Austro-Hungarian Empire stamp on his passport from when he returned because Pesia was pregnant. She needed him. No photographs to fold into Chava’s hands when she leaves for America. Plans for his widowed mother’s aliyah to Palestine. The burden of this place and time. No prescience that all but two of his children–the eldest and the youngest–will be murdered. Of the four grandsons named for him, only Herman Krasner is born under the flag of the American Dream.

while the others lie

in the sky in the ashen

shadow of the moon.

Barbara Krasner holds an MFA from Vermont College of Fine Arts and a PhD in Holocaust & Genocide Studies (HGS) from Gratz College, where she teaches in the HGS graduate programs. The author of two poetry chapbooks and three novels in verse, her work has appeared in Jewish Literary Journal, Tiferet, Minyan, Jewishfiction.net, Michigan Quarterly Review, and elsewhere. She serves as Director, Mercer County (NJ) Holocaust, Genocide & Human Rights Education Center.

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America 1955

by Penny Perry (Rainbow, CA)

 My shoes crunch on alley gravel.

A boy calls out “Christ killer.”

I turn see his red hair, freckles.

A brick sails past my head.

Braids slap my shoulders.

My legs tremble. I grab

our back garden gate,

run to my mother.

She drops a trowel, hugs me.

“What’s wrong?” she asks.

Weeping in my mother’s arms,

I say, “I’m not a killer.”

The smell of dill in the kitchen.

My grandfather looks up from his 

hot tea in a glass and blinks back tears.

“My granddaughter isn’t safe in America.”

He sips his tea, probably remembering

his own grandfather who encouraged him 

to go to America to learn English and

become a  lawyer.

My grandmother ladles soup.

The carrots are sweet. I’m still 

trembling. My mother paces, says

“Should we call the police?”

My grandfather says “No.”

The bump on his head glistens

in the kitchen light. Cossacks threw

a rock at him when he was a baby.

“We’ll only cause more attention

on ourselves. I will have a civil

conversation with the boy

and his family.”

How can he be so calm? “It’s not safe 

for you, Dad,” my mother says.

Rinsing spinach at the sink, my grandmother 

says “It’s enough the child isn’t hurt.”

“Dayenu” I say to myself. The song

is my favorite part of our Seder.

It is enough that the brick missed me,

thank God. 

It is enough that my grandfather will help,

enough that my mother hugged me, enough 

that my grandmother is making my favorite dish, 

spinach with a hard boiled egg and sour cream.

I wipe my wet face. My grandfather 

slips into his bedroom, steps out 

in his favorite courtroom gray suit 

and purple tie.

The room now smells of baking bread.

In spite of the flying brick, I’m proud to be 

a Jew, proud of our survival, our traditions, 

grateful for God’s blessings.

Penny Perry is the author of two books of poetry Santa Monica Disposal and Salvage and Woman with Newspaper Shoes, both from Garden Oak Press. Her poems have appeared in Lilith, The Paterson Literary Review, Third Wednesday, San Diego Poetry Annual, Poetry International and many other journals. 

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my response to Lilith: a painting by john collier, 1887

by Lou Ella Hickman (Corpus Christi, TX)

         

            was it your soft voice—

            out of dark greening leaves

            that spoke woman to woman

            on how to become wise . . .

            a wisdom so desirable 

            you sensed

                              she could almost taste its delight

            just by reaching for it . . .

            reaching then became touch

            and touch makes things

            somehow more real . . .

            your voice   

            feminine as the garden they walked in . . .

             did you pause in your speaking 

`           aware how moist their lips were

            and how their eyes had suddenly opened in shame

Sister Lou Ella Hickman, I.W.B.S. is a former teacher and librarian whose writings have appeared in numerous magazines and anthologies. Press 53 published her first book of poetry in 2015 entitled she: robed and wordless. She was nominated for the Pushcart Prize in 2017 and in 2020. On May 11, 2021, five poems from her book which had been set to music by James Lee III were performed by the opera star Susanna Phillips, star clarinetist Anthony McGill, pianist Mayra Huang at Y92 in New York City. The group of songs is entitled “Chavah’s Daughters Speak.”  Her second book of poetry, Writing the Stars, will be released October 2024. (Press 53). If you’d like to listen to an interview with Sister Lou Ella about her poems being set to music, visit: https://www.todaysamericancatholic.org/2023/08/we-have-a-concert/

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The Lord is My Shepherd 

by Rick Black (Arlington, VA)

I shall want to know one day

why God made hurricanes and floods – 

and rested on the seventh day.

I shall want to know one day

why God sent down famine and disease – 

and rested on the seventh day.

I shall want to know one day 

why God rested on the seventh day

but did not grant us any rest.

Rick Black is an award-winning book artist and poet. His artist books are represented in private and public collections, including the Library of Congress, Yale University and the U.S. Holocaust Memorial Museum. A journalist for many years, Rick’s poetry collection, Star of David, won Poetica Magazine’s 2012 poetry chapbook contest for contemporary Jewish writing. A reading of Star of David was held in the Middle Eastern & African Division of the Library of Congress. He recently published a new collection, Two Seasons in Israel: A Selection of Peace and War Haiku.

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I Cannot Scrub Your Blood from My Bones

by Barbara Krasner (Somerset, NJ)

Deep within my marrow

flows my DNA, your blood,

your ambitions, your regrets,

your aches, your pains, your nightmares.

Deep within my memory

I call up your shtetl, its fields,

thatched roofs, unnamed streets.

Bold numbers nailed to door jambs,

revealing the town plan. Deep within

this hiccup murmurs your Galician dialect

of southeastern Poland, the bleats 

of goats, the shofar during High Holy Days.

Deep within the walls of the stucco homes

childbirth cries. Deep within

the burrows of the streets resounds the beat

of hobnailed boots and rapid gunfire.

You weren’t there during the invasions.

You weren’t there for mobile killing squads.

You weren’t there during deportations.

But you experienced it all the same,

just as I did. 

Barbara Krasner holds an MFA from Vermont College of Fine Arts and a PhD in Holocaust & Genocide Studies (HGS) from Gratz College, where she teaches in the HGS graduate programs. The author of two poetry chapbooks and three novels in verse, her work has appeared in Jewish Literary Journal, Tiferet, Minyan, Jewishfiction.net, Michigan Quarterly Review, and elsewhere. She serves as Director, Mercer County (NJ) Holocaust, Genocide & Human Rights Education Center.

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Self-Exile

by Herbert Munshine (Great Neck, NY)

To me, a synagogue should be 

an exclamation point, 

standing tall and straight, 

reflecting strength and confidence 

but, instead, it is a question mark, swirling 

and broadcasting insecurity. 

The confusion brought to me by

the Hebrew chanting and the davening 

saddens me, for I feel excluded amidst

the longing to belong, to share the unity

and the compelling desire to recognize 

our attachment and connection 

to our Greater Power. I am conflicted, 

ultimately lost. 

Even so, I feel an urge to walk inside,

to join the others who have worn 

the Magen David draped over their hearts, 

but I recognize that the ancient language 

spoken is a code, a kind of price 

of relevant admission, that excludes 

the likes of me. 

I find no Rosetta Stone handed down 

from Mount Sinai that will lead me 

to a satisfying translation of the wisdom 

which will assure me that I’ve found a home 

among those strangers. So I reluctantly eschew

entrance, step away from the well-constructed but

foreboding question mark, that of Chagall-like 

technicolor windows and impressive wooden doors 

and pews and platform, and stumble hesitatingly away 

on my solitary path, thinking of the lonely road 

through Jewishness that I have followed because 

He took my mother just one week before 

my 10th birthday many years ago. I dwell 

within an exile self-imposed. I try 

to fight it but I am left to wonder

just what might have been . . . .


Herbert Munshine grew up in the Bronx and graduated from C.C.N.Y. with both a B.S. in Education and a Master’s Degree in English. You can find his baseball poetry on Baseball Bard where he has had more than 100 poems published, and where he was recently inducted into that site’s Hall of Fame. He lives with his wife in Great Neck, NY.

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I Heard My Grandparents’ Voices

By Esther Munshine (Great Neck, NY)

My grandparents stared from the portrait

Hanging on the wall — dead eyes, expressionless

I used to fantasize that they were somewhere 

Still out in the world, lost, but rescued at the

End of the war, not murdered horrifically, lost in

The mingled ashes at the hell that was Auschwitz

I dreamt that they were survivors who would

Miraculously be found so we could be reunited

Leave it alone! My hope was the naivete of a child

And then the discovery more than half a century later,

My mother’s papers:

Letters from Vienna during the war from

My grandparents to their children and a brother and 

Two sisters caring for my mother’s 

Mother — a tragic figure old and lost

My great-grandmother, an invalid with no words

She couldn’t speak English and I am

Not sure she even knew where she was

From my mother’s closet, several letters from

Her parents, hidden from us in her lifetime

Being read at our behest

In the vocally halting translation by a woman who

Struggled to decode the high German no longer in use

I heard the voices of my grandparents trying to

Encourage the Jewish children they had sent to the safety

Of loving arms in America

They spoke, sending regards to other relatives and friends

I knew well

Having grown up with — making my family suddenly full

Our two central figures included

Finally, part of me in a way that I could keep them forever

They had saved me too by sending their children 

To America…

But they were hiding behind window shades

In their once comfortable Vienna apartment

In terror they were suppressing while making small

Talk about daily life revealing true devotion to 

Each other and their children — hoping to be saved

Knowing they would do what they could to survive

Even as the chessboard of history was countering

Their moves, it was too strong

They used parental injunctions to their boy and girl

To behave and study well and to thrive

And there I sat and met my grandparents who were

Calmly discussing their household management

One time as if at a séance with spiritual intervention

Their tones alive with love; it was in that fractured moment

As if my dream had come true if only for that one–time

Visit — as if they had been merely misplaced in the fog of war —

As if they had survived

Esther Munshine started teaching when she was 20. Her career spanned 50 years, with a generous interruption to raise her family. In 2019, she began writing poems in earnest.  During the pandemic, she met online regularly with other writers sharing their work, safely at a distance. She was an invited featured poet to the second annual National Baseball Poetry Festival in Worcester, Massachusetts in 2024, where she read “Take Me Out” and “First Baseball Game for First Grandson”. “I Heard My Grandparents Voices” is an experience that their grand-daughter is still processing and she appreciates having the chance to share that experience with the community in the Jewish Writing Project. If you’d like to read more of the Esther’s work, visit: https://www.baseballbard.com and Reflections in Poetry and Prose 2023 https://www.uft.org/chapters/retired-teachers-chapter/retiree-programs/reflections-poetry-and-prose

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On That Day

by Herbert Munshine (Great Neck, NY)

It rained that day. The gray sky 

matched everybody’s mood

and as my face was pelted 

with large, heavy drops that hurt,

I reassured myself that I would never cry. 

I was almost 10.

I stood lost in the crowd. I didn’t 

have a need to be up front

but someone nudged me, 

pushed me closer to the grave

and I looked down and saw

the plain pale brown coffin 

decorated with a matching 

Jewish star, the place in which

my mother slept (that was the current 

euphemism), and I was numb. 

An old man speaking through 

his beard, dressed in a long black coat, 

a rabbi whom I’d seen in my rare visits 

to Temple Emanuel in Parkchester when 

certain holidays occurred, said words 

I didn’t understand, made noises 

that offered a young child no comfort, 

and sporadically others, most of which 

I didn’t recognize because my family had chosen 

isolation as a way of life. He mumbled what I guessed

were prayers, and all I felt was the heavy rain that

seemed determined to replace the tears that wouldn’t come.

I paid attention to my heavy breathing 

because, I guess, it took my mind away 

from that pine coffin that held what was left 

of the woman who used to comfort and care for me 

when I was sick, who used to cook for me in her 

Jewish-Latvian way, from scratch to tasty,

with the constantly secret sacred ingredient 

being love.

I had been her companion as she prepared the food,

the one who licked the bowl … but what exactly 

was my role now that she was gone? Who would be

my mother? A little child needed a mother, but she was gone.

These thoughts bombarded my defenselessness

while wise men said their Hebrew words and still 

the tears refused to visit me, and the rain kept falling 

and the shovels lifted senseless dirt and dropped it 

on my mother and I felt like screaming and running 

to her but she was no longer there for me. Instead, 

the sounds replaced her voice, those holy sounds 

that meant nothing to a ten-year-old, 

a boy who simply wanted to hear

his mother’s voice again.


Herbert Munshine grew up in the Bronx and graduated from C.C.N.Y. with both a B.S. in Education and a Master’s Degree in English. You can find his baseball poetry on Baseball Bard where he has had more than 100 poems published, and where he was recently inducted into that site’s Hall of Fame. He lives with his wife in Great Neck, NY.

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