Category Archives: poetry

On Creativity

by Mel Glenn (Brooklyn, NY)

Dribbling my pen in the poetic backcourt,
I am urged by my Cosmic Coach
“to let the game come to you.
Creativity is such a fickle bounce of the ball;
you can’t force your shots.
You have to pick your time and place
and then fire your words
upwards in a rainbow arc.”
I throw up a wild shot of a poem,
one that possesses little rhyme or reason.
“You’re trying too hard,” Coach reminds me.
“Take a seat on the bench, young man,
and keep your eyes on the flow of the Game.
When I think you’re ready,
I’ll put you back on the floor,
to distribute, like passes,
the words I have given to you,
allowing you to rise to your full height
which will increase your personal stats
by the time the final buzzer sounds.”

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Learning a New Language

by Janet R. Kirchheimer (New York, NY)

My father is teaching me German.
He still speaks fluently, even though he
escaped from Nazi Germany almost
seventy years ago when he was seventeen.

We study nouns and verbs.
We study when to use the formal pronoun, Sie, you
and when to use the more familiar, Du.
One must be offered permission to use the familiar.

We study dialects.
The word Ich, I.
The Berliners pronounce it Ick.
Those from Frankfurt am Main, Isch.
Those from Schwaben, Ich or I.

He tells me when he was a kid he and
his friends used to say in a Berliner dialect,
“Berlin jeweesen Oranje jejessen und sie war so süss jeweesen.”
I was in Berlin and ate an orange, and it was very sweet.
“And then we added, dass mir die brüh die gosh runterglaufe is,”
with the juices running down my mouth.
He explains: “It is in our Schwäbisch dialect.
I should say, it was our dialect.”

Janet R. Kirchheimer is the author of How to Spot One of Us (2007), a collection of poems about her family and the Shoah. Her poems and essays have appeared in several journals such as the Connecticut Review and Limestone, as well as on Beliefnet. She is a teaching fellow at Clal.

This poem has been reprinted with the kind permission of the author and Clal-The National Jewish Center for Learning and Leadership.

For more about Kirchheimer’s work, visit: http://productsearch.barnesandnoble.com/search/results.aspx?WRD=janet+r+kirchheimer&page=index&prod=univ&choice=allproducts&query=Janet+R+Kirchheimer&flag=False&ugrp=2

And to read Kirchheimer’s recent piece on observing Kristallnacht this year, the first without her father, who died this past July, visit: http://www.jewishjournal.com/opinion/article/kristallnacht_without_my_father_20111102/

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The Power of Prayers

by Susan L. Lipson (Poway, CA)

(High Holidays 5772/2011)

So many earnest voices chant their heartfelt prayers today;
How will my words be heard then
In the swell?
Why should God even listen to the simple words I say,
When others sway and cry with
Private pain?

What if my prayers aren’t echoed by a chorus of Amens,
If my words aren’t in the books,
Held by all?
What if I sing my own tune, in my head, not the refrains?
Does God hear solo voices
In the choir?

As Master of conductors, can’t God pinpoint any voice
Amid the others joined in
Harmony?
Can’t God hear what we feel when we send our thoughts to Him;
Must we really move our lips
To move God?

I think God hears intentions, not just voices, not mere words;
And prayers are multilingual,
Not one form.
So if my thoughts fly upward, from my book, like soaring birds,
I need not feel that I’ve strayed—
God hears all.

God hears me, God hears you, God hears them,
God hears all.
God’s in me, God’s in you, God’s in them,
God is all.

Susan L. Lipson, a children’s novelist and poet, has taught writing in the San Diego area for more than ten years. Her latest books are Knock on Wood (a middle-grade novel) and Writing Success Through Poetry. She writes two blogs: www.susanllipson.blogspot.com and www.susanllipsonwritingteacher.blogspot.com.

Lipson also writes songs, including Jewish spiritual songs, some of which have been performed by synagogue choirs and soloists.

Contact her via Facebook or MySpace (Susan L. Lipson).

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What Really Happened That Day

by Rick Black (Arlington, VA)

At Dunkin’ Donuts,
I sip my coffee, bite into a chocolate-
frosted donut and mull over your fate.
Would you like a taste, Isaac?

I know: everything falls this time of year–
acorns, leaves, even knives
fall by accident,
of course.

Tell me, Isaac, you can confide in me,
“What really happened that day?”
If only you were not so
reticent.

A survivor, you figure no one
would believe you. You’re probably right.
Your father, a knife, a ram–
how absurd.

Everything falls this time of year–
spiky chestnuts, ripening apples
even knives fall by accident,
of course.

Rick Black is a prize-winning poet and former journalist who creates hand-crafted books at Turtle Light Press in Arlington, VA. You can see his work at http://www.turtlelightpress.com/

This poem was reprinted with permission of the author. It first appeared in U.S. 1 Worksheets, (Vol. 56),  U.S. 1 Poets’ Cooperative, Princeton, NJ. (http://us1poets.com)

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One Holocaust Movie Too Many

by Mel Glenn (Brooklyn, NY)

How many times can you see
the broken bodies piled high
at Auschwitz or Bergen-Belsen?
How many times can you stare
into the vacant eyes of prisoners
crammed into three-tiered bunks?
How many times can you cringe
at the frightened people wedged into boxcars?
Apparently there is always room
for one more picture of piled shoes,
pajama-clad skeletons, empty suitcases.
I say this sitting comfortably
at a cafe in a Jewish neighborhood
where I can see a young man
wearing Sandy Koufax’s #32 baseball jersey,
knowing that the world seems safe – for now,
knowing, too, that I do not hear the awful trains
rumbling towards their final destination,
except in a generational memory
never to be ignored or forgotten.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Ellis Island

by Mel Glenn (Brooklyn, NY)

i

Hi, Dad.
Today I discovered the manifest
of the ship you sailed on
when you crossed the Atlantic alone
and arrived in New York, November 7, 1923.
The basic facts jump off the computer screen:
Age 18, single, male, brown hair,
$40 in your pocket and a
second class ticket in your hand.
Name of vessel – the “Polonia”
Ethnicity – Hebrew, Lithuanian
Port of Departure – Libau
But the pages before my eyes
say little how you felt
passing the Statue of Liberty,
said nothing of your dreams and fears.
Were you excited? Scared? Or both?
What words did you reserve
for your running thoughts then?
What words do you have for me now?

ii

You never told me tales of your youth,
except to say how hard life was,
and how you had to go without.
You never told me lessons you learned,
or what private words your parents presented,
and if they gave you blessing to cross the sea.
You never told me at the end of your life
what conclusions you had drawn
or whether you’d be leaving the world at peace.
I suspect you didn’t.
I suspect you withheld large portions of your years
that were to remain completely unopened.
Perhaps if I had known you better,
and did not gather information
off a ship’s manifest, it might have
made a difference, then again, perhaps not.
I do wish your life hadn’t been
such a Cracker Jack’s surprise box,
as I hope the airing of this and other poems
won’t be such a revelation to my own children.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Sweet Dreams

by Janet R. Kirchheimer (New York, NY)

Sometimes I dream I’m the one who kills Hitler.
It’s simple. I walk up to him,
shoot him in the face, and watch his head
explode into a million
glass pieces that clink on the floor
like a Saturday morning cartoon character’s.
Except he doesn’t get back up.

And sometimes I am Yael.
I invite Hitler into my tent as he flees from his enemies.
He tells me he is thirsty, and I
give him milk, and he falls fast asleep.
I pick up a tent pin and hammer. I drive the pin
through his temple until it reaches the ground.

Other times I’m part of the plot to assassinate him
aboard his plane. This time I make sure
the bomb explodes. He falls faster and faster, crashing
with such force the earth swallows him up, as if he never

existed, and I’m sitting on the back porch, the sun is shining,
and all my grandparents, cousins, aunts, and uncles
are laughing and telling stories.

Janet R. Kirchheimer is the author of How to Spot One of Us (2007), a collection of poems about her family and the Shoah. Her poems and essays have appeared in several journals such as the Connecticut Review and Limestone, as well as on Beliefnet. She is a teaching fellow at Clal.

This poem has been reprinted with the kind permission of the author and Clal-The National Jewish Center for Learning and Leadership.

For more about Kirchheimer’s work, visit: http://productsearch.barnesandnoble.com/search/results.aspx?WRD=janet+r+kirchheimer&page=index&prod=univ&choice=allproducts&query=Janet+R+Kirchheimer&flag=False&ugrp=2

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Wednesday Night Prayers

by Arlyn Miller (Glencoe, IL)

I.

Haftarah Blessing

In the sanctuary, the girl practices for her bat mitzvah.
Beside her, the Rabbi.  In front of them, the open scroll.
Behind them, the open ark.
After reciting her Haftarah with a steady, studied pace, she begins
chanting the blessing.   The mellow warmth of the Rabbi’s voice joins hers:
for holiness and rest, for honor and glory: we thank and bless you.

II.

Kaddish

In the library, two 6th grade girls practice reciting the Kaddish prayer.
An 8th grade boy listens, tutoring them.  They take turns repeating the lines,
punctuating them with an easy camaraderie.  The prayer holds this, too.
In the courtyard, the snow is lit white against the dark night sky.
Yit-gadal v‘-yitka-dash sh’mei raba, b’al-ma di v’ra chi-ru-tei….

 

III.

Shehecheyanu

In the classroom, the Cantor is teaching trope to the students.
In unison their voices overflow into the hallway, where two 4th grade boys
and their teen helper sit cross legged on the floor practicing
the Shehecheyanu: Blessed are You, Adoni, our God,
Sovereign of the universe, for giving us life, sustaining us,
and enabling us to reach this season.

_____

Arlyn Miller is spending a year chronicling the life of her synagogue  (Am Shalom in Glencoe, IL) as its Writer in Residence.  “Wednesday Night Prayers” appears in slightly revised form in the March 2011 KOL.  A poet, essayist and journalist, Arlyn also teaches creative writing in schools and in the community through Poetic License, Inc.  You can find out more about her work at: www.poeticlicenseinc.net.

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Crumbs

by Janet Ruth Falon (Elkins Park, PA)

It was all orchestrated by Mother.
Moments before dark on the night before the first seder
she scattered breadcrumbs around her linoleum kitchen
but not leading anywhere, like Hansel and Gretl’s way home.

It was black inside like a fairytale woods, so
each person lit a candle, searching in its orange glow
for those deliberate crumbs
of day-old doughnuts or the last shtickel of challah
from Friday night.

Illuminated, you’d search the kitchen’s corners,
deep in the nooks and the slits of the crannies,
searching for the crumbs your mother planted.
You’d have a feather, or an old toothbrush –
its bristles splayed like a newborn giraffe’s legs –
and when you found something, you’d brush it
onto yesterday’s news, or in a little paper bag.

The next morning, you’d burn it,
letting the crumbs devour themselves to nothing —
like the marshmallow that falls off your stick
and into the fire,
leaving behind only a smell that reminds you
of something that used to be there, but is no more.

If you want to be thorough, to give it your all,
you hunt in your car for crumbs,
your desk, your locker if you’re a kid,
anywhere you might have left a trace of yourself, but
not quite enough to add up to a whole.

I like this ritual,
this Jewish spring cleaning,
getting rid of the crumbs in my life,
the pieces that don’t add up to much
and have gone stale.
Once upon a time, I loved someone
who wouldn’t let me eat a doughnut in his car
and, several decades later,
offered me crumbs of friendship.
At first I accepted them gratefully
— hungrily – but after a time
I realized that even an endless supply of crumbs
didn’t add up, and
didn’t satisfy me as much as one intact cookie,
(even a boring little ginger snap,
or some other intrinsically unattractive sweet.)

So I’m telling you
when I open the door for Elijah this year
I’m not going to let just any one in,
even if it’s Elijah’s guest, if he comes empty-handed.

And even when Passover has passed,
if I’m going to let you in,
you have to bring me a pound of those buttery bakery cookies
that look like pastel-painted leaves,
or better yet, an entire cake,
one you know I like.
You see, I don’t accept crumbs any more.

Janet Ruth Falon, the author of The Jewish Journaling Book (Jewish Lights, 2004), teaches a variety of writing classes — including journaling and creative expression — at many places, including the University of Pennsylvania. She leads a non-fiction writing group and works with individual students, and is continuing to write Jewish-themed readings for what she hopes will become a book, In the Spirit of the Holidays.

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Hawking Sees No Heaven

by Mel Glenn (Brooklyn, NY)

Hawking sees no heaven,
a fantasy, he calls it,
“for people afraid of the dark.”
What, no Shangri-La for the children,
no safe haven for the doubtful?
His pronouncement manifests the force
of a prison door closing on a life sentence.
Mr. Hawking, I surely respect your intelligence,
but how can you be so sure?
We are more than machine
with triple AAA batteries gone dead.
In the small, sheltered space
before you fall asleep
do you not think your soul migrates
to a higher, more peaceful place?
Sleep may be death’s counterfeit,
but we dream, do we not?
Why not then for eternity?

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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