Category Archives: poetry

Chance

by Mel Glenn (Brooklyn, NY)

In Atlantic City,
wind and water claw at the boardwalk,
quickly reducing it to kindling.
Chance, like a coin slipping into a slot machine,
registers winners and losers on a neon screen,
complete with ringing bells and bright lights.
Late-leaving patrons before the evac orders
hurry to try their luck at various games of chance.
Blackjack, roulette, slots, wheels of fortune promote
both the odds and rewards of landing
on the right side of the table, or
race the dealer to twenty-one, but outside
the howling wind offers a bigger crap shoot
with the jackpot winnings of your life.
Storm shifts a few degrees north: survival.
Storm not shifting a few degrees south:
your house in ruins, your cars destroyed.
God’s plan not understood as
His throw of the cosmic dice rolls
as unpredictably as your next flip of the cards.
Who by fire, who by water?
Or both.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Why Fast?

by Mel Glenn (Brooklyn, NY)

Good question for a self-doubting Jew.
Me, who counts the number of pages left in the service,
me, who counts the numbers of lights above the ark,
me, who now gets up and sits down more slowly.
What is my one day fasting
compared to a Muslim’s thirty,
a dieter’s holy grail,
a third world child’s daily necessity?
Does my fast count for extra credit
when the signed and sealed decision is made?
I fast for reasons that hover
just outside the borders of precise definition.
I fast for reasons that have little to do
with the poor education forced on me.
I fast for reasons that mark my tenuous connection
to a congregation of people I know once a year,
to a congregation of six million I never knew.
Finally, I fast to ask forgiveness for sins,
real and imagined, deliberate and accidental.
And while that hefty number is being tallied,
I try to convince myself  that fasting
will let me hear the voice of God,
establishing a one-to-one connection I need to make.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Turn, Turn, Turn

by Janet Ruth Falon (Elkins Park, PA)

I’d like to ask Pete Seeger to supper in my sukkah.
He’s 92 now, and who knows how many more?
I’d serve vegetable stew on brown rice
and a seedy home-risen bread
and after a local, seasonal pie
I’d turn to him, and tell him
how I grew up, and then out, on his music,
how The Weavers were my family’s soundtrack,
how my parents didn’t care about the politics
but just liked the songs, and sang along
— and our family didn’t sing much —
especially my father, in a buffalo-plaid shirt,
at an Adirondacks bungalow,
on the steps to a screened-in porch,
holding up the trout he’d caught on Schroon River
like a Torah just taken from the Ark.

After I’d served tea, and offered sweaters against the autumn night,
I’d turn to Pete, and tell him
how his songs, and the banjo,
and that beckoning voice of his youth
are the best sounds of my innocent soul,
the part that’s pure, that’s remained unmarred;
that his songs blessed me with things to believe in,
and how, to this day, I’m not only willing,
but I’m desperate for him to raise a hand between strums,
and point to me, to us, urging us to sing together, to sing along,
to sing for God-knows-what something.

The sukkah rustles in the wind, leaves crackle,
weary season’s-end mosquitos make a half-hearted appearance.
I wrap my father’s buffalo-plaid shirt around me;
I wear some of his clothes now that he’s gone.

Pete would turn to me, chuck me under the chin,
and sit up higher in his brittle, reedy body.
He’d hold up his hand as if to part waters
and point
and every person sitting in any sukkah
anywhere in the world at that moment
would start singing that song from Ecclesiastes,
The one about time for this, and time for that,
and the four-part harmony would rise out of the sukkahs
towards heaven, if there is one,
like sweet, good-hearted smoke.

Janet Ruth Falon, the author of The Jewish Journaling Book (Jewish Lights, 2004), teaches a variety of writing classes — including journaling and creative expression — at many places, including the University of Pennsylvania. She leads a non-fiction writing group and works with individual students, and is continuing to write Jewish-themed readings for what she hopes will become a book, In the Spirit of the Holidays.

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Silent Meditation

by Natalie Zellat Dyen (Huntington Valley, PA)

The earth spins
Through hours and days and seasons
To a time of stillness
When the shofar sounds
And we reflect on the dark nights
Of angry words and stricken souls
Of broken bodies and broken promises
Of empty spaces left by those who are no more
And we reflect on the bright days
Of birth and breath
Of music and miracles
Of kind acts and loving arms
And the gravity that keeps us firmly grounded
As the earth spins.

So we reflect
And repent
And look ahead
And promise to do better
And give more
And love more
As the shofar sounds
And we turn to face the new year
And the earth spins
And we go round again.

Natalie Zellat Dyen is a freelance writer and photographer living in Huntingdon Valley, PA. Her work has appeared in Philadelphia Stories, The Willow Review, Global Woman Magazine, Intercom Magazine, The Philadelphia Inquirer, and other newspapers and journals. Links to Natalie’s published work are available atwww.nataliewrites.com.

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Me, George Herbert, and the High Holidays

by Mel Glenn (Brooklyn, NY)

What do I, little Jewish boy from Brooklyn,
have in common with George Herbert,
17th century metaphysical poet and priest?
A lot more than you might think,
he in italics, me in Times New Roman.
I Struck the board and cry’d, No more.
How many times have I abandoned
the temple, the service, and my God?
But as I rav’d and grew more fierce and wilde
at every word….
How many times have I rebelled
at droning words, incomprehensible to my ears?
Me thoughts I heard one calling, ‘Childe.’
And I reply’d, ‘My Lord.’
And so, when the shofar sounds this year,
for reasons I can’t fully explain,
I will be sitting in my usual seat, Row U, Seat 4,
saying “God, I am here,” despite, or maybe
because of, all questions and doubts,
looking to find the exquisite moments of
wonderment and epiphany
I suspect are there.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Why I’m Not Doing Tashlikh This Year

by Janet Ruth Falon (Elkins Park, PA)

I’m mad at you, God,
You tricked me into thinking life is fair
And that if I did good things,
God things,
I’d get what I deserved
(which wasn’t so extraordinary, after all,
just the basic stuff like everyone else).
But you screwed me, God,
Holding back from me, then snatching away when I thought it was mine.
And now you expect me to take the crumbs from my pocket and toss them,
my misdeeds and regrets,
into flowing waters?  I won’t.
I don’t have what to give.
Loss after loss has diminished me
And I’m tired and small;
I need to hang on to what little I have.
Of course I’ve made mistakes –
But it’s your turn, God, this year,
To atone
And admit
And commit to making better.
You owe me, God, big time.

Yes, I’m angry.
I should have gone swimming today
Rather than to shul
Where I feel your big daddy hand
Holding me up when I give in,
And give up the fight
flat on my back,
trusting you won’t let me down, or drown.
But I didn’t, God.  Silly me.
I thought I’d visit you and try again.
(I hope you know that the fact I’m there
Means I haven’t given up, not totally,
Not yet.)
So here’s what I want, today;
I want this instead of Tashlikh:
I want you to make it rain.
I want you to take the waters that you’ve sucked up during this long, scorched, yellow summer
And pour them down on me.
I’m parched, God.  I could be dying.
I want you to rain down the waters
that might have been the stream I’d Tashlikh into
And make it flow
Abundant and life-bearing.
I want you to write little fortune-cookie messages —
Apologizing to me,
Forecasting only good things —
And have them wash up onto the shore
Where I can collect them and paste them
Into my journal.
On this day when other people are discarding pieces of themselves
I want the holes in me filled.

Janet Ruth Falon, the author of The Jewish Journaling Book (Jewish Lights, 2004), teaches a variety of writing classes — including journaling and creative expression — at many places, including the University of Pennsylvania. She leads a non-fiction writing group and works with individual students, and is continuing to write Jewish-themed readings for what she hopes will become a book, In the Spirit of the Holidays.

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London-Munich, No Connection

by Mel Glenn (Brooklyn, NY)

There are 569 miles between London and Munich.
You can get there by
British Airways, Virgin Atlantic and American.
The flight takes 1 hour and 9 minutes,
and costs about 240 euros.
Both are modern cities
with busy financial centers.
Both held Olympics 40 years apart
with pomp and pageantry in
opening and closing ceremonies.
England won 4 gold medals in Munich;
Germany won 11 gold medals in London.
At the end of the games in Great Britain, in ’12
all the athletes left via Heathrow Airport.
At the end of the games in Germany, in ’72
not all of the athletes left via Munich Airport.
There are 569 miles between London and Munich,
but between the two cities, there is no connection,
no remembering, no memorials,
just distance,
just 569 miles.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Filed under American Jewry, Israel Jewry, poetry

The Inner Palace

by Ilan Braun (Le Tour-du-Parc, Brittany, France)
Little Adam sleeps and dreams
In his mother’s inner palace
Little Adam in his tightly closed fists holds Knowledge
Like a delicate full bloom flower
He knows everything about the universe
And the world above
He knows the Divine Law
From the first letter, Alef, to the last one, Taf
Little Adam knows and understands the Creation’s mysteries
All of them without exception
Why the whales sing under the rolling waves
Why the moon shines during the darkest of nights
Why the sun breeds the day every morning
Why Man and Woman like one unique being
And why this, and why that, and so much more
Little Adam in his mother’s heart
Even with closed eyes, sees All
The huge Time space before his birth, and right after
Yesterday, today and tomorrow on the same horizon
With closed eyes, he smiles
Because Angels, with love, surround him
And rock him with melodious lullabies
Till he dreams again
Alas, the long and sweet inner Night is ending
And being torn apart
Tender dreams suddenly ending
The Day is rising blinding Little Adam with too much brightness
From his mother’s heart expelled
Crying and moaning from alien pain
As an Angel, with his finger, has given him total oblivion
Here is Little Adam on his own on this earth
And forever seeking the lost Palace
Ilan Braun, a retired French journalist who wrote for L’Arche, is a poet, writer, painter and amateur historian on the Holocaust and post-war Jewish clandestine immigration to Israel. He has lived in Israel and Australia and visited over 30 countries.

You can read more of his work in Labyrinthe poétique: De la terre au ciel (Publibook, Paris, 2009) and in English (“The Oak of Tears”) in Under One Canopy: Readings in Jewish Diversity, edited by Karen Primack (Kulanu Inc. Silver Spring, MD. 2003).

For more information about his work, visit: www.ilanbraun.dr.ag

 

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The God Particle

by Mel Glenn (Brooklyn, NY)

They may have found the particle in Geneva,
but they didn’t find God in heaven.
So, the search continues, in Switzerland, in me.
I applaud their efforts, even though
I don’t understand their physics.
Yet, I know the answer to God’s existence
won’t be found inside a semi-conductor,
but in the intricate tunnels of the human heart.
If I could find a particle of belief,
I would be the most willing convert to orthodoxy.
Nations fight over religion;
families argue the merits over religion
in prewedding discussions with their offspring.
The battle between belief and non-belief
rages across the tough terrain of my soul.
Will you esteemed physicists
now find yourself closer to God,
or will one tiny particle even more convincingly lead
to the gateway of the splendor of His work?
I await an answer from you or God.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Filed under American Jewry, history, Jewish identity, poetry

A Poet’s Reflections on Approaching the Edge

by Mel Glenn (Brooklyn, NY)

In looking at my two Holocaust poems–“Accident of Fate,” The Jewish Writing Project, May 14, 2012 (http://tinyurl.com/cpywfs5) and “One Holocaust Movie Too Many,” The Jewish Writing Project, August 22, 2011  (http://tinyurl.com/d7dt7po)–I can’t help notice that there is a sizable difference in perspective.

In “One Holocaust Movie Too Many,” the earlier one, I am the outsider looking in. I see pictures of the Holocaust, but the screen filters me from reality. I am there and not there, separated from the horror via celluloid and watching from a distance in present time where the world is safe and Jews can be proud of their heritage. In the poem, I do not hear the “awful trains,” except in a vague generational memory. I am as distant as anyone who has not been through the camps.

In “Accident of Fate,” there is a closer, deeper perspective. Yes, there is also the movie screen, but I wished in this poem to state much more emphatically that my involvement in the horror is much more than a memory. It is a feeling that I have been spared, granted life, but should not have been. Except for this accident of fate, I should have been in the barracks waiting to be put to death. The poem raises vividly an unresolved philosophical dilemma: why was I allowed to live while others were marched to the chambers? I realize, of course, there is no answer to this question. In the latter poem I am singed by the fires of the crematorium. I am there – far more so than in the first poem where I exist as a curious spectator.

My different vision for each poem was cast by personal history. My parents escaped Vienna in 1939, and I was born during the war in safe Switzerland. On some level (though not as much as my father), I have suffered from some kind of “survivor’s guilt,” never fully escaping the thought that I, very easily, could have been one more nameless victim.

I never truly understood my father’s torture, but I am beginning to see now that I am not totally unscathed from the horrible history. Though I did not fall in, my toe has always touched the rim of this terrible abyss. In the second poem I move closer to the edge.

Each time I approach the edge, I find myself compelled to write.

Here is a poem that I wrote after thinking about the process of moving closer and closer to that edge:

My Father’s Soul

Two Holocaust poems written months apart,
both describing horrors seen on the silver screen,
both touching on my escape from
the fires of the crematoriums.
In the first poem, I serve as spectator
seeing the barracks from a distance,
realizing I have been fortunate enough
to live free in a Jewish neighborhood.
In the second poem, I am the participant
with the growing sense
a part of me, a part of my father
still lives among the prisoners,
and what’s more, I have no business
being a survivor, being allowed
to live free in a Jewish neighborhood.
I am my father’s son;
his survivor’s guilt is my guilt.
His soul is my soul as I put
one foot ahead of the other,
casting my eyes upward at the smoke.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Filed under American Jewry, Family history, Jewish identity, poetry