Category Archives: poetry

One Holocaust Movie Too Many

by Mel Glenn (Brooklyn, NY)

How many times can you see
the broken bodies piled high
at Auschwitz or Bergen-Belsen?
How many times can you stare
into the vacant eyes of prisoners
crammed into three-tiered bunks?
How many times can you cringe
at the frightened people wedged into boxcars?
Apparently there is always room
for one more picture of piled shoes,
pajama-clad skeletons, empty suitcases.
I say this sitting comfortably
at a cafe in a Jewish neighborhood
where I can see a young man
wearing Sandy Koufax’s #32 baseball jersey,
knowing that the world seems safe – for now,
knowing, too, that I do not hear the awful trains
rumbling towards their final destination,
except in a generational memory
never to be ignored or forgotten.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Ellis Island

by Mel Glenn (Brooklyn, NY)

i

Hi, Dad.
Today I discovered the manifest
of the ship you sailed on
when you crossed the Atlantic alone
and arrived in New York, November 7, 1923.
The basic facts jump off the computer screen:
Age 18, single, male, brown hair,
$40 in your pocket and a
second class ticket in your hand.
Name of vessel – the “Polonia”
Ethnicity – Hebrew, Lithuanian
Port of Departure – Libau
But the pages before my eyes
say little how you felt
passing the Statue of Liberty,
said nothing of your dreams and fears.
Were you excited? Scared? Or both?
What words did you reserve
for your running thoughts then?
What words do you have for me now?

ii

You never told me tales of your youth,
except to say how hard life was,
and how you had to go without.
You never told me lessons you learned,
or what private words your parents presented,
and if they gave you blessing to cross the sea.
You never told me at the end of your life
what conclusions you had drawn
or whether you’d be leaving the world at peace.
I suspect you didn’t.
I suspect you withheld large portions of your years
that were to remain completely unopened.
Perhaps if I had known you better,
and did not gather information
off a ship’s manifest, it might have
made a difference, then again, perhaps not.
I do wish your life hadn’t been
such a Cracker Jack’s surprise box,
as I hope the airing of this and other poems
won’t be such a revelation to my own children.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Sweet Dreams

by Janet R. Kirchheimer (New York, NY)

Sometimes I dream I’m the one who kills Hitler.
It’s simple. I walk up to him,
shoot him in the face, and watch his head
explode into a million
glass pieces that clink on the floor
like a Saturday morning cartoon character’s.
Except he doesn’t get back up.

And sometimes I am Yael.
I invite Hitler into my tent as he flees from his enemies.
He tells me he is thirsty, and I
give him milk, and he falls fast asleep.
I pick up a tent pin and hammer. I drive the pin
through his temple until it reaches the ground.

Other times I’m part of the plot to assassinate him
aboard his plane. This time I make sure
the bomb explodes. He falls faster and faster, crashing
with such force the earth swallows him up, as if he never

existed, and I’m sitting on the back porch, the sun is shining,
and all my grandparents, cousins, aunts, and uncles
are laughing and telling stories.

Janet R. Kirchheimer is the author of How to Spot One of Us (2007), a collection of poems about her family and the Shoah. Her poems and essays have appeared in several journals such as the Connecticut Review and Limestone, as well as on Beliefnet. She is a teaching fellow at Clal.

This poem has been reprinted with the kind permission of the author and Clal-The National Jewish Center for Learning and Leadership.

For more about Kirchheimer’s work, visit: http://productsearch.barnesandnoble.com/search/results.aspx?WRD=janet+r+kirchheimer&page=index&prod=univ&choice=allproducts&query=Janet+R+Kirchheimer&flag=False&ugrp=2

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Wednesday Night Prayers

by Arlyn Miller (Glencoe, IL)

I.

Haftarah Blessing

In the sanctuary, the girl practices for her bat mitzvah.
Beside her, the Rabbi.  In front of them, the open scroll.
Behind them, the open ark.
After reciting her Haftarah with a steady, studied pace, she begins
chanting the blessing.   The mellow warmth of the Rabbi’s voice joins hers:
for holiness and rest, for honor and glory: we thank and bless you.

II.

Kaddish

In the library, two 6th grade girls practice reciting the Kaddish prayer.
An 8th grade boy listens, tutoring them.  They take turns repeating the lines,
punctuating them with an easy camaraderie.  The prayer holds this, too.
In the courtyard, the snow is lit white against the dark night sky.
Yit-gadal v‘-yitka-dash sh’mei raba, b’al-ma di v’ra chi-ru-tei….

 

III.

Shehecheyanu

In the classroom, the Cantor is teaching trope to the students.
In unison their voices overflow into the hallway, where two 4th grade boys
and their teen helper sit cross legged on the floor practicing
the Shehecheyanu: Blessed are You, Adoni, our God,
Sovereign of the universe, for giving us life, sustaining us,
and enabling us to reach this season.

_____

Arlyn Miller is spending a year chronicling the life of her synagogue  (Am Shalom in Glencoe, IL) as its Writer in Residence.  “Wednesday Night Prayers” appears in slightly revised form in the March 2011 KOL.  A poet, essayist and journalist, Arlyn also teaches creative writing in schools and in the community through Poetic License, Inc.  You can find out more about her work at: www.poeticlicenseinc.net.

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Crumbs

by Janet Ruth Falon (Elkins Park, PA)

It was all orchestrated by Mother.
Moments before dark on the night before the first seder
she scattered breadcrumbs around her linoleum kitchen
but not leading anywhere, like Hansel and Gretl’s way home.

It was black inside like a fairytale woods, so
each person lit a candle, searching in its orange glow
for those deliberate crumbs
of day-old doughnuts or the last shtickel of challah
from Friday night.

Illuminated, you’d search the kitchen’s corners,
deep in the nooks and the slits of the crannies,
searching for the crumbs your mother planted.
You’d have a feather, or an old toothbrush –
its bristles splayed like a newborn giraffe’s legs –
and when you found something, you’d brush it
onto yesterday’s news, or in a little paper bag.

The next morning, you’d burn it,
letting the crumbs devour themselves to nothing —
like the marshmallow that falls off your stick
and into the fire,
leaving behind only a smell that reminds you
of something that used to be there, but is no more.

If you want to be thorough, to give it your all,
you hunt in your car for crumbs,
your desk, your locker if you’re a kid,
anywhere you might have left a trace of yourself, but
not quite enough to add up to a whole.

I like this ritual,
this Jewish spring cleaning,
getting rid of the crumbs in my life,
the pieces that don’t add up to much
and have gone stale.
Once upon a time, I loved someone
who wouldn’t let me eat a doughnut in his car
and, several decades later,
offered me crumbs of friendship.
At first I accepted them gratefully
— hungrily – but after a time
I realized that even an endless supply of crumbs
didn’t add up, and
didn’t satisfy me as much as one intact cookie,
(even a boring little ginger snap,
or some other intrinsically unattractive sweet.)

So I’m telling you
when I open the door for Elijah this year
I’m not going to let just any one in,
even if it’s Elijah’s guest, if he comes empty-handed.

And even when Passover has passed,
if I’m going to let you in,
you have to bring me a pound of those buttery bakery cookies
that look like pastel-painted leaves,
or better yet, an entire cake,
one you know I like.
You see, I don’t accept crumbs any more.

Janet Ruth Falon, the author of The Jewish Journaling Book (Jewish Lights, 2004), teaches a variety of writing classes — including journaling and creative expression — at many places, including the University of Pennsylvania. She leads a non-fiction writing group and works with individual students, and is continuing to write Jewish-themed readings for what she hopes will become a book, In the Spirit of the Holidays.

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Hawking Sees No Heaven

by Mel Glenn (Brooklyn, NY)

Hawking sees no heaven,
a fantasy, he calls it,
“for people afraid of the dark.”
What, no Shangri-La for the children,
no safe haven for the doubtful?
His pronouncement manifests the force
of a prison door closing on a life sentence.
Mr. Hawking, I surely respect your intelligence,
but how can you be so sure?
We are more than machine
with triple AAA batteries gone dead.
In the small, sheltered space
before you fall asleep
do you not think your soul migrates
to a higher, more peaceful place?
Sleep may be death’s counterfeit,
but we dream, do we not?
Why not then for eternity?

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Evidence of Light

by Arlyn Miller (Glencoe, IL)

Am Shalom sanctuary, early weekday morning

I.

From the east,
the autumn morning light
sets the stained glass aglow,
aqua and amber bejeweled.
Outside, a sparrow casts
its flitting shadow against
the arched panes of colored glass.
Everywhere, there is evidence of light.

II.

On the western wall, three windows
awash in a soft, even tone;
their encircled triptych assures:
you will voyage    home    to thrive and grow.
Pathways of penumbral hope issue
in all directions, it matters not in which you set forth –
Adonai Echod: God is one.
And even though the sun has not yet arced
across the sky, there is evidence of light.

III.

From the bema, to the south,
the eternal light suggests ascent,
spiraling and spare as wings.
In the foreground, rows of rounded
wooden seatbacks, like crested waves,
hint at movement and a journey.
Evidence of light, eternal.

IV.

The north door is open, guarded on each side
by the names of those we love and have lost –
clouds of memory, weighted by stones.
From the long corridor of the synagogue,
the light beckons: enter the day
and its evidence of light.

Arlyn Miller is spending a year chronicling the life of her synagogue  (Am Shalom in Glencoe, IL) as its Writer in Residence.  “Evidence of Light” appears in the December 2010 issue of Am Shalom’s KOL newsletter and is reprinted here with the kind permission of the author.
A poet, essayist and journalist, Arlyn teaches creative writing in schools and in the community through Poetic License, Inc.  You can find out more about her teaching work at www.poeticlicenseinc.net.

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How I Knew and When

by Janet R. Kirchheimer (New York, NY)

Age 8 – My father hangs upside down on a pipe that was part of a fence
that separated our street from the next. All of his change
falls from his pockets. He looks so young.

Age 15 – “There were one hundred and four girls
in the Israelitisch Meisjes Weeshuis orphanage in Amsterdam.
Four survived,” my mother says.
“I remember Juffrouw Frank, the headmistress.  She made us
drink cod-liver oil each morning. She said it was healthy for us.”

Age 17 – My father tells me his father and sister, Ruth, got out
of Germany and went to Rotterdam. They were supposed to
leave on May 11, 1940, for America. The Nazis invaded on May 10.

Age 21 – My mother tells me Tante Amalia told her
that on the Queen Elizabeth to America in 1947, after she
and Onkel David were released from an internment camp
on the Isle of Man, she was so hungry she ate twelve rolls
every day at breakfast. She said it was the best time she ever had.

Age 24 – My father tells me, “Otto Reis got out of Germany
in 1941. He took a train to Moscow, the Trans-Siberian railroad to
Vladivostok, a boat to Shanghai, a boat to Yokohama, a boat to
San Francisco, and a bus to Philadelphia, his wife and three sons
staying behind. Carola Stein signed affidavits for them, but
the government said she didn’t make enough money.”

Age 31 – My mother’s cousin refuses to accept money a rich
woman left him. He says the money has too much blood on it.
My mother tells me that in 1939 her cousin had asked this woman
to sign affidavits for his wife and two daughters. She said no.

Age 33 – My father asks me to dial the number. His hands shake.
He asks my cousin Judy if she wants to send her three children out
of Israel during the Gulf War. She says she can’t let them go.

Age 42 – A waiter in a Jerusalem hotel tells my father
he should come to live in Israel, because it’s home.
My father tells him, “Home is anywhere they let you in.”

Janet R. Kirchheimer is the author of How to Spot One of Us (2007), a collection of poems about her family and the Shoah. Her poems and essays have appeared in several journals such as the Connecticut Review and Limestone, as well as on Beliefnet. She is a teaching fellow at Clal.

This poem has been reprinted with the kind permission of the author and Clal-The National Jewish Center for Learning and Leadership.

For more about Kirchheimer’s work, visit: http://productsearch.barnesandnoble.com/search/results.aspx?WRD=janet+r+kirchheimer&page=index&prod=univ&choice=allproducts&query=Janet+R+Kirchheimer&flag=False&ugrp=2

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Cousins

by Mel Glenn (Brooklyn, NY)

Ashamed of my father’s family,
heavy accents and old European ways,
I had ignored my ancestral roots and
clinging branches that urged me to reconnect
to the shetl stories I had heard so long ago.
But when two long-lost cousins,
one a psychologist and one a rabbi –
two professions not dissimilar from each other –
invited me to their play on the Lower East Side,
where one performs and one witnesses,
I felt a gentle pull from the stage lights
back to my cultural and religious heritage with
a sudden flashback to my bubbe’s chicken soup.
Why am I attending this very Jewish play,
with dialogue in Hebrew, Yiddish and English?
The answer came with one commanding
sweep of the talis thrown over the shoulder
of one of the actors, my cousin
who now draws me back to my four year old self
when I sat with him in the summer sun
on a fire escape in Brighton Beach
and swapped childhood secrets long since forgotten.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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First Day of Religious School

by Arlyn Miller (Glencoe, IL)

A new beginning, possibility born
from the holiness of Ne’ilah.
The gates have closed –
the gates have opened.

Families walk, children skipping or dragging along.
Cars pull up surrounding the synagogue,
a staccato symphony of doors slamming shut.
Wide open, the door to Am Shalom
welcomes her people of peace.

The New Year is ushered in
with the annual pilgrimage
to the first day of religious school.

The Rabbi sings to the children –
abandon and zeal on the heels
of a not long broken fast.
The children sing back,
sparked and spirited.

How can we deny the Divine?

Yesterday, during Yom Kippur morning service
the ominous sky decreed  torrential rain.
This morning, sun lights the world anew
radiant as the children’s voices –
ruach resounding
like the shofar’s call
announcing the New Year.

This poem is Arlyn Miller’s first installment in her project this year to chronicle the life of her synagogue (Am Shalom in Glencoe, IL) as its Writer in Residence.   A writer herself, Arlyn teaches creative writing in schools and in the community through Poetic License, Inc.  You can find out more about her and her work at www.poeticlicenseinc.net.

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