Category Archives: poetry

Finding My Jewishness

by Anna Banasiak (Lodz, Poland)

I’m wandering in life
searching for my promised land
I see their faces
emerging from my dreams
hear the trains
in the forest of thoughts
my eyes are full of light
hands are dancing in the enchanted circle
like the Tzadikim
I hear the melody of the Hebrew alphabet
there is something strange in me
when I’m with people
I tremble
like a frightened bird
trapped in the past

Anna Banasiak, a poet and literary critic, lives in Lodz,Poland. She studied Polish philology and culture studies at the University of Warsaw, and served as the editor in chief of Kamena in Lodz. Her poems have appeared in numerous literary journals around the world.

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Heaven, Seriously?

by Mel Glenn (Brooklyn, NY)

We Jews are a bit vague when asked
about the actual parameters of heaven.
Many believe the souls of the righteous
go directly to a place similar to heaven,
or will be resurrected when the Messiah comes.
The Torah provides little expansion on the topic,
but bound as I am by earthly existence
I’d like some geographical reference points.
Is an after-life someplace west of the moon,
catty-corner to the Milky Way?
Should it not come equipped
with a signpost or a GPS?
I have trouble accepting
this life is but a mere foyer
to the Grand Ballroom of heaven,
believing instead that dancing
is to be encouraged terrestrially,
with feet grounded in the here and now.
Would that I had the comfort of knowing
where my soul will pirouette past time,
given the lack of clear and present instruction.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. Lately, he’s been writing poetry, and you can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Yahrzeit: Remembering the Love

by Joel Rudinger (Huron, OH)

“May the memory of our dear one be for a blessing.”

On the evening of the anniversary of my mother’s death,
I light a match and touch it to the wick
and the Yahrzeit candle catches fire.
My wife and I recite a blessing while its flame burns brightly in
its tiny glass.
For twenty-four hours, her light will kindle memories.

Each time I pass the flame, I say, “Hi, Mom,”
and when I switch off all the lights to go to bed,
the fire of her candle flickers like a happy angel in the darkened room.
“Good night, Mom,” I say and climb the stairs.
Her silence comforts me and I know
when I come down for coffee in the morning
her silent light will still be burning.

I remember
when I was four she stared at me in panic
when a neighbor carried me home draped in his arms,
blood dripping from my forehead
after I had fallen on the upturned barbs of a chain-link fence,
how she softly took me from him,
my bleeding face dazed and whimpering on her shoulder,
her housedress turning liquid red.

I remember
when she took me trick-or-treating on Halloween evenings,
shivering on the sidewalk as her little ghost collected candy door-to-door
and the dark December nights when she held my hand
and walked with me in silence down the street
to wonder wide-eyed at the colored lights of other peoples’ Christmas trees.

I remember
her fragrant juicy apple pies with the lattice crust that
perfumed the house,
the tapioca pudding we made together for dessert,
her Sunday chicken soup that brought our family together
at the dinner table,
when she gave the blessing over the Sabbath candles on Friday nights,
closing, covering, her eyes in prayer.

I remember
her leaving afternoons to give her program “Dolls for Democracy”
in churches, synagogues, libraries and schools, holding high her little dolls,
talking about people of different faiths and cultures down through history,
what they stood for, what they believed, how they worshipped differently,
how everyone could live together in a post-war world.

I remember
when she talked my father into buying a piano we couldn’t afford
and gave me lessons.
She took me to symphonies and concerts at the Toledo Museum of Art,
to the Nutcracker ballet every year at Christmas time,
and on summer Saturdays we’d walk the marble halls of the museum
looking at old masters: Picasso, DaVinci, Brancusi, Moore.

One day at the zoo, she tossed a shiny apple to a young gorilla
who leaped to the top of his cage and whipped it down at her.
It hit her in the head and crushed and stained her new white hat.
“I’ll never do that again,” she said, as I ran off laughing.

I remember
being sunburned to blisters on the beach at Cedar Point,
how she soothed my body with Vaseline to stop the pain.
When I was in high school, she tried to teach me how to drive
as I steered my father’s car into an iron cemetery gate.
She glowed when we shared our first beer together when I was in college.
“You are now a man,” she said. “How about another?”

I remember
how she embraced my decision to leave home to go to school,
to leave home after college to try a new life in wild Alaska.
She always let me find my own way, accepted my failures without judgment,
accepted my judgments without failure.
She embraced my wife and called her a sister and a friend;
she helped me care for my daughters when they were ill.

I remember
her weekly games of mahjong and bridge with friends,
how she collected ivory Chinese figurines and displayed them
on a little shelf,
her anger when my father died,
her battles with cancer and loneliness,
then the sudden stroke that left her without voice
and frozen in her tired body till she willed herself to die.

“Good morning, Mom,” I say when I’ve come downstairs.
Her candle’s burning low but still gives out some heat.
I go into the kitchen to make the coffee.

Each year I never see her light go out
as if she wants to leave in privacy.
I visualize a sudden poof and stream of smoke and then
the candle’s glass is empty of its wax.

Next year, we will repeat the ritual.
The Yahrzeit candle will be lit.
For twenty-four hours,
her flame will bring her back to us with memories.

Joel Rudinger, currently a Bowling Green State University Professor emeritus and Poet Laureate of Huron, OH, is a graduate of the University of Alaska, the University of Iowa’s Writer’s Workshop, and Bowling Green State University. He has published numerous poems and stories in magazines such as the New York Quarterly, Colorado Review, Cornfield Review, The Heartlands Today, The Plough: North Coast Review, and New Waves.

This poem is reprinted from Symphonia Judaica (Bottom Dog Press/Bird Dog Publishing) with permission of the author and publisher. For more information about Joel Rudinger’s work, visit Bottom Dog Press at http://smithdocs.net

 

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Ruth Leah

by Ruthie Stolovitz (Atlanta, GA)

Regularly, I am told of the weight of my namesake. People tell the beauty of my name, the history and the reason behind my name.

Unfortunately, you died before my birth at age 68, but you continue to impact my life as if I always knew you. I hope this means our souls are connected.

The rings on my mother’s hands each hold a story of my mother’s mother and her mother, a story that will forever repeat itself with the help of my descendants.

Her Spanish-style home near the water in Larchmont, NY was where my mom and her four siblings grew up. The home can be compared to my grandmother; my grandmother no longer inhabits the home, but it is still standing tall. My grandmother’s memory will always last.

Living in Florida for the end of her life, my brother visited her as a young boy and sang “Fly Me to The Moon” during the last stretch of her life.

Eternally her spirit will guide my decisions and daily actions.

A wonderful woman and great role model, my uncle tells me. I am honored to share a name with such a remarkable woman.

Hands that are gentle, my mom would tell me the similarities between me and my grandmother.

Ruthie Stolovitz is a 9th grader at The Weber School in Atlanta, GA. She wrote this poem for an assignment in Jewish Literature class, in which students discussed how biblical poetry can function as a tribute or eulogy. Students then wrote acrostic poems, in the style of biblical poetry, in memory of family members who influenced them.

 

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A Flip of the Coin

by Mel Glenn (Brooklyn, NY)

So tell me, learned men of the Torah,

who see beshert as a wedding cake of joy,

a bouquet of blessings bestowed by a loving God,

do you also not consider the flip side of the coin,

the reality of a world beset by numbing horror?

In addition to the glass half full,

do you not allow for a glass half empty,

with nothing left but the dregs,

such as when a plane falls from the sky?

Is that beshert, too?

When unimaginable tragedy visits our people

was that similarly meant to be?

At those times, I am inclined to believe

in the total indifference of the universe.

But when good things happen –

a child heals, new lovers meet, nations avoid war –

I am inclined to leave the philosophical door ajar,

and concede we have been placed in this good world

for a divine purpose from a purposeful God.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Extra Latkes?

by Mel Glenn (Brooklyn, NY)

At the Chanukah party
she was stuffing the extra latkes
deep into her pocketbook.
When a raised eyebrow questioned her,
she explained without guilt,
“Look, I live on a fixed income.
I don’t have money to go to restaurants.
I go to as many Jewish functions as I can,
so who are you to judge me?”
“I didn’t say a word.”
“Your face did.”
She had a point.
Was this any different from
a beggar on the subway
asking for a handout?
She was perhaps more social,
and better dressed, that’s all.
“And the music is free,” she added.
What is wrong with my compassion,
I thought, as I helped myself to another latke.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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“Immigration – A Modest Proposal”

by Mel Glenn (Brooklyn, NY)

Let’s start off with the Muslims, shall we?
They’re all terrorists, you know,
everyone carrying high-powered rifles.
Then we go after the Jews.
They’re not to be trusted, you know;
besides they’re used to being persecuted.
Next come the Catholics.
They’re all puppets of the Pope, you know,
and their priests molest small children.
The Statue of Liberty now hangs her head,
awash in a sea of red vitriol.
Emma Lazarus rewrites the words of her poem,
and Neil Diamond chokes on the lyrics of his song,
as the man in the silk tie calls the political shots.
Make sure we all gather on the shore line
with barbed wire and protest signs,
declaring that nobody else shall enter
because we were here first,
and after all, this is our America, nobody else’s.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Permit Me To Introduce You To

by Mel Glenn (Brooklyn, NY)

You’ve heard of names like

Auschwitz and Dachau?

Oh, good for you.

You have a passing acquaintance

with terms like “final solution” and “genocide”?

That’s nice.       

No, they are not answers to Jeopardy questions.

Permit me to introduce you to

Jews lined up at the lip of ditches,

(they, themselves, had been forced to dig,)

to be shot in the back of their heads,

to be sprayed by machine gun fire,

to be rolled into the open wounds of the earth.

What town was that?

Who was the mother trying to protect her child?

It does not matter; you’ll never remember.

They have all returned to the hard ground.

You go on with your life, that’s all right.

The dead have no hold on you, even if

their arms reach out from the blood-stained soil,

trying to shake your monumental indifference.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Yahrzeit

by Leslea Newman (Holyoke, MA)

Golden autumn leaves
drift lazily through the air
onto Mother’s grave

White winter snowflakes
fall all over themselves to
blanket Mother’s grave

Gentle spring raindrops
are sent down from the heavens
to wash Mother’s grave

Warm summer breezes
chase pale yellow butterflies
around Mother’s grave

Today marks a year
endless tears soak one small stone
placed on Mother’s grave

Lesléa Newman is the author of 70 books for readers of all ages including the poetry collections, I Carry My Mother and October Mourning: A Song for Matthew Shepard (novel-in-verse) and the picture books A Sweet Passover, My Name Is Aviva, and Ketzel, The Cat Who Composed.

And if you’d like to view the book trailer for I Carry My Mother, visit:
https://www.youtube.com/watch?v=yf4ubYHObAM

“Yahrzeit” copyright © 2015 Lesléa Newman from I Carry My Mother (Headmistress Press, Sequim, WA 2015). Used by permission of the author.

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Sitting Shiva

by Leslea Newman (Holyoke, MA)

Mirrors are covered
Wooden benches are set out
Have a good mourning

Where’s the coffee pot?
I ask my father, who knows
my mother would know

Welcome. Please come in.
Sit anywhere. Except there!
That’s my mother’s chair

Ancient Hebrew prayers
cannot bring my mother back,
so what good are they?

My aunt spills her tea
when I speak to her softly
in my mother’s voice

White coffee cup smeared
with my mother’s red lipstick.
Don’t you dare wash it.

Chocolate rugelach
my mother and I both love
clog my throat like mud

My mother’s old friend
cups my face with both her hands
Fingers wet with tears

My aunt stands to leave.
“Call if you need anything.”
I need my mother.

Lesléa Newman is the author of 70 books for readers of all ages including the poetry collections, I Carry My Mother and October Mourning: A Song For Matthew Shepard (novel-in-verse) and the picture books A Sweet Passover, My Name Is Aviva, and Ketzel, The Cat Who Composed.

If you’d like viewing the book trailer for I Carry My Mother, visit:

“Sitting Shiva” copyright © 2015 Lesléa Newman from I Carry My Mother (Headmistress Press, Sequim, WA 2015). Used by permission of the author.

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