Category Archives: poetry

Rebel

by Lori Levy (Sherman Oaks, CA)

If everyone else is doing it, that’s a good reason not to do it—

     Dr. Richard (Reuven) Sobel, my father, RIP

In my granddaughter’s jujitsu class

there’s a boy named Rebel—

a name to live up to, I think.

I am not a rebel

but the rebel in me roars

when it comes to holidays, traditions, rituals.

I want to do them my way

which means no fasting on Yom Kippur.

Fasting gives me a headache. I need coffee

when I wake up, food to start the day.

Only then, belly full, can I contemplate my sins.

If it’s up to me, we don’t have to bother with the symbols

required for a Passover plate: shank bone, bitter herbs, haroset.

Can’t we skip the long prayers and just eat matzo?

One year we are in Spain on Rosh Hashanah,

all of us there for my nephew’s wedding.

We celebrate the holiday with apples and honey

on a blanket at the beach. Perfect, I think.

My rebel smiles and disappears.

Sometimes, filled with guilt, I accuse my rebel:

you’re just lazy—too lazy to cook and host

a big holiday meal, though you don’t seem to mind

when others do the cooking. What kind of Jew are you?

No, not lazy! I shout. (Am I my rebel?)

I do want my loved ones at the table with me,

not for prayers, not for the Bible I never read,

just a meal, togetherness.

I wasn’t raised on holidays—except Hanukkah,

for a few gifts, so we wouldn’t feel left out

when all the other kids in our small Vermont town

were getting toys and clothes under their Christmas trees. 

No Purim for us, or Succot. No synagogue in our town

or Jews in my class. No Bar Mitzvah for my brother— 

but when he turned 13, my atheist father and 

non-religious mother took us on a trip to Israel.

Several years later, there we were, living in Israel.

I could talk about history, the Holocaust—or just say

I fell in love with the country. Or maybe

with Israeli men. I married one.

We celebrated the holidays with his family,

but now, years later, I’m back where I began,

not wanting the rituals that were never, back then,

a part of my life. I’m happy to be a Jew, but

this is my Judaism: my Israeli husband,

Israel, my kids born there. It’s not about Moses or

the Torah. Maybe it’s nothing more than

hummus and pita, Israeli pickles and olives.

We eat them in Los Angeles now.

Lori Levy’s poems have appeared in Rattle, Nimrod International Journal, Paterson Literary Review, Poet Lore, Mom Egg Review, and numerous other literary journals and anthologies in the U.S., the U.K., and Israel.  Her work has also been published in medical humanities journals and in Jewish journals such as The Reform Jewish Quarterly, Shirim, and The Jewish Journal. Her chapbook, Feet in L.A., But My Womb Lives in Jerusalem, My Breath in Vermont, is forthcoming from Ben Yehuda Press in the fall/winter.  She lives with her extended family in Los Angeles, but “home” has also been Vermont and Israel and, for several months, Panama.

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A Psalm about Grappling

by Rich Orloff (New York, NY)

Grapple with me, says God
I do not ask you to believe in me
Or extol me
Or worship me
These are orders humans have decreed

But grapple with me
Not for my sake
But for yours

Would you feel you lived if you had never seen the color blue
(and you had a chance)
Would you feel you lived if you had never heard music
(and you had a chance)
I offer you this opportunity
To grapple with me

And if you don’t know how to start
Ask questions
What are my dimensions?
Where do I reside?
What are my office hours?

Ask patiently
Then ask again
Ask a third time, just for fun
Ask a fourth time, just in case
And a fifth time, so asking can become a habit

Please
Grapple with me
I may not provide the answers you wish for
But if you let me
I will show you the colors and sounds you’ve missed

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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A Prayer for Choosing a Shepherd

by Rich Orloff (New York, NY)

(a response to Psalm 23)

Unlike sheep
Each of us gets to choose our shepherd

I have sampled many shepherds
And haven’t always chosen wisely

I have chosen ego as my shepherd
And confined myself to a path no wider than I am

I have chosen tribalism as my shepherd
And refused to look beyond borders of my own making

I have chosen comfort as my shepherd
And convinced myself to be satisfied with meager grazing

I have chosen obligation as my shepherd
And filled my path with resentment

I have chosen distrust as my shepherd
And viewed every other sheep as a possible threat

I have chosen fear of rejection as my shepherd
And convinced myself I am still a fragile little lamb

I have chosen fear of death as my shepherd
And prevented myself from seeing how beautiful the land is

If I allow the Divine to become my shepherd
This choice stems not from wisdom
But from the simple admission
Of how poor my choices have been so far

Still, as I consider choosing the Divine as my shepherd
I fear the Divine will turn me into a sheep
Or one day banish me from the flock
Or even lead me to slaughter

As I wonder who to choose
I see that God has already chosen me
I stand before the Divine
Praying for the courage to trust my shepherd

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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What’s In A Name                            

by Annette Friend (Del Mar, CA)

Annette.
Yes, that’s right.
Like Annette Funicello
if you are old enough to remember
the most popular Mouseketeer’s
television career.

Yes, named after my grandmother,
Hannah, or, in English, Anna.
A Jewish tradition,
naming for the dead,
so their memory and names are not lost
like forgotten pages in time.
Annette is “little Anna”
but definitely not French.

Ancestors from what is now Ukraine.
Before that Russia.
Before that Poland.
Before that a genetic mutation
hurtles me back in time
to the First Temple
in Jerusalem.

We Jews assimilate
but carry our names and histories
with us where ever troubles
and travels take us.
Our names, reflections
of double or triple identities.
In Hebrew
my name is Channah Bat Shayna
and Bat Lev.
Channah daughter of Shayna
who became Jean,
Lev who became Leo
when they crossed
the Atlantic sick in steerage.

We carry our heavy histories,
sometimes unbearable,
fastened on our backs.

I asked my mother once
why she never named me
for her sister Mae,
killed by the Nazis in Poland.
She said there were too many tears
that soaked that name.

But my new great niece
is named Paisley Mae.
A red-cheeked North Carolina baby
who carries the past
as a piece of her
like a pure white pebble
perhaps smoothed over
by the passage of time
until the rough edges
of history disappear.

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, and The San Diego Poetry Annual.

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Something about the rugelach

by Carol Coven Grannick (Evanston, IL)

Something about the rugelach…

they bring her to mind 

the word rolling out like pastry dough

spreading smooth and silky, caressed then cut

they bring her to mind 

as part of the duet with Dad during nighttime travel

dark-lit stars, Yiddish lullabies in the language of then 

the word rolling out like pastry dough

with tastes of comfort and warmth and now

tenderness of hugs still desired this long time later

spreading smooth and silky, caressed then cut

fondled, filled and curled with tenderness then baked

now infusing my mind with the delicate aroma of my mother’s memory.

Carol Coven Grannick is a poet and children’s author whose award-winning novel in verse, Reeni’s Turn, debuted in 2020. Her poetry for adults and children appears/is forthcoming in numerous print and online magazines, and she has received two Illinois Arts Council grants and a Ragdale Foundation Residency for her work.

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Bar Mitzvah

by Perri Weinberg Schenker (Cincinnati, OH)

Like Moses, you stand poised to ascend,

wrapped up in the tassels of your courage and your fear.

Man-child, my child.

Child of God, child of green grass,

of ocean waves and snowflakes,

of flames that never consume.

Surely you know—surely—

that today you will leave behind

the spindly legs and tender leaves

that propelled you here.

Before this crowd of sinners and supplicants,

you will shed that skin, and rise.

Will the mountain expand you,

braid your soft sinew into knots?

What will you learn from the pebbles beneath your feet?

Man-child, my child,

Child of Abraham, Isaac, and Jacob,

square your shoulders

so they can bear the heavy stones.

Plant your foot into rock, foot into rock,

finding the rhythm, 

finding the crevices where secret knowledge hides.

Wedge yourself a foothold

in the footsteps of your fathers,

and climb

—away from me.

Perri Weinberg Schenker is a writer and editor in Cincinnati, Ohio, where she focuses on academic publications, textbooks, medical manuscripts, and marketing communications. She has always been a closeted poet, and “Bar Mitzvah” is her coming-out poem. Perhaps she’ll share more in the future—who knows?

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Caught in the Middle

by Mel Glenn (Brooklyn, NY)

I am lucky enough to have

friends on either side

of the religious diamond, 

fundamentalists who swing from the right,

and atheists who bat from the left.

I stand squarely in the middle,

unsure which side to root for,

let alone play for.

I am caught between 

piety and protest, tradition and rebellion.

There are so many teams,

as there are so many religions.

For which team do I sign a long-term

contract on the dotted line?

The Pittsburgh Protestants?

The Boston Buddhists?

The Miami Muslims,

or the Jersey City Jews?

Doesn’t God pitch for all the teams?

Who is to say which team is best,

which team is strongest,

which team leads the league?

We are all essentially on the same playing field.

We are all part of the same cosmic lineup.

We need to feel connected,

no matter which team we play for.

We do not wish to be wandering alone.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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A Psalm of Pizza

by Rich Orloff (New York, NY)

While waiting with great anticipation
For the cheese pizza I ordered
Because I am consumed with hunger
And I really need this pizza

God knocks on my door

I open the door
And God says
I offer you the universe and all of its wonders
And I offer you life’s greatest gift, love

That’s nice, I reply
But I was really expecting a cheese pizza
And I’m very hungry
Where’s my cheese pizza, God?

God smiles, in that inscrutable way God does
And leaves
Continuing a lonely mission to go door to door
Offering the universe and love to all who will receive it

While over and over
People respond with disappointment to God’s offering
Because they were expecting a cheese pizza
And God didn’t deliver their prayer

Rich Orloff writes both poems and plays.  His poems have been published in The PoetFragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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Skater’s Waltz

by Mel Glenn (Brooklyn, NY)

I freely admit I skate
on the surface of Judaism, 
content to glide through life
with minimum knowledge of
Jewish lore and wisdom below.

I do not possess the right tools
to fish for deeper meanings
among the school of books
that explores the depths of
man and meaning.

But it does raise a question:
Am I less of a Jew because 
I skim over the pages 
of books I don’t understand?

I don’t think, while skating,
I am capable of falling into
the cracks of knowledge
in the pages of sacred scrolls
that live below the surface,
out of my flailing reach.

Can a man be righteous
without the study of religion,
with only the trappings of it? 
Can he be a good man, even
if he decides to keep on skating?

In my own fashion, 
with my own skates,
and at my own pace,
I will continue my dialogue
with my religion while
humming a skater’s waltz.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Poem of an End

By Shai Afsai (Providence, RI)

Prague, Czech Republic 

Tisha Be-av and Tu Be-av 82 liftrat katan/August 2022

After Yehuda Amichai’s “Poem Without an End”

In a synagogue

they have made a Jewish museum.

The Torah scrolls and rabbi’s chair 

are gone.

There are no children running

through the aisles

no elderly congregants

claim their regular seats.

In their place —

men with bare heads 

and women without much clothing

move about the sanctuary.

They have made a Jewish museum

in a synagogue.

Exhibit panels line the walls

where siddurim and ḥumashim.

would be shelved.

Instead of prayer and study

cameras snap, 

cellphones sweep the room 

for panoramic pictures,

and tourists pose

for selfies.

No more amen

no more yehe sheme rabba,

no more shabbat derasha,

no more kiddush levana.

Come evening,

members of a local symphony orchestra 

perform medleys to great applause

for culture-worshipers.

After fifty years

of fascists and communists

there are not enough Jews left

to fill the beautiful space

with devotion.

For what else can the building be used?

In this bustle

it is at least safe

for now

from being covered with the thickening cobwebs

of  I. L. Peretz’s golem

or becoming home 

only to Kafka’s marten-sized animal.

The full moon wanes.

In a cemetery once

at a burial,

I heard a Jewish woman 

say:

“The problem with the Orthodox 

is they made Judaism into a religion.”

But in this building

I see the trouble

is

that others

have rendered the religion

into a memorial.

Shai Afsai (shaiafsai.com) lives in Providence. In addition to short stories and poems, his recent writing has focused on Benjamin Franklin’s influence on Jewish thought and practice, and on the works of the contemporary Dublin author Gerry Mc Donnell. Afsai’s writing has been published in Anthropology Today, Ibbetson Street Magazine, Journal of the American Revolution, Review of Rabbinic Judaism, Shofar: An Interdisciplinary Journal of Jewish Studies, and Studies: An Irish Quarterly Review.

Note: This poem first appeared on Poetry Super Highway, and is reprinted here with the kind permission of the author.

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