Category Archives: Israel Jewry

It’s relatively quiet here in Central Israel

Rina Lapidus (Petah Tikva, Israel)

The rocket shelling from Gaza usually takes place between early morning and early hours of night. After midnight there are usually no air-raid sirens, and you can snatch a few hours of uninterrupted sleep until 4 or sometimes even 5. And thank heaven even for this – “Alhamdulillah,” as the Arabs say: Praise be to God. Aside from rocket shelling, the Central District, where I live, is not really impacted by the ravages of war. No large centers for evacuees from border areas are located here, and neither do you see many wounded people walking about in the streets; no burned houses, except for a few high-rises here and there damaged by shelling, with walls partly destroyed and some debris and fragments of missiles scattered around on the roads and sidewalks below. Also, medical centers are bursting at the seams with all the wounded brought here from other areas, so it is impossible for anyone else to get treatment – like me, for example, a woman who is neither young nor healthy.

Still, I did not give up hope and ordered a taxi to take me to the hospital. The hospital is in the city center of Petah Tikva, north-east of Tel Aviv. The Arab taxi driver who showed up was pleasantly surprised when I agreed to ride in his car. But I thought to myself that it wasn’t really up to me to agree or disagree: the taxi company must have sent me an Arab driver because all their Jewish drivers had probably been called up to the front. However, seeing that the driver was happy that I was prepared to travel with him, I thought it unlikely that he would harm me along the way. Besides, I could stick my bag in the window to keep it open, so if worst came to worst, and the driver’s behavior seemed to me suspicious, I would be able to escape. 

The ride was uneventful, and I arrived safely at the Petach Tikva hospital. At the entrance lobby of the health fund to which I belong sat an elderly Mizrachi Jewish woman. By the look of her she was about 75 years old. Her skin color was brown, but her face was black to the point that it radiated blackness. She sat there mumbling, “My grandson is gone… they killed him in Gaza…” Her words struck me to the quick. I was so shaken that tears burst from my eyes. I went up to her, bent down, and reached out to give her a hug. She shrank away, and pushed me back. Then she shouted at me: “What do you think you are doing, putting your hands around me? They killed my grandson in Gaza! And you came here to hug me?! What’s got into you? My grandson is killed in Gaza! Do you understand?!” I sat down next to her and cried. A Russian-Jewish cleaning lady came up and offered us two cups half-filled with water. I took one and drank. The Mizrachi woman waved away the cup intended for her and shouted, “I’ll manage… but they killed my grandson in Gaza!!”

I went to the reception window and asked a female secretary sitting behind it to set an appointment with a doctor. In reply, she said: “Can’t you see that there are no appointments available? Can’t you see all these soldiers – wounded and sick?” But the other secretary told me: “Try private, not through medical insurance. Maybe you can get an appointment that way.” I said to myself, “Oh, that’s a good idea. Why didn’t I think of it myself?” I thanked the secretary and turned to go.

I headed back home, but as I was getting off the bus, the air-raid siren started, signaling that the shelling from Gaza had resumed. Around me, everyone was running, looking for bomb-shelters in the nearby buildings. I couldn’t have run even if I had wanted to. I lay down on the asphalt of the sidewalk, face down, and put my hands over my ears, to protect my eardrums from bursting in case of an explosion. It was a short barrage, lasting only about fifteen minutes. When the sirens stopped wailing, I tried to get up from the pavement but could not, because there was nothing around that I could grab for support to push myself up. My face was sore as well, because I had scratched it against the asphalt. There I was, lying down prone on the pavement. At that point, people started coming out of shelters. I saw a Bukharan boy, beckoned to him to come over, and asked him to help me get up on my feet. He did, and I went home.

At the entrance to the building where I live, I saw a crowd of people, all of them religious Mizrachi Jews, like my next-door neighbors. I turned to a woman and asked, “What’s going on?” “The Ohanas’ eldest son was killed in Gaza,” she replied. “When is the funeral?” I asked. “It’s finished. We’ve just come back from the funeral, and are starting shiv’a now.” I went up to my apartment, left my bag, and came downstairs again to take part in the neighbors’ shiv’a. The apartment and the landing were full of people, men and women sitting separately, as dictated by religious custom. On the tables outside, there were sweetmeats. A woman whom I had not met before brought me some cakes. I said to her: “Since the war started, I haven’t been able to eat. Every morsel sticks in my throat. I keep thinking of the young people who were killed in the war and they will never be able to eat again.” She said: “I feel the same way. When the war started, I also cried non-stop and was unable to speak for several days. But you must get over it.” I said: “I can’t.” She said: “You mustn’t stop eating completely. You see what the Arabs are doing to us… don’t do it to yourself.” I said: “I’ll try.” I sat there and cried. 

Sometime later I returned to my apartment. Then my cousin, Olivia, called from Australia, where she lives, and started lecturing me, in a patronizing and didactic tone, that Israel should end the warfare and stop punishing the Gaza Arabs collectively. I told her, “It’s not a collective punishment. Gazan leaders keep appearing in the English-language media and saying that, as soon as they are able to, they will invade Israel again and again, the second and third and fourth and millionth time. We need to make sure that they cannot do this, that they don’t have the ability to invade Israel and massacre us again and again.” She said: “The massacre they carried out on October 7 was justified, because Israelis hadn’t been treating the Gazan Arabs well enough – they had even cut off their electricity.” I said to her: “Why don’t they generate their own electricity? Do they really believe that they can burn our babies alive and we will supply them with electricity in return??” Then I told her: “Don’t call me ever again!” and slammed down the phone.

In the evening I called my daughter, who lives in the north of Israel, and told her: “Get out of there and come to live with me, in my apartment in Petah Tikva. It is quiet here, and in the North there is going to be a war with Hezbollah in Lebanon.” She said: “My husband can’t leave his job.” I said: “I will come down and take your girls to me.” She said: “My youngest is only a few months old. How will you take care of her? It’s hard, you won’t be able to.” I said: “I’ll take the older girls, then. Actually, the girls should be taken abroad.” My daughter said: “Do you really believe that it’s safer abroad? With all the anti-Semitism there?” I said: “Which is better – to stay inside the Warsaw ghetto or to hide in the Polish part of the city?” She said: “Inside it’s safer because in the Polish quarter you can let out that you are a Jew even by the way you look at people.” I said: “When WWII ended, not one whole brick was left in the Warsaw ghetto. You have to hide in the Polish part. Yes, it’s true that you can easily let out that you are a Jew, so learn not to look people in the face. Just keep your eyes to the ground – don’t raise them.”

In the evening, I said to myself that I should hurry up and sleep while there is no shelling: “Who knows what the night will bring and whether the Arabs who are throwing missiles at us will let us sleep.” I took my blood pressure and cholesterol pills, and went to bed. I didn’t really sleep: it was a kind of drowsiness mixed with nightmares and hallucinations. In my mind’s eye, the Arabs from Gaza were bombarding us with shells and missiles. These were flying in the sky in every direction, and Israelis were intercepting them in midair. And among all the shells, missiles and interceptions, I and my two young granddaughters are on a plane headed abroad. I woke up in a panic and thought to myself, “I didn’t really dream this up. A few days ago, I actually saw how, at the Lod international airport near Tel Aviv, an Israeli plane was taking off into the night sky amid shells, missiles and interceptions swishing hither and thither all around it.” But then I made up my mind, “Right now, it doesn’t matter so much if it’s reality or a nightmare or a hallucination. I have to try and go back to sleep as soon as possible, before they start shelling us again.”

Rina Lapidus was born in Moscow, in the former Soviet Union. After graduating from a high school in Haifa, she obtained her BA, MA and PhD degrees in Jewish studies from the Hebrew University of Jerusalem, Israel. Since 1984, she has been working at the faculties of Jewish Studies and Humanities at Bat-Ilan University, Ramat-Gan. Rina Lapidus is divorced, with one daughter and three granddaughters. 

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I am the wound

by Haviva Ner-david (Galilee, Israel)

I am the wound. I am wounded. Forever. 

I am the crying child, the one who wants to scream and scream and scream. Why is the world this way? Why so much destruction and hate? Why so much killing? 

I am the children, looking at the destruction adults created. Aren’t they supposed to protect us?

I am the teddy bear, sitting alone. Abandoned. My child gone. Where is she?

We are the guards. The shields. We want to protect our children. But we are useless against the enormity of the danger.

I am the wounded player. We are all players in the game the politicians are playing with us. Wounded, hurt, screaming in pain on the ground. 

I am the shattered window. I was once clear. The world looked clearer through me. Now I am broken, shattered into pieces. Although maybe only part of me. Are there still pieces not shattered? 

I am the wounded knee. Will I ever feel whole again? Will I ever be healed? What will it take? Will I ever stop hurting?

We are the healers. We’ve come with a bandage, to protect the wound. But we cannot fix it. There will always be scars. 

I am the fist, hitting the wall. Frustration. Anger. Let it all out. 

I am the pirate, the enemy. Or am I the victim? I, too, am wounded, missing my hand. But I will move on, move forward. Wounded but not defeated. Life is still worth living.

Where does it hurt? All over. When I apply pressure, it hurts. 

Where is the hope? I am looking for the hope. Searching everywhere.

Don’t worry. I am here. You found me. It will be okay.

A note from Haviva Ner-David on writing these words: 

For my Soulwork course for Ritualwell, we explored four different “soul modalities,” one each session. On the first night, we did Soul Image Collage. Each person in the class made a collage.

A profound occurrence happened when I was creating mine. I chose my images (part of the process), pasted them onto the page to create the collage, and then I looked at the collage. 

It looked so painful, hopeless, despairing — which was not surprising considering that I am living in the midst of a brutal war. But there was only pain; I could have sworn I had chosen a hopeful image or two. 

I looked on the floor, the couch, my desk, but I found nothing. 

Just when I was about to give up, I stood and noticed a clipping that had fallen between the couch and the desk. I picked it up, turned it over, and it said (in Hebrew): “Don’t worry. It will be okay.” 

Yes, I had clipped those words from a kids’ magazine when I had done my image selecting. Wow!

I pasted the missing clipping onto the collage and wrote the words that appear above. (The prompt was, “I am the one who…”)

Here is Haviva’s collage:

Haviva Ner-David is a writer and rabbi. She is the founding rabbinic director of Shmaya: A Mikveh for Mind, Body, and Soul on Kibbutz Hannaton, in the Galilee, where she lives. She is a spiritual companion with a specialty in dreamwork and other Gestalt modalities (such as soul image collage, inner child work, and nature soul work) who companions a variety of clients of different ages and faith traditions, including (but not only) many rabbis and rabbinical students. She is the author of three spiritual journey memoirs, two novels, and one children’s book (with another soon to be published) — the only children’s book about mikveh. Haviva is also an activist, focused mainly on building a shared society of partnership between Jewish and Palestinian Israelis. She was born with a degenerative form of muscular dystrophy (FSHD), which has been one of her biggest life challenges and teachers, and together with her life partner, Jacob, parents seven children (one adopted and six biological). You can visit her website for more information about her work and books: https://rabbihaviva.com/

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21 Alternative Recipes: Notes from a Google Search History

October, 2023

by Tzivia Gover (Massachusetts)

what does ethereal mean

when is the pool open for lap swimming

what’s happening in the middle east

fighting in israel and gaza news headlines

the power of baking challah together in hard times

can you use expired instant yeast

how to make sourdough challah

how to make whole wheat challah

easy challah recipe

when was the yom kippur war

can you substitute honey for sugar

beautiful braided challah

how to braid challah

do you grease the baking sheet

what does taking the challah mean

what is the blessing for baking challah

what is the miracle of sarah’s challah

where to send money

does active yeast expire

where to put dough to rise

what if there is no warm place

Tzivia Gover’s most recent book, Dreaming on the Page: Tap into Your Midnight Mind to Supercharge Your Writing, combines writing, spirituality, and dreamwork. Her poems have been published in dozens of journals and anthologies including The Mom Egg Review, The Naugatuck River Review, and Lilith Magazine. She shares her poetry and reflections as she reimagines the life of the biblical matriarch Sarah in her Substack newsletter, “The Life of H” https://tziviagover.substack.com.

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The Last Lullaby

by Lesléa Newman (Massachusetts)

                                    (October 7, 2023)

Never again the sound of their laughter,

Never again the sound of their cry.

Never again the sight of their smiles,

Never again the sight of their eyes.

Their tiny starfish hands—gone.

The small stones of their toes—gone.

Never again their shrieks of terror,

Never again their shrieks of joy.

Never again to play peek-a-boo,

Never again to say, I see you.

Their milk-white baby teeth—gone.

Their desert-smooth dimpled cheeks—gone.

We didn’t know it would be their last supper,

The last sip of soup, the last slice of bread.

We didn’t know it would be their last bath time,

The last soaping up, the last rinsing off.

The last lifting of arms to slip into pajamas,

The last carefully chosen story to read.

Never again their warm weight on our laps,

Never again their quick hop into bed.

The last tucking in, the last goodnight kiss,

The last lullaby, the last shutting the light.

Gone….the last….never again.

We didn’t know. We didn’t know.

Lesléa Newman has created 85 books for readers of all ages including the dual memoir-in-verse, I Carry My Mother and I Wish My Father and the children’s books, Gittel’s Journey: An Ellis Island Story, The Babka Sisters and Ketzel the Cat Who Composed. Her literary prizes include two National Jewish Book Awards and the Sydney Taylor Body-of-Work Award. Her newest book, Always Matt: A Tribute to Matthew Shepard, a fully illustrated book-length poem celebrating the life and legacy of Matthew Shepard, has just been published. For more information about Lesléa, visit her website:  www.lesleanewman.com .

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My Grandfather’s Prayer Book

by Rick Black (Arlington, VA)

Detached cover.

Brittle, yellowed pages.

Partially erased, Hebrew letters.

His crumbling prayer book is mine now.

Stooped over in his living room, dovaning.

His white, short-sleeved shirt and shock 

of white hair; his thin, willowy frame.

The cigar stub between his lips.

The Bronx.

Roasting brisket and a shelf of pills. 

A Yankee game on the television console. 

Red geraniums.

A pale, florescent light.

Narrow, sickly-green vestibule 

with a picture of his youngest son,

killed in World War II.

We play checkers.

He nudges a checker to another square. 

Tobacco-tinted fingertips.

He doesn’t let me win. 

Now, I hold his prayer book

in my hands by the yahrzeit plaques,

by the tarnished and the yet to be tarnished, 

by the lit and the yet-to-be lit.

Rick Black is an award-winning book artist and poet who runs Turtle Light Press, a small press dedicated to poetry, handmade books and fine art prints. His poetry collection, Star of David, won an award for contemporary Jewish writing and was named one of the best poetry books in 2013. His haiku collection, Peace and War: A Collection of Haiku from Israel, has been called “a prayer for peace.” Other poems and translations have appeared in The Atlanta Review, Midstream, U.S. 1 Worksheets, Frogpond, Cricket, RawNervz, Blithe Spirit, Still, and other journals. 

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Unwanted Element

by Michal Mahgerefteh (Norfolk, VA)


“Whenever a mortal man uplifts with arrogance his heart,
scholar or prophet, all his gifts shall soon from him depart.”
                                 

The Talmud

Black kippah, black hat and black jacket are your refuge?
You stand on the bima in a white tunic shouting to my chaverim,
“Avoid her Shabbat meals.” In my still soul I feel like a dumb lamb led to the altar.

But against me you have no prayers that separate me from the Circle of David,
decompose my Sephardic essence nor ostracize me from the house of God.

Slowly I understand; your power magnifies littleness. All you do is blow ash 
on the golden cherubim, smearing the name of El Elyon. The Talmud teaches 
that our personal growth and spiritual maturity is an ongoing effort: 

“God caused not His presence on Israel to rest, ’til their labor had shown
of their merit test.” Please understand we are not black or white, we are
cloaked in fabric of many colors.

Michal Mahgerefteh is an award-winning Israeli-American poet, the author of five poetry chapbooks, managing editor of Poetica Magazine, and an active member of The Poetry Society of Virginia. Michal is currently writing her next chapbook, FishMoon, forthcoming May 2022. If you’d like to read more of her work, visit her website: www.Mitak-Art.com

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All I Can Do

by Kayla Schneider-Smith (Rishon LeZion, Israel)

all i can do is be sad today,
and hear about the rockets flying from
one fence to the other
regardless of what mother and her baby
are strolling on the other side,
which man is rolling a cigarette
in the front seat of his truck,
wondering what he’ll bring home his
wife for the weekend

all i can do is not choose a side today, 
for sides have already been chosen,
and secured, and posted on doorposts
and upon gates, clung to for life,
the indentation of angry hands meant
to hold instruments, to hold one another,
grasping pocketknives grasping guns
grasping flag poles waving colors in the wind,
blues and whites and greens and blacks and reds
that claim sovereignty claim territory claim God
claim blood

all i can do is keep walking today,
walking to work walking to class
walking to busses
trying to memorize the shape of shelters
the shape of my heart how long it’ll
take me to run when i should duck for cover
when it’ll be too late

all human loss is our loss,
all mess on our fingers is ours,
the brokenness of other bodies is
our bodies’ brokenness,
brothers and sisters refusing to let go
tearing out each other’s spines
pouring all this frustrating summer heat into the gutter,
to dirty the world instead of making it better,
to hurt instead of heal

Kayla Schneider-Smith is a poet, musician, and social activist from Monmouth County, New Jersey. A graduate of Bryn Mawr College, she wrote this poem while completing the Yahel Social Change Fellowship in Rishon LeZion, Israel, where she taught English, piano and guitar to children, adults and senior citizens in a small neighborhood called Ramat Eliyahu. Kayla is currently attending the Master of Fine Arts Writing Program at The University of San Francisco. She aspires to be an English professor, Rabbi, or Interfaith Minister one day.

If you’d like to read her work in prose, visit: https://www.yahelisrael.com/single-post/2018/11/27/To-Be-Or-Not-to-Be-Progressive-Judaism-in-Israel

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A Moment of Truth

by Susan Rudnick (Pleasantville, NY)

      Just days after they had become available, I had snagged an appointment early in January for my first vaccine. I did a little dance in front of the computer to celebrate. The night before I had stayed up till after 1 AM and then had gotten up before 7 to go on both the New York state and city websites, as well as my local Westchester county medical provider’s site. I had stayed with it through the mire of questions and red tape. It had paid off.  Caremount, my medical provider, came through. 

     But the next day a text message abruptly canceled it.

     Caremount was no longer able to provide the shots.  

     My vaccine rollercoaster rolled off the rails. I felt vulnerable, jealous of the friends who had already gotten their vaccines, and ashamed. 

     How come I couldn’t make it happen? What lead hadn’t I followed? Why me? I’m a first-generation child of Holocaust survivors, and that night I woke up shivering from a nightmare about the visa I had which was no longer valid. I was trapped in Germany while others were able to leave. 

     Around 7:30 AM,  the day of my canceled appointment, I woke up to a phone call. Nope, it wasn’t a last-minute call for the vaccine.

     In a supposedly unrelated matter a few weeks ago I had received an e-mail from a second cousin I had never met who lived in Israel. Her sister, Ruth, and I had visited each other several times, both in Israel and NY, and we had become close. A year ago I had mourned her death from breast cancer. But Nomi lived on a kibbutz in the south and for a combination of reasons we had never met.

     Now in her eighties, Nomi was looking to connect with me. Her daughter, living in California, had found me. She mentioned that her mother had health problems and, realizing her time was short, wanted to meet me, and also learn what I could share about our family. We had all gone back and forth a few times about using What’s App and how to meet. But nothing had been settled.

     When I picked up the phone on that morning, I heard a voice that sounded familiar. It was Nomi. Her voice was comforting, and sounded a lot like her sister’s. Her English was not the best, but we managed a lovely back-and-forth conversation about our family. She had met both my parents on their trips to Israel.

      At one point I asked if she knew my parents’ refugee story: how they escaped Germany, made it to Brazil and then to New York while my mother was pregnant with me.

     “Yes” she said, “and how your mother lied about the pregnancy because for some reason at the time you were not supposed to fly if you were.”

     My heart missed a beat.  As a child, and, even now, I loved telling friends how I was conceived in Brazil but born here. But my mother had never told me about the lie. Nomi didn’t remember where she had heard it, but she knew it was true.

     My brave mother! She had lied to get us here. I literally wouldn’t be here now if she hadn’t. She desperately wanted a better life for us in the United States.  My parents had risked everything several times.  On this very last leg of their journey, I imagine them standing on an airport line together, and my mother not hesitating for a second to omit the truth about me in her belly.  

     In that moment I could feel my mother’s strength and wily wisdom coming to me through this fragile phone connection with someone I had never met.

     If I had been driving to get my shot I could not have picked up the call that held this vital fragment, a glorious puzzle-piece of my story that I would certainly enjoy sharing with friends.  

      I didn’t get the vaccine that day.

      But I was gifted with another kind of boost: a testament to the resiliency and creativity of my parents in a far more complex situation than my current one. I would surely find my way through the miasma of hotlines and websites to get my vaccine. 

Susan Rudnick is the author of the memoir: Edna’s Gift: How My Broken Sister Taught Me To Be Whole. It is the story of how her differently abled sister has been her greatest teacher. Susan is a published haiku poet and maintains a psychotherapy practice in Westchester NY. To learn more about her and her work, visit her website: susanrudnick.com

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Red Sea Divers

by Brad Jacobson (Columbia, MO)

She places a scuba mask over her black abaya.

The instructor puts a scuba hood over his black kipah.

She makes a circle with her thumb and forefinger: Everything ok.

He signals back: Everything ok.

They go under,

bubbles rising.

Brad Jacobson is a volunteer every summer in Israel in the SAREL program. He teaches TESOL at the Asian Affair Center at the University of Missouri, where he has an MEd in Literacy. In the summers he enjoys exploring places with his camera like the Old City of Jerusalem, Tzfat, and the Red Sea where he scuba dives. He has been published in Tikkun, Voices Israel, Poetica, Cyclamens and Swords, and the University of Missouri International News.

“Red Sea Divers” is from Brad’s new book, “Lionfish: The Poetic Collection Of A Traveler’s Experiences In Israel,” and reprinted here with the kind permission of the author and publisher. Visit the link to see more: https://www.amazon.com/dp/1946124648/ref=as_li_ss_tl?ref_=pe_3052080_397514860&linkCode=sl1&tag=beeps-20&linkId=b8e4722d77fdd5f0148ae60390d40ec2&language=en_US&fbclid=IwAR3ZBUQsla0CdU7voiaWm5FRPXzEEIglc0tuceGIUFwSsys5u14kBYEscLU

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no sunlight, no healing

by Robert Feldman (Maricopa, Arizona)

out here in the promised land

10 helpless clay-baked goloms are bathed

in thick, koshered Dead Sea mud,

while Nazarath weddings blast saxophones and accordions just up the road,

and the passion of a hundred Tzfat hora dancers

toast along with the other tribes,

all the while beckoning to Haifa salt Mediterranean scholars

hustling Haggadahs on shakedown Ramalah Rumla Reza Street

out here in the promised land

while holy Jerusalem just nods to this music and her maternal knowing,

Mt. Bental’s brilliant sparks of light effervesce the night sky,

opalescing enlightened orange and date trees,

while Be’er Sheva’s golden desert doors

and Tel Aviv’s  hip hoppers down on Contemporary Road

harvest and garland yelloworange buttercups and purple pansies,

waving the bouquets up and back down these consecrated roads,

where yarmulked children hopscotch way past midnight,

dressed in innocent pigtails and peyus

their paisley sneakers swinging,

where bees become birds

become cherry trees

become exquisite, tender offerings

sharing salutary bonds etched in stone:

“all this is bestowed upon my people…

you have been given

the tears and the laughter of four thousand years,

endless sunlight to forever heal, 

King Solomon’s stone and shekels,

oil and olives

dates dipped in tahini

honey dripping from pregnant rosebuds…

chipped austere cups brimming with cool sweet water”

Inspired to write poetry by iconic members of his hometown Paterson’s literary tradition, most notably Allen/Louis Ginsberg and William Carlos Williams, Robert Feldman helped found the Bisbee Poets Collective and facilitate the annual Bisbee Poetry Festival while residing in southern Arizona. He continues to write, publish, and present his work (including “Hineni” 2018; “Sunflowers, Sutras, Wheatfields and other ArtPoems” 2019), make fire paintings, & play tabla. You can find more information about him and his work on his website: www.albionmoonlight.net 

Note from the author: “This piece was first composed while sitting early morning at an outdoor coffee shop at Shuk HaCarmel in Tel Aviv; the energy around me was invigorating and transformative, the comings and goings of the venders and shoppers…everybody was there all at once, and translating all that into this poem was pure simcha!”

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