Monthly Archives: December 2025

A pair of candlesticks: A voyage across time and generations

by Steve Lipman (Forest Hills, NY)

Sometime in May, 1903, Zorach and Goldie Finkelstein, residents of Sapotskin, a heavily Jewish village in the northeast corner of Poland (now in northwest Belarus) climbed on a horse-drawn wagon, carrying their meager possessions in a few simple canvas and cardboard suitcases, and headed to the German port city of Bremen. There they boarded the SS Pennsylvania, a 13,333-gross ton passenger vessel.

Part of a wave of Jewish immigration from the Russia Empire’s one-time Pale of Settlement, the young couple left their homeland and their families, undoubtedly making the voyage to the United States in steerage, along with men and women and children from many ethnic groups.

Goldie was probably pregnant with the couple’s first child, a son, who would be named Max when he was born in Buffalo the following February.

In addition to the suitcases, which were packed with the expected clothes, and a rushnyk, a red-and-white linen table divider she had sewn five years earlier, Goldie, then in her early twenties, packed some of her most precious belongings in a parenee (the word, which was passed down in family lore, is of uncertain origin; in Polish the objects were known as a pierzyny), a large white comforter stuffed with goose feathers, which stayed in the Finkelsteins’ family for several decades.

Inside the paranee was a pair of candlesticks.

If the Finkelsteins, Yiddish-speaking Orthodox Jews who had been married five years earlier, followed the traditional practice of shtetlach in that part of the Jewish world, they most likely had received the candlesticks as a wedding gift five years before from their friends in Sapotskin.

The Finkelsteins’ style of candlesticks was typical of those owned by Orthodox Jews in their era and that part of Eastern Europe. Manufactured by the prestigious, Warsaw-based Jozef Fraget metal smith firm (founded in 1824), of hollow, galvanic sliver-plated brass (Jews were forbidden from owning silver in many parts of the empire), each stood 14 inches tall, with a detachable candle-cap that fit into a circular depression atop the candlesticks to catch paraffin droppings, and three artistic legs on the 5-inch-diameter base to give the candlesticks balance.

The candlesticks’ serial number – because of their value and popularity, the series of products was numbered – was 3340. Inside a small oval on the base of Goldie’s candlesticks: the words “FRAGET N PLAQUE,” which mean that the silver core was electroplated with a layer of pure silver.

Candlesticks like that were as common in many Jewish homes of that generation, especially those with immigrant roots, as the ubiquitous Singer sewing machine. And, in some Orthodox homes in the Greater New York area, artwork by the prolific, and eccentric, Morris Katz.

Goldie had no idea she fit a particular demographic; she simply kept the candlesticks to fulfill a Jewish woman’s mitzvah. One that her mother, and grandmother, and countless generations of women in her family had done before her with their own candlesticks. 

As she had in Sapotskin, Goldie used the candlesticks to usher in the Sabbath and important Jewish holidays in the modest home that she and her husband bought on the Jewish East Side of Buffalo (relatives had already settled there), and later, after Zorach (who took on the name Samuel in the United States) died, in the second-floor apartment of my parents’ two-story home in the city’s increasingly Jewish North Park neighborhood. Like other Jewish women, Goldie would cover her eyes with her hands as she recited the Hebrew blessing over the candles.

Sometimes her grandchildren – including me – would watch her make the brocha.

Goldie, a widow then for 20 years, died in 1968.

By rights, her candlesticks should have passed to my Aunt Hennie, the Finkelsteins’ oldest daughter, then a married resident of Rochester, an hour away, who –a kosher-keeping member of a Modern Orthodox synagogue — was more likely than my mother, Helene, married to a secular German-born Jew, to properly use them.

But Mom got the candlesticks. She had kids – three of us, while Aunt Hennie had none – and it was decided that it made more sense for a daughter who had a family, who had children to whom she could one day pass the treasured objects, to receive the candlesticks.

Mom, while by no means strictly Orthodox, grew more traditional as she grew older. She kept the pair in a prominent place of pride atop a light-brown wooden cabinet in the living room of the Lipmans’ home in North Park, then, after we moved, in the northern suburb of Tonawanda. She would, without fail, light the candles each Friday night and erev yom tov. Sometimes I and my two sisters would gather around Mom.

Dad, disinterested in things of a religious nature, would rarely join in.

As the candles burned, shrinking to differing heights, we would bet which one would go out first.

Mom, who had attended an after-school cheder decades earlier in Buffalo, had not mastered Hebrew. So she recited the l’hadlik ner shel Shabbat from memory, confidently – and incorrectly. She would say the last few words the same way each time, slurring several together into a unique rendition of lashon hakodesh; we restrained the urge to correct her, or to snicker. We understood what she was saying; I’m sure God did too.

After the blessing, Mom would say her own, personal supplications, softly, under her breath. A private conversation with the Creator. “Dear God,” she would begin, followed by “thank you” for kindnesses He had performed for her family or people in her circle of friends; or, “please take care of” ailing or deceased friends or relatives. Or other, similar words of praise or request. In other words, she would review whatever was on her mind.

Like Tevye, but with a Buffalo accent.

Then, “Good Shabbos.” And hugs.

Mom liked telling the following story about the spiritual value of the candlesticks in our family: Several decades ago she and one of her daughters had an appointment at Roswell Park Cancer Hospital, Buffalo’s famed medical center – a check-up that brought no bad news. They were walking on the cancer center’s stairs. “It was a beautiful day,” Mom remembered. Out of the blue, her daughter turned to her and said, “When you are gone, I want your candlesticks.”

Mom always told the story with a laugh. She was not offended. She was still a relatively young woman then. She understood the strong attraction of her daughter – who probably had mortality on her mind because of their presence at a cancer hospital –for the family heirlooms.

Mom said yes to her daughter’s request. In the meantime, the candlesticks remained in the Lipman home, and Mom continued using them.

In 2005 Dad died. The next year the candlesticks, carefully packed in a carry-on suitcase, went with Mom to the Houston suburb where one of my sisters had moved several decades before. There, Mom lived in an apartment, overlooking a small man-made lake, a mile from my married sister’s house.

Again, the candlesticks rested atop the wooden cabinet that had made the move with Mom to Texas.

Again, she lit the candles every week.

Again, the candlesticks shone. Mom, using some smelly pink polish, would shine them religiously, vigorously, employing a soft cloth or gloves specifically designed for that buffing purpose; or, as was more often the case, she would put one of her kids or her visiting grandchildren to work (people without sufficient elbow grease need not apply), making sure the pair gleamed so much you could almost see your reflection in them. It was not a fun assignment, but a labor of love. We all took a turn with the polishing cloth.

God forbid they should show a sign of tarnish.

A pair like that sell for $300-$500 nowadays, maybe more at auction, but to us, for sentimental reasons, they are priceless. 

The candlesticks were two of Mom’s most-prized possessions. She would make sure to hide them out of sight if a repairman was coming to her apartment or if she planned to be away for a few days. They were a symbol of her pride in being Jewish, in carrying on the tradition she had learned from her mother. They were not sleek or fashionable, which was fine with Mom. They were antiques, defiantly old-fashioned, remnants of a previous generation. They were a tactile reminder of Mom’s roots, of her long-gone relatives who brought their pride in Yiddishkeit from the shtetl environment that was a world removed from the big cities of the United States.

She would make sure that she was well stocked in candles, keeping a 72-count box at home, buying them at a Buffalo-area supermarket or sending one of her kids on a replenishment expedition when her supply was running low.

Mom was concerned about the candlesticks’ future. She made clear that, when the time came, the candlesticks would pass to a member of the family who a) was likely to use them regularly, and b) was not married then to someone who was not Jewish.

By her last few years, Mom, who died a few months ago on 12 Av, became increasingly feeble and forgetful. She no longer was in shape to light Shabbos candles; I would frequently provide her with small, battery-powered tea candles for her apartment or for the hospital rooms where she often – too often – found herself.

As Mom aged, and did not feel confident having lit candles in the apartment where she lived alone, she gave the candlesticks to the then-out-of-town daughter who had requested them decades earlier. Who uses them every week.

Goldie’s lichtern have a new home, 5,100 miles from their original home in the Old Country.

______

Steve Lipman was a staff writer for The New York Jewish Week from 1983 until 2020.

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Filed under American Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism, Polish Jewry

Coming Home with a Paintbrush

by Albert Levi (Hod HaSharon, Israel)

A few months ago, I returned home from reserve duty in Gaza

The streets were quiet

My boots were still covered in dust

And inside me, a storm was still raging

There are things we carry back from war that have no words

Things you don’t talk about over coffee

Things that settle in your chest and stay there unless you find a way to release them

For me, that release came through paint

I walked into my studio the very next morning

Not because I felt inspired

But because I needed to breathe

And sometimes the only place I know how to breathe is in front of a blank canvas

I opened jars of acrylic

Picked up my palette knife

And something in me started to move

I didn’t plan to paint what I painted

But I reached instinctively for blues and whites

And I began creating something that felt like light

Lions with fire in their eyes

Doves carrying quiet prayers

Trees that held the memory of generations

Maps of Israel drawn with energy and color, not lines

My name is Albert Levi

I’m twenty-three years old

I’m a Jewish artist living in Israel

And before I was an artist, I was a soldier

For the past year, I served as a combat commander in a special forces unit

I was called to the north, then to Gaza

I saw destruction, fear, grief

I also saw unity, bravery, compassion, and a fierce kind of love

And through all of it, I carried something invisible with me

A sense that even in the worst moments, we are not only fighting to defend life

We are fighting to preserve meaning, memory, and beauty

When I came home, I didn’t want to paint war

I wanted to paint what we are fighting for

Family

Spirit

Joy

Light

The stories we tell our children

The strength we find in ancient roots

The future we still believe in

So I painted

Every day

Not because I had something to sell

But because I had something to feel

And eventually, something to give

Now, my art hangs in Jewish homes around the world

Some are homes I will never visit

Some belong to people I will never meet

But I know that when they look at the canvas, they feel something real

They feel the roar of the Lion of Judah

The quiet of Jerusalem at sunset

The pride of Am Yisrael standing tall

Even when far from Israel, even when surrounded by different languages or customs, they see their reflection

I did not go to art school

I did not study composition or technique

I studied life

In the sand

In the silence

In the longing for home

My colors are not perfect

My lines are not clean

But they are true

Because they come from the same place the Jewish people always created from

From resilience

From heart

From hope that refuses to die

I don’t know if art can heal the world

But I know it can hold a piece of it

And that is enough for me

Albert Levi is a 23-year-old Jewish artist living in Israel. After serving as a combat commander in a special forces unit, he returned home carrying more than just memories. He carried emotions too big for words. That’s when he picked up a paintbrush. 

Through bold colors, Jewish symbols, and emotional honesty, Albert creates art that speaks to the heart of the Jewish people. His work now hangs in homes across the world, as a reminder of resilience, identity, and the light we continue to fight for.

You can explore his paintings at www.albertlevi.com

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Filed under Israel Jewry, Jewish, Jewish identity, Jewish writing, Judaism, poetry

Five Silver Dollars

by Nina Zolotow (Berkeley, CA)

 “Why are we celebrating Hannukah this year?” I asked my mother. “I thought our family never celebrates Hannukah.”

“Grandpa made a special request for this year,” she explained.

“But it’s just a family dinner, right? Like what we have for Passover? Because we’re not religious, because Grandma and Grandpa are atheists, right?”

Even though I grew up in a Jewish family, the only Hannukah I remember from my childhood was the first time (and the last time) my mother’s family celebrated it. That’s because in our family Hannukah was a minor holiday that we ignored on principle, even though it was the holiday that the Jewish kids at my school bragged about (presents for eight days in a row!). 

“All those bourgeois Jews,” my mother would say scornfully. “They’re just building up an unimportant holiday to compensate for feeling left out at Christmas. Passover, Rosh Hashanah, and Yom Kippur are the important holidays, Nina, not Hannukah.”

But on that winter night when I was maybe eight years old, our family of four—my mother, my father, my younger brother, and me—left our house up in the Santa Monica Mountains and headed off to Venice, where my mother’s parents lived, because my grandma was having a Hannukah dinner. 

In those days, Venice was still a Jewish neighborhood—before Main Street became hip and trendy and real estate shot through the roof—where my grandparent’s neighbors spoke Yiddish just like them, where there was Hebrew writing on the fronts of the small shops and Jewish things to buy inside them, and where there was a Jewish temple, the Synagogue by the Sea, right on the beach. Their home was an apartment in a small, nondescript, two-story building that they owned and managed. On that winter night, it looked the same as aways, with a neat green lawn and geometrically trimmed hedges that you might see anywhere, and with only a few large, shaggy palm trees and flame-colored Birds of Paradise that gave the neighborhood a Southern California vibe. 

When we arrived at the front door, my grandmother Goldie greeting us, saying warmly, “Come in! Come in!” and she pressed my cheeks with her soft, warm hands and kissed me tenderly, saying “Ninala!” Once inside, I noticed that the big table was already set up in the dining room, covered with the treasured lace tablecloth and the place settings that Grandma used for every family dinner. As always, there was nothing to indicate which holiday we were celebrating. 

I had always known that I was Jewish. It was my bloodline, my parents told me, and it was even on my mother’s Illinois birth certificate as “Color: Jewish.” But I always understood, too, that my family was different than other Jewish families, especially the families of the Jewish kids at my grammar school, which was in the upper-middle class, predominately Jewish neighborhood of Westwood. This was because it wasn’t just my parents who did not believe in God, but neither did my mother’s parents. Even though both my grandmother and grandfather grew up in Lithuania in Jewish shtetls and my grandmother’s father had been a rabbi, my grandparents both were committed Communists who believed that religion was “the opiate of the masses.” So at that time, I had never even set foot in a temple, and when most of the Jewish kids at my grammar school went off to Hebrew school on Tuesdays and Thursdays, I simply went home on the school bus. I had to admit I was very curious about what this “Hebrew school” thing was and sometimes even felt a bit left out, but I was also happy enough not to be going to any more school, whatever the kind. 

After saying hello to everyone, the first thing I did was to walk around the big table, counting the places: Grandma, Grandpa, Mommy, Daddy, Auntie Estelle, Uncle Morrie, Cousin Susan. That meant there were not enough seats at the table for us three kids—me, my brother, Danny, and my cousin Stevie! So we were going to be exiled to a “kid’s table” in the kitchen again! I hated that. I always wanted to be at the big table where the stories and the jokes were told, even if sometimes the punch lines were delivered in Yiddish and when the grownups laughed, I had no idea what was so funny.  

Then I went into the kitchen to verify that, yes, the small red and silver kitchen table was set for three. But what was that next to each of the plates? A small, mesh bag of gold coins! Auntie Estelle walked up behind me, placed her hands on my shoulders, and laughed.  “It’s Hanukah gelt!” she said.

Suddenly I was happy. I’d seen those golden “coins” before in Jewish delis and was fascinated by the candy that looked like money, just as I was by any candy that looked like something else, no matter how it tasted. But these, I knew, were chocolate coins. My grandmother was a renowned cook, who baked perfect desserts that the grown-ups raved about, like mandel bread, poppy seed cookies, and sponge cakes. But those plain desserts were always disappointing. I always wondered: Where were the chocolate chips? Where was the yummy chocolate frosting?  

Then my Grandma Goldie came into the kitchen, put her flowered apron on over her neat navy blue dress, and started grating potatoes for latkes. On Jewish holidays, my grandma always cooked an entire multi-course meal for the family from scratch, making the same dishes that her two daughters and their husbands remembered from their childhoods. I sat down at the kitchen table and watched my lovely grandmother—with her soft pale skin, soft curly grey hair, soft smile, and soft voice—doing one of the things that she did best: cooking delicious food for her family.

Then Danny and Stevie came running into the kitchen but stopped suddenly, eyes growing larger, when they saw what was on the table.

“It’s Hanukah gelt!” I said.

“Oh, boy, candy!” 

“And it’s chocolate candy!”

As the boys scrambled into their seats at the table, I could hear the adults in the other room, saying “delicious, Goldie,” and “absolutely wonderful,” about the chopped liver they were smearing onto pieces of matzoh. I wondered as always how they could possibly love the pungent, rancid, fatty flavor of that unappetizing-looking brownish paste. Then, as they often did, they started to talk about people who were not there. 

I knew that my grandfather, Meyer, who was the oldest son in his family, had come by himself to the U.S. from Lithuania when he was only sixteen, settling in Chicago where there was already a community of Lithuanian Jews. Once there, he earned enough money to bring his father over to join him, and then he and his father worked together to earn the money to bring the rest of the family over to join him, including his mother and the rest of his siblings. That was why Meyer was a hero to his family, and all his siblings looked up to him.

My mother had told me so many stories about what it was like to grow up as part of that extended Davis family—all those crazy aunts and uncles, with their radical politics, vegetarian diets and goat’s milk fresh from the farm, nude swims at night in Lake Michigan, and romantic spats, and the crowd of all-girl cousins who played cards and gossiped and slept together in an abandoned box car on the lake shore every summer. Most of that family was still in Chicago, where I had never been.

My grandmother, who was from a different part of Lithuania than my grandfather, had also come to the U.S. alone at age 18. She had joined two of her older sisters in Chicago, then met and married my grandfather shortly after that. So, although my grandmother’s parents, brothers, and one sister stayed behind in Lithuania, my grandmother, too, had a few relatives the Chicago area. And both my mother and her sister, Estelle, had grown up there, surrounded by a large, extended family, as had Cousin Susan, Estelle’s daughter from her second marriage. 

All those relatives from Chicago—whom I had never even met—seemed to be what the grownups in the family talked about when we gathered together on holidays. For me, in their ghostlike presence, they vastly outnumbered the group of real, live humans sitting at the family table, making our immediate family feel small and incomplete. 

Soon the kitchen was filled with the warm, savory smell of frying onions and potatoes, and my grandmother set the first batch of latkes on the kitchen table in front of Danny, Stevie, and me. She served us each a pancake, along with boiled chicken, cooked carrots, and applesauce. “Eat, children! Enjoy!” she said and then turned back to the stove. And no one, I noticed, was saying anything about Hannukah—there were still no special words about what we were celebrating or why. 

And when the grownups were finally served their dinner, I heard them saying the same two words they always said at the beginning of our dinners, “La chaim!” That simply meant, I knew, “To life!” And those words were not religious, not a blessing, not a prayer, not any kind of grace. But even just that simple Hebrew phrase told me that being Jewish still meant something to my family. Yes, they were all atheists, but they always gathered together on holidays like Passover and Rosh Hashanah that only Jewish people celebrated, where they ate food that only Jewish people cooked—chicken soup with matzo balls gefilte fish chopped liver potato latkes blintzes stuffed cabbage brisket smoked white fish pickled herring tzimmes potato kugel kasha varnishkes kishke noodle kugel rye bread matzo taiglach mandelbrot sponge cake halvah hamantaschen

I knew that my grandparents, both Jewish, had married each other, and my mother had married a Jewish man, my dad, and all her girl cousins had married Jewish men, too, and all three of Aunt Estelle’s husbands had been Jewish. I knew that something happened to my grandma’s family in Lithuania during the Holocaust, but besides the fact that being Jewish was something you could be killed for, what else did being Jewish really mean to my family? 

Grandma’s latkes were perfect: crisp and golden on the outside, tender and savory on the inside. And the carrots were slightly firm and deliciously sweet. We three kids quickly polished off our food, including second helpings of the latkes, and then gazed longingly at our bags of Hannukah gelt. Then we had a conversation that went something like this:

 “I wonder what ‘gelt’ is,” I said

“It means ‘money,’ I think,” Stevie said.

“Money,” I said. “Yeah, ‘cause it looks like money. Hmmm. But why is the chocolate money Jewish? And why is there chocolate money on Hannukah? 

“’Cause it’s Hannukah tradition,” Stevie said, “you know, like the menorah.”

“But isn’t the menorah ‘cause Hannukah is supposed to celebrate some miracle of oil burning in some temple for eight days instead of one?”

“Well, yeah.”

“That doesn’t seem like very big of a miracle,” Danny said.

“What doesn’t?” Stevie said.

“Oil for eight days.”

“Well, maybe that’s why it’s a dumb holiday we don’t usually celebrate in our family,” I said.

“Yeah, ‘cause the miracle isn’t very miraculous!” Stevie said. We all laughed.

 “I want to eat my gelt now!” Danny said.

 “I’ll ask!” Stevie said. 

When permission was granted, we ripped open our mesh bags and poured the golden coins onto the table to inspect them. There were coins in three different sizes, each embossed with mysterious Hebrew characters. I wanted to make my candy last as long as possible, so I selected one of the smallest coins to start with. I carefully peeled off the top layer of foil to reveal a flat, round disk of soft, limp milk chocolate, broke off a piece, and inhaled an odd sickly sweet scent that reminded me of Play Doh. When I placed the chocolate on my tongue, I concluded that it was blander, softer, and nowhere near as good as a Hershey Bar, but still it was chocolate, something I never ever had before at grandma’s house. 

As the three of us were focused on taking tiny bites of our chocolate coins, both of our grandparents came into the kitchen and stood together next to the table. I was surprised that my grandfather, who typically ignored all his grandchildren, was now gazing down at us with interest. A tall, thin, handsome man with iron grey hair and glasses, remote and mysterious, he always seemed to be sitting at the kitchen table with a cup of coffee, smoking a cigarette and reading the Daily World when Danny and I were spending time with our grandma.

“Your grandpa wants to give you real Hannukah gelt,” our grandma said. Then my grandpa reached into his pockets and handed each of us five large silver coins. “He made a special trip to the bank just to get silver dollars for you children,” grandma added.

“Happy Hannukah,” grandpa said.

I stammered, “Uh, thank you, Grandpa.”

And the boys chimed in, “Yeah, thank you, Grandpa! Happy Hannukah.”

After our grandparents returned to the dining room, I held the heavy silver coins in the palm of my hand and studied them. I realized then that for this night a special dinner had been arranged just so my grandfather could give us, his grandchildren, a gift. I guessed that giving coins to children on Hannukah was traditional, and that my grandpa had been given them when he was a child in Lithuania because, otherwise, why else would he have given them to us? But it was so difficult to imagine the world from which he and my grandmother had come. There was a religion I didn’t understand, a language I didn’t know, and a feeling of belonging to a group of people I had never seen, yet I was somehow tied to it all, through these two people, my grandparents, and through these very coins they had given me. 

The gift from my grandfather should have been making me glad, so why did I feel so much sorrow mixed in with my happiness, like that time I went swimming in a natural hot springs up in the Sierras, and the strong current of the hot geyser water that was bubbling up from a crack in the earth kept pushing me back out into the icy water of the river of melted snow that was rushing down from the mountains, and I had to keep swimming and swimming just to stay in the warmth?

“Wow! Five whole silver dollars!” Stevie said. “That’s a lot of money. And they’re probably worth even more than just a dollar ‘cause these coins are really old. Look at the year on this one: 1898!” 

“I’m not gonna spend mine,” I said. “I’m just gonna keep them. I’m gonna eat all the chocolate but I’ll keep the real money forever and ever.” 

“Me, too!”

“Me, three!”

Nina Zolotow just loves to write, and she has been doing it for her entire adult life. Currently she is writing creative non-fiction and experimental fiction/poetry, which you can find on her blog Delusiastic!, where there is both brand new and older works, and you can also subscribe to her on Substack, where she is releasing one story a week. Nina has also written or co-written four books on yoga (see yogafortimesofchange.comas well as being the Editor in Chief and writer for the Yoga for Healthy Aging blog for 12 years. Before that there was 20 years of writing instructional manuals for the software industry, including many books for programmers. And somewhere in there was an MFA from San Francisco State in Creative Writing. All of that taught her how to write simply and clearly when needed but also to go crazy with words when that seems right. 

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Urban gardening: A guide for the perplexed

by Dan Fleshler (Jackson Heights, NY)

The first person who ever planted anything 

knew more than I knew about growing

and blossoming, 

when, at 62, I started my first garden

on two swaths of dirt edged 

with flimsy iron rails abutting 

the chipped sidewalk 

in front of my apartment building.

One year later, toe-tapping in mid-March 

over patches of sleazy lingering snow, 

I had no idea where I’d planted

all my hostas and coleus or whether

they would return and what spindly growth

to preserve or uproot and whether everything 

I’d nudged into the earth had been ruined. 

So I waited, and pruned away weeds 

and leaves, and tried to pluck up 

everything that had been tossed 

from the sidewalk, including 

shattered Tanqueray and beer bottles, 

blunts and condoms, candy wrappers,

Dunkin Donuts cups and even grimy dentures. 

II

I had glimpses of ancient farming forebears, 

imagined them talking about the harvest

in anxious Aramaic. 

A haphazard, often indolent Jew,

I didn’t mark my days

based on their pastoral calendar, 

which relies on the harvest cycle 

and movements of the moon 

to divvy up the year. 

But in morning meditation sittings, 

before mindful breathing,

I’d begun to sprinkle in Hebrew prayers,

psalms and paeans that prompted wonder 

at miracles, like the astonishing fact 

that I was carbon-based matter aware

of itself, or the energy that exploded 

in my cells when insulin meshed 

with sugar.

The praise from radically amazed Jews

nudged me into trying to embrace, 

despite hard cold evidence, 

the Buddha’s claim that human birth

was precious and helped me confront 

all my plagues, especially the recurring

conviction, pestilent and dark, that time 

was ticking past 

with no purpose or point.

When I Googled “Hebrew harvest prayers,”

I learned that on Pesach, 

before the First Temple was embedded, 

Jewish farmers brought sheaves of barley 

to priests for blessings 

and chanted an annual prayer for dew. 

Then, craving abundant wheat, they started 

counting the Omer, a chant announcing 

each new day, along with the number 

of weeks, for 49 days until the holiday

of Shavuot, their harvest festival, 

as if keeping track of time, not forgetting 

and loudly proclaiming the days ticking past,

could yield the right amount of rain.

III

Three mornings after Google’s revelations, 

I spotted the woody rootstalks of my hostas. 

After two days, their tiny green stems bristled

after a light rain and the earliest bits of coleus 

pushed above the dirt. I knew enough 

to buy mulch and violas at the Home Depot 

and drop and shape them in the earth 

next to my sidewalk. 

By the time Pesach rolled around, 

I prayed for dew but couldn’t shift 

far enough away from myself

to count the Omer and anyway

I didn’t need the extra effort,

because there were already

new leaves and flowers.

A few more arguments for time 

to continue are lingering 

in my front garden, 

as people skulking past hurl 

KFC baskets, vape pipes, paper bags 

and bottles into mystifying soil.

Dan Fleshler’s short stories and poems have been published in North American Review, Alaska Quarterly Review, Buddhist Poetry Journal, Half and One, and Masque & Spectacle. 

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The Miter Box

by Ron Linden (Pittsburgh, PA)

“May their memory be for a blessing.” This Jewish invocation is pronounced when a loved one passes. It serves to comfort and remind us that the departed will continue to bless us with their presence as we remember who they were and what they did. Sometimes, such a blessing can take an odd form. Like that of a miter box.

A miter box-and-saw is a simple yet frustrating contraption that allows the user to cut wood or metal at a precise angle. Usually this is done to let the pieces fit together; for example, in the ceiling molding whose ends must be cut at the proper angles so the pieces can blend at the corners. A miter box-and-saw makes that possible.

In theory.

In practice, it takes the ability to conceptualize how the pieces fit together and even more important, the ability to handle the saw, the box and the wood simultaneously.  Of all the Jewish males in the world, an estimated 75% think they can do it. But a long concealed yet scientifically scrupulous test of the Jewish men in my family showed that exactly one could do so: my brother-in-law Jules.

Jules was one-of-a-kind. He was the first “married-in” to join our family when he wed my sister.  He embodied all the best qualities you would want in a new sibling—good humor, caring, respect, and understanding when his make-out sessions with my sister were interrupted by one of us.  He was extraordinarily and spontaneously generous with his possessions, his time, and his skills. The miter box proves it.

Some years ago our family moved to Pittsburgh and, like many in the city, bought an old house.  Windows, roofing, plumbing, kitchen–all needed attention. As a plumber and carpenter, I was more of a college professor. Jules, however, was a stereotype buster. He was a Jewish guy who knew which end of the hammer to use.  He was the Sandy Koufax of home repair.

But his skills are only part of the story. He and my sister visited us often in Pittsburgh and whenever they came, Jules fixed or built things in our house. He could do this and—to be honest—was a guest who could not sit still and be “entertained.” He had to do things while he visited and our old house provided a rich playground. Knowing this, he always brought the tools he would need—including a miter box.

Jules not only brought the miter box-and-saw to cut the molding strips, but he actually used it correctly without littering the basement with “first drafts.”  He was a one-person episode of “This Old House,” but that was only part of the story . Upon leaving, Jules would typically give us many of the tools he brought with him (probably hopeful of my potential). One of these was the miter box.  

Over the years it lay mysterious and unused as a tool.  But it glowed as a symbol of both my brother-in-law’s multifaceted talents and his expansive generosity. Now, more than a decade after his passing, when I see that miter box I feel the power of Jules’ energy, re-experience his nature, and see the many things he did with us and for our family. This curious contraption, this miter box, is a physical symbol of his generous spirit. In other words, it is–and remains–a memory and a blessing to those left behind.

Ronald H. Linden is professor emeritus of political science at the University of Pittsburgh, where he directed the Center for European Studies and the Center for Russian and East European Studies. He served as Director of Research for Radio Free Europe in Munich, Germany during the extraordinary changes ending the Cold War in Europe. In addition to his scholarly publications and international commentary (see his professional profile here) Ron has authored essays on The Night The Berlin Wall Came Down,”Changing the rules — in life as in baseball”; “Finding Boba Fett: The Pandemic Leaves a Gift,” “The New Pogroms.”

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Filed under American Jewry, Family history, Jewish, Jewish identity, Jewish writing, Judaism

History

by Hamutal Bar-Yosef, translated by Esther Cameron (Jerusalem, Israel)

In the year 1939 my mother,

who lived on a socialist kibbutz,

got a letter from her bourgeois mother

asking whether, in her opinion,

it would be worthwhile to move to Palestine.

Not worthwhile, my mother wrote back with roughened fingers.

Here you would not have servants.

Even jewelry, which you love so much,

even your wedding ring, would be frowned on here.

In the year 1949 my mother,

recently bereaved of her only son,

volunteered to help in a transit camp for immigrants.

What kind of help do you need? my mother asked

the woman from Iraq.

Can you polish my nails? asked the woman

and held out to my mother

long, delicate fingers adorned with rings.

Hamutal Bar-Yosef was born in 1940 on Kibbutz Tel Yosef. She studied comparative literature, philosophy and Hebrew literature at Hebrew University in Jerusalem. She is professor emerita at Ben-Gurion University. Bar-Yosef has published 17 collections of poetry, besides books of literary scholarship, essays, fiction, and translations from Russian, French, English and Yiddish. She has received numerous prizes, including the Israel President’s Prize for Poetry and the Prime Minister’s Prize for Poetry.  Her poems have been translated into 16 languages. 

Esther Cameron is an American-born poet, essayist, editor and translator living in Jerusalem.  She translated Bar-Yosef’s previous collection, The Ladder, and novel, The Wealthy.  Her own poems have appeared in various periodicals in Israel and America; a monograph, Western Art and Jewish Presence in the Work of Paul Celan, appeared with Lexington Books in 2014.  Her Collected Works are available on Amazon. She is founding editor of The Deronda Review.  

Editor’s Note: The poems are from Bar-Yosef’s and Cameron’s book The Miraculous Mistake, forthcoming from Sheep Meadow Press.

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Filed under Family history, history, Israel Jewry, Jewish, Jewish identity, Jewish writing, Judaism, poetry