Tag Archives: Days of Awe

We Must Have Apples

by Beth Kanell (Waterford, VT)

Rain returned as we met the new year. She danced,

spread perfumed presence. Rosh Chodesh Elul sang to us. 

Mouths wet at last, our tongues merged in prayer, chanted

gratitude. Thirst assuaged.

The calendar refreshed proclaims the Days of Awe.

Yesterday’s air, dry with drought, hung dusty with death—

now the tree trembles, as droplets pelt the leaves,

soak into soil. Roots

demand tenderness. Who longs for honey on the tongue, 

while the hills bruise to umber, tarnished with gold, splashed

with blood-bright crimson? The weather forecast misses this:

proposes paper profiles  

as we taste promises. Out to sea, cyclones seethe. Rain

may increase this evening. The first day of the Jewish new year

starts at sundown, rarely the same day of an autumn month

the calendar also dancing

which is why we are picking apples in such rain; wind could

scatter them on the ground, bruise them, aromatic invitation

to passing deer, who devour in darkness. We are almost ready,

recipes laid out. Memories

of grandparents and of children’s questions. Of answers

that we can’t yet believe. Of what we could not prevent: raw

grief for the unrescued, the damaged, the struggle to praise

as we witness death. Wash

with tenderness. Fruit, too, desires cool water. Paring. A wiped

board for sorting, slicing, blade laid to red-green apple peel 

that curls in crisp helix around our fingers. Regrets, resolutions:

a busy kitchen, scrubbed hands,

heart shaken and struck by the evening news. Rain splashes,

weeping. It falls on the just and the unjust, the judged, the parched

urgency of the garden in autumn as squash ripens, carrots swell,

atonement hesitates, the Taurid meteors

spit fireballs across September’s crisp crust. Aroma of apples.

Of my mother’s cinnamon willingness, my father’s tobacco,

the sour tang of sweat and fear in any crowded room. Open doors

admit fresh forgiveness: hear the rain.

Beth Kanell lives in northeastern Vermont among rivers, rocks, and a lot of writers. Her poems seek comfortable seats in small well-lit places, including Lilith Magazine, The Comstock Review, Indianapolis Review, Gyroscope Review, The Post-Grad Journal, Does It Have Pockets?, Anti-Heroin Chic, Ritualwell, Persimmon Tree, Northwind Treasury, RockPaperPoem, and Rise Up Review. Her collection Thresholds is due in early 2026 from Kelsay Books. Join her for conversation (bring your own tea) at https://bethkanell.blogspot.com.

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Filed under American Jewry, history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

Every day a little death

by Karen Webber (Baltimore, MD)

I rehearse my own death each Yom Kippur.

Pearls nap in the jewelry box, shiny Mary Jane’s poke from

the rack and sackcloth stands in for silk.

I prefer not to sleep in a coffin, as I plan my funeral with

Sharon Olds reading her latest and the Emerson string

quartet playing Bartok.

Elul’s moon is weighted down by custard and should haves. 

The corner of a shroud lifted by the wind whispers, “keep what

is precious and forget the rest.”

I beg you to do the same.

Speak with me, to me, thru me of forgiveness and of regret.

All I can leave you is this perfectly fragranced afternoon,

because my father sold all the good jewelry when my mother

died. I do have her half moon Seiko whose battery hasn’t

been changed in 20 years. Time stops. 

But now, it is time to preheat the oven. To shape the

Portuguese sweet bread round as the moon and pull it fresh

from the oven steaming.  It is time to invite my mother and

my father to sit down and break bread with me.

Death is my teacher and every fall I rehearse, as mine

marches closer. But for now, life.

Karen Webber is a Reform cantor, artist, and poet, whose  poems and essays have been published in chapbooks, Lilith Magazine, and on-line at Voices of Eve. Her newest original program, “Keep on the Sunny Side,” is a musical conversation on positivity, loneliness, and relationships, which she created in partnership with the Mental Health Association of Maryland.  To read more of her work, visithttps://issuu.com/richardholleman/docs/voiceofeve_issue11 (Pgs. 122-127)

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Filed under American Jewry, Family history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

Fragments

by Natalie Zellat Dyen (Huntington Valley, PA)

When someone breaks your heart
Into a thousand pieces
Toss a handful
Into the night sky
To shine like stars
Counted by lovers
Whose hearts have yet to be broken.

Plant them in places
Where nothing grows.
Barren as Hannah’s womb
But pregnant with possibilities of new life.
Gifts of unexpected miracles.

Slip them into the backpacks of strangers
The shopping carts of homeless men
Battered women
And abandoned children.
Anonymous blessings
To ease their journeys.

And take the last, most precious fragments
Of your once heart
And offer them to the one who broke it
To accept or reject.
It’s out of your hands.
But offer you must.
It’s what we do
In these days of endings and beginnings.

Natalie Zellat Dyen is a freelance writer and photographer living in Huntingdon Valley, PA. Her work has appeared in Philadelphia Stories, The Willow Review, Global Woman Magazine, Intercom Magazine, The Philadelphia Inquirer, The Schuylkill Valley Journal, and other newspapers and journals. She is currently working on a novel. Links to Natalie’s published work are available at www.nataliewrites.com.

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Filed under American Jewry, poetry