Difficult

by David J. Glenn (Brooklyn, NY)

“It’s difficult being a Jew.”

Children of the many Jewish immigrants who came to America at the turn of the 20th century continually heard that lament from their parents.

The complaint certainly was not baseless. “If you don’t come in on Saturday, don’t come in on Monday” was the usual reply from their bosses if they requested to be off on Shabbos. And the constant struggle to put food – kosher or otherwise – on the table did not make Jewish practice or learning very easy, either.

Now, after the turn of the 21st century, it’s still difficult being a Jew – but for an entirely different reason.

We no longer are confronted with a Saturday/Monday ultimatum, but we do have to face something that’s more insidious simply because it’s ever-present – the constant beckoning to “stop being primitive,” to “be enlightened.”

This is all the more challenging for a ba’al teshuva – a returning Jew – like myself.

Let me give you an example. I recently went to a friend’s house in my Brooklyn neighborhood. He has remained a staunchly secular Jew, once even remarking to my wife in a conversation about the Torah that probably would have been best not to have: “You swallow all that stuff?” All his grown children are on track to having non-Jewish spouses, and my friend, rather than lamenting the consequent severing of  Jewish heritage, is very happy about it and looking forward to having many grandchildren.

Just walking into his house was an instant flashback to the world I’m still struggling to tear away from. His shelves were filled with an extensive array of books – but not a single one even remotely connected to Jewish thought. He had a large, flat-screen TV with a full range of cable programming. And he offered to lend me a book which he just knew I would enjoy because of my keen interest in science: A Short History of Nearly Everything by Bill Bryson.

The book – which, sure enough, seemed very interesting and well-written – began with a synopsis of the “Big Bang” of creation arising from the infinitesimally small “singularity” leading to protons and electrons leading to atoms and molecules leading to different substances leading to different life forms leading to us – all, of course, totally by accident.

This, I’m beginning to realize more each day, is the basic premise of modern secular society – we’re all simply walking piles of atoms whose only goal is to do essentially whatever we want to do as long as it doesn’t physically hurt anyone else (and that single restriction is only due to an evolutionary mandate to preserve the species, the secularists will say).

It’s a mindset so pervasive in everything from textbooks to bestsellers to TV, iPods and the Internet, it has to be fought daily – hourly.

Compounding the difficulty – at least for me – is the literal account of Creation in Genesis. I still find it hard to fully embrace the concept of a universe only 6,000 years old and all of mankind descending from one couple created as adults in an idyllic garden.

But I have more difficulty accepting Darwinian evolution literally, either–despite Carl Sagan’s insistence that it’s “a fact.” The legendary late Rabbi Avigdor Miller, for one, has shot huge holes into evolutionary theory with scientific logic, showing very clear self-contradictions and scientific impossibilities in the theory.

Perhaps if I reach the level of Torah study that my 19-year-old son, Mathew (he prefers “Matisyahu”) has already attained in yeshiva, I wouldn’t have any struggle. He’s shown me examples of rabbis and scholars discerning from the written and oral Torah concepts of pi, a heliocentric universe, and even genetics centuries before the later civilizations proffered these ideas. Modern science seems to be merely catching up to some concepts already in the Torah, and computers are just now beginning to reveal some of the secrets of the gematria, the numerology, of the words and letters of the Torah.

Yes, it is difficult being a Jew.

But it’s also challenging, stimulating, and fulfilling – as anyone can experience after just one visit to the Shabbos table of a frum family.

My friend may have it easier – but he certainly doesn’t have it better

David Glenn is founder and publisher of Bay Currents, a community newspaper in Brooklyn. He also teaches math at Brooklyn’s Yeshiva Ohr Eliezer, which motivated his son, and then the family, to embrace Orthodox Judaism.

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“Man is a Wolf”

by Lev Raphael (Okemos, MI)

My demanding and charismatic mother has been dead for eleven years but I
still often think about her, wishing she were alive.  There’ll be a question I want to ask her about her past, or an event in my current life I’d love to be sharing with her, and sometimes a regret for something I did or said as a child will crop up.  I know she would probably dismiss bringing up the past like that as “Quatsch,” the German word that’s so much more dismissive than “Nonsense.”  She loved to use it as magisterially as if she were in fact a judge pounding her gavel and rendering a verdict. But it doesn’t stop me from imagining the scene anyway.

There are times, though, that I’m glad she’s not alive.  As whenever I read about the conditions at Gitmo, or the Orwellian-named policy of “extraordinary rendition,” or the American use of waterboarding, which has been re-branded in the American media to cover up its illegality.  I feel sure she would be outraged and even sick to her stomach.  I certainly am.

In the late 1940s, not long after she was liberated from her slave labor camp in Germany and met my father, she spent a few weeks in London and among the souvenirs I still have from that trip are tiny photos she took at Madame Tussaud’s Wax Museum.  As a child, she said that the medieval tortures–like a witch in the Chamber of Horrors having water poured through a funnel down her throat–reminded her of things she had seen during the Holocaust.  I didn’t ask what those “things” were, I was stunned enough by descriptions of the waxworks cruelty, and by her oft-repeated “Homo homini lupus est”: Man is a wolf to other men.  This was the voice of dark experience speaking, the voice of history, though I think she took some comfort in summing it all up with the Latin she had learned to read and declaim in school in Poland, situating herself in her own pre-war past and that of Ancient Rome.  My mother liked to take the long view when she could, and I’m sure the museum helped her by siting cruelty many hundreds of years ago.

But I’ve always known that torture for her was no mere exhibit, it was a reality, however hazily defined it might be for me.  It became disturbingly clearer when photos from Abu Ghraib were released on the Internet, and when accounts of torture there and elsewhere in the American gulag were published in magazines like The New Yorker.  Yet it was still always at arm’s length–until I had an hour and a half of it myself, not as a media stunt like some reporter on CNN having himself tasered, but, unexpectedly, while undergoing a medical procedure.

Trying to track down a persistent throat problem I’d been having, an otolaryngologyst had referred me to a neurologist so as to start ruling various possibilities out.  The cheerful neurologist found I had no signs of Parkinson’s whatsoever, but wanted to be sure there wasn’t some neuropathy she was missing in her personal exam.  She described the procedure she wanted me to have as “they’ll stick some needles into you.”  “You mean like acupuncture? Will it hurt?”  Her reply:   “There’ll be some discomfort.”  That didn’t sound so bad to me, and because I was so busy, I didn’t bother to explore on my own exactly what the test, an electromyogram, would entail. I wish I had.

A few weeks later I lay in a hospital gown in a cramped, overly bright, featureless little room waiting for the test after some small talk and a brief physical examination.  The doctor was assisted by an Austrian intern and because I’m studying German, this gave the whole experience a surprisingly relaxed feel.  She and I chatted a bit in German, but pretty soon, after an initial examination, the human side of the interaction was completely over, and I was reduced to an object.

What exactly is an electromyogram?  By inserting electrodes into muscle tissue, doctors can test  the electrical activity of muscles at rest and during contraction to see if there’s nerve or muscle damage. So for about an hour, I had needle electrodes stuck into various places on my legs while a nurse or I moved my limbs as instructed.  Information was gathered and the machine that I never got a good look at crackled like a Geiger counter. At first I felt almost nothing, then it was like a nasty pin prick, then each successive jolt was more and more painful, sometimes so much so that I gasped or groaned “Jesus!” or “Wow!”  At more than one point my leg shot in the air because the current was so strong.

This went on and on in a kind of nightmarish rhythm: first fear, then pain, then relief the pain was over, then fear of more pain coming, then the pain which kept getting worse.  As the cycle continued,  my consciousness shriveled until the world was reduced to a series of sensations and noises, both those that came out of my mouth and those being made by the machine.  When the doctor finally told me that the next part of the test didn’t involve electric current, I thought I was over the agony, but it actually got worse.  He stuck needles of some kind in my hand at the joint of my index finger and thumb, in my arm, in my shoulder, and each time I had to move my hand or arm in certain ways to to provide the information they were looking for.  Not only did this part of the test hurt more, I had soreness in my hand and arm for weeks afterward, and large bruises.

I don’t remember well the short consultation that followed, but I do remember feeling exhausted and humiliated when everyone filed out: neurologist, test administrator, Austrian resident, nurse.  I was so stunned by what had happened to me that I didn’t even check out, just wandered the halls till a nurse pointed me to an exit. I managed to drive myself home, glad that I hadn’t started crying during the test, even though the pain had been so intense I almost did so twice.

What seemed like the greatest violation of my dignity, of my selfhood, was that I had come to this hospital for healing, or at least a diagnostic exam that would lead to healing, but had found something very different instead.  The people administering the test didn’t intend to torture me, they weren’t evil, they weren’t remotely like my mother’s tormentors, but they had left me feeling crushed and shattered just the same.  I’d been mugged once in New York, but that was a pat on the back compared to this assault, to suddenly no longer feeling safe in the world, as if my personal boundaries were meaningless and anything could happen to me.

I told a dancer friend of mine about the test and she said she had walked out of a similar one.  “You can’t do this to me,” she said to the doctor, “I’m not a criminal.”  And when she described the scene, I felt like an idiot.  Why hadn’t I stopped the test?  Why hadn’t I told the doctor to turn the fucking machine off and let me go?

I couldn’t.  I was paralyzed and not thinking straight, barely thinking at all.

The morning after the test, I woke up at 4:30 AM, shaking.  My bed had turned into that hospital table and though the room was dark, I felt bright lights beating down on me.  I knew I had to flee that scene somehow.  I got up quietly so as not to wake my partner or the dogs, grabbed a Valium in the bathroom, and headed to my study to escape into the morning’s news.  Over the following days, whenever I answered somebody’s email about how I was feeling and the test flitted through my mind, or if I even mentioned it, I could feel the terror and pain coming back.  Anyone who’s been in a violent accident, or victim of a gross physical assault, will probably know what I mean.

After talking about the test with my therapist, I knew that writing about what happened was essential to getting over it.  He made the connection for me between my experience and my mother’s in the war, something that amazingly hadn’t crossed my mind until he said it.  Yes, it was only an hour and a half of agony, not years, months, or even days–but it linked us in the most unexpected way.  I had entered a prolonged situation of helplessness — or that’s how it felt to me.

I realized that I had to write to the neurologist who was in charge and share my experience, not to apportion blame, but so he could help future patients.  I had never had a test like this before; it had never occurred to me that I could stop it.  But the administering physician should have offered me the choice before the test even started. What added to the nightmare was the wall that suddenly shot up between me and everyone in the room as soon as the test began.  I was a source of data and they weren’t people, either: just soulless technicians who never responded to my obvious distress.

It’s not melodramatic to realize that if the test had gone on longer without hope of release, and had they been after any secrets I held, I would have told them anything to make it stop.  Now I understand something of what happens in places like Abu Ghraib, and I was only tortured for an hour and a half.  But at least it ended, and I’m free.

I’ve been able to seek relief in writing.  Once, decades ago, I suggested  that my mother write about her past because the world needed to know what happened to her, but that made her furious, “I don’t owe the world anything!”  How could I argue with that?  But writing about her is something I have to do, and each year I discover new ways.

I’m on a Second Generation listserv and recently we’ve all been discussing our middle-aged health issues, and after I described what happened to me, one member told me that this same test was being recommended for her 89-year old father.  Hopefully my story will spare him pain, or at least inform him that he can make the pain stop.  I’m not remotely happy to have had this ordeal, but it gave me a strange gift: brief, visceral understanding of what my mother experienced during the war, being trapped and victimized.  It made me marvel at her courage to go on, to rebuild her life, even while it fills me with sorrow to know that her story can never be fully told.

Lev Raphael, a prize-winning pioneer in American-Jewish literature, has been publishing fiction and nonfiction about the Second Generation since 1978. The author of nineteen books which have been translated into almost a dozen languages, he has spoken about his work in hundreds of venues on three continents. His fiction and creative non-fiction are widely taught at American colleges and universities. A former public radio book show host, academic, and columnist, he can be found on the web at http://www.levraphael.com.

You can check out his latest book, the memoir, My Germany: A Jewish Writer Returns to the World His Parents Escaped, at http://www.levraphael.com/mygermany.html.

And you can view a YouTube excerpt from one of his talks at http://www.youtube.com/watch?v=UFhrajH-6AE

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Writing Practice: Faith

How would you describe faith?

Is it something inside you–a deep trust in God, an unwavering belief in God’s presence–that flows like a swiftly running river toward the sea?

Or is it more like a flickering flame, a candle burning brightly one day, waning the next, mysteriously gathering strength and intensity then fading to a shadow without reason or explanation?

Do you think faith is something that you work toward like climbing a tall mountain… something you have to seek out, searching for a clear path to reach the pinnacle, slipping and sliding off the path, only to regain your footing with more certainty further on?

Or is faith like a rock inside you, sturdy, unswerving, always present, never in doubt?

We have different experiences of faith, and each of those experiences can serve as sources of inspiration in our writing.

We can write about standing amidst fellow Jews on Shabbat and offering our prayers to God and feeling a certain faith that God is listening.

We can write about approaching the Kotel, the Wailing Wall, in Jerusalem and sensing God’s presence in history, in our lives, at that moment.

We can write about learning that someone we love has cancer and not giving up hope.

We can write about a dear spouse who may have survived a car accident or hip surgery and praying for his or her recovery.

We can write about losing a parent, giving birth to a child, caring for an ill aunt, helping a frail grandfather… and how each individual, each experience, influences our faith, for better or worse.

How does faith play a role in these experiences? How does faith play a role in your life?

Can you define faith without checking a dictionary? What does it mean to you? How would you describe a life with faith versus a life without faith? And how does having faith–or not having faith–influence the way you view your Jewish identity?

Can you think of a time in your life when you felt your faith challenged… and can you describe what happened? Set the background for the event and how you came to find yourself in the situation. What made you feel that your faith was challenged? How did you respond? And did you feel after the experience that your faith was stronger or weaker?

Can you think of a time when you realized that you didn’t possess any faith? What prompted you to realize this? How did it make you feel? And how did you respond to this revelation? (Do you still pray? Can you still believe in God, even if you doubt His or Her existence?)

Look at passages in the Tanakh for examples of individuals who displayed–or failed to display–faith. Abraham when he set out on his journey. Nachshon when he led the people into the sea. The ten spies when they entered the Land.  What can you learn about faith from these passages? Can you compare the faith–or lack of faith–displayed by these individuals to your own?

In writing about faith, you may discover your faith deepening, running swiftly like a river’s steady current, or you may discover an empty well, barely illuminated by a flickering flame. Whatever you find in your search, let us know. Sometimes sharing the search is enough to inspire faith in others, if not in ourselves.

Bruce Black

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My Father Is Arrested

by Ellen Norman Stern (Willow Grove, PA)

The knock on the door of our Berlin apartment came around five o’clock one dark morning in May of 1938.

It was the favorite time of day for the Gestapo to make house calls. Their victims were usually asleep and not many other people saw them at such an hour.

When my mother opened the door, two men in dark raincoats stood outside. One of them muttered, “Geheime Staatspolizei,” and pushed the door open and let himself and his partner in. Their clothing was as anonymous as their faces. Perhaps secret agents are picked for their faces. Only members of a Secret Service look like this, no matter what their country. No one ever remembers them afterwards.

We lived in a time of constant rumors, all of them threatening. Even I, a child, had recently heard of an impending roundup of Jewish men in our Berlin community. There would be a mass raid, a razzia. Why–and what was to happen later–no one knew. A pre-dawn knock on the door was dreaded, almost expected, that summer. The only speculation was for whom that knock would come and when. Yet when it came for us, it surprised my father and mother.

Inside the apartment, the agents confronted my father in the foyer and announced their orders for his arrest. My father asked permission to take a little of their time: he needed to shave and dress. There was no way of resisting.

Permission granted, one agent remained in the bathroom with him and took up a position by the window facing into the room. The other man stayed in the foyer with his back against the slightly open bathroom door.

I tried to be unobtrusive. From my spot in the small entrance hall, I peeked into the bathroom. Inside, I saw my father’s face in the mirror over the sink. I thought him calm and accepting. But I noticed how his hands shook while he freshened up.

My father had suffered several recent gall bladder attacks. My mother said it was bad nerves. Conditions in Berlin were more than favorable to nervous tensions that spring in 1938, especially if you were Jewish and in a prosperous business.

Now she went into the kitchen and got ready a dose of his medication. She came out holding a small bag in her hand and said he must be sure to take it with him. One of the agents remarked drily there would be little chance for using it.

I saw my mother’s eyes starting to blaze. I cowered as she turned on the two Gestapo agents. Fearlessly, she chastised them for barging in on our peaceful household at such an hour, for taking away an innocent man when everyone knew how wrong that was. How could they face their consciences performing such a mission?

I like to think the Gestapo men remembered that scene. I did, all of my life. It took incredible guts to speak out the way Mimi did. She remained lady-like, even in her scolding. But she certainly exploded that morning. She had good reason. The Gestapo men knew that, too.

In later years, when her health and mental strength failed, she was often afraid of things that seemed childish to outsiders. But I remembered Mimi’s courage and I recalled how she stood in the hallway of our fashionable apartment, wagging her finger under the nose of the Gestapo agent, backing him against our bathroom door. Would I have such guts were I put to the test?

That dark morning the man at the door just shrugged his shoulder while the other one inside the bathroom ignored her. None of that deterred her. “Where are you taking my husband?” she asked repeatedly until the second man finally answered.

“To the police station.”

The landing outside our apartment door was still dark when they took my father out. My father, wedged between both agents, turned to Mimi.

“I have a cousin in America. He lives in Louisville (he pronounced it Lewisville), in the state of Kentucky. Try to contact him and see if he can help.”

Mimi dressed quickly, then she helped me with my clothes. We began the rapid walk to the police station just a few short blocks away. Just as we arrived, breathless, at the precinct, several police vans pulled out. All the vans were fully loaded. The razzia had already produced sufficient results.

Inside the station Mimi asked again and again about the destination of those departing vehicles.

“Alexanderplatz,” was the desk sergeant’s brusque reply.

She decided we would follow them. A long taxi ride brought us to the center of Berlin. The driver stopped at a large, dark gray, forbidding-looking building. Threatening, just like the mood of everything else that morning.

Many years later I saw the dreaded headquarters of the Gestapo in a television newsreel. Even after many decades that view crystallized the special and horrible aura I once felt. I could not know what went on in that building, what unspeakable and excruciatingly painful torment people experienced there. What I sensed at age ten was that it was an evil place.

The day I entered it with Mimi, I saw a warren of dark corridors filled on either side with windowless, small, brown cubicles. In one such sparse hole in the wall I waited quietly at her side while Mimi faced a heavy-set official behind a desk. The chubby man rustled some papers pretending to look up my father’s name.

The prisoner, Leopold Nussbaum, he informed us, was on his way to an interrogation center, but the family would probably have some news from him within a few days.

Not encouraging information, yet the official was a shade kinder than others we had encountered on our way in. Why that was, I couldn’t tell. The way he looked at Mimi was definitely less insolent and arrogant.

We stood waiting for the streetcar at its Alexanderplatz stop. Buildings just as dismal and forbidding as the one we had just left surrounded the traffic-filled square. I glanced across the street at another evil-looking dark, tall structure. I felt Mimi shudder as she looked at it, too.

“The Volksgerichtshof,” she volunteered without my asking.

In later years I learned more about the People’s Court and its use by the Nazi regime.

Mimi might have known even then what kind of place it was. Few prisoners left it without an order for their execution, if they left the building alive at all.

The long ride home on the streetcar was bleak. Mimi looked discouraged and fearful. My feelings of course, were a reflection of hers. She was quiet and sad and barely spoke. It was May, yet everything around us was still gray and cold. It started to drizzle. Times were suddenly desperate. I had a dreadful sense of foreboding.

Born in Germany, Ellen Stern came to the United States as a young girl and grew up in Louisville, Kentucky. She’s the author of numerous books for young adult readers, including biographies of Louis D. Brandeis, Nelson Glueck, and Elie Wiesel. Her most recent publication is The French Physician’s Boy, a novel about Philadelphia’s 1793 Yellow Fever epidemic.

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The Hassid and the Tennis Racket

by Mel Glenn (Brooklyn, NY)

Outside looking in, his hands on the wire fence,
he stood sallow and sweaty in the hot sun,
dressed in black coat and hat watching me
practicing my pathetic serve,
stabbing at the ball with fly swatter frenzy,
willing it to land in the box with any kind of consistency.
Between tosses, I watched him watching me
through rimless glasses, his blue eyes searching
for some reason for my solitary ritual.
For ten minutes I struggled with my swing.
For ten minutes he did not move a muscle.
His silence screamed at me until, exasperated
I walked over to him and asked, “Do you play?”
He seemed puzzled by my question,
started to answer, but then stopped in mid-word,
and wistfully, I thought, shook his head no,
as if he had finally decided to fall on the side
of the ethereal, instead of the temporal.
At his hesitation, I wish I had had another racket
to invite him to play, to deconstruct the fence
between his universe and mine.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

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Faith and Doubt

by Bruce Black (Sarasota, FL)

The Ten Commandments are the bedrock of Judaism, the cornerstones of our heritage, the foundation of our faith, yet few Jews talk of them as such or of the revelatory scene that took place–if it took place– atop Mt Sinai.

Every year we read the words of the Ten Commandments on Shavuoth, believe in the truth of them, live our lives by them throughout the rest of the year… whether or not the event atop Sinai actually occurred.

In some sense, maybe it doesn’t matter if it occurred because the Ten Commandments in and of themselves are truth. That is, they contain truth, and it’s irrelevant where the commandments came from–from God or from Moses or from some anonymous scribe who wrote them.

On the other hand it seems essential to believe not only in the truth of the Ten Commandments but in the truth of how they came into being, even if we can never know the full story.

We know (or think we know) that Moses ascended Mt. Sinai. And we know (or want to believe) he returned holding the tablets. But what happened between those two events… in the time it took for him to climb up and down the mountain?

Those moments–were they moments or hours or days?– are shrouded in mystery, in the fog of history and time.

Did Moses “see” God? Did he “hear” God’s voice? Or did Moses merely imagine God speaking the words to him?

And did Moses write the words down himself? Or did God hand him the tablets already inscribed?

There’s no transcript, no record of the event that we can turn to in order to learn what happened. All we have are the words of the tablets, and the record of the event as its presented in the Torah.

Does it matter if we know the whole story or just part of it? Does our lack of knowledge–or our limited amount of knowledge– change how we live our lives as Jews?

If the event–the revelation atop Sinai– didn’t happen, if it’s just a figment of someone’s imagination, does that mean the commandments are worthless, not to be taken seriously, not to be followed?

What rules–if any–would we replace the commandments with?

What would become of us–as Jews, as human beings–without them?

Standing in front of the open ark on Shavuoth, I thought about the Torah and the Ten Commandments and wondered if the words had passed from God through Moses to my ancestors to me, or if they might have originated in Moses’ heart, or in the heart of some unknown writer.

No matter where the words may have originated, they possess the ring of truth in the way all great literature contains the ring of truth.

But is that ring of truth enough?

When I left the temple after services, I still had no answers, only more questions.

I’m still learning how to live with faith and  doubt simultaneously, and how to balance knowing and not knowing.

Bruce Black, the founder of The Jewish Writing Project, is a writer and editor whose work has appeared in Jewish publications such as The Jewish Week, The Jewish Exponent, Reform Judaism Magazine, and The Reconstructionist, and in secular publications such as The Sarasota Herald-Tribune, Cricket and Cobblestone magazines. Online Education News ranked his blog on writing, Wordswimmer (http://wordswimmer.blogspot.com) , among the top 100 creative writing blogs of 2009.

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Tribal Ghazal

by Sue Swartz (Bloomington, IN)

Be careful to perform all the words of this Torah, for it is not
an empty thing for you, it is your life…

I would welcome an easy forgetting, if not for the words.
I would pass up allotment and ceremony, but never the words.

Presence/Absence, glory & thunder, text with great resiliency:
Velvet-wrapped, indelibly inked, my self bows before the words.

From birth, a tribalist: daughter with broad receptivity –
I lie down and rise up with the sweet imperfection of these words.

Ancient scrolls stay alive with impudent twists of commentary.
I turn and turn the story, and the story (in turn) turns my words.

Transcendence doesn’t really interest me, nor does equanimity.
I prefer uproar, wild beasts set loose in the Garden of Words.

The believer in me is undecided, often racked with deniability.
Agnostic though I may be, I do not believe these are useless words.

Oh – to be the prime redactor, creator of numinous biography.
Lowly poet, heretical follower, I wrestle headstrong with the words.

Distracted and doubting this afternoon, still here I am, hineni.
Perilous to live like this, can’t stop swooning over the words.

The prophet’s heart is a raging fire, helpless before God’s word.
I’d burn too, wander alone in wilderness – were it not for the words.

Sue Swartz is a poet, essayist, and social justice activist living in Bloomington, Indiana. Her two blogs reflect her current passions and writing projects: Torah, tattoos, and truth are the focus of Awkward Offerings (http://swartzsue.wordpress.com/), while musings on work and workers is featured on Chop Wood, Carry Water (http://cwcw.wordpress.com/).

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Rules

by Janet Ruth Falon (Elkins Park, PA)

(The Ten Commandments are read during the Shavuot morning service.)

Rules are not meant to inhibit you,
to trap you behind bars where you are,
straddling evil and good,
one foot stretching toward each side,
but to reveal the extremes
that most of us, even if we extended our arms
as wide as the equator, wouldn’t reach.

The rules that say “you shall not”
strip off humanity’s holiday suit
to expose intent gone awry,
the bleakest, blackest wrongs
that can’t be made right
even by the fanciest footwork of lawyers
and medicine that proves exception,
(which may explain away why you do it,
and lighten your punishment).
It may make sense, but it is always wrong to murder.

The rules that say “you shall”
are the bunch of perfect carrots — and you love carrots — waiting for you on the farmer’s porch just down the road,
which you’ll never quite reach
but on the way there
you fling pocketsful of corn to the chickens
and pat the head of a brown-eyed cow
and pour water for the day-laborers.
You may never eat those carrots, but you’ll have taken the right road.

Janet Ruth Falon, the author of The Jewish Journaling Book (Jewish Lights, 2004), teaches a variety of writing classes at many places, including the University of Pennsylvania.  At the moment she is teaching journaling and creative-writing classes to people with cancer, and she’s working on a project that she hopes will be published as The Breast Cancer Journaling Workbook.

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An Old Bogart Film

by Mel Glenn (Brooklyn, NY)

My parents protected me from the war.
They seemingly made a pact that
whatever happened in Europe, stayed in Europe.
They spent those years in Austria,
full of foggy intrigue, shadows and doorways,
like the ending of some old Bogart film.
Did they run, fight or hide?
Were there secret deals and flights into the night?
Exactly how many relatives died,
and what was the nature of the commodities
that secretly changed hands?
I know nothing of those days,
except what I’ve read in books.
I know nothing of the pain and the excitement
even as I grew up safely on American shores.
My parents protected me from the war.
I should be grateful to my parents, shouldn’t I?

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

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Filed under American Jewry, Family history, Jewish identity

“You a Jew?”

By Mel Glenn (Brooklyn, NY)

“You a Jew?”
“Yes, I believe I am.”
“Never met a Jew before.”
This from a sparkling, fresh-faced girl of nineteen,
a future film actress, I’m sure, on her day off
from the fundamentalist camp by the lake.
With the weight of my ancestry
pressing down on my back,
I felt the instant spokesman for my tribe.
Shouldn’t I be wearing a yarmulke and sporting payos?
Shouldn’t I be blessing this fair maiden in Hebrew?
“Ask me any question you like,” I said,
my ancestors from the Holocaust
rolling over in laughter from their graves.
“Do Jews believe in heaven?” she tried, innocently.
“No, St. Pete,” I said, using humor to shield my ignorance,
“but I respect your beliefs,” I added unnecessarily,
trying to extinguish the fires of the crematoriums
while posing as the even-handed poster child
for a religion that was as new to her as it was to me.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

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Filed under American Jewry, Jewish writing