Category Archives: history

Jewish Inspired Woodcutting

by Loren Kantor (Los Angeles, CA)

I was born in a San Fernando Valley suburb nicknamed “Hebrew Heights.”  My paternal grandfather was an Orthodox Jew who scribed torahs for a living.  My maternal grandfather was a secular Jew who loved pork spare ribs.  Like all my Jewish friends, I went to Hebrew School two days a week.  I got in trouble at a synagogue-sponsored Summer Camp for claiming Sammy Davis Jr. as my favorite Jewish cultural figure.  The only time my father ever yelled at me was after I drew a mustache on a Sandy Koufax baseball card.  “Hank Aaron and Willie Mays are fine,” my dad screamed, “but you don’t mess with Sandy Koufax.”

During my bar mitzvah, my friend Robert Levine knocked the torah out of my hand as I carried it around the synagogue.  The entire congregation gasped.  After the torah was finally returned to the ark, I quietly asked the rabbi if God was going to punish me.  “He may send you to Hell for a few weeks, but I think you’ll be okay.”  He smiled as he said this.  I never knew if he was serious or joking.

As I reached my teen years, I developed a complex attitude toward my own Jewishness.  I was always confused by the Chosen People ethos.  It seemed to bypass the merit system I held dear.  Shouldn’t we have to earn the right to be chosen by God, I wondered.  Is a Jewish thief more entitled to God’s blessing than a non-Jewish saint?  I stopped going to temple and became indifferent about my Jewish heritage.  At the same time, I retained a strong cultural Jewish identity.  I boasted about my “Jew-Dar,” my ability to spot a fellow Jew from across the room.  As I read about successful Jewish figures in the world, I felt a deep pride in my heart, even as I eschewed Jewish teachings in my own life.

As an adult, I sought deeper understanding about my Jewishness.  I sought out my old bar mitzvah rabbi who was retired in Palm Springs.  Over bagels and coffee, Rabbi Zeldin explained to me that being chosen didn’t mean you were better than others.  It meant God expected more from you. This change in perspective did wonders for me.  Being Jewish was not about entitlement.  It was about about holding yourself to a higher standard.  Rabbi Zeldin further explained that Jews have always been outsiders.  We’ve had to fight for survival and been viewed as “different” by the rest of the world.

I too have always felt different from the rest of the world.  Even as a young child the “outsider” motif was emblazoned in my heart.  The irony is I felt different from my fellow Jews as well.

I first became exposed to woodcut prints in the 1980’s when I attended a German Expressionist art show at LA County Museum.  The exhibit featured the work of Kathe Kollwitz, George Grosz and others. I was impressed by the stark and simple lines and the boldness of the prints.  The images were haunting and vivid and I couldn’t get them out of my head. Several of the artists were Jewish and it didn’t surprise me that the Nazis had classified the work as “degenerate art.”

I was writing screenplays in those days.  I never considered carving woodcuts for myself.  But whenever a woodcut exhibition came around, I made sure to attend.

In 2009, my wife gave me a woodcutting set for my birthday.  I watched a few online tutorial videos and I dove in not having a clue what I was doing.  I cut myself often at first and the initial prints were ragtag and primitive.  But after awhile, I started to get the hang of things.

We needed art for our walls at home so I decided to carve woodcuts of classic movie personalities.  Whether by accident or unconsciously, a large number of my subjects were Jewish. They included Billy Wilder, Edward G. Robinson, Peter Lorre and Lauren Bacall.  (Bacall is first cousin to former Israeli Prime Minister Shimon Peres.)  I found their faces compelling and their stories inspiring.  I learned that these Jewish personalities considered themselves “outsiders” as well.  It’s as if we were all part of a family. There was an energetic kinship, a tribal recognition of “fellow travelers.”

As I continued woodcutting, I had memories of my grandfather scribing torahs.  He used to say it took him a full year to complete a Torah.  One mistake and he had to start over.  Woodcuts are similar.  Once you carve into the block, there’s no turning back.  Small mistakes you learn to live with.  If you make a large mistake, you have to start over.

Woodcutting is an ancient art, an analog process in a quickly evolving digital world.  When carving, it’s integral that I relax and focus on each individual gouge.  The process is meditative and calming.  In these hectic times, it’s nice to have an activity that forces me to slow down and breathe.  In many way, it’s as if woodcutting is my personal form of prayer.

Loren Kantor is a Los Angeles-based Woodcut Artist and writer.  He worked in the film industry for 20 years as a screenwriter and assistant director.  He’s been carving woodcut images for the past five years. To view samples of his work in woodcutting, visit his website: http://woodcuttingfool.blogspot.com

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The God Particle

by Mel Glenn (Brooklyn, NY)

They may have found the particle in Geneva,
but they didn’t find God in heaven.
So, the search continues, in Switzerland, in me.
I applaud their efforts, even though
I don’t understand their physics.
Yet, I know the answer to God’s existence
won’t be found inside a semi-conductor,
but in the intricate tunnels of the human heart.
If I could find a particle of belief,
I would be the most willing convert to orthodoxy.
Nations fight over religion;
families argue the merits over religion
in prewedding discussions with their offspring.
The battle between belief and non-belief
rages across the tough terrain of my soul.
Will you esteemed physicists
now find yourself closer to God,
or will one tiny particle even more convincingly lead
to the gateway of the splendor of His work?
I await an answer from you or God.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Light Music

by  Ilan Braun (Le Tour-du-Parc, Brittany, France)

Have you ever heard
On a summer evening
The violins and the cellos sobbing
While high in the sky
Swallows are  dancing
A place where the bows on too tight cords
Are running up faster than life
Faster than death
Where  grey-faced musicians
In spite of all
Smile  to the children around
Where tears flow like streams
Stemming from springs
Believed to be forever dried up
Do you hear, still,
This light music?

Ilan Braun, a retired French journalist who wrote for L’Arche, says that “This poem was inspired by the tragedy of the Terezinstadt concentration camp.”

A poet, writer, painter and amateur historian on the Holocaust and post-war Jewish clandestine immigration to Israel, he has lived in Israel and Australia and visited over 30 countries.

You can read more of his work in Labyrinthe poétique: De la terre au ciel (Publibook, Paris, 2009) and in English (“The Oak of Tears”) in Under One Canopy: Readings in Jewish Diversity, edited by Karen Primack (Kulanu Inc. Silver Spring, MD. 2003).

For more information about his work, visit: www.ilanbraun.dr.ag

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Climbing the Ladder

by Janet R. Kirchheimer (New York, NY)

Who opens a negotiation with, “I will work
for your younger daughter Rachel for seven years.”
Offer to work for a year, maybe two,
then settle on three or four.
After seven years of labor, what does Jacob get?
Leah, the older sister.
Their father, Laban, tells him, “It is not the practice
in our place to marry off the younger before the older.”
Says he’ll give him Rachel if he serves another seven years.
What choice does Jacob have?

Take a look at Joseph.
He interprets Pharaoh’s dreams and tells him
a great famine is coming, tells Pharaoh he needs
someone to run the country.
So Pharaoh appoints him viceroy.
Now there’s a man who knows how to get ahead.
He even gets a wife for free, doesn’t have to work a stitch for her.
Of course, his descendants end up as slaves in Egypt
for two hundred and ten years, but that’s another story.

Janet R. Kirchheimer, a teaching fellow at Clal, is the author of How to Spot One of Us (2007), a collection of poems about her family and the Shoah. Her poems and essays have appeared in several journals such as the Connecticut Review and Limestone, as well as online at Beliefnet and drafthorse, where this poem first appeared. It’s reprinted here with the kind permission of the author.

For more about Kirchheimer’s work, visit: http://productsearch.barnesandnoble.com/search/results.aspx?WRD=janet+r+kirchheimer&page=index&prod=univ&choice=allproducts&query=Janet+R+Kirchheimer&flag=False&ugrp=2

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My New Year

by Janet Ruth Falon (Elkins Park, PA)

January first doesn’t feel like my new year
even though it’s time for fresh calendars,
and melancholy after-Christmas sales,
and bracing for icy winter, and wishing beyond,
and starting from zero in Blue Cross deductibles,
and whittling-down diets after holiday fressing.

Rosh Hashanah feels like new year
when leaves dress up, then dry up, and fall,
and kids, bored with freedom, go back to school,
and the tans fade away, and the lines disappear,
and we all about-face and shift inward,
towards the refuge of home,
towards the comfort of heart,
towards the warmth of forgiving each other.

Janet Ruth Falon, the author of The Jewish Journaling Book (Jewish Lights, 2004), teaches a variety of writing classes — including journaling and creative expression — at many places, including the University of Pennsylvania. She leads a non-fiction writing group and works with individual students, and is continuing to write Jewish-themed readings for what she hopes will become a book, In the Spirit of the Holidays.

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I Never Asked

by Natalie Zellat Dyen (Huntingdon Valley, PA )

My bubba taught me to knit European style, yarn on the left.
What hands had guided her hands,
Which now guided mine?
I never thanked her for that gift.
Or for filling empty jars with cinnamon cookies.
Al heit shehatanu. For the sin of ingratitude.

My bubba could have shared memories:
Of a long-ago village
Of lost traditions
Of melodies sung by her father, the cantor
Who passed on the gift of his voice
Before dying on the passage from old world to new.
But I never asked her to sing those songs.
Al heit shehetanu. For the sin of not asking.

So I must speak for her.
“I remember my own grandmother,” she would have said,
“And you will probably live to see your own grandchildren.
So right now, between the two of us, we share two-hundred years of history.”
And if I had looked into her eyes,
I might have seen her great-grandparents, her great-great-grandparents,
And all who came before.
But I never looked.
Al heit shehetanu. For the sin of turning our backs on the past.

Natalie Zellat Dyen is a freelance writer and photographer living in Huntingdon Valley, PA. Her work has appeared in The Willow Review, Global Woman Magazine, Intercom Magazine, The Philadelphia Inquirer, and other newspapers and journals. Links to Natalie’s published work are available at www.nataliewrites.com.

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What’s God’s Name?

by Jennifer Singer (Sarasota, FL)

When someone says “I don’t believe in God” the obvious question is, “Which God don’t you believe in?”

Often the answer is a third grade version, something like, “a guy sitting in the clouds with a big white beard,” or perhaps “the scary judge who’s going to punish me for every tiny infraction.”

I don’t believe in those versions of God either.  I’m not sure exactly what God I believe in, but I do know It/He/She/Whatever isn’t something tangible, or even conceivable.

That’s the point, right?  God is beyond definition or description.  God is Beyond.

One of the Hebrew names for God is Ayn Sof –  אין סוף — without end, infinite.  This kind of mystical name for God is a lot easier for me to swallow than the third grade models.

In the bible, when Moshe asked God to identify Himself, God said: Ehyeh asher ehyeh.  The Hebrew looks like this:  אהיה אשר אהיה

It’s sometimes translated as “I am that I am” but in fact it’s in the future tense and more accurate translations are:

”I will be what I will be,” or

“I will be who I will be,” or perhaps even

”I will be because I will be.”

(The middle word, asher, can be translated as what, who, because, or that, depending on the context.)

Rabbi Marcia Prager put it this way at DLTI (Davvennin’ Leadership Training Institute):

“Making the words [of the prayer book] release deep truths is a struggle — words like God, which are in many ways so unfortunate and unfortunately over- and badly used.  We need to engage our internal translators, and sometimes it’s not so easy.”

Reb Marcia teaches that the root of the word Adonai, one of the names most used in Judaism, isn’t from the word for “sir” but rather from the word for “joints, connectors.”  Thinking of God as Connector rather than Sir makes more sense to me.

And yet…. I still struggle.

Jennifer Singer, a rabbinic student with the Aleph program of the Renewal movement, has served as Foundation Director at the Sarasota-Manatee Jewish Federation, worked as an educator at the Flanzer Jewish Community Center, and taught in programs across the community for adults and children.

In 2006, she earned a Master of Arts degree in Jewish Education from the Jewish Theological Seminary, and currently works as a fundraiser for Technion University, as well as part-time at Kol HaNeshama, a Reconstructionist congregation, where she leads services and a Family Education program called Doorways to Judaism.

She shares her home with her husband, two daughters, four dogs, three parrots, two cats, and a turtle.

You can read more of her work at her blog SRQ Jew (http://srqjew.wordpress.com/) where this piece first appeared. It’s reprinted here with the kind permission of the author.

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How I Knew and When

by Janet R. Kirchheimer (New York, NY)

Age 8 – My father hangs upside down on a pipe that was part of a fence
that separated our street from the next. All of his change
falls from his pockets. He looks so young.

Age 15 – “There were one hundred and four girls
in the Israelitisch Meisjes Weeshuis orphanage in Amsterdam.
Four survived,” my mother says.
“I remember Juffrouw Frank, the headmistress.  She made us
drink cod-liver oil each morning. She said it was healthy for us.”

Age 17 – My father tells me his father and sister, Ruth, got out
of Germany and went to Rotterdam. They were supposed to
leave on May 11, 1940, for America. The Nazis invaded on May 10.

Age 21 – My mother tells me Tante Amalia told her
that on the Queen Elizabeth to America in 1947, after she
and Onkel David were released from an internment camp
on the Isle of Man, she was so hungry she ate twelve rolls
every day at breakfast. She said it was the best time she ever had.

Age 24 – My father tells me, “Otto Reis got out of Germany
in 1941. He took a train to Moscow, the Trans-Siberian railroad to
Vladivostok, a boat to Shanghai, a boat to Yokohama, a boat to
San Francisco, and a bus to Philadelphia, his wife and three sons
staying behind. Carola Stein signed affidavits for them, but
the government said she didn’t make enough money.”

Age 31 – My mother’s cousin refuses to accept money a rich
woman left him. He says the money has too much blood on it.
My mother tells me that in 1939 her cousin had asked this woman
to sign affidavits for his wife and two daughters. She said no.

Age 33 – My father asks me to dial the number. His hands shake.
He asks my cousin Judy if she wants to send her three children out
of Israel during the Gulf War. She says she can’t let them go.

Age 42 – A waiter in a Jerusalem hotel tells my father
he should come to live in Israel, because it’s home.
My father tells him, “Home is anywhere they let you in.”

Janet R. Kirchheimer is the author of How to Spot One of Us (2007), a collection of poems about her family and the Shoah. Her poems and essays have appeared in several journals such as the Connecticut Review and Limestone, as well as on Beliefnet. She is a teaching fellow at Clal.

This poem has been reprinted with the kind permission of the author and Clal-The National Jewish Center for Learning and Leadership.

For more about Kirchheimer’s work, visit: http://productsearch.barnesandnoble.com/search/results.aspx?WRD=janet+r+kirchheimer&page=index&prod=univ&choice=allproducts&query=Janet+R+Kirchheimer&flag=False&ugrp=2

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Return to Germany

by Sonia Pressman Fuentes (Sarasota, FL)

In 1978, my husband, Roberto, and I began to plan a trip to Greece. Neither of us had ever been there, and we looked forward to exploring its historic ruins and taking a cruise around the Greek Isles.

In the past on foreign trips, I had given a number of talks for the U.S. Information Agency (USIA) as an “American specialist” on the second wave of the women’s rights movement. (I was a founder of NOW–National Organization for Women–and the first woman attorney in the Office of the General Counsel at the Equal Employment Opportunity Commission–EEOC.)  So, I called Michael Bennett, my contact at USIA, to see if the agency needed anyone to speak in Greece.

“No,” he said. “We don’t. But we do have a request for someone in France and Germany. One week in France and two in Germany. Would you be willing to go?”

I was taken aback by Michael’s request. Germany? The land I’d escaped from over forty years ago? The country of Heil Hitler, marching boots, and swastikas? The country soaked in the blood of my people? Could I go there?

I told Michael I’d need time to think about it and then consulted Roberto about USIA’s request.

“Up to you,” he said.

For years I’d had a strong desire to return to my birthplace, to see where I would have spent my life if Hitler and his band of murderers hadn’t come along. But when I had thought about it, I had envisioned a quick trip into Berlin, followed by an immediate departure. USIA, however, was asking me to stay two weeks–something else again.

On past USIA trips, I’d enjoyed sightseeing and local entertainment in my spare time. But how did one enjoy oneself on the site of a charnel house?

I’d always found it challenging, meaningful, and exciting to speak abroad about women’s rights. But were women’s rights relevant in a country where millions of Jews as well as non-Jews had been slaughtered?

I decided to consult local and national Jewish leaders. The first person I called was Rabbi Stephen Pearce of Temple Sinai in Stamford, Connecticut, the Reform temple to which I belonged. A handsome young man in his early thirties, Rabbi Pearce empathized with my reluctance to go, but added, “It’s not just their country. There’s Jewish history in Germany, too.” I hadn’t thought of that.

“If you do decide to go,” Rabbi Pearce continued, “I hope you’ll report to the congregation on your return.”

I agreed to do this if I went but wondered what there’d be to report. After all, the Jewish problem had ended with the war in Germany in 1945, hadn’t it? What would there be to report now–over thirty years later?

I spoke with Jewish leaders in organizations such as B’nai B’rith. The consensus was that Germany was a new land with a new people. Israel was trading with Germany, so who was I to resist?

I decided to go. But because of Rabbi Pearce’s request, I asked USIA to include in my itinerary meetings with Jewish leaders and a visit to a former concentration camp.

Before departing, I called my brother, Hermann, who was 14 years my senior, and asked if he remembered any of the addresses of the places where we’d lived, where my parents had operated their stores, and where we owned an apartment building. To my amazement, he reeled off all the addresses, some of which were now in East Berlin. I resolved to try to find them all, if possible.

On November 2, 1978, I flew to Paris. (Due to his work commitments, Roberto was to join me later.) To my surprise, on the night of my arrival, the Jewish question came up. I was having cocktails with a small group of feminists at the home of the woman who was head of the American Cultural Center. A French woman reporter for the news magazine L’Express mentioned that she had recently interviewed Darquier De Pellepoix, the 80-year-old Frenchman who had been the Vichy government’s commissioner for Jewish affairs.

De Pellepoix, a major French war criminal who had been convicted in absentia but was never punished, lived in Spain. He told the reporter that the genocide of the Jewish people had never happened; that the 75,000 French and stateless Jews he deported from France to death camps had been resettled in the East; and that only lice were gassed at Auschwitz. The following day, his statements were on the front page of L’Express.

The reporter also mentioned that the French had never come to terms with their collaboration with the Nazis. While the NBC-TV film Holocaust had been shown all over Western Europe, it had not yet been shown on French TV. A Frenchwoman had, however, started a private fund-raising appeal so the film could be shown there.

Roberto joined me in Paris, and from there we flew to West Berlin, arriving on the night of November 8. The German assistant to the head of Amerika Haus met us at the airport and told us that by an odd coincidence we had arrived on the eve of the fortieth anniversary of Kristallnacht.

Forty years earlier, Hershl Grynszpan, a 17-year-old Jewish student, had shot and killed Ernst von Rath, an official in the German Embassy in Paris, in retaliation for the treatment his family had received at the hands of the Nazis in Germany. Hitler and Propaganda Minister Joseph Goebbels used the incident to incite Germans to wreak vengeance against the Jews.

As a result, mob violence began on the night of November 9, 1938, and continued into the next day as the regular German police stood by and crowds of spectators watched. Nazi storm troopers, along with members of the SS and Hitler Youth, beat and murdered Jews, broke into and wrecked Jewish homes, and brutalized Jewish women and children. All over Germany, Austria, and other Nazi-controlled areas, Jewish shops and department stores had their plate glass windows smashed, thus giving the terror its name, the Night of Broken Glass. Ninety-one Jews were killed, 267 synagogues burned (with 177 totally destroyed), 7,500 businesses destroyed, and 25,000 Jewish men rounded up and later sent to concentration camps.

We had missed the march commemorating that night but were in time to see the exhibition at the Jewish Community Center, the Jüdische Gemeinde Zu Berlin, on Fasanenstrasse 79/80. The Center was a modern building in the heart of West Berlin. As we approached, we noticed what appeared to be the ruins of another building cemented onto the front of the Center. We wondered about the significance of this.

The Center was thronged with people from the march. The exhibition consisted of pictures of Berlin’s magnificent synagogues as they had looked before the Nazi desecration, the shambles that had remained after they had been bombed and ransacked, and how those that had been reconstructed looked today. One of the “before” pictures showed Kaiser Wilhelm visiting one of these synagogues in an earlier period. One of the “after” pictures showed the remains of the synagogue that had stood on the site of the Center. It was two pieces of those remains that were attached to the front of the building.

A poster announced that the following Friday there would be a joint synagogue service in which a rabbi, a priest, and a minister would participate. This would be the first joint Jewish-Christian service in a Berlin synagogue in recent history.

We left the Center and walked around the city. I felt as if I had stepped back in time to the ’20s and ’30s. It seemed so much like the Berlin of the past about which my parents had spoken.

Both West and East Berlin were a curious commingling of past and present for me. One day in East Berlin, as I was crossing the street, I saw two uniformed men coming to get me. I cringed until I realized they weren’t Gestapo, just two East Berlin policemen crossing the street.

Despite such experiences, I loved being in Berlin–staying at the Hotel Frühling am Zoo on Kurfürstandamm 17, walking on streets on which my parents had walked and seeing street names that had resounded throughout my childhood: Alexanderplatz…Kottbusser Damm…Koepenicker Strasse…Gipsstrasse…and Unter den Linden.

A friend in the States had recommended a West Berlin restaurant named Xantener Eck. We went there one night for dinner. In Germany, if there is no empty table, the maitre d’ seats you at one that is partially occupied. On this night, we were seated with two men in their early forties who, we later learned, were printers.

As we poured over the menus, one of them recommended several entrees to us in halting English. With his English and my German, we were able to converse. When he learned I was Jewish, he immediately said, “I feel no guilt. I was born in 1937.” He then embarked upon a tirade against Jews and Israel and referred to the head of the Jewish Center we had just visited as a Fascist. “Why does he have to be a Jew first and a German second?” he asked. “If I were a member of a proud people like the Jews, I would not take money from Germany, as Israel has done, as individual Jews have done, and as the Center continues to do.

“All people are equal: Jews and Christians, whites and Blacks, Israelis, and Arabs. Why does the Jew think he’s better than everyone else?”

I shifted uneasily in my seat.

“And look what they’ve done to the Arabs in Israel,” he continued. “Two thousand years ago, Celts lived on the land where my house stands today. Their descendants now live in France. They don’t come back here and say they have a right to my house. What gives Jews the right to do this?”

His companion had paradoxical views. On the one hand, he seemed to share his friend’s sentiments, if not his vehemence. But he also asked me whether I’d had any special feelings as a Jew returning to Germany. When I told him I had, he said, “You know, my father was involved during the Nazi regime. I have to live with that.”

We spent several hours at dinner, during which we shared drinks and reminiscences with these men. When we left, we exchanged business cards, and they promised to visit if they ever came to the States. One of them came close to hugging me when we parted.

I was in a state of utter depression as we walked the foggy streets of West Berlin after this encounter. “Those men really liked me, Roberto,” I said. “And yet, it wouldn’t take too much for them to come for me again.”

The discussion in the restaurant brought home to me the fact that what had happened in Germany was still there in some of its people.

A day or two later, I shared the experience with a law professor and his feminist wife while having breakfast in their home. The professor said that he resented the burden of guilt that had been laid on Germans, but his wife did not echo his sentiments. His students did not like being reminded of this guilt, he said. They did not want to be made to feel responsible for events that took place before they were born.

We visited the Center again, this time for a meeting with the assistant to the director. I asked him about the conflict between the Germans’ desire to forget and the Center’s commitment to remind them. “Do they want to get rid of the past?” he asked. “Or do they want to continue it? It is in the interest of Germany not to forget. It has nothing to do with guilt or responsibility. Germany must cleanse itself of these things. It must be different in the future from what it was in the past. How can this be done without history, without knowing why it happened and how it happened?”

“How long must it take?” I asked. “After all, this happened forty years ago.”

“Forty years is not a long time in the history of mankind,” he reminded me.

Germany was riven with the tension between the collective obligation to remember and the personal need to forget.

We rented a car and spent days looking for the addresses in both East and West Berlin that Hermann had given me. I knew that Berlin had been reduced to rubble during the war and that I might not be able to locate any of the streets I was looking for, much less the buildings. But that was not the case. We found all the locations for which we were looking. The buildings had, however, all been demolished and rebuilt–except one–the apartment house where I was born at 83-A Linienstrasse in East Berlin. It was still standing, un-bombed, intact. There were lights on in some of the apartments. I went inside, knocked on a door at random, and a woman came out.

“Is there anyone here who might remember a family named Pressman that used to live here in 1928?” I asked.

“No,” she answered. The oldest resident had moved into the building in 1947. There was no one to remember us.

A friend in the States had given me an introduction to a woman who had lived in Berlin for many years. I visited her, and we had a wonderful time together. We talked, as women do, about our lives, our husbands, our hopes for our children. We hugged, and I turned to leave. She wouldn’t have done it to me, would she? I walked out her door. Why not? Why would I have been the exception?

We left Berlin and spent the rest of our trip driving through the German countryside and into the other cities where I lectured on the women’s rights revolution in the United States: Dusseldorf, Heidelberg, Freiburg, and Munich. I looked at the people; they looked just like anyone else. What had happened to their ancestors? What madness had seized them?

In Freiburg, we stayed at a picturesque hotel high up in the mountains. When I awoke in the morning and drew the curtains aside, an incredibly lovely panorama was spread out before me. As far as the eye could see, there were undulating valleys with picture postcard houses nestled among them. The beauty of it in the midst of the horror that had been struck me.

It was in Freiburg that I met with Margrit Seewald, a German program specialist with the US Embassy in Bonn who had coordinated many aspects of my programs in Germany although we had not met previously.  The Embassy had asked her to travel to Freiburg for my program there, and she, Roberto, and I spent some lovely times together there.

Then it was on to Heidelberg. At the end of my talk there, a woman came up to me and said, “You have made me feel so good personally that you, a Jew, came back to Germany–and that you came back to talk about women’s rights. I hope you’ll come again.”

In Munich, at Café Kreutzkamm on Maffeistrasse, I had lunch with two women who were leaders of Jewish women’s organizations: one was chairperson of an organization which was named Ruth and the other was with WIZO (Women’s International Zionist Organization).

“How can you live here” I asked, “next to Dachau?”

The younger woman, in her 50’s, had, with forged papers, survived the Holocaust by passing as a Christian. “Everyone has his or her own story; we each have a certain degree of schizophrenia,” she said. She felt guilty about living in Germany and read every available book on the Holocaust, but she had not encouraged her son to identify with Judaism. He considered himself “European,” she said.

The older woman, in her 70’s, had, with her husband, spent part of the war years in a Jewish ghetto in Austria. They had returned to Germany because German was the only language he knew. “I don’t think about it [the Holocaust],” she said. “I work with German women in organizations. They would be hurt if they felt I was different, and I don’t want to be different. When so many people stretch their hands out to you, you forget. Germany’s no different from any other country. After all, the Swiss prepared the poison gas for the concentration camps.”

She had told her children and grandchildren about the Holocaust. Her son-in-law told his children about the camps once and never mentioned them again. He had enrolled them in an exclusive private school, where they were the only Jews. There, they were being educated as “cosmopolitans.” She was nonetheless pleased when her young grandson came to visit, donned his yarmulke–skullcap–and accompanied her to the synagogue. She was optimistic about the future of Jews in Germany.

In Munich, I was interviewed and taped by Dr. Michaela Ulich, a feminist who was preparing an American Studies program for German high school students. And so, I, who had to flee Germany for my life in 1933, would, through the medium of tape, have a chance to talk to the young people of Germany.

We left Munich and talk of the future and drove on Dachaustrasse into the past–to Dachau, the first of Hitler’s camps. Dachau was full of tourists, most of whom were young Germans. In the midst of the crowd, one couple stood out–a man and woman in their late 50’s, walking arm in arm. Wherever I looked–at the gate with its ironic Arbeit Macht Frei–Work Makes You Free–sign, at the museum, on the grounds where the barracks had stood, at the gas chamber (which had never been used), and at the crematoria (which had)–they were everywhere. Finally, I could stand it no longer. I walked over to them and said, “What is it with you people? Wherever I look, there you are.”

The man responded in Yiddish. He was a German Jew who had been imprisoned in Auschwitz at the age of fourteen for five years. He now lived in Israel with his Israeli wife and children. He had come to Germany to testify at the war crimes trial of a former official at Auschwitz and had done so the day before. Now, he was showing his wife a camp such as the one in which he had been interned. Tears welled up in her eyes as he told us that on one occasion he had been beaten six times with a whip such as was exhibited at Dachau; he had thereafter been unable to sit for two weeks.

He pointed to the chimney of the crematorium and told us that on his first day at Auschwitz, one of the officials had directed his attention to the smoke coming out of the chimney and said, “Tomorrow the smoke coming out will be you.”

Roberto asked to see the number on his arm.

“Do you still think about it?” I asked.

“Think about it?” he said. “I wake up in the middle of the night saying this number.” Like Primo Levi, he “felt the tattooed number on . . .  [my] arm burning like a sore.” [Primo Levi, Survival in Auschwitz, The Reawakening (Two Memoirs), trans. Stuart Woolf (New York: Summit, 1985), 370.]

I asked him how he could identify the camp official at whose trial he had testified when he hadn’t seen him in forty years. The passage of time was not an obstacle for him. “That is a face I will never forget,” he said.

We left Germany and returned to the States.  Shortly thereafter, I received a postcard from Margrit Seewald, who wrote:  “Those last moments in Freiburg when I walked down the steps and you stood there at the top have impressed themselves hard-edge in my mind. It occurred to me that my life could’ve been yours, and yours mine.”

Perhaps.

Sonia Pressman Fuentes, one of the founders of the second wave of the women’s movement, was born in Berlin, Germany, but came to the U.S. in 1934 with her parents and brother to escape the Holocaust.  She is a writer, public speaker, feminist activist, and retired attorney who lives in Sarasota, FL.

This excerpt from her memoir, Eat First–You Don’t Know What They’ll Give You: The Adventures of an Immigrant Family and Their Feminist Daughter, is reprinted with permission of the author. Copyright 1999 by Sonia Pressman Fuentes

For more information about Fuentes and her book, visit: http://www.erraticimpact.com/fuentes.

You can reach her at: spfuentes@comcast.net.

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Blind Luck

by Beth Finke (Chicago, Illinois)

Every Wednesday, my Seeing-Eye dog, Hanni, leads me to the Chicago Cultural Center to teach a memoir-writing class for senior citizens.

Eighteen women with great names–Myrna, Sybil, Eldoris, Bea–who grew up on the South Side, in the suburbs, in Italy, in West Rogers Park. Some earned Masters degrees. One finished her undergraduate degree at seventy-three. Many were teachers. A few taught in the Chicago Public Schools. Their stories are fascinating.

Each week I assign these writers a topic. They go home, write 500-word essays, and then bring them back the next week to read aloud. After weeks, months, years of hearing their stories, I’ve come to know a lot of them pretty well.

The oldest student in class this session is Hannah. She’s eighty-eight years old.

Hannah grew up in Germany. Her family was Jewish. A determined and adventurous woman, Hannah escaped on her own in 1940. She was only twenty when she arrived alone in the US. Others in her family didn’t make it out in time.

“I’ll tell you this,” she says. “I’ve always been very, very lucky.”

Economic news lately prompted me to ask these writers to put something down on paper about the Great Depression.

“I’m wondering how it compares to what you see going on now.”

Many of them returned with essays about their parents’ views of the Great Depression. Hannah was one of the only ones old enough to have lived through it.

The story she read aloud was so moving that after class I contacted my “connections” at Chicago Public Radio and asked them if they’d be interested in recording Hannah’s story.

WBEZ said yes. The producer had planned on using Hannah’s story for a three or four minute segment, but ended up spending more than an hour in the studio interviewing her. Hannah’s radio piece ended up being five or six minutes long.

Here’s a description of the interview from the Chicago Public Radio website:

“In part two of our look back at the Great Depression through the stories of those who were there, we hear from Hannah Bradman – a Jewish woman who came of age in Germany at this time.”

It’s a privilege to know Hannah.

You can listen to her story online athttp://www.wbez.org/Content.aspx?audioID=29833 and you’ll see – that is, hear – what I mean.

Beth Fink is the author of Hanni and Beth: Safe & Sound, winner of the ASPCA’s Henry Bergh Children’s Book Award.

For more information about Beth, you can visit her website:www.bethfinke.com

Or take a look at her blog:www.bethfinke.wordpress.com

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