Monthly Archives: May 2024

First Snow

by Susan Michele Coronel (New York, NY)

It’s mid-January, nearly a month after Hanukkah 

ends, when I notice the first appearance 

of white flakes in 700 days. I celebrate 

the return of predictable winter joy, when ice 

slicks sidewalks, & fluffy blankets shroud 

windshields, press their weight into branches. 

I scrape my van after a spot of freezing rain, 

loosen snow & ice from door handles 

before temperatures plunge into the teens. 

On Facebook, I skim photos of my daughter’s 

campus, where kids haul cardboard rectangles 

up scenic slopes, clock tower behind, dots 

of city lights below. It’s the same campus where 

a professor said he found the Hamas attack 

in Israel “energizing” and “exhilarating.”

A British friend reports snow’s arrival with

photos on WhatsApp, streetlamps casting

a ghostly glow over parked cars & hedges.

He says he just checked on his sister,

who has poor balance due to cerebral palsy.

On my side of the world, darkness advances.

Trump wins the Iowa caucus without a sneeze.

The night before, I watch a documentary about

a 93-year-old Holocaust survivor visiting

Warsaw with her adult son. She recalls how

Jewish policemen beat ghetto Jews with clubs

to get them onto trains—if successful, they’d

spare their own lives. They wore the same

boots as Nazis, crisp black against the snow.

Outside my window, flake by flake, snow

tapers & stops. A few neighbors continue to

shovel or salt walkways. Maybe a few–

like me–look outside & gape in wonder

at a lavender sky that sheds white sparkles

over our ordinary lives. We are like candles, 

gazing through curtains at the ever present dark.

Susan Michele Coronel lives in New York City. She has received two Pushcart nominations and won the 2023 Massachusetts Poetry Festival First Poem Contest.  Her poems have appeared in publications including Spillway 29, Plainsongs, Redivider, and Fourteen Hills. In 2021 her full-length manuscript was a finalist for Harbor Editions’ Laureate Prize, and in 2023 another version of the manuscript was longlisted for the 42 Miles Press Poetry Award.

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Filed under American Jewry, history, Jewish, Jewish identity, Jewish writing, Judaism, poetry

Ancestral Family Secrets 

by Ronit Widmann-Levy (Sunnyvale, California)

In the summer of 2013, my Swiss uncle, Albrecht, invited the extended German side of my family to visit Rostock for a family reunion and to hear from a historian who was commissioned by the city of Rostock to write the story of a prototypical Jewish family between the seventeen hundreds till today. 

Curious to learn about my family’s origins, and interested in filling in the many blanks, I accepted the invitation and flew to Germany to partake in this reunion, bringing my thirteen-year-old son and three-year-old daughter with me.

Holding my sleeping daughter in my arms, I stood at the arrivals terminal scanning the crowd for a driver who was supposed to pick us up. My eyes locked briefly with those of a short, blond-haired, middle-aged man who seemed to have recognized me upon sight and appeared, oddly, somewhat startled. Tired from our 12-hour flight, I didn’t think much of it. The man began walking directly towards me.  

“Frau Widmann-Levy”? 

“Yes, that’s me”  

“I’m Frank, your guide and the historian who wrote the thesis about your family, the Josephys” 

”I’m honored. Thank you for coming to meet us here.  I was expecting a driver,” I replied.

“I can drive too,” he quickly responded, and picked up my luggage and walked us to his car, an old, rickety Volkswagen station-wagon.

Later that day, Frank sat me down in the lobby of the hotel and showed me old photos of the Josephy family, including one of a young woman named Carla. Looking at the face gazing back at me from the faded old photo was like looking in a mirror. I felt an immediate connection to Carla.  And so began my acquaintance with a woman who had influenced my life in many profound ways long before I became familiar with her life story.  

In the following days, Frank walked us through the streets of Rostock and shared in great detail his research of our family’s history and origins. Walking the cobblestone streets of Rostock hand-in-hand with my two children that summer, the year of my son’s Bar Mitzvah, was surreal. As we were walking, Frank pointed at the still-standing homes of our ancestors. The well-restored or preserved original buildings and apartments were all inhabited by tenants who had taken over our family’s homes after they were forced out.

Frank unraveled the Josephys family’s history for us—where they had lived, whom they had married, where they had worked, and gone to school. At a certain moment, he pointed at a specific building with windows facing the street where we were standing. Leaning out the windows were tenants currently living in those apartments. Upon seeing our group, they all withdrew, clearly dismayed to see us and our animated guide. 

On the front lawn, children at play were pulled back into apartments in a flash while windows and shutters were slammed shut. Frank, who was explaining about the past while pointing at their building, was not whispering, to say the least. He shared his findings enthusiastically while sweating through his white linen shirt and smoking like a chimney.

Carla’s complete story — and the reality of how I ended up having both Christian and Jewish branches in my family — was revealed to me on my second day at Rostock when Frank, recounting more of our family’s history, mentioned an aunt, (tante) Carla Josephy, a famed Jewish opera singer in Germany before WWII. I had a  surreal image of the words coming out of his mouth and enveloping me, wrapping me in a blanket made of the sum total of my family’s journey. That was the summer of 2013.  

As our little group traversed the streets of Rostock, my great-uncle marched in front. He had been the child in the story and was now eighty years old. I couldn’t help but think again the one thought that had always popped into my head since I was a school-age girl living in Israel. Would I have survived? Would my blue eyes and blond hair have saved me? 

Carla’s story, the alias she created, saving her children by giving them to the nuns, marrying her gay colleague and traveling to Havana Cuba, made me rethink my long time assumption that my seemingly Aryan features would have been enough for me to survive the war. I understood that it was not Carla‘s Aryan features that saved her but rather her creativity and resilience. I stopped putting so much weight on external features as equating a better chance of survival. From that point on, surviving meant something completely different to me. It meant not just coming out of the experience with a pulse, alive, but rather having your soul intact and your spirit in a reparable condition. 

I knew that many people had physically survived the war. They were mere shadows of who they had been six years earlier, and they walked the earth for the remainder of their days agonizing over what they had lost, unable to move forward. After hearing Carla’s story, I understood that living meant more than coming out of the war alive. It meant not just presenting to the world the shell of who you were but truly engaging with life.

I looked at my uncle and saw the boy within, with a one-way ticket on the train to Basel the day his mother put him in charge and responsible for his five-year-old sister. Relinquishing her children may seem like an extreme and heartless choice on Carla’s part, but in fact, this was an act of tremendous bravery and infinite love. Both children would be fostered and saved by a Swiss Catholic family, and  Albrecht and Dorotea would grow up and dedicate their lives to leaving the world a better place than they found it.

My uncle’s wife, children, and grandchildren enveloped him with love and affection,  accompanying him on this self-afflicted journey that he was so determined to go through. 

The next few days would change my life forever. Every part of my being realized that in the face of an existential threat, it is the silence of our neighbors and friends that is deafening. It’s a silence that contains many shades of betrayal. 

Ronit Widmann-Levy, a luminary in the arts world, boasts a multifaceted career spanning curation, fundraising, branding, presenting, and strategic planning. Her remarkable expertise encompasses public arts administration and cultivating global partnerships. Renowned for her captivating performances, Ronit has sung in Carnegie Hall under the baton of Michael Tilson Thomas and recorded for PBS Great Performances. Notably, she serves as the Director of the Israel Museum Bay Area Council, a role that reflects her commitment to promoting art and cultural exchange. Passionate about the synergy of arts and technology, Ronit co-chairs and produces TEDxPaloAlto.  She champions art’s transformative role in fostering inclusivity, celebrating diversity, and instigating impactful change. Her career is marked by unwavering dedication to innovation, social responsibility, and exceptional leadership that fuels brand longevity and sustainability in the arts sphere. Ronit resides in Sunnyvale California.

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Sitting in the Land of Limbo

by Anna Stolley Persky (Fairfax, VA)

Today we are burying my friend, my Jewish light, and it is gray and cold and muddy, and we are in the middle of a graveyard, and we are in the middle of a war, and people all over the world are telling us that they hate us, and I believe them.

It is December 2023. We are in the Philadelphia suburbs, where my friend and I grew up together, and where she is now being lowered into a hole in the earth. I am with her brothers and sister and father and friends, along with her three children. Her husband, their father, died of cancer more than ten years ago. 

My friend’s children, the youngest still in high school, are orphans.

There is a war going on more than 5,700 miles from us here, under a tent that barely shields us from the wind and rain. 

Some of my friends who aren’t Jewish are marching, even yelling that Zionists have blood on their hands. 

I look down at my hands. They are cold and tinged pink. I put them in the pockets of my jacket.

We are saying the Mourner’s Kaddish in Hebrew, but in my head, I am hearing Avinu Malkeinu, “Our Father, Our King,” a prayer that asks God for mercy, forgiveness, and redemption. My friend was a cantor. She led prayers in her lovely, lilting voice at synagogues in Florida before moving back to Philadelphia. She taught me what it means to be Jewish, and now she is dead, and I am standing among the lost and left behind, and I know better to ask why, and yet, still I ask. She was 54, the same age as me. 

My friend taught me that to be Jewish means to ask the questions that can’t be answered or, rather, can be answered in vastly different ways. She taught me that to be Jewish is to live in the land of limbo, the endless thirst in a desert. 

I don’t want her body trapped inside a coffin. I want to open it up and let her fly, but my friend isn’t in there; she is already away, in the somewhere else. Is she with her husband? Is she part of the wind? We debated death, my friend and I, and then we agreed that it probably meant returning to the universe in a squishy way we couldn’t fully explain. Then we laughed and tried again.

Here’s something I would like to ask my friend: Should we ask God for mercy? Why should we pray for redemption? What did she do but live in a way that was more good than bad, where she helped people find comfort in Jewish traditions? What have I done, what have any of us done but try to survive?

Do we need to ask God for forgiveness if we are fighting a war? Each life has value, so is there such a thing as a just war? What if you are attacked first? Does anything justify slaughter and rape? Does anything justify killing children?

These are the questions she would have debated with me – Jew against Jew, not against, not really, just trying to look at a problem from all the different angles. She appreciated nuance, something I fear is disappearing.

It’s time for each of us to take turns with the shovel.

We cover her coffin with bits of the earth, dirt, stones, each of us, three times. The first time we use the back of the shovel to demonstrate our reluctance to say goodbye. Then the other two times, we turn the shovel back over to symbolize our acceptance that she has gone from us.

One: Do you remember that when we first met? We were seven. You wrote poetry and ate Tastykakes in the library even though the rules said no eating in the library. You smirked while you opened the plastic wrapper. I want you to come back and debate with me why those rules, but not all rules, could be broken.

Two: Are we going to be all right? I mean, all of us, the Jews, and me without you? Your son called me on your phone to tell me that you had died, and I already knew because your sister texted me first, but when your son called on your phone, I thought it was you anyway. This shovel thing isn’t working. I see your children. They are looking down, stunned.

Three:  When we were in high school, you would let me lie next to you, and you would play for me “Fire and Rain,” and we ignored the Jesus in the song, but I am still on “I always thought I would see you again” repeat.

My friend was still living when the war started, although she was sick and knew she was dying. She was still living when she told me to turn off the television, that she couldn’t watch anymore because she was so angry, and she was worried that her anger would twist into a blood lust. She was so honest, sometimes, and unafraid of putting to words what the rest of us hold inside and allow to fester. She was also not honest sometimes, which is to say, human and mortal. 

Then she said, turn the television back on, and we talked about all the different emotions we were feeling and how they could exist at the same time, and all of them could be true to us. 

I look at my friend’s children again. They are Israeli American. Their father’s family had to flee Iraq, their home, to Israel or they would have been killed. My friend’s ancestors escaped pogroms. It is a miracle these children are alive, these three beautiful beings.

It is raining harder.

I want to sit with my friend in the land of limbo. I want to sit with my friend who reveled in the gray. 

It is perfect for her, this weather.

Anna Stolley Persky is pursuing an MFA in Creative Writing at George Mason University. Her essays have been published in Pithead Chapel, Two Hawks Quarterly, and The Washington Post. Her fiction has been published in Mystery Tribune, The Satirist, and Five on the Fifth. 

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Filed under American Jewry, Family history, history, Jewish, Jewish identity, Jewish writing, Judaism

Thirsty roots

by Jane Schulman (New York, NY)

We buried my father on a rise  

under a jack pine where steam rose 

from the fresh-dug grave, colliding  

with January air.  

My sons unloaded the casket  

from the back of a pickup and walked it  

to the open grave, a Star of David  

carved on the coffin lid. 

For years my father railed against  

synagogues, Zionism, all kinds  

of God talk – evangelical  

in his atheism.  

But in the end, when I asked  

one last time if I could bury him  

when he died, he shrugged and said 

if it means so much to you.  

It did.  It does. As his last gift,  

he let me bury him a Jew.  

Now the Star of David rests  

above his chest as thirsty roots 

of the jack pine mingle  

with heartache and nettle. 

Jane Schulman is a poet and fiction writer. She works as a speech pathologist with children with autism and cognitive delays.  Jane published her first book of poetry, Where Blue Is Blue, with Main Street Rag in October, 2020.  Her writing has appeared widely online and in print. She was a finalist for the Morton Marr Prize at Southwest Review.     

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Filed under American Jewry, Family history, Jewish, Jewish identity, Jewish writing, Judaism, poetry