Tag Archives: Shabbat

Displaced Jews 

(Written during the LA wildfires, January 2025)

by Harriet Wolpoff (San Diego, CA)

About 16 million

That’s how many Jews 

Are in the world right now

Of them,

Over 100,000 are displaced

Inside Israel

And here, in LA,

How many 

Of the over 100,000 displaced

Are also Jews?

How many Shabbat candles

Will be lit tonight

On hotel dressers?

How many heads will rest

On pillows not their own?

How many fears will surface

In strange rooms

Or in tunnels?

We need a miracle Shabbat

There and here

One that returns 

Internal refugees

To their homes safely

One that provides 

New, hopeful dwellings 

For our homeless

Protected from

The ravages of terrorists,

The ravages of climate change

Ufros aleynu sukkat shlomecha

Ceilings, walls, floors

That will never be taken for granted. 

Harriet Wolpoff is retired after several years in the New York City public school system and a forty year career in Jewish education in San Diego, winning many awards for ground-breaking programming.  She has been studying Israeli poetry with Rachel Korazim for over four years. Harriet is proudest of being a wife, mother, and Bubbe of three grandchildren who inspire many of her poems.

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Lighting the Sabbath Candles

by Miriam Bassuk (Seattle, WA)

I can still see my mother lighting

short white candles in a silver

candelabra every Friday night

to usher in the Sabbath, to welcome

the Sabbath bride. Later that night,

our kitchen would grow dark, 

save for those flickering lights.

Over the years, that tradition fell away 

with a whisper I hardly noticed. 

Still, there’s something cellular,

deep in my bones that connects me

to generations of women, 

hands waving three times, covering

their eyes as they say the prayer. 

I feel their hum and sway, and realize

the link to this tradition grows 

ever diluted with each new decade.

Though I no longer feel drawn

to light candles on Friday night,

this memory stays with me as sacred. 

Miriam Bassuk’s poems have appeared in Snapdragon, Between the Lines, PoetsWest Literary Journal, and 3 Elements Review. She was one of the featured poets in WA 129, a project sponsored by Tod Marshall, the Washington State poet laureate. As an avid poet, she has been charting the journey of living in these uncertain times beyond Covid.

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Challah

by Miriam Flock (Palo Alto, CA)

My hands fondle the dough, as a lover 

might a breast. From this touch

Challah rises—my creation. 

If it were the same each week

—so many and so many cups of flour, 

a dash of salt, and behold, a standard loaf 

manufactured like a car part—

the bread would be a lesser offering.

A gift to God must bear a human mark:

the bursting seams of an under-proofed braid, 

the occasional char. And then the interplay

of dough and world—the size of the eggs,

the warmth of the kitchen, the age of the leaven.  

When I nip off a piece and say the blessing, 

I praise the God who brings forth bread 

from the Earth. But challah is collaboration.  

Bodiless, the Lord cannot make it, nor can I

without the bounty of His imaginary hands.

Miriam’s work has previously been published in Poetry, Berru, Salmagundi, CCAR, and other journals.  She was the winner of the 2019 Anna Davidson Rosenberg Award for poems on the Jewish experience.  Her chapbook, “The Scientist’s Wife,” was published by Finishing Line Press in 2021.

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Shabbas

by Cheryl Savageau (Boston, MA)

all those years I thought

I was doing it for you

your mother, your family

for our child, so he would know

and have a choice

so why this anger

this year without you

when Rosh Hashanah comes

without ceremony

my feeling that without you

I have no right

we reconciled at Passover

bought new dishes

just two place settings

and ate amid packing boxes

now I claim it greedily

your people shall be my people

your G-d, my G-d

our son married 

beneath the chuppah

our grandson’s bris

now I light the candles

circle my hands, cover

my eyes, feel the world

shift, raise my eyes

to yours

Good Shabbas, we say

Good Shabbas

my love

****

Cheryl Savageau is a convert, and also Native (Abenaki), and her poems are about her first experiences as part of a Jewish family and how she became part of the Jewish people. She has three collections of poetry: Mother/Land, (SALT 2006), Dirt Road Home (Curbstone Press 1995), and Home Country (Alice James, 1992)Her memoir, Out of the Crazywoods, was published in 2020, and her children’s book, Muskrat Will Be Swimming, was first published by Northland in 1996, then in paperback in 2006. This poem is part of a new collection, New Love/Old Love, looking for a publisher. Visit her website to learn more about her life and work: https://cherylsavageaublog.wordpress.com/

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Greeting

by Carol Grannick (Evanston, IL)

How could I have known on the night I began

tilting then circling my hands in front of my eyes 

pulling in light like a warm breeze at twenty below

welcoming Shabbat in with the light for the first time 

with gifts of candles, prayer, song, bread, wine

and my wondering, wandering self peeking 

as an explorer into something new undiscovered 

and yet there for generations before me 

Others knew the right place to go, where

to seek light and they guaranteed it was there

Trusting in this, I placed the candles just so

turned in prayer and welcomed Shabbat

and surprising me like a sudden embrace

she reached her arms out as if she 

had waited patiently, lovingly all these years

ancient and new, unmoved by my disregard. 

Carol Coven Grannick is a poet and children’s author whose middle grade novel in verse, REENI’S TURN (check out the wonderful trailer from Filmelodic and nice reviews!), debuted from Regal House Publishing in 2020. Her poetry for adults has appeared in Writing in a Woman’s Voice, Jewish Writing Project, NI+ Holocaust Memorial Issue, Bloom, Bluebird Word, Ground, The Birmingham Arts Journal, Capsule Stories, West Texas Review, Silver Birch Press, The Lake, and more. Her children’s fiction and poetry appeared/is forthcoming in Cricket, Ladybug, Babybug, Highlights, Hello, Paddler, and The Dirigible Balloon. There is rarely a day when she does not write in order to hold on to the treasure and meaning of being alive in this world.

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After Lighting

by Jane Schulman (New York, NY)

Nana’s tale, Brooklyn, 1907 

My brothers stood on Mama’s right. 

I hung on her left, fistfuls of skirt  

clenched in my hand.   

Mama struck a match,  

lit the candles, chanted the blessing 

to welcome the Sabbath.  

The sound of keys in the lock  

cut the silence.   

Papa stomped into the room:  

Blow out those candles.  America’s no place  

for your bubbe’s mishegas. 

The mouths of my brothers rounded 

in fear.  They smelled the fight 

coming.

 

Candlesticks knocked to the floor.   

Flames stamped out.  

Then and again and again.  

    *       *        *        *        *        * 

Astoria, Queens   1983 

A Friday afternoon in May,  

Nana and I set the table  

with bread and wine  

and my best china.  

I light two candles after  

she lights hers. We cover  

our eyes and murmur  

the blessing, stumbling  

over the Hebrew words.  The taste  

of prayer new to our tongues. 

Jane Schulman is a poet and fiction writer. She works as a speech pathologist with children with autism and cognitive delays.  Jane published her first book of poetry, Where Blue Is Blue, with Main Street Rag in October, 2020.  Her writing has appeared widely online and in print. She was a finalist for the Morton Marr Prize at Southwest Review.     

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And Still

by Merri Ukraincik (Edison, NJ)

I see the beauty, though of late, only by half.

With one eye open,

the other shut,

I peer through the slats

of the window blinds,

my breath fogging up the glass.

Obscured, but there.

The beauty, I mean.

The Shabbos sky still shimmers.

Even the apples go on sweetening

in a bowl on the kitchen table. 

Then by mistake, I lift the lid on

the second eye and the ugly,

scene by scene, tears at my heart

until it’s tattered like an afghan

come unfurled, one thread at a time.

Yet my fraying Jewish soul still believes,   

G-d has not given up on us,

the smoke and ash notwithstanding.

Hope remains – for something more,

for the good that may still come

in this threadbare world, in our time.

Because unless you close both eyes

and seal the slats of the blinds,

the beauty is hard to miss.  

Merri Ukraincik is an award-winning writer whose work has appeared in numerous publications online and in print. She is the author of the book I Live. Send Help.: 100 Years of Jewish History in Images from the JDC Archives. Her memoir Wondrous Things: On Finding Joy and Faith in the Messy Business of Being Human is in search of a publisher. Follow her at https://merriukraincik.substack.com/ or on Facebook.

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Saturday morning

by Mel Glenn (Brooklyn, NY)

A man this Saturday
passes me on the street.
He is dressed in a suit and tie
and carries his tallis bag obviously 
on his way to the local shul.
He wears a yarmulke.
“Good shabbos,” he says.
I mumble the same in reply.

I feel I should be someplace else.

I am dressed in a 
tee-shirt, shorts, and sandals,
and on my head is a baseball cap.

I feel I should be someplace else.

The morning sun, 
rather than a call to prayer,
dictates my walk around the park
where I can think my little thoughts.
The air is fresh, my mind is clear,
and yet …

I feel I should be someplace else.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Bashert? Who, Me?

by Esther Erman (Mountain View, CA)

Let me tell you a story.

In 1993, I was a 47-year-old divorced mother of two college graduates, getting my doctorate in language education. Despite being that oxymoron – a “mature student” – I was also a “starving student,” financing my degree at Rutgers with a meager teaching assistantship and a couple of other low-paying jobs.

After a period of disillusionment with Judaism, I’d slowly been working my way back. In addition to my work in language education (pedagogy, linguistics, and culture of diversity), I had a strong interest in feminism, which led me to concurrently earn a certificate in women’s studies. That was how I stumbled upon Rabbi Lynn Gottlieb. Her writings exhibited a feminist view of Judaism and included a concept, new to me, of the Shekhinah – the feminine side of the deity. I was inspired to study with her. But (and remember this was long before Zoom) the rabbi lived in New Mexico, which to me, a denizen of New Jersey who’d never been west of Chicago or south of DC, might as well have been the moon.

Then I received a brochure from Elat Chayyim about their upcoming summer Jewish Renewal retreat in Accord, New York. Lo and behold, Rabbi Gottlieb was scheduled to teach during one of the weeks! I applied and, given my starving student status, received a scholarship to enable me to attend.

But just then, my son, who was teaching in Prague, decided to come home for some of the summer. If I went to Elat Chayyim as planned, I’d have had to miss time with him. Although Rabbi Gottlieb would be there for only that week, I figured I’d be despondent after my son returned to Prague, so I changed my retreat week to one that would take place after he left. And I decided I’d even splurge and treat myself to one of the $50 massages being offered at the retreat, which would be only my second-ever massage.

Without Rabbi Gottlieb there, I chose a class in Kabbalah. Spirituality and mysticism have been occasional elements in my life, with me devoting a good amount of energy and attention to them at times. That summer, I felt especially open to and interested in both. The Kabbalah class was taught by Rabbi David Wolfe-Blank, then the rabbi of the Aquarian Minyan in Berkeley. (For this New Jersey resident, it was hard to say which was more exotic and strange – Berkeley or the Aquarian Minyan.) Rabbi David Wolfe-Blank was possibly the gentlest man I’d ever met. He and his class, his creativity and his energy, were a continuous revelation. I felt ongoing wonder and amazement as we studied and learned and experienced together. Even though this was in 1993, I felt as if I were back in the 60’s – only being a more authentically “young” person than I’d actually been back in the real 60’s. I felt open – and I was amazed to be having these feelings in a Jewish context. (Unfortunately the world lost a great spirit when Rabbi Wolfe-Blank died at a very young age just a few years after that summer.)

I perceived both Rabbi Gottlieb and Rabbi Wolfe-Blank and their teaching as being exotic – so different from my East Coast/Eastern European/Holocaust survivor experience of Judaism. Here I found a place for my creativity and my individuality, a place where my uniqueness (or my oddness) could be not only accepted, but honored and celebrated. Maybe it was this that lowered my barriers and let me be open to what came next…

Each retreat attendee was assigned to a small group mishpocha (family) – kind of like a homeroom – where we met first thing in the morning and then again in the late afternoon, to share our experiences. Lee, one of the few men in my mishpocha, had just completed a course in massage therapy and wanted to practice. He offered a free massage to everyone in the group. Great! I can get the massage and save the $50. 

The time for the massage came. As I was about to get on the table, I looked at Lee – and I saw him surrounded by a golden aura. I caught my breath and was smitten. And then I thought, Oh no! He lives in California. 

At a very few times in my life, I’ve had what I consider “mountain peak” experiences (in which I include rare experiences of visions and voices). I had studied a bit of mysticism and different beliefs. And a lot about astrology because I had a co-worker who was very knowledgeable and generous. I knew a bit about auras, and I had seen one or two, but nothing as startling as the golden aura around Lee. Although gold auras are usually associated with saints and other divine beings, the message I received was Pay attentionthis is a good man, and one who might be very important to you.

I spent much of the rest of the week trying to get Lee’s attention, but, to my increasing dismay, to no avail. At the closing circle of the retreat, I was crying. Lee came over, gave me a hug, which was clearly not meant to offer anything more than kind support. Lee also offered me a full-size box of tissues, saying he didn’t want to pack them for his flight back to California. Being sure I’d never see him again, I made copious use of those tissues on my drive all the way back to New Jersey. 

And then I wrote to Lee…

Lee and I  have just celebrated our twenty-fifth wedding anniversary. Especially on Shabbat, I remember exactly how much I longed to be with him on that first Shabbat during the week we met. As we celebrate Havdalah at the end of Shabbat with our arms around each other, I glance at that box of tissues in its hallowed spot in our home, and, in wonder, thank the Shekhinah for bringing me together with my bashert.

Like Rebecca, the heroine of her upcoming novel (Rebecca of Salerno: a Novel of Rogue Crusaders, a Jewish Female Physician, and a Murder), Esther Erman was a refugee. The daughter of two survivors of the Shoah from Poland, Esther was born in Germany. A naturalized citizen, she early developed a passion for language. After receiving her BA and MA in French from different divisions of Rutgers University, she returned there for her doctorate in language education. She wrote her dissertation about Yiddish, her first language, which she had abandoned at age five. A multi-published author, Esther now lives in the San Francisco Bay Area with her husband Lee. When they’re not traveling—especially to be with family in other parts of the US and in England—she loves to bake, quilt, and add to her monumental book collection. Her website is EstherErman.com.

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friday night

by Rick Black (Arlington, VA)

june 17, 1977

i hear

my mother’s

last breaths

28 years 

later

in my daughter’s 

first laughter

time melts

like a Dali clock

and piles up

like dripping 

Sabbath candles

inside

Rick Black is an award-winning book artist and poet who runs Turtle Light Press, a small press dedicated to poetry, handmade books and fine art prints. His poetry collection, Star of David, won an award for contemporary Jewish writing and was named one of the best poetry books in 2013. His haiku collection, Peace and War: A Collection of Haiku from Israel, has been called “a prayer for peace.” Other poems and translations have appeared in The Atlanta Review, Midstream, U.S. 1 Worksheets, Frogpond, Cricket, RawNervz, Blithe Spirit, Still, and other journals. 

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