Tag Archives: prayer

Healing Service, Working?

by Mel Glenn (Brooklyn, NY)

Families come
to pray, to heal.
God, I am asking you for help.
Please hear me now.
Cries heavenward,
cast on a rising tide.
Will they be received?
“My friend has cancer.”
“My sister has Lyme Disease.”
“My mother’s at the beginning of Alzheimer’s”
“My brother just discovered a lump.”
“My husband just died of Lou Gehrig’s Disease.”
“My brother is not well.”
Everyone’s equal in the eyes of God,
equal in pain and loss.
Human beings join hands today,
hoping with renewed fervor,
that their prayers will fall
on welcoming ears,
and their suffering will be eased.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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I Can’t Promise

by Natalie Zellat Dyen (Huntington Valley, PA)

I can’t promise that people will be kind.

But I can show you a reservoir of kindness
where anyone can dip their cup.

I can’t promise you happiness every day of your life.
But I can plant seedlings in your garden
that burst with joy in springtime.

I can’t promise you undying friendship.
But I can give you the words
to mend shattered bonds.

I can’t promise there’s a world to come.
But I can give you the tools you need
to fix the world that is.

I can’t promise that those you love will love you back.
But I can give you an open heart
to receive love when it comes.

And if you can’t promise to use all your gifts
At least you can promise to try.

Natalie Zellat Dyen is a freelance writer and photographer living in Huntingdon Valley, PA. Her work has appeared in Philadelphia Stories, The Willow Review, Global Woman Magazine, Intercom Magazine, The Philadelphia Inquirer, The Schuylkill Valley Journal, and other newspapers and journals. Links to Natalie’s published work are available atwww.nataliewrites.com.

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Blue Nails on the Subway

by Mel Glenn (Brooklyn, NY)

Blue nails,
Hebrew prayer book,
Nike running shoes.
What question would I ask, I wonder?
How, my child of Israel,
do you reconcile your two worlds?
I shudder to think you go partying
at hot spots in the city Friday nights,
or run half-marathons Saturday mornings.
I watch you as you hold your book
up to your face after reading, as if
you were memorizing the wisdom therein.
There is no doubt God’s tent
is large enough to shelter you
no matter which corner you inhabit.
You get off at DeKalb Avenue,

confident of stepping surely in both worlds.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Going Through the Motions

by Janet Ruth Falon (Elkins Park, PA)

When you stand, I stand
When you sit, I sit
When you bow, I bend a tiny little bit
When you lift yourselves up to kadosh, kadosh, kadosh
I watch
and when you stretch out your arm
into the aisle
to touch the Torah
and kiss the book in between
I go through the motions
And today
the motion that matters most to me
is staying
still
of not following my self out the door
because nothing is meaning much
and my faith, today,
is only hope
that one moment will matter,
that I’ll connect, once,
to why I’m here
like chaotic shards of metal waiting to be magnetized
and formed into shape, like Wooly Willie’s beard.
I’m dying to connect, once.
So I wait
for I’m not sure what
going through the motions
and staying, still,
as you stand
and sit
and rock
and bow down low
I wait, still,
going through the motions
even though, in truth,
I’m afraid I’ve gone.

Janet Ruth Falon, the author of The Jewish Journaling Book (Jewish Lights, 2004), teaches a variety of writing classes — including journaling and creative expression — at many places, including the University of Pennsylvania. She leads a non-fiction writing group and works with individual students, and is continuing to write Jewish-themed readings for what she hopes will become a book, In the Spirit of the Holidays.

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Black Hat

by Chaim Weinstein (Brooklyn, NY)

At the close of the Rosh Hashana service the rabbi asks us to be seated.

He knows our kids are squirming and hungry but he has a plan. Smiling securely in our modern orthodox Jewish building, the rabbi deputizes each of us to reach out to our increasingly right-moving Jewish community shuls. Our mission, as the rabbi explains it, is to become friendly and join a minyan and style of davening different from our own. We are to break the barriers, say hello to black-hatted strangers, go to a yeshiva minyan, shukkle, mingle and daven. We are to begin this the very next Shabbat and help bring Jews closer.

I make my way through Brooklyn streets in the fading light of a cold Friday afternoon. Hurrying in my knitted purple yarmulke, camelhair coat, and oxblood loafers to a small synagogue, I feel like I’m a robin among penguins, a rose-vine in a field of black orchids, a square peg in a grid of round holes.

I am in a black-hat neighborhood and it feels like enemy territory, even though we are all Jews.

Despite my discomfort, I smile and wish “Good Shabbos” to passersby, but their eyes merely flick past me and dismiss me with mumbled responses.

I hang my coat on the pitted aluminum coat rack in the rear of their small shul and smile: when I leave, my coat will be easy to find in this field of black cloth and marbleized buttons. Like a rebellious peacock, I parade my colors before these plain-garbed men. It is the very choice of my clothing, I know, that fences me off into self-imposed alienation. But it is only in a shul like this where I feel the need to cover my stylish clothing, to conceal my wedding-banded finger with my right hand. I resent feeling like this.

In this overheated large room of white cloth-covered tables and metal folding chairs, these Jews stare with a brazenness unbecoming true knights of the Torah and defenders of the faithful. Though I am a stranger in their strange land, and the Torah demands that they love me, these Jews stare at me instead with pity and condescension, instead of love and concern.

I pull an Artscroll English siddur from the shelf and move toward an unoccupied table. I’m ready to pray and freeze their antisocial stares with one of my own.  So I stare back at them until they look away first, and I am as pleased with my win as a petulant child.

Most congregants pray and chant, though some talk and gesticulate, ignoring the open prayer books before them. Others weave through the mass of tables and chairs during prayers, removing scholarly tomes from crowded bookcases during prayer. Their brows furrow in concentration, poring over tiny print. They are learning Torah.

I don’t understand how they can do this during prayer, from whom they receive rabbinic approval. If I had an audience with the American president or with a king, I could not read a book openly in his face during that time. How can studying during a prayer session with the king of kings, even learning Torah, be justified? Their talking disturbs me for the same reason, but I am just a visitor so I keep my thoughts to myself.

The time for evening prayer arrives, and when the sexton asks me to lead the services, I am shocked, but I simply smile and nod slowly. Some skeptics here will now hear their first-ever modern Jew leading services. Still, I give them credit for trying me out, me, with my pale-blue shirt and striped tie and unblack shoes and colorful, little knitted yarmulke.

I know my davening surprises them because it sounds authentically East European. They can’t figure me out, and that pleases me: I like being mysterious.

When finished, I get heartfelt back-slaps and smiles from some worshipers. But others are suspicious. One asks me pointblank, “What is someone who looks like you doing in a place like this?”

I am stunned but say nothing, remembering a Torah teaching about not judging a wine by its bottle.  In this shul, my Jewish worth is measured by my clothing and the style and length of my hair. But for me,  Jewishness is in the soul, in memories of childhood, rituals and laws forsaken or embraced.

A young man blocks the return to my seat. Arms across his chest, he blurts his demand: “Why didn’t you wear a black hat when you led the services? Why that tiny Pepsi-Cola cap on the back of your head?” I feel like slapping his arrogance, his holier-than-thou aura. Thoughts furiously bounce around in my head. I want to scream: “If you are all so scrupulous about keeping commandments, how could you ask another Jew such a question? Why do you ignore the dictum ‘love your neighbor as yourself’? And where are your manners and observance of commandments between man and man?”

I feel sad that I must submit to my rabbi that his class experiment was a failure, that some fellow Jews  shunned and mistrusted each other. I can forgive their social  backwardness but not their hypocrisy. I am stone-silent as I think of a song: “It takes a man to suffer ignorance and smile,” so I do, and still smiling, I wish him good shabbos.

Then I replace my siddur, retrieve my easy-to-find camelhair coat, and walk out uneasily, disconnected, into the cold night.

For more than thirty years, Chaim Weinstein taught English in grades six through college in New York City public schools as well as in several parochial schools. His poems and stories have appeared on The Jewish Writing Project, and his short story, “Ball Games and Things,” was published in Brooklyn College’s literary magazine, Nocturne.

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Me, George Herbert, and the High Holidays

by Mel Glenn (Brooklyn, NY)

What do I, little Jewish boy from Brooklyn,
have in common with George Herbert,
17th century metaphysical poet and priest?
A lot more than you might think,
he in italics, me in Times New Roman.
I Struck the board and cry’d, No more.
How many times have I abandoned
the temple, the service, and my God?
But as I rav’d and grew more fierce and wilde
at every word….
How many times have I rebelled
at droning words, incomprehensible to my ears?
Me thoughts I heard one calling, ‘Childe.’
And I reply’d, ‘My Lord.’
And so, when the shofar sounds this year,
for reasons I can’t fully explain,
I will be sitting in my usual seat, Row U, Seat 4,
saying “God, I am here,” despite, or maybe
because of, all questions and doubts,
looking to find the exquisite moments of
wonderment and epiphany
I suspect are there.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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Why I’m Not Doing Tashlikh This Year

by Janet Ruth Falon (Elkins Park, PA)

I’m mad at you, God,
You tricked me into thinking life is fair
And that if I did good things,
God things,
I’d get what I deserved
(which wasn’t so extraordinary, after all,
just the basic stuff like everyone else).
But you screwed me, God,
Holding back from me, then snatching away when I thought it was mine.
And now you expect me to take the crumbs from my pocket and toss them,
my misdeeds and regrets,
into flowing waters?  I won’t.
I don’t have what to give.
Loss after loss has diminished me
And I’m tired and small;
I need to hang on to what little I have.
Of course I’ve made mistakes –
But it’s your turn, God, this year,
To atone
And admit
And commit to making better.
You owe me, God, big time.

Yes, I’m angry.
I should have gone swimming today
Rather than to shul
Where I feel your big daddy hand
Holding me up when I give in,
And give up the fight
flat on my back,
trusting you won’t let me down, or drown.
But I didn’t, God.  Silly me.
I thought I’d visit you and try again.
(I hope you know that the fact I’m there
Means I haven’t given up, not totally,
Not yet.)
So here’s what I want, today;
I want this instead of Tashlikh:
I want you to make it rain.
I want you to take the waters that you’ve sucked up during this long, scorched, yellow summer
And pour them down on me.
I’m parched, God.  I could be dying.
I want you to rain down the waters
that might have been the stream I’d Tashlikh into
And make it flow
Abundant and life-bearing.
I want you to write little fortune-cookie messages —
Apologizing to me,
Forecasting only good things —
And have them wash up onto the shore
Where I can collect them and paste them
Into my journal.
On this day when other people are discarding pieces of themselves
I want the holes in me filled.

Janet Ruth Falon, the author of The Jewish Journaling Book (Jewish Lights, 2004), teaches a variety of writing classes — including journaling and creative expression — at many places, including the University of Pennsylvania. She leads a non-fiction writing group and works with individual students, and is continuing to write Jewish-themed readings for what she hopes will become a book, In the Spirit of the Holidays.

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The Old Synagogue

by Mel Glenn (Brooklyn, NY)

The old synagogue sits stubbornly closed
amid the open stores along Ave. U.,
its two main doors locked shut
as passersby speak Russian and Chinese.
For me, the shul  might as well lie
on the other side of a mountain pass,
requiring a leap of faith I am unable to make
since the days long ago when punch ball
prevailed over prayer and time spent inside
seemed more detention than worship.
Maybe if the doors were open just a bit,
and I could peek inside, the deep dovening
would entice, but because the doors are closed,
mostly in my own mind, I’ll walk on by,
sit at my favorite diner seat and contemplate
why my life spins in spiritual confusion.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

If you’d like to learn more about his work, visit: http://www.melglenn.com/

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The Power of Prayers

by Susan L. Lipson (Poway, CA)

(High Holidays 5772/2011)

So many earnest voices chant their heartfelt prayers today;
How will my words be heard then
In the swell?
Why should God even listen to the simple words I say,
When others sway and cry with
Private pain?

What if my prayers aren’t echoed by a chorus of Amens,
If my words aren’t in the books,
Held by all?
What if I sing my own tune, in my head, not the refrains?
Does God hear solo voices
In the choir?

As Master of conductors, can’t God pinpoint any voice
Amid the others joined in
Harmony?
Can’t God hear what we feel when we send our thoughts to Him;
Must we really move our lips
To move God?

I think God hears intentions, not just voices, not mere words;
And prayers are multilingual,
Not one form.
So if my thoughts fly upward, from my book, like soaring birds,
I need not feel that I’ve strayed—
God hears all.

God hears me, God hears you, God hears them,
God hears all.
God’s in me, God’s in you, God’s in them,
God is all.

Susan L. Lipson, a children’s novelist and poet, has taught writing in the San Diego area for more than ten years. Her latest books are Knock on Wood (a middle-grade novel) and Writing Success Through Poetry. She writes two blogs: www.susanllipson.blogspot.com and www.susanllipsonwritingteacher.blogspot.com.

Lipson also writes songs, including Jewish spiritual songs, some of which have been performed by synagogue choirs and soloists.

Contact her via Facebook or MySpace (Susan L. Lipson).

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What’s God’s Name?

by Jennifer Singer (Sarasota, FL)

When someone says “I don’t believe in God” the obvious question is, “Which God don’t you believe in?”

Often the answer is a third grade version, something like, “a guy sitting in the clouds with a big white beard,” or perhaps “the scary judge who’s going to punish me for every tiny infraction.”

I don’t believe in those versions of God either.  I’m not sure exactly what God I believe in, but I do know It/He/She/Whatever isn’t something tangible, or even conceivable.

That’s the point, right?  God is beyond definition or description.  God is Beyond.

One of the Hebrew names for God is Ayn Sof –  אין סוף — without end, infinite.  This kind of mystical name for God is a lot easier for me to swallow than the third grade models.

In the bible, when Moshe asked God to identify Himself, God said: Ehyeh asher ehyeh.  The Hebrew looks like this:  אהיה אשר אהיה

It’s sometimes translated as “I am that I am” but in fact it’s in the future tense and more accurate translations are:

”I will be what I will be,” or

“I will be who I will be,” or perhaps even

”I will be because I will be.”

(The middle word, asher, can be translated as what, who, because, or that, depending on the context.)

Rabbi Marcia Prager put it this way at DLTI (Davvennin’ Leadership Training Institute):

“Making the words [of the prayer book] release deep truths is a struggle — words like God, which are in many ways so unfortunate and unfortunately over- and badly used.  We need to engage our internal translators, and sometimes it’s not so easy.”

Reb Marcia teaches that the root of the word Adonai, one of the names most used in Judaism, isn’t from the word for “sir” but rather from the word for “joints, connectors.”  Thinking of God as Connector rather than Sir makes more sense to me.

And yet…. I still struggle.

Jennifer Singer, a rabbinic student with the Aleph program of the Renewal movement, has served as Foundation Director at the Sarasota-Manatee Jewish Federation, worked as an educator at the Flanzer Jewish Community Center, and taught in programs across the community for adults and children.

In 2006, she earned a Master of Arts degree in Jewish Education from the Jewish Theological Seminary, and currently works as a fundraiser for Technion University, as well as part-time at Kol HaNeshama, a Reconstructionist congregation, where she leads services and a Family Education program called Doorways to Judaism.

She shares her home with her husband, two daughters, four dogs, three parrots, two cats, and a turtle.

You can read more of her work at her blog SRQ Jew (http://srqjew.wordpress.com/) where this piece first appeared. It’s reprinted here with the kind permission of the author.

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