Tag Archives: God as shepherd

Unetaneh Tokef

by Theresa Werba (Spring City, PA)

Oh God, I am so afraid.

The future looms before me, unknown.

I fear what I do not know,

cannot know.

I fear your power over my fate.

You’re going to judge me, so I must speak of the

sacred power of this day.

I pray for mercy and truth,

because you are the judge

who knows, and sees all.

What will you write, and seal?

How will you record, and count?

What will you remember, of all 

I have forgotten?

I love books, but the Book of Remembrance

I fear, as it reads itself aloud.

What will I hear?

What has my hand signed?

The sound of remembrance!

The shofar— loud, penetrating,

piteous, strong, strange,

elemental, earthy, and

yet of spirit— but within myself

will I hear your still, small voice?

Will I rush forth with angels,

seized with trembling and terror

as they proclaim, “Behold, The Day of Judgment”?

Will I be judged as angels?

Will you judge me as a shepherd does

his sheep, passing, counting, numbering,

decreeing my living soul, my nefesh,

its destiny?

B’Rosh Hashanah yikateivun,

Uv’Yom Tzom Kippur yechateimun.

Oh righteous God,

will I live? Will I die?

Do I have an appointed time?

Will I drown? Will fire consume me?

Will I be stabbed? Will an animal destroy me?

Will I starve? Will I die of thirst?

Will the earth shake? Will malady decimate me?

Will I be stoned? Or burned?

Will life be peaceful, or will I suffer more?

Will I be poor, or rich?

Will I be brought low, or raised up?

I worry about all these things, and yet,

You give me some control over my fate,

because I can turn to you, pray to you,

and do good in the world,

wherein you may alter the course,

alleviate the punishment,

change the decree of my future.

And so I stand, expectantly,

in the New Year,

knowing that I have atoned,

trusting in your judgments,

though I do not understand them, or you, or why.

And I try to be less afraid of the future.

B’Rosh Hashanah yikateivun,

Uv’Yom Tzom Kippur yechateimun.

Theresa Werba is the author of eight books, including What Was and Is: Formal Poetry and Free Verse (Bardsinger Books, 2024), Finally Autistic: Finding My Autism Diagnosis as a Middle-Aged Female (Bardsinger Books, 2024) and Sonnets, a collection of 65 sonnets (Shanti Arts, 2020). Her work has appeared in such journals as The Scarlet Leaf Review, The Wilderness House Literary Review, Spindrift, Mezzo Cammin, The Wombwell Rainbow, Fevers of the Mind, The Art of Autism, Serotonin, The Road Not Taken, and the Society of Classical Poets Journal. Her work ranges from forms such as the ode and sonnet to free verse, with topics ranging from neurodivergence, love, loss, aging, to faith and disillusionment and more.  She also has written on adoption and abuse/domestic violence. Werba is the joyful mother of six children and grandmother to seven. Theresa holds a Master of Music with distinction in voice pedagogy and performance from Westminster Choir College and is known for her dramatic poetry readings. She is a member of Beth Israel Congregation in Eagle, Pennsylvania where she will be singing “Aveinu, Malkeinu” for the high holidays. 

You can find more about Theresa Werba and her work at www.theresawerba.com and on social media and YouTube @thesonnetqueen. 

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The Lord is My Shepherd 

by Rick Black (Arlington, VA)

I shall want to know one day

why God made hurricanes and floods – 

and rested on the seventh day.

I shall want to know one day

why God sent down famine and disease – 

and rested on the seventh day.

I shall want to know one day 

why God rested on the seventh day

but did not grant us any rest.

Rick Black is an award-winning book artist and poet. His artist books are represented in private and public collections, including the Library of Congress, Yale University and the U.S. Holocaust Memorial Museum. A journalist for many years, Rick’s poetry collection, Star of David, won Poetica Magazine’s 2012 poetry chapbook contest for contemporary Jewish writing. A reading of Star of David was held in the Middle Eastern & African Division of the Library of Congress. He recently published a new collection, Two Seasons in Israel: A Selection of Peace and War Haiku.

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A Prayer for Choosing a Shepherd

by Rich Orloff (New York, NY)

(a response to Psalm 23)

Unlike sheep
Each of us gets to choose our shepherd

I have sampled many shepherds
And haven’t always chosen wisely

I have chosen ego as my shepherd
And confined myself to a path no wider than I am

I have chosen tribalism as my shepherd
And refused to look beyond borders of my own making

I have chosen comfort as my shepherd
And convinced myself to be satisfied with meager grazing

I have chosen obligation as my shepherd
And filled my path with resentment

I have chosen distrust as my shepherd
And viewed every other sheep as a possible threat

I have chosen fear of rejection as my shepherd
And convinced myself I am still a fragile little lamb

I have chosen fear of death as my shepherd
And prevented myself from seeing how beautiful the land is

If I allow the Divine to become my shepherd
This choice stems not from wisdom
But from the simple admission
Of how poor my choices have been so far

Still, as I consider choosing the Divine as my shepherd
I fear the Divine will turn me into a sheep
Or one day banish me from the flock
Or even lead me to slaughter

As I wonder who to choose
I see that God has already chosen me
I stand before the Divine
Praying for the courage to trust my shepherd

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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