Category Archives: Jewish writing

Rebel

by Lori Levy (Sherman Oaks, CA)

If everyone else is doing it, that’s a good reason not to do it—

     Dr. Richard (Reuven) Sobel, my father, RIP

In my granddaughter’s jujitsu class

there’s a boy named Rebel—

a name to live up to, I think.

I am not a rebel

but the rebel in me roars

when it comes to holidays, traditions, rituals.

I want to do them my way

which means no fasting on Yom Kippur.

Fasting gives me a headache. I need coffee

when I wake up, food to start the day.

Only then, belly full, can I contemplate my sins.

If it’s up to me, we don’t have to bother with the symbols

required for a Passover plate: shank bone, bitter herbs, haroset.

Can’t we skip the long prayers and just eat matzo?

One year we are in Spain on Rosh Hashanah,

all of us there for my nephew’s wedding.

We celebrate the holiday with apples and honey

on a blanket at the beach. Perfect, I think.

My rebel smiles and disappears.

Sometimes, filled with guilt, I accuse my rebel:

you’re just lazy—too lazy to cook and host

a big holiday meal, though you don’t seem to mind

when others do the cooking. What kind of Jew are you?

No, not lazy! I shout. (Am I my rebel?)

I do want my loved ones at the table with me,

not for prayers, not for the Bible I never read,

just a meal, togetherness.

I wasn’t raised on holidays—except Hanukkah,

for a few gifts, so we wouldn’t feel left out

when all the other kids in our small Vermont town

were getting toys and clothes under their Christmas trees. 

No Purim for us, or Succot. No synagogue in our town

or Jews in my class. No Bar Mitzvah for my brother— 

but when he turned 13, my atheist father and 

non-religious mother took us on a trip to Israel.

Several years later, there we were, living in Israel.

I could talk about history, the Holocaust—or just say

I fell in love with the country. Or maybe

with Israeli men. I married one.

We celebrated the holidays with his family,

but now, years later, I’m back where I began,

not wanting the rituals that were never, back then,

a part of my life. I’m happy to be a Jew, but

this is my Judaism: my Israeli husband,

Israel, my kids born there. It’s not about Moses or

the Torah. Maybe it’s nothing more than

hummus and pita, Israeli pickles and olives.

We eat them in Los Angeles now.

Lori Levy’s poems have appeared in Rattle, Nimrod International Journal, Paterson Literary Review, Poet Lore, Mom Egg Review, and numerous other literary journals and anthologies in the U.S., the U.K., and Israel.  Her work has also been published in medical humanities journals and in Jewish journals such as The Reform Jewish Quarterly, Shirim, and The Jewish Journal. Her chapbook, Feet in L.A., But My Womb Lives in Jerusalem, My Breath in Vermont, is forthcoming from Ben Yehuda Press in the fall/winter.  She lives with her extended family in Los Angeles, but “home” has also been Vermont and Israel and, for several months, Panama.

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A Psalm about Grappling

by Rich Orloff (New York, NY)

Grapple with me, says God
I do not ask you to believe in me
Or extol me
Or worship me
These are orders humans have decreed

But grapple with me
Not for my sake
But for yours

Would you feel you lived if you had never seen the color blue
(and you had a chance)
Would you feel you lived if you had never heard music
(and you had a chance)
I offer you this opportunity
To grapple with me

And if you don’t know how to start
Ask questions
What are my dimensions?
Where do I reside?
What are my office hours?

Ask patiently
Then ask again
Ask a third time, just for fun
Ask a fourth time, just in case
And a fifth time, so asking can become a habit

Please
Grapple with me
I may not provide the answers you wish for
But if you let me
I will show you the colors and sounds you’ve missed

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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One People, Many Faces

By Steve Pollack (Woxall, PA)

My son’s bar mitzvah year called us to the northernmost Israeli seacoast town of Nahariya in the summer of 1991, the year that 15,000 Ethiopian Jews were airlifted as part of “Operation Solomon.” We wanted to lend our hands to the historic and miraculous effort.

The Israeli government provided the new immigrants with temporary housing, Hebrew language classes, and job training. Local B’nai B’rith leaders collected clothing and other personal needs. One day we were assigned to distribute various powders & liquids—soaps for bathing, washing clothes or cleaning dishes—and to demonstrate their use for people accustomed to washing in a river, not certain the purpose of each plumbing fixture in a hotel bathroom. That assignment is what sent me to an upper floor where I met a man whose priestly position in the tribe I learned only later. 

I did not ask his name nor speak mine. I did not speak Amharic, the official language in Ethiopia. Yet I stood before him, an elder among recent immigrants ravaged by famine and civil-war, awed by his dignity and personal warmth. His coarse cotton robe, white ragged beard, and distinctive scepter of smooth wood and horsehair held upright looked to my Western eyes as unfamiliar as my shorts and baseball cap must have appeared to him.

The elderly man motioned for me to sit by him on the bed and opened a well-worn leather-bound volume. He turned the thick book to a page inside the back cover and together we recited the twenty-two letters of the Hebrew alphabet—Alef, Bet, Gimel… This was no test or school lesson, no bland reading. The experience felt like a joyful song, an ancient chant of profound connection.

Our group of B’nai-B’rith volunteers visited the new immigrants most afternoons. We strolled the mosaic promenade parallel to the Mediterranean Sea holding hands with the youngest children while their parents prepared evening meals served in a common dining hall. Lean teenagers walked with us, their English vocabulary more extensive than my Hebrew. They taught us their Amharic names, articulations unpronounceable by my lips. 

While at local playgrounds or on Nahariya sidewalks, we were greeted with broad smiles from Israelis going about their everyday routines. A tribe of African kids parading with North Americans was a sight that became a local headline. We were hosted like celebrities at the Mayor’s city hall office and gifted commemorative pins; the city’s name, from nahar, Hebrew for river, its iconic water tower and idyllic position by the sea symbols on the crest.

During an evening talk with our group, an Israeli-educated anthropologist who had fled from Ethiopia only a handful of years before highlighted his community’s history and customs on the Horn of Africa. I learned that the elderly man who I had met was much respected. His scepter was a sign of sacred wisdom, not kingly wealth. 

I learned, too, that to be married in their tradition, young couples presented him with family documents going back seven generations, proof they were not too closely related. It was quite a contrast to the way my wife and I had applied for a marriage license in Philadelphia. We had gone to city hall, passed blood tests, and then a rabbi in tailored business suit witnessed our names and wrote the wedding date on our ceremonial ketubah

Sitting among new friends during that informal evening, and often during the many years since, I thought about the many leafless branches on my family tree—before immigrant grandparents I was privileged to know. Of those who never boarded a boat, I know nothing. How many millions of lives could have been saved if US quotas had not been imposed, if safe harbor had been open ten years before 1948, when the modern state of Israel was born in my lifetime? 

Social scientists have researched several theories about the Ethiopian Jewish community, and notable rabbis authenticated their origins to the tribe of Dan, one of the ten lost tribes. I wondered also about millennia before, which of Jacob’s twelve sons, which mother carried my seed—concubine or wife? I must be satisfied with Biblical narratives, stories of struggle and strength, grateful for names and traditions passed forward, one generation to the next. 

During our month-long adventure that year, we also took in sights and tastes as tourists from the Mediterranean to the Red Sea, from chalk cliffs of Rosh Ha’nikra to sandstone mountains of Eilat, from Galilee to Dead Sea, from Nahariya to Jerusalem. But it was those minutes that I shared with a black African man who had traveled across a desert and flown through clouds to a Promised Land thatheightened my pride in being Jewish and broadened my sense of Am Yisrael

Although Jews are dispersed in different lands, across seas and circumstance, all of us are bonded through an alphabet, the poetic language of urgent prayers, and the covenant of an enduring faith.

We are one people of many faces.

Steve Pollack hit half-balls with broomsticks, rode the Frankford El, sailed across the equator on the USS Enterprise. He’s been an usher, delivery boy, engineer and administrator. Creative writing found him later. “Bashert”, appeared in Jewish Literary Journal. His poems in print and on-line, most recently Poetica Magazine and Schuylkill Valley Journal. His poetry chapbook, “L’dor Vador–From Generation to Generation”, was published in 2020 by Finishing Line Press. He serves on the One Book One Jewish Community team sponsored by Gratz College, and sings bass with Nashirah: the Jewish Chorale of Greater Philadelphia.

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A Prayer for Choosing a Shepherd

by Rich Orloff (New York, NY)

(a response to Psalm 23)

Unlike sheep
Each of us gets to choose our shepherd

I have sampled many shepherds
And haven’t always chosen wisely

I have chosen ego as my shepherd
And confined myself to a path no wider than I am

I have chosen tribalism as my shepherd
And refused to look beyond borders of my own making

I have chosen comfort as my shepherd
And convinced myself to be satisfied with meager grazing

I have chosen obligation as my shepherd
And filled my path with resentment

I have chosen distrust as my shepherd
And viewed every other sheep as a possible threat

I have chosen fear of rejection as my shepherd
And convinced myself I am still a fragile little lamb

I have chosen fear of death as my shepherd
And prevented myself from seeing how beautiful the land is

If I allow the Divine to become my shepherd
This choice stems not from wisdom
But from the simple admission
Of how poor my choices have been so far

Still, as I consider choosing the Divine as my shepherd
I fear the Divine will turn me into a sheep
Or one day banish me from the flock
Or even lead me to slaughter

As I wonder who to choose
I see that God has already chosen me
I stand before the Divine
Praying for the courage to trust my shepherd

Rich Orloff writes both poems and plays.  His poems have been published in The Poet, Fragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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What’s In A Name                            

by Annette Friend (Del Mar, CA)

Annette.
Yes, that’s right.
Like Annette Funicello
if you are old enough to remember
the most popular Mouseketeer’s
television career.

Yes, named after my grandmother,
Hannah, or, in English, Anna.
A Jewish tradition,
naming for the dead,
so their memory and names are not lost
like forgotten pages in time.
Annette is “little Anna”
but definitely not French.

Ancestors from what is now Ukraine.
Before that Russia.
Before that Poland.
Before that a genetic mutation
hurtles me back in time
to the First Temple
in Jerusalem.

We Jews assimilate
but carry our names and histories
with us where ever troubles
and travels take us.
Our names, reflections
of double or triple identities.
In Hebrew
my name is Channah Bat Shayna
and Bat Lev.
Channah daughter of Shayna
who became Jean,
Lev who became Leo
when they crossed
the Atlantic sick in steerage.

We carry our heavy histories,
sometimes unbearable,
fastened on our backs.

I asked my mother once
why she never named me
for her sister Mae,
killed by the Nazis in Poland.
She said there were too many tears
that soaked that name.

But my new great niece
is named Paisley Mae.
A red-cheeked North Carolina baby
who carries the past
as a piece of her
like a pure white pebble
perhaps smoothed over
by the passage of time
until the rough edges
of history disappear.

Annette Friend, a retired occupational therapist and elementary school teacher, taught both Hebrew and Judaica to a wide range of students. In 2008, she was honored as the Grinspoon-Steinhardt Jewish Educator of the Year from San Diego. Her work has been published in The California Quarterly, Tidepools, Summation, and The San Diego Poetry Annual.

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Something about the rugelach

by Carol Coven Grannick (Evanston, IL)

Something about the rugelach…

they bring her to mind 

the word rolling out like pastry dough

spreading smooth and silky, caressed then cut

they bring her to mind 

as part of the duet with Dad during nighttime travel

dark-lit stars, Yiddish lullabies in the language of then 

the word rolling out like pastry dough

with tastes of comfort and warmth and now

tenderness of hugs still desired this long time later

spreading smooth and silky, caressed then cut

fondled, filled and curled with tenderness then baked

now infusing my mind with the delicate aroma of my mother’s memory.

Carol Coven Grannick is a poet and children’s author whose award-winning novel in verse, Reeni’s Turn, debuted in 2020. Her poetry for adults and children appears/is forthcoming in numerous print and online magazines, and she has received two Illinois Arts Council grants and a Ragdale Foundation Residency for her work.

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Bar Mitzvah

by Perri Weinberg Schenker (Cincinnati, OH)

Like Moses, you stand poised to ascend,

wrapped up in the tassels of your courage and your fear.

Man-child, my child.

Child of God, child of green grass,

of ocean waves and snowflakes,

of flames that never consume.

Surely you know—surely—

that today you will leave behind

the spindly legs and tender leaves

that propelled you here.

Before this crowd of sinners and supplicants,

you will shed that skin, and rise.

Will the mountain expand you,

braid your soft sinew into knots?

What will you learn from the pebbles beneath your feet?

Man-child, my child,

Child of Abraham, Isaac, and Jacob,

square your shoulders

so they can bear the heavy stones.

Plant your foot into rock, foot into rock,

finding the rhythm, 

finding the crevices where secret knowledge hides.

Wedge yourself a foothold

in the footsteps of your fathers,

and climb

—away from me.

Perri Weinberg Schenker is a writer and editor in Cincinnati, Ohio, where she focuses on academic publications, textbooks, medical manuscripts, and marketing communications. She has always been a closeted poet, and “Bar Mitzvah” is her coming-out poem. Perhaps she’ll share more in the future—who knows?

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Connections

by Liz Paley (Concord, MA)

There’s a certain time of day when the light comes in my kitchen that reminds me of my childhood home. Only recently did I start to notice it. My father died in January, on New Year’s Day, and now he and the house are gone. I miss him terribly. It’s during the late afternoon when this light comes in, and it’s the same time of day that I usually called my dad. 

“Well, good afternoon,” he always said, when he picked up his old landline. 

My father grew up in the Bronx, in a segregated neighborhood; Jews in one area and Blacks in another. So, at an early age, he understood injustice. He was the first in his family to attend college and after marrying my mother, who was not Jewish, they moved to Long Island. They built a life there for my sister and me and he was deeply rooted in the community. A local newspaperman, my father was fair and forward thinking. 

He ran for town supervisor in the 1960’s. He was a Democrat in a Republican stronghold, but also a Jewish Democrat in a predominantly Irish and Italian community. He told us that when he campaigned he would introduce my mother using her maiden name, a recognizably Italian one. It was a strategy, he said matter-of-factly. He knew he was up against antisemitism and he wanted the Italian vote. He still lost. It took me years to recognize the vulnerability and courage it must have taken for him to run for office.             

Our family embraced our different backgrounds but most of what I learned about Judaism was from my mother, not my father. He was a man who had faith in family and community, but not in religion. My mother, the daughter of immigrants, grew up in a tenement on the Lower East Side of Manhattan. She went to Brooklyn College where she met my father who was seated alphabetically next to her. A schoolteacher, she tried her best to teach us about Jewish holidays and tradition. Growing up, we would celebrate with both sides of our family, and it was fun – Seders with some cousins and Easter egg hunts with others. Sometimes, grandparents, aunts, uncles, and cousins from both sides would gather at my parents’ house. What we all had in common was a connection to each other. 

For me, though, there were times I felt I belonged to both traditions and other times when I felt as if I didn’t have either fully. I watched my mother hide the Christmas wrapping paper when she brought gifts to my Jewish grandparents because she didn’t want their neighbors to see. And I remember when the Rabbi in our town told my sister she could no longer attend Jewish youth group because a parent had complained she was there. These experiences were all part of my foundation. 

In the last few years of my father’s life, we sat quietly in the house he had lived in for over sixty years. It was the one I grew up in. I can picture him sitting in his worn black leather chair holding a pencil nub, working on a Sudoku puzzle in the New York Times, and sipping lukewarm coffee from a mug he’d poured earlier in the day. The afternoon light would fall across the room. I found purpose and love in those visits, and my father and the house anchored me. 

After my mother’s death, a few years prior, I often felt powerless. I turned to family recipes as a connector with my father. I made the dishes for him that my grandmother had made when I was a young girl. I’d make her matzo ball soup, challah bread (to mixed reviews) and sour cream cake, carefully following her cursive notes in an old cookbook. I’m not all that sure of the connection my father felt with his parents. His emotion was often kept at bay. My grandfather had failed my father in many ways, mostly through his absence. But the food helped me feel connected to my past, my Jewish heritage, and most of all, my father. 

I have unanswered questions about what my father’s Jewish identity meant to him. I feel a sense of loss now in not having discussed it more with him. I do, however, know what his identity as a newspaperman meant to him. My father instilled in me a love of words and using them to somehow try to make sense of things, even if we got parts wrong. He modeled a life of curiosity and reflection. Today, I continue to question the role of religion in my life but I do have faith. I also follow in my mother’s footsteps by trying my best to pass down Jewish traditions to my daughters. 

New Year’s Day seems like an odd day for a life to end; it can be a time of anticipation and hope. It was one of my mother’s favorite holidays and I’d like to think they spent this past one together. Someone once told me if you’re not looking for signs, you won’t find them. So I look. I notice the afternoon light coming in and wonder what my father would think of this exploration of our family’s Judaism. I watch shadows dance across the floor and listen closely for my father’s, “Well, good afternoon.” 

Originally from New York, Liz Paley worked in social services for many years. She now lives in Concord, MA where she teaches preschool. Her writing has appeared in The Boston Globe and Ruminate Magazine. She was a finalist in Ruminate Magazine’s 2021 William Van Dyke Short Story Prize. She has two grown daughters.

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Caught in the Middle

by Mel Glenn (Brooklyn, NY)

I am lucky enough to have

friends on either side

of the religious diamond, 

fundamentalists who swing from the right,

and atheists who bat from the left.

I stand squarely in the middle,

unsure which side to root for,

let alone play for.

I am caught between 

piety and protest, tradition and rebellion.

There are so many teams,

as there are so many religions.

For which team do I sign a long-term

contract on the dotted line?

The Pittsburgh Protestants?

The Boston Buddhists?

The Miami Muslims,

or the Jersey City Jews?

Doesn’t God pitch for all the teams?

Who is to say which team is best,

which team is strongest,

which team leads the league?

We are all essentially on the same playing field.

We are all part of the same cosmic lineup.

We need to feel connected,

no matter which team we play for.

We do not wish to be wandering alone.

Mel Glenn, the author of twelve books for young adults, is working on a poetry book about the pandemic tentatively titled Pandemic, Poetry, and People. He has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years. You can find his most recent poems in the YA anthology, This Family Is Driving Me Crazy, edited by M. Jerry Weiss. If you’d like to learn more about his work, visit: http://www.melglenn.com/

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A Psalm of Pizza

by Rich Orloff (New York, NY)

While waiting with great anticipation
For the cheese pizza I ordered
Because I am consumed with hunger
And I really need this pizza

God knocks on my door

I open the door
And God says
I offer you the universe and all of its wonders
And I offer you life’s greatest gift, love

That’s nice, I reply
But I was really expecting a cheese pizza
And I’m very hungry
Where’s my cheese pizza, God?

God smiles, in that inscrutable way God does
And leaves
Continuing a lonely mission to go door to door
Offering the universe and love to all who will receive it

While over and over
People respond with disappointment to God’s offering
Because they were expecting a cheese pizza
And God didn’t deliver their prayer

Rich Orloff writes both poems and plays.  His poems have been published in The PoetFragments (published by T’ruah), and Fresh Words magazines, and they’ve been presented at churches and synagogues, performed in theaters and schools, read at meditation and yoga groups, and spoken at events both lofty and intimate.  Rich’s plays include the Purim-themed musical comedy Esther in the Spotlight (performed so far in New York, Toronto and Tel Aviv), the comedic revue OY! (over 50 productions in the United States – and one in Bulgaria), and many more, of all lengths, styles and subjects.  Rich’s plays have had over two thousand performances on six continents – and a staged reading in Antarctica.  More at www.richorloff.com

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