Category Archives: American Jewry

Shiva

by Leslie LaskinReese (San Rafael, CA)

Lori asked if we would sit shiva and  I said no, who would come that knows Mom?  That was my knee jerk reaction.  Raised a Jew but not trained a Jew.  We never sat shiva growing up. I didn’t even know what it looked like when I was young.  But the day after Mom died I realized I needed to sit shiva.  When I told Dad he sounded almost relieved.  Or maybe I was imagining things.

We are Reform Jews.  Orthodox Jews sit shiva for seven days.  That’s what shiva means: seven.  Reform Jews sit shiva for three days.  I don’t know who picked three.  Officially shiva begins as soon as the funeral finishes.  I checked in with my friend who is studying to be a rabbi and she said shiva can begin when I need it to begin.  So my shiva began on Sunday.  My dear dear friends brought lunch and dinner and spent time with me.  They let me talk and they listened.  They made me sit down and they fed me.  They gave me room to breathe.

Last night and tonight we had a service at home.  Our wonderful cantor and my friend who is almost a rabbi officially, and is clearly a rabbi in every other way, led beautiful services and gave me room to pray and remember and cry surrounded by friends who will wrap themselves around me and my family.  It gave me a place to begin.  I stopped holding my breath.  And I told them about Mom.

So yes, I did sit shiva Lori, and it was amazing.  Thanks for asking.

Leslie LaskinReese is a writer and restaurant designer living in Northern California.  Leslie’s writing can be found at something’s burning (http://leslieedie.wordpress.com/) where this piece first appeared.  When she is not writing, Leslie is either designing restaurants  or tending her family.  Someday, Leslie will have the courage to seek print publication for one of her many writing projects.

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Digging to China

by Roslyn Bernstein (New York, NY)

Summer 1951

We wore aluminum dog tags with our religion stamped on them, so that a stranger would know where to bury us after an atom bomb attack. It was the fifties, a time when television was just beginning to appear in the East End. We lived in the West End, near our Lady of the Benevolent Sacred Heart Church, a wooden building with beige stucco walls and a stained glass window of Christ on the cross facing the Atlantic Ocean.

We were the outsiders, longing to belong, the only kids on the block who had never been inside the church, although we often stood by the heavy oak door peering in. Jewish girls didn’t attend Sacred Heart Church and they most definitely did not go to the Sisters of Charity School.

Joanne and I lived on the same block and we ate lunch together every day at school, unwrapping the silver foil on our peanut butter and jelly sandwiches at a table far from the other girls. Her father, Arthur, was a lawyer who was proud to be an atheist. Her mother lit Friday night candles, but never went to synagogue.

My parents ate clam fritters on Friday night. They sent me to the neighborhood elementary school, where green paper Christmas trees adorned the classroom doors and where a torn blue and gold Chanukah menorah was taped carelessly in one corner. Joanne and I knew the words to “Silent Night” although our mothers forbad us from singing Jesus’ name. Just mouth the lyrics, our mothers said. Never, never say them.

But I never listened. I sang “Silent Night” at the top of my voice, raising my volume when I came to the words, “Holy Infant So Tender and Mild.” After all, it was forbidden. I envied Patricia Everson, the blonde girl who sat in front of me. She was always crossing herself. “Mary, Mother of God, have mercy on me,” she said before she did every long division problem. “Lord Jesus help me,” she whispered as she stood before the class and tried in vain to spell the names of the Indian tribes in New York State.

Joanne and I often talked about the bomb. She was sure that it would strike New England, where the Boston Tea Party had taken place.

“Boston is a more revolutionary place than New York,” she told me, as we sat in the wet sand, looking for jingle shells. We had studied the American Revolution two years earlier. Now, we were deep into the Cold War and Communism. I was sure that Russia was going to drop a big bomb somewhere and that we would all disappear into a mushroom cloud of smoke.

She argued with me incessantly but there was no dissuading me from this grim vision. I read the newspapers that my father brought home every evening—The World Telegram, The Evening Sun, The Journal American. I’d sit on my front porch, swatting flies, and turning the pages.

My favorite was The Journal American, a paper that included a daily editorial on the woes of communism. “Listen to this, Joanne,” I said one day as I pulled a scrap of newspaper from my beach bag and began reading the bold headline: “The Bomb is Ticking. Do You Hear It?”

Joanne shook her head. “Don’t believe everything you read,” she said. Her voice was loud and dramatic. I continued reading: “If we don’t take any action, it will explode on our hallowed soil.” “That means on our beach,” I said. “Soil means sand.”

“I’m not scared,” she said. “It’s all propaganda. They want us to be frightened.”

I twisted my dog tag as she spoke, feeling the raised letter J for Jewish that was stamped above my name. Then, I crumpled the clipping into a ball and threw it into the water.  It landed on the crest of a wave, and disappeared into the dark surf.

Born in Brooklyn, Roslyn Bernstein moved to Long Beach, New York in 1948.  A poet and journalist, she has been a professor of Journalism and Creative Writing at Baruch College, CUNY, since 1974. She earned a BA at Brandeis University and a MA and Ph.D. at New York University, and has served as the director of the Sidney Harman Writer-in-Residence Program at Baruch College since it was established in 1998.

This excerpt from “Digging to China” in Boardwalk Stories by Roslyn Bernstein is reprinted with permission of the author and her publisher, Blue Eft Press (www.blueeftpress.com).

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Difficult

by David J. Glenn (Brooklyn, NY)

“It’s difficult being a Jew.”

Children of the many Jewish immigrants who came to America at the turn of the 20th century continually heard that lament from their parents.

The complaint certainly was not baseless. “If you don’t come in on Saturday, don’t come in on Monday” was the usual reply from their bosses if they requested to be off on Shabbos. And the constant struggle to put food – kosher or otherwise – on the table did not make Jewish practice or learning very easy, either.

Now, after the turn of the 21st century, it’s still difficult being a Jew – but for an entirely different reason.

We no longer are confronted with a Saturday/Monday ultimatum, but we do have to face something that’s more insidious simply because it’s ever-present – the constant beckoning to “stop being primitive,” to “be enlightened.”

This is all the more challenging for a ba’al teshuva – a returning Jew – like myself.

Let me give you an example. I recently went to a friend’s house in my Brooklyn neighborhood. He has remained a staunchly secular Jew, once even remarking to my wife in a conversation about the Torah that probably would have been best not to have: “You swallow all that stuff?” All his grown children are on track to having non-Jewish spouses, and my friend, rather than lamenting the consequent severing of  Jewish heritage, is very happy about it and looking forward to having many grandchildren.

Just walking into his house was an instant flashback to the world I’m still struggling to tear away from. His shelves were filled with an extensive array of books – but not a single one even remotely connected to Jewish thought. He had a large, flat-screen TV with a full range of cable programming. And he offered to lend me a book which he just knew I would enjoy because of my keen interest in science: A Short History of Nearly Everything by Bill Bryson.

The book – which, sure enough, seemed very interesting and well-written – began with a synopsis of the “Big Bang” of creation arising from the infinitesimally small “singularity” leading to protons and electrons leading to atoms and molecules leading to different substances leading to different life forms leading to us – all, of course, totally by accident.

This, I’m beginning to realize more each day, is the basic premise of modern secular society – we’re all simply walking piles of atoms whose only goal is to do essentially whatever we want to do as long as it doesn’t physically hurt anyone else (and that single restriction is only due to an evolutionary mandate to preserve the species, the secularists will say).

It’s a mindset so pervasive in everything from textbooks to bestsellers to TV, iPods and the Internet, it has to be fought daily – hourly.

Compounding the difficulty – at least for me – is the literal account of Creation in Genesis. I still find it hard to fully embrace the concept of a universe only 6,000 years old and all of mankind descending from one couple created as adults in an idyllic garden.

But I have more difficulty accepting Darwinian evolution literally, either–despite Carl Sagan’s insistence that it’s “a fact.” The legendary late Rabbi Avigdor Miller, for one, has shot huge holes into evolutionary theory with scientific logic, showing very clear self-contradictions and scientific impossibilities in the theory.

Perhaps if I reach the level of Torah study that my 19-year-old son, Mathew (he prefers “Matisyahu”) has already attained in yeshiva, I wouldn’t have any struggle. He’s shown me examples of rabbis and scholars discerning from the written and oral Torah concepts of pi, a heliocentric universe, and even genetics centuries before the later civilizations proffered these ideas. Modern science seems to be merely catching up to some concepts already in the Torah, and computers are just now beginning to reveal some of the secrets of the gematria, the numerology, of the words and letters of the Torah.

Yes, it is difficult being a Jew.

But it’s also challenging, stimulating, and fulfilling – as anyone can experience after just one visit to the Shabbos table of a frum family.

My friend may have it easier – but he certainly doesn’t have it better

David Glenn is founder and publisher of Bay Currents, a community newspaper in Brooklyn. He also teaches math at Brooklyn’s Yeshiva Ohr Eliezer, which motivated his son, and then the family, to embrace Orthodox Judaism.

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“Man is a Wolf”

by Lev Raphael (Okemos, MI)

My demanding and charismatic mother has been dead for eleven years but I
still often think about her, wishing she were alive.  There’ll be a question I want to ask her about her past, or an event in my current life I’d love to be sharing with her, and sometimes a regret for something I did or said as a child will crop up.  I know she would probably dismiss bringing up the past like that as “Quatsch,” the German word that’s so much more dismissive than “Nonsense.”  She loved to use it as magisterially as if she were in fact a judge pounding her gavel and rendering a verdict. But it doesn’t stop me from imagining the scene anyway.

There are times, though, that I’m glad she’s not alive.  As whenever I read about the conditions at Gitmo, or the Orwellian-named policy of “extraordinary rendition,” or the American use of waterboarding, which has been re-branded in the American media to cover up its illegality.  I feel sure she would be outraged and even sick to her stomach.  I certainly am.

In the late 1940s, not long after she was liberated from her slave labor camp in Germany and met my father, she spent a few weeks in London and among the souvenirs I still have from that trip are tiny photos she took at Madame Tussaud’s Wax Museum.  As a child, she said that the medieval tortures–like a witch in the Chamber of Horrors having water poured through a funnel down her throat–reminded her of things she had seen during the Holocaust.  I didn’t ask what those “things” were, I was stunned enough by descriptions of the waxworks cruelty, and by her oft-repeated “Homo homini lupus est”: Man is a wolf to other men.  This was the voice of dark experience speaking, the voice of history, though I think she took some comfort in summing it all up with the Latin she had learned to read and declaim in school in Poland, situating herself in her own pre-war past and that of Ancient Rome.  My mother liked to take the long view when she could, and I’m sure the museum helped her by siting cruelty many hundreds of years ago.

But I’ve always known that torture for her was no mere exhibit, it was a reality, however hazily defined it might be for me.  It became disturbingly clearer when photos from Abu Ghraib were released on the Internet, and when accounts of torture there and elsewhere in the American gulag were published in magazines like The New Yorker.  Yet it was still always at arm’s length–until I had an hour and a half of it myself, not as a media stunt like some reporter on CNN having himself tasered, but, unexpectedly, while undergoing a medical procedure.

Trying to track down a persistent throat problem I’d been having, an otolaryngologyst had referred me to a neurologist so as to start ruling various possibilities out.  The cheerful neurologist found I had no signs of Parkinson’s whatsoever, but wanted to be sure there wasn’t some neuropathy she was missing in her personal exam.  She described the procedure she wanted me to have as “they’ll stick some needles into you.”  “You mean like acupuncture? Will it hurt?”  Her reply:   “There’ll be some discomfort.”  That didn’t sound so bad to me, and because I was so busy, I didn’t bother to explore on my own exactly what the test, an electromyogram, would entail. I wish I had.

A few weeks later I lay in a hospital gown in a cramped, overly bright, featureless little room waiting for the test after some small talk and a brief physical examination.  The doctor was assisted by an Austrian intern and because I’m studying German, this gave the whole experience a surprisingly relaxed feel.  She and I chatted a bit in German, but pretty soon, after an initial examination, the human side of the interaction was completely over, and I was reduced to an object.

What exactly is an electromyogram?  By inserting electrodes into muscle tissue, doctors can test  the electrical activity of muscles at rest and during contraction to see if there’s nerve or muscle damage. So for about an hour, I had needle electrodes stuck into various places on my legs while a nurse or I moved my limbs as instructed.  Information was gathered and the machine that I never got a good look at crackled like a Geiger counter. At first I felt almost nothing, then it was like a nasty pin prick, then each successive jolt was more and more painful, sometimes so much so that I gasped or groaned “Jesus!” or “Wow!”  At more than one point my leg shot in the air because the current was so strong.

This went on and on in a kind of nightmarish rhythm: first fear, then pain, then relief the pain was over, then fear of more pain coming, then the pain which kept getting worse.  As the cycle continued,  my consciousness shriveled until the world was reduced to a series of sensations and noises, both those that came out of my mouth and those being made by the machine.  When the doctor finally told me that the next part of the test didn’t involve electric current, I thought I was over the agony, but it actually got worse.  He stuck needles of some kind in my hand at the joint of my index finger and thumb, in my arm, in my shoulder, and each time I had to move my hand or arm in certain ways to to provide the information they were looking for.  Not only did this part of the test hurt more, I had soreness in my hand and arm for weeks afterward, and large bruises.

I don’t remember well the short consultation that followed, but I do remember feeling exhausted and humiliated when everyone filed out: neurologist, test administrator, Austrian resident, nurse.  I was so stunned by what had happened to me that I didn’t even check out, just wandered the halls till a nurse pointed me to an exit. I managed to drive myself home, glad that I hadn’t started crying during the test, even though the pain had been so intense I almost did so twice.

What seemed like the greatest violation of my dignity, of my selfhood, was that I had come to this hospital for healing, or at least a diagnostic exam that would lead to healing, but had found something very different instead.  The people administering the test didn’t intend to torture me, they weren’t evil, they weren’t remotely like my mother’s tormentors, but they had left me feeling crushed and shattered just the same.  I’d been mugged once in New York, but that was a pat on the back compared to this assault, to suddenly no longer feeling safe in the world, as if my personal boundaries were meaningless and anything could happen to me.

I told a dancer friend of mine about the test and she said she had walked out of a similar one.  “You can’t do this to me,” she said to the doctor, “I’m not a criminal.”  And when she described the scene, I felt like an idiot.  Why hadn’t I stopped the test?  Why hadn’t I told the doctor to turn the fucking machine off and let me go?

I couldn’t.  I was paralyzed and not thinking straight, barely thinking at all.

The morning after the test, I woke up at 4:30 AM, shaking.  My bed had turned into that hospital table and though the room was dark, I felt bright lights beating down on me.  I knew I had to flee that scene somehow.  I got up quietly so as not to wake my partner or the dogs, grabbed a Valium in the bathroom, and headed to my study to escape into the morning’s news.  Over the following days, whenever I answered somebody’s email about how I was feeling and the test flitted through my mind, or if I even mentioned it, I could feel the terror and pain coming back.  Anyone who’s been in a violent accident, or victim of a gross physical assault, will probably know what I mean.

After talking about the test with my therapist, I knew that writing about what happened was essential to getting over it.  He made the connection for me between my experience and my mother’s in the war, something that amazingly hadn’t crossed my mind until he said it.  Yes, it was only an hour and a half of agony, not years, months, or even days–but it linked us in the most unexpected way.  I had entered a prolonged situation of helplessness — or that’s how it felt to me.

I realized that I had to write to the neurologist who was in charge and share my experience, not to apportion blame, but so he could help future patients.  I had never had a test like this before; it had never occurred to me that I could stop it.  But the administering physician should have offered me the choice before the test even started. What added to the nightmare was the wall that suddenly shot up between me and everyone in the room as soon as the test began.  I was a source of data and they weren’t people, either: just soulless technicians who never responded to my obvious distress.

It’s not melodramatic to realize that if the test had gone on longer without hope of release, and had they been after any secrets I held, I would have told them anything to make it stop.  Now I understand something of what happens in places like Abu Ghraib, and I was only tortured for an hour and a half.  But at least it ended, and I’m free.

I’ve been able to seek relief in writing.  Once, decades ago, I suggested  that my mother write about her past because the world needed to know what happened to her, but that made her furious, “I don’t owe the world anything!”  How could I argue with that?  But writing about her is something I have to do, and each year I discover new ways.

I’m on a Second Generation listserv and recently we’ve all been discussing our middle-aged health issues, and after I described what happened to me, one member told me that this same test was being recommended for her 89-year old father.  Hopefully my story will spare him pain, or at least inform him that he can make the pain stop.  I’m not remotely happy to have had this ordeal, but it gave me a strange gift: brief, visceral understanding of what my mother experienced during the war, being trapped and victimized.  It made me marvel at her courage to go on, to rebuild her life, even while it fills me with sorrow to know that her story can never be fully told.

Lev Raphael, a prize-winning pioneer in American-Jewish literature, has been publishing fiction and nonfiction about the Second Generation since 1978. The author of nineteen books which have been translated into almost a dozen languages, he has spoken about his work in hundreds of venues on three continents. His fiction and creative non-fiction are widely taught at American colleges and universities. A former public radio book show host, academic, and columnist, he can be found on the web at http://www.levraphael.com.

You can check out his latest book, the memoir, My Germany: A Jewish Writer Returns to the World His Parents Escaped, at http://www.levraphael.com/mygermany.html.

And you can view a YouTube excerpt from one of his talks at http://www.youtube.com/watch?v=UFhrajH-6AE

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The Hassid and the Tennis Racket

by Mel Glenn (Brooklyn, NY)

Outside looking in, his hands on the wire fence,
he stood sallow and sweaty in the hot sun,
dressed in black coat and hat watching me
practicing my pathetic serve,
stabbing at the ball with fly swatter frenzy,
willing it to land in the box with any kind of consistency.
Between tosses, I watched him watching me
through rimless glasses, his blue eyes searching
for some reason for my solitary ritual.
For ten minutes I struggled with my swing.
For ten minutes he did not move a muscle.
His silence screamed at me until, exasperated
I walked over to him and asked, “Do you play?”
He seemed puzzled by my question,
started to answer, but then stopped in mid-word,
and wistfully, I thought, shook his head no,
as if he had finally decided to fall on the side
of the ethereal, instead of the temporal.
At his hesitation, I wish I had had another racket
to invite him to play, to deconstruct the fence
between his universe and mine.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

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Faith and Doubt

by Bruce Black (Sarasota, FL)

The Ten Commandments are the bedrock of Judaism, the cornerstones of our heritage, the foundation of our faith, yet few Jews talk of them as such or of the revelatory scene that took place–if it took place– atop Mt Sinai.

Every year we read the words of the Ten Commandments on Shavuoth, believe in the truth of them, live our lives by them throughout the rest of the year… whether or not the event atop Sinai actually occurred.

In some sense, maybe it doesn’t matter if it occurred because the Ten Commandments in and of themselves are truth. That is, they contain truth, and it’s irrelevant where the commandments came from–from God or from Moses or from some anonymous scribe who wrote them.

On the other hand it seems essential to believe not only in the truth of the Ten Commandments but in the truth of how they came into being, even if we can never know the full story.

We know (or think we know) that Moses ascended Mt. Sinai. And we know (or want to believe) he returned holding the tablets. But what happened between those two events… in the time it took for him to climb up and down the mountain?

Those moments–were they moments or hours or days?– are shrouded in mystery, in the fog of history and time.

Did Moses “see” God? Did he “hear” God’s voice? Or did Moses merely imagine God speaking the words to him?

And did Moses write the words down himself? Or did God hand him the tablets already inscribed?

There’s no transcript, no record of the event that we can turn to in order to learn what happened. All we have are the words of the tablets, and the record of the event as its presented in the Torah.

Does it matter if we know the whole story or just part of it? Does our lack of knowledge–or our limited amount of knowledge– change how we live our lives as Jews?

If the event–the revelation atop Sinai– didn’t happen, if it’s just a figment of someone’s imagination, does that mean the commandments are worthless, not to be taken seriously, not to be followed?

What rules–if any–would we replace the commandments with?

What would become of us–as Jews, as human beings–without them?

Standing in front of the open ark on Shavuoth, I thought about the Torah and the Ten Commandments and wondered if the words had passed from God through Moses to my ancestors to me, or if they might have originated in Moses’ heart, or in the heart of some unknown writer.

No matter where the words may have originated, they possess the ring of truth in the way all great literature contains the ring of truth.

But is that ring of truth enough?

When I left the temple after services, I still had no answers, only more questions.

I’m still learning how to live with faith and  doubt simultaneously, and how to balance knowing and not knowing.

Bruce Black, the founder of The Jewish Writing Project, is a writer and editor whose work has appeared in Jewish publications such as The Jewish Week, The Jewish Exponent, Reform Judaism Magazine, and The Reconstructionist, and in secular publications such as The Sarasota Herald-Tribune, Cricket and Cobblestone magazines. Online Education News ranked his blog on writing, Wordswimmer (http://wordswimmer.blogspot.com) , among the top 100 creative writing blogs of 2009.

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Tribal Ghazal

by Sue Swartz (Bloomington, IN)

Be careful to perform all the words of this Torah, for it is not
an empty thing for you, it is your life…

I would welcome an easy forgetting, if not for the words.
I would pass up allotment and ceremony, but never the words.

Presence/Absence, glory & thunder, text with great resiliency:
Velvet-wrapped, indelibly inked, my self bows before the words.

From birth, a tribalist: daughter with broad receptivity –
I lie down and rise up with the sweet imperfection of these words.

Ancient scrolls stay alive with impudent twists of commentary.
I turn and turn the story, and the story (in turn) turns my words.

Transcendence doesn’t really interest me, nor does equanimity.
I prefer uproar, wild beasts set loose in the Garden of Words.

The believer in me is undecided, often racked with deniability.
Agnostic though I may be, I do not believe these are useless words.

Oh – to be the prime redactor, creator of numinous biography.
Lowly poet, heretical follower, I wrestle headstrong with the words.

Distracted and doubting this afternoon, still here I am, hineni.
Perilous to live like this, can’t stop swooning over the words.

The prophet’s heart is a raging fire, helpless before God’s word.
I’d burn too, wander alone in wilderness – were it not for the words.

Sue Swartz is a poet, essayist, and social justice activist living in Bloomington, Indiana. Her two blogs reflect her current passions and writing projects: Torah, tattoos, and truth are the focus of Awkward Offerings (http://swartzsue.wordpress.com/), while musings on work and workers is featured on Chop Wood, Carry Water (http://cwcw.wordpress.com/).

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Rules

by Janet Ruth Falon (Elkins Park, PA)

(The Ten Commandments are read during the Shavuot morning service.)

Rules are not meant to inhibit you,
to trap you behind bars where you are,
straddling evil and good,
one foot stretching toward each side,
but to reveal the extremes
that most of us, even if we extended our arms
as wide as the equator, wouldn’t reach.

The rules that say “you shall not”
strip off humanity’s holiday suit
to expose intent gone awry,
the bleakest, blackest wrongs
that can’t be made right
even by the fanciest footwork of lawyers
and medicine that proves exception,
(which may explain away why you do it,
and lighten your punishment).
It may make sense, but it is always wrong to murder.

The rules that say “you shall”
are the bunch of perfect carrots — and you love carrots — waiting for you on the farmer’s porch just down the road,
which you’ll never quite reach
but on the way there
you fling pocketsful of corn to the chickens
and pat the head of a brown-eyed cow
and pour water for the day-laborers.
You may never eat those carrots, but you’ll have taken the right road.

Janet Ruth Falon, the author of The Jewish Journaling Book (Jewish Lights, 2004), teaches a variety of writing classes at many places, including the University of Pennsylvania.  At the moment she is teaching journaling and creative-writing classes to people with cancer, and she’s working on a project that she hopes will be published as The Breast Cancer Journaling Workbook.

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An Old Bogart Film

by Mel Glenn (Brooklyn, NY)

My parents protected me from the war.
They seemingly made a pact that
whatever happened in Europe, stayed in Europe.
They spent those years in Austria,
full of foggy intrigue, shadows and doorways,
like the ending of some old Bogart film.
Did they run, fight or hide?
Were there secret deals and flights into the night?
Exactly how many relatives died,
and what was the nature of the commodities
that secretly changed hands?
I know nothing of those days,
except what I’ve read in books.
I know nothing of the pain and the excitement
even as I grew up safely on American shores.
My parents protected me from the war.
I should be grateful to my parents, shouldn’t I?

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

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“You a Jew?”

By Mel Glenn (Brooklyn, NY)

“You a Jew?”
“Yes, I believe I am.”
“Never met a Jew before.”
This from a sparkling, fresh-faced girl of nineteen,
a future film actress, I’m sure, on her day off
from the fundamentalist camp by the lake.
With the weight of my ancestry
pressing down on my back,
I felt the instant spokesman for my tribe.
Shouldn’t I be wearing a yarmulke and sporting payos?
Shouldn’t I be blessing this fair maiden in Hebrew?
“Ask me any question you like,” I said,
my ancestors from the Holocaust
rolling over in laughter from their graves.
“Do Jews believe in heaven?” she tried, innocently.
“No, St. Pete,” I said, using humor to shield my ignorance,
“but I respect your beliefs,” I added unnecessarily,
trying to extinguish the fires of the crematoriums
while posing as the even-handed poster child
for a religion that was as new to her as it was to me.

The author of twelve books for young adults, Mel Glenn has lived nearly all his life in Brooklyn, NY, where he taught English at A. Lincoln High School for thirty-one years.  Lately, he’s been writing poetry, and you can find his most recent poems in a new YA anthology, This Family Is Driving Me Crazy,  edited by M. Jerry Weiss.

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