Tag Archives: US Army

The Letter Home

by Milt Zolotow (z”l)

(with his daughter, Nina Zolotow)

Note from Nina Zolotow: My father enlisted in the Army during World War II when he was told that they needed mapmakers in New Jersey and that with his background in commercial art the map making division would want his skills. Instead, the day he enlisted, he and the other recruits were put aboard a train whose destination was Camp Chaffee, Arkansas, for basic training to be a member of an elite force of soldiers in a tank battalion under General George Patton. 

After completing basic training, he was shipped to North Africa—he never said where—and from there he wrote his family a long letter about a very interesting Rosh Hashanah that he spent with members of the Jewish community who lived in a big city there. He also sent home a small portfolio of drawings he made of people he saw there. 

The letter is typed, so it’s very legible, but the paper on which he typed the words is old and crumbling. The drawings aren’t in the best condition either. Many of us face the same kind of situation when we go through our parent’s things. I decided to transcribe the letter and scan some of the drawings as the best way of preserving them and sharing them with family members. 

But I really think the letter is so fascinating and raises a lot of important issues about the Jewish diaspora and the state of the world back then that I thought I’d share the letter with you, dear readers. 

Dear Folks:

Spent Rosh Hashanah in a big African town and it is a day I shall never forget. I had been learning to know these people from the outside, but before that day, I had never come so close to understanding their lives. 

I went to the largest synagogue and after a few minutes rushed outside to sketch some of the wonderful things I had seen. The boys approached me and asked if I were Jewish. I was then handed a copy of a G.I. Siddur and asked to read from it. I stumbled through a couple of words and the littlest kid picked up and rattled off about three minutes of minhah from memory.

The kids invited me to dinner at their home and introduced themselves. The small one was named Maurice. I dubbed him Moish; he was six and smart as a whip.

On the way to their home he recited his lessons in French, Hebrew, and sang Moroccan songs for me. The home was in the “off limits” area, the vilest slum I have ever seen. I stumbled through a dark alley and found myself led into a dark room with a table inside. I was in the quarters of a family of six, and the size of the room was like the one Eleanore [ed. note: his sister] used to use.

I shook hands with the mother and father and felt very ill at ease. The mother hid in the corner behind the bed, occasionally covering herself in the manner of the Moslems.  

They were Moroccan Jews and spoke poor French, no Yiddish, and though the father was a Hebrew scholar, I couldn’t even recognize the few remaining words in my Hebrew vocabulary because the vowel sounds were distorted and he always stressed the last syllable in the manner of the French.

We spoke little till the arrival of the daughter, son-in-law, their baby, and an audience of neighbors, who gathered in the courtyard causing great excitement amongst the chickens.

When the younger generation arrived, we sat down to the meal and conversation picked up. Son-in-law and myself in French, kids helping with English, and all translating into Moroccan for the benefit of the parents. Kiddush was said and we went through the ceremonial washing of the hands and brochos for each course. After some more anisette, Moish and I sang Au Claire de la Lune, Hinai Matov in all three traditional melodies, and Frére Jacques. Everybody was gay and we toasted the brotherhood of the Jewish race, the liberation of all people, the end of the war, and my return to America.

We all ate, including the baby who was nursed at the table, and I got the lion’s share, doing my best to swallow the miserable food. 

Here’s the menu: Pimento, etc. The main course was a tiny piece of meat which I could not eat despite my good intentions. For dessert there were grapes and pomegranates (poor ones, not like the delicious red ones from Palestine). To drink, much wine and anisette. 

We talked of big buildings, freedom, the Moroccan antecedents of the family, and we all shared a dream of America and the good life. 

I rose to go and they asked me if I were not pleased; I said I was very happy and would return after a walk with the boys.

I got a pass to the restricted area from the Chaplain and we went on a tour through the streets.

Every step I took, people grabbed me and shouted, “Jew?” and when I answered they said, “Sholom Aleichem” and called me brother. They brought me some Jewish girls, lovely faces like Hadassah F. [ed. note: possibly one of Milt’s friends] and rich black hair, but incredibly dirty.

The streets were full of soldiers mingling with the populace. From the balcony, I heard Pistol Packin’ Mama, and saw a couple of G.I.’s celebrating and dancing.

I spoke to many people, poor diseased people with glazed eyes and infections. All of them expressed their great love for America. We mean food and life to them. They all told stories of starvation at the hands of the Germans.

After a long discussion with several amusing salesgirls, I finally managed to buy the boys some un-rationed wooden shoes, and in this small way expressed my gratitude.

All the neighbors heard about the shoes and came to see. We went out again and met a cousin of the boys, and I was invited to his house for some more wine. He and his young wife lived in an apartment house of modern construction, with tasteful furnishings and a gramophone. We drank and listened to Harry James, Jimmie Lunceford, and Arabic music.

The Moroccan music was Spanish in origin and its basic rhythm was tango. Some resembled the music of the Yemenites. Ali ali, and Zum Gali. I really regret not having learned to sight-read for I really wanted to have a record of the songs we played and they sang. They were well informed and quite cultured. The father had been a classical scholar and the young man and his wife were alert to young people.

We discussed freedom and they asked about antisemitism. I could not say our country was free from it and had a hard time explaining in my poor French its subtle manifestations in the U.S.

When I left, he made a little speech over a glass of wine and looked forward to the victory of the allies, days of peace and plenty, and, of course, my eventual return home. A La Victoire! 

Moish almost cried when I left him, and I promised to come back. We walked hand in hand to the place where I took my truck back to camp. 

I have hardly touched the reality of their painful existence. I tried to record shapes and colors of the environment in my mind and by rapidly sketching what I remember. To tell the truth of this poor yet dignified life would take a Zola or Rembrandt.

The disease and pain is written onto the faces, and some of them stayed with me so that I have had to draw them several times.

It’s a strange mixture, this complex picture I discovered, with roots in our ancient traditions and existing side by side with the businesses, like brothels, of the French; it makes cultural polyglots out of the children.

Moish could be a great man, a man of intellect but someone else will have to throw off the shackles that confine him to memorizing the phrases of a dead culture. 

If only we could or would realize the meaning we Americans have to these poor people in terms of their survival as a people. We are their dream embodied and the facts of our lives, however unsatisfactory to us, are the meat and some of the future they want.

I told Moish to always go to school and added to the tremendous store of his memorized knowledge two words, the “Glory Hallelujah” which he sings to Hinai Ma Tov. 

He already knew the Star-Spangled Banner. 

Milt

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Displaced People

Milt Zolotow (z”l)

(with his daughter, Nina Zolotow)

Note from Nina: I want to tell you a bit about my father. He grew up in New York, the child of immigrants, with Yiddish as his first language and a fairly conventional Jewish upbringing, which meant he also learned Hebrew. During World War II, he served in the army and was sent to North Africa, Italy, France, and ultimately occupied Germany, where his ability to speak Yiddish helped him understand German. Well, you can imagine that because of this background he had some interesting adventures in Europe. In his old age he outlined a memoir about his war years, which he never actually wrote. I cobbled together a one-sentence story years after his death about an experience he had in Germany. In it I use information and phrases from his outline, a kind of a posthumous collaboration, which you can read below.

During the occupation we were sent to a small German town near a camp for Displaced Persons, where all the DP’s were women, and someone had the bright idea of sending a truck down to invite any interested women to a dance we were giving—with musicians and food, too!— and when the truck filled with girls arrived, we brought out the schnapps and food, and soon there were couples making out in the bushes outside the cafe and everyone was as drunk as raw schnapps can make you, but then as I was drunkenly dancing with a pretty girl, I suddenly realized that I clearly understood every word she was saying because she was speaking to me in Yiddish, so after that I sobered up pretty quickly and listened as she explained to me that no one in the camp knew she was Jewish because she carried the identity papers of a Pole (she had jumped off the moving freight train carrying her to a death camp, found a young Polish woman who was roughly her size and coloring, and then she killed this woman, took her identity papers and lived as a Pole in a Nazi work camp) and that she had come to the dance to try some Yiddish phrases on everyone she danced with and finally succeeded in making contact with me (quite a miracle since there were only two Jews in my battalion and the other one was not at the dance), and all I could think to do was to take her back to my quarters and give her every bar of soap and carton of cigarettes I could find, however, that kind of backfired because when she returned to the DP camp laden with my gifts, she was immediately the center of hostile attention—no other girl had been so lavishly treated and suddenly suspicions rose: she was different, she was a Jew—and the officer running the camp saw the ruckus, knew she had to be separated, and phoned our HG to tell us what happened, so then I made some calls and found a quartermaster truck that was going south to a Mediterranean port, put the girl on it and got the GI driver to agree to put her on board a ship to Palestine, but later I learned that the British turned back all the Jewish refugees trying to get to Palestine, so I guessed she must have ended up stranded in some French waterfront town, and I still wonder if I did enough (I never heard another word about her because the very next day I was given a two-week pass for the French Riviera).

Nina Zolotow just loves to write, and she has been doing it for her entire adult life. Currently she is writing creative non-fiction and experimental fiction/poetry, which you can find on her blog Delusiastic!, where there is both brand new and older works, and you can also subscribe to her on Substack, where she is releasing one story a week. Nina has also written or co-written four books on yoga (seeyogafortimesofchange.comas well as being the Editor in Chief and writer for the Yoga for Healthy Aging blog for 12 years. Before that there was 20 years of writing instructional manuals for the software industry, including many books for programmers. And somewhere in there was an MFA from San Francisco State in Creative Writing. All of that taught her how to write simply and clearly when needed but also to go crazy with words when that seems right. 

Milton Zolotow was born in New York City, the child of Jewish immigrants from the Russian Empire. Trained as a fine artist as well as a graphic designer, he enlisted in the US Army during World War II, hoping to join the map making division in New Jersey. Instead, he was assigned to a tank battalion and after training was sent to North Africa, Italy, France, and Germany. Because of his drawing skills, he mainly did reconnaissance for his unit. But during the occupation of Germany, he was used as a German translator due to his knowledge of the Yiddish language, and his ability to speak Yiddish as well as some Hebrew and French also led him to have some interesting encounters with other Jewish people in Europe. After the war, he returned to New York City, where he created a body of war- and Holocaust-inspired artwork and where he met his future wife, Edith. After a couple of years of studying art in Mexico City, Milton and Edith settled down in Los Angeles, California, where they raised a family and Milton worked as a graphic designer and taught graphic design in art schools. In his retirement, he began to create black and white drawings that continued to explore imagery that evoked war and the Holocaust. 



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Filed under American Jewry, history, Jewish, Jewish identity, Jewish writing, Judaism, Polish Jewry