Tag Archives: October 7

November 4, 2024 · 7:30 am

Baby-Boomer Blues

by Howard Wach (New York, NY)

I’m a baby-boomer, Bronx-born, a grandchild of immigrants from Poland and Lithuania, raised in a 1960s Long Island suburb, which was half Jewish and half other white ethnics, everyone newly migrated from city neighborhoods. I matured in the ‘70s, when Jew-barring (or Jew-counting) barriers collapsed across all kinds of American institutions. 

But sudden indifference to Jewish catastrophe and open Jew-hating—the post October 7 legacy—has pushed me and my boomer peers to revisit what we thought were rock-solid certainties. The last eight months changed everything.  

I’m a knowledgeable guy, a teacher, a scholar in my own modest way. But now I wonder what I’ve ever really known. History lulled me to sleep, then woke me with a klop. My everyday worries—money, family, health—have new company, a dangerous twist on the tribalism splintering our civil society. Suddenly, the hyphen connecting “Jewish-American” feels frayed, eroded, anything but certain. 

All my life that hyphen signaled a balance I had no reason to doubt. A birthright, if you will. It never felt conditional or one-sided.  

**********   

In 1906 Shai Wach, an 18-year-old immigrant from Warsaw, arrived in New York and renamed himself Charles. Eleven years later he returned to Europe, a doughboy drafted into the 77th infantry division, the “Melting Pot” division, a polyglot mix of immigrants from lower Manhattan. Charlie fought with the Lost Battalion in the Argonne Forest and returned to New York with a fistful of medals, his patriotism signed and sealed. He marched up Fifth Avenue with his old unit every Armistice Day for decades. Growing up in the Depression-era Bronx, my father Daniel, Charlie’s older son, absorbed the lessons of those parades. 

I never heard my grandfather talk about Israel. New York was his home. The United States was his homeland, and he had the medals to prove it. But his brother perished in Auschwitz (also never discussed); his sister disappeared forever into a wartime Polish convent. I suspect that like his Workmen’s Circle comrades, he had no personal Zionist convictions but believed that the Shoah made Israel necessary. Just not for him, or for his son, or for me. 

********** 

My father spoke more often about his World War II service as he aged. Before he became too frail to travel, he eagerly embarked on a veterans’ “Honor Flight” to visit war monuments in Washington. The day he died a biography of Churchill lay open on the magnifying reading device the VA had given him.  

I turned eighteen just as the Vietnam-era draft ended. A graduate of my high school was killed at Kent State. Some classmates sewed peace symbols on their jeans and joined antiwar protests. Others sneered at the “footprint of the American chicken” and enlisted the moment they could. My peacenik mother hated the war; my proud veteran father defended it. I didn’t know what I believed, but I acted the teenage antiwar hippie, singing along with Country Joe and the Fish and listening to Hendrix tear through the national anthem.  

It never occurred to me—or to anyone I knew—that Jewishness could have any relevance to that all-American strife. National identity was properly a civic affair. We all belonged to this country. I had no Zionist feelings, no desire to make aliyah. But I knew—even through the fog of adolescence—that Israel was a fulfillment, a source of ethnic pride heightened by the miraculous Six-Day War.  I grasped its importance and celebrated the victory, but we were Jewish Americans, secure in that solid identity, feeling no unsettling contradiction or tension. All the old barriers were falling. Wartime dissension aside, what could disturb our happy condition? 

**********

I have a different question now. What made me think I’d escape the history I studied and taught? I’m a lucky Jewish baby-boomer born into the post-Holocaust truce that sidetracked Jew-hating and enabled some of us to vault into corporate suites and institutional power. The truce has faltered for a while, but the October 7 aftermath blew it apart.  

We disappeared into benign, assimilated invisibility. Or so I thought. That dreamy moment in the American empire is over. The sudden disregard for Jewish lives unearthed my half-buried boomer memories: Charlie’s brutal, unspoken knowledge of genocide, my parents looking sideways at goyim, their memory of “Gentiles Only” warnings in employment and real estate ads. Blue numbers tattooed on the forearm of my friend Paul’s father. It all flooded back when I saw torn, defaced posters of Israeli hostages and heard noxious chants rising from massive rallies. I was rudely yanked back into history. 

The shock unleashed a stew of unwelcome emotions in me: anger at “progressives” who abandoned moral sense, who preach simple-minded theories of power, seduce the ignorant, and make Israel the centerpiece of global evil; anger at Israeli zealots who reinforce that corrosive lie—lunatic settlers running wild and the politicians who coddle them; fear for my children, who witness Jewishness embroiled in today’s American strife and may never recover the assurance that “Jewish-American” once meant, the hard-won allegiance my grandfather and father gifted to me. 

**********

In the 1980s I wrote a Ph.D dissertation at Brandeis University about civil society in nineteenth-century Britain. One day I was sitting with friends in a common room when a professor in the History Department, a brash and funny character, dropped by to share his latest insight. “Brandeis has a new theme song,” he announced, “a medley of Hatikvah and Yankee Doodle Dandy.” Then he laughed and walked away. 

Until recently the joke made playful, ironic Jewish sense. It fit perfectly at Brandeis, that model of postwar Jewish-American identity and ambition. In the last eight months I think of it more than any time in the last forty years. But its playfulness is gone, its irony soured. 

Here’s a sign of the times. Brandeis is recruiting Jewish students feeling displaced or frightened at campuses where keffiyehs are fashionable and Zionism is a seven-letter version of a four-letter word.  

That old joke isn’t funny at all anymore. 

Howard Wach is a semi-retired City University of New York academic. He’s written and published articles on educational technology and academic history in various journals, and now writes creative nonfiction and short stories. Palisades Review published his short humorous piece about not buying a time share. 

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October 21, 2024 · 7:03 am

Dancing the Night Away

by Kavita Ezekiel Mendonca (Calgary, Canada)

I was born and raised in a Bene Israeli Jewish family in Bombay, India.  The mezuzah on our door and the menorah on the shelf were to me the sweet and meaningful symbols of my Jewish identity. I lived with my paternal grandparents since the age of ten, and I loved raising my fingers to touch the mezuzah on the door of their home and bringing them in a kiss to my lips. The elders in my family explained that when I made that gesture, it meant that I was taking the name of God as I left the home and when I returned home safely. I felt protected and blessed. I didn’t know then that there was a scroll inside the mezuzah with the words of The Shema “Hear O Israel, The Lord is our God, the Lord is One,” a prayer I recited on waking each morning and going to bed at night. An aunt of mine sent me a mezuzah from Israel and even my husband who is not Jewish, never leaves the home or returns home without kissing the mezuzah. 

On that fateful Saturday in October, I happened to turn on the TV and watched in horror as a young girl, with her arms waving frantically, was calling out for help sitting sandwiched between two masked men on a motorcycle taking her away to where I had no idea at the time. They were shouting the name of their God, a chant familiar to me as there was a mosque just a few steps from my grandmother’s home in Bombay. I had grown up listening to the muezzin’s call to prayer five times a day over the loudspeaker. The neighborhood had Muslim, Christian, Parsi and Jewish families living side by side in peace and harmony. At home we were taught respect for the customs and traditions of each of the different faiths and actually took part in their celebrations. 

Continuing to watch the TV, I soon learned what had taken place and that the young girl was at a dance festival and was being taken hostage.  In Gaza and in some Muslim countries as the news of the tragic events of the day began pouring in, I watched people in the streets rejoicing, chanting the name of their God.  Soon after I saw a clip of a crowd of people marching towards the Opera House in Australia, with banners reading “Kill the Jews!!! Gas the Jews!!!” My mind at once went back to the Holocaust.  The murder of six million Jews was not enough for them. The real aim of the protestors was the annihilation of the Jews, not their support of the Palestinian people.

In India, growing up in the sixties, nobody ever mentioned the Holocaust and there never was any talk about what was happening on such a large scale to the Jewish people in Europe. The Indian Jews were free from persecution and blended in completely with the local population of India, the majority of whom are Hindu.  I entered college in my mid-teens into the Arts stream, and along with other subjects like Logic and Economics, World History was also taught. I cannot recall a single mention of the Holocaust in our textbooks. Only much later, I watched a film on the Diary of Anne Frank, and a movie called Schindler’s List. In fact, the movie had such a powerful impact on me that I watched it twice, weeping throughout the film. I prayed that there would be more ‘Schindlers’ in the world. My mother always spoke about ‘the basic goodness of mankind.’ I believed there were as many good people in the world as there were who brought harm to others.

In the seventies, a discotheque called Blow Up was located in the basement of the Taj Mahal Hotel. That name would be considered taboo in the context of today’s world. Many of my cousins were musicians and played in the bands at the disco. I loved music and loved to dance, often dancing the night away till the early hours of the morning. The waiters would toggle the lights on and off in quick succession, to signal us to leave. A cousin of mine still remembers that I did not sit out a single dance!  The next morning in college, I attended the first lecture of the day with the green eyeshadow still prominently showing up on my eyelids. Those days we didn’t have access to make up remover and the soap we used did not do a decent job! 

The murder of so many innocent young people at the Dance festival touched a deep nerve in me. I had danced freely and without fear, at so many music festivals, it was beyond belief what I was seeing.   My love of dance will forever be colored by the tragic scenes playing out on the TV screen… I was contorted, frozen in that moment, unable to move, let alone dance.

 All I could do was pray…

In a career spanning over four decades, Kavita Ezekiel Mendonca has taught English in Indian colleges, AP English in an International School nestled in the foothills of the Himalayan mountains in India, and French and Spanish in private schools in Canada. Her poems are featured in various journals and anthologies, including the Sahitya Akademi Journal Of Indian Literature, the three issues of the Yearbooks of Indian Poetry in English, Verse-Virtual, The Madras Courier, and the Lothlorien Poetry Journal, among others. Kavita has authored two collections of poetry, Family Sunday and Other Poems and Light of The Sabbath. Her poem ‘How To Light Up a Poem,’ was nominated for a Pushcart prize in 2020.  Her poems celebrate Bombay, the city of her birth, Nature, and her Bene Israel Indian Jewish heritage. She is the daughter of the late poet Nissim Ezekiel.  She currently resides in Calgary, Canada.

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June 24, 2024 · 6:22 am

Things I need to hear right now (after nine days in Jerusalem)

by Evonne Marzouk (Maryland)

Tell me

I’ll feel better

when my body heals

when jet lag subsides

tell me I’ll sleep normally

when the war ends

when the hostages return home

when my son comes back

and (please G-d) goes to college

as planned.

Tell me 

I’ll rise from this 

confusion and fear

this time 

of antisemitic attacks 

and biased reporting

that slam against me

unexpected

(but now, more expected)

flinching

every time I turn on the news

or walk by graffiti

in my neighborhood and my city

or pass the police car

guarding 

in front of my shul.

Tell me

I won’t need to fear

what I say

or what I wear,

where I go

or what comes next

that a time will come

when I’ll feel safe again

to be who I am.

Tell me

I’ll again wake 

in the morning

with prayers of gratitude

(and not fear)

and my mind will be clear

for possibilities

empowering others

healing our planet

and living our biggest dreams.

After

the war ends

and my body heals

and jet lag fades

and the world moves on

(although some will never

be able to move on)

tell me, please, 

we’ll use all this

darkness

to find clarity, 

to be a shining light,

to heal the world.

Tell me, please

(though right now

it feels impossible)

we will find a way

together

to create lasting peace.

Evonne Marzouk’s writings have appeared in Newsweek, the Jewish News Syndicate, JTA, RitualWell, the Washington Post, and The Wisdom Daily, and her novel, “The Prophetess,” came out in paperback edition last fall. To learn more about Evonne and her work, visit her website: https://www.evonnemarzouk.com

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June 10, 2024 · 7:30 am

The Scream of a Post-October 7th Jew

by Jessica Ursell (Campania, Italy)

in bed
cold beads 
of sweat 
catch me 
still in the snare
of my nightmare

back at the home
of my childhood
walking past 
the front door
realizing 
it wasn’t quite 
completely closed

I went to close it
on the other side
they were pushing 
screaming, shoving
with such force

struggling
I tried to push back 
but they were so many

coming for the Jew

spewing incoherent vitriol
their rhythmic battering
sounded the beat of
of an ancient hate

I tried to scream
for in my dream
my son was in the room
my brother used to have

but like my brother
my son‘s door was closed
with music playing
so he couldn’t hear
my strangled screams

dazed and in disbelief
inhuman strength surging
like those stories
of desperate mothers
lifting cars
off the helpless bodies 
of their children

I shoved the door closed
despite the heaving mob
pounding from outside
so hard to click 
that little lock closed

in suburban New York

Daughter of an immigrant Jewish mother from the foothills of the Himalayas and a South Bronx born Puerto Rican Jewish father, Jessica Ursell is a veteran JAG officer of the United States Air Force, poet, and public speaker against antisemitism and bigotry. The granddaughter of survivors of the Holocaust, Soviet gulags, and a descendant of a Taíno great-grandma, she understands in her bones what happens when intolerance, indifference, and ignorance take root in society. 

Raised by scientist parents, Jessica’s early environment was steeped in an atmosphere where questions were welcomed and asking “why not” was encouraged. Jessica lives with her husband in Southern Italy where she writes essays and poetry addressing the complex interplay between trauma, power, love, loss, and madness. 

Her essays, “At the Country Club with Superman,” “Standing Up for the Voiceless: My Fight with Royalty in Anne Frank’s House,” and “What My Zayda Taught Me About Tikkun Olam“ were published by The Jewish Writing Project in July 2022, October 2022, and January 2024 respectively. Jessica‘s poems, “Sedimented Rock” and “Climbing Vesuvius in Stilettos,” were published by Writing In A Woman’s Voice in November 2023 and May 2024. Jessica’s poem, “A Still-Life Collage of Lost Objects,” appears in the February 2024 print issue of Down in the Dirt magazine as well as online (v. 216 Scars Publications). Multiple military audiences, most recently the United States Navy, Sixth Fleet, have heard Jessica speak about the importance of never being a bystander to evil which she believes is the fundamental lesson of the Holocaust.

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May 27, 2024 · 7:30 am

First Snow

by Susan Michele Coronel (New York, NY)

It’s mid-January, nearly a month after Hanukkah 

ends, when I notice the first appearance 

of white flakes in 700 days. I celebrate 

the return of predictable winter joy, when ice 

slicks sidewalks, & fluffy blankets shroud 

windshields, press their weight into branches. 

I scrape my van after a spot of freezing rain, 

loosen snow & ice from door handles 

before temperatures plunge into the teens. 

On Facebook, I skim photos of my daughter’s 

campus, where kids haul cardboard rectangles 

up scenic slopes, clock tower behind, dots 

of city lights below. It’s the same campus where 

a professor said he found the Hamas attack 

in Israel “energizing” and “exhilarating.”

A British friend reports snow’s arrival with

photos on WhatsApp, streetlamps casting

a ghostly glow over parked cars & hedges.

He says he just checked on his sister,

who has poor balance due to cerebral palsy.

On my side of the world, darkness advances.

Trump wins the Iowa caucus without a sneeze.

The night before, I watch a documentary about

a 93-year-old Holocaust survivor visiting

Warsaw with her adult son. She recalls how

Jewish policemen beat ghetto Jews with clubs

to get them onto trains—if successful, they’d

spare their own lives. They wore the same

boots as Nazis, crisp black against the snow.

Outside my window, flake by flake, snow

tapers & stops. A few neighbors continue to

shovel or salt walkways. Maybe a few–

like me–look outside & gape in wonder

at a lavender sky that sheds white sparkles

over our ordinary lives. We are like candles, 

gazing through curtains at the ever present dark.

Susan Michele Coronel lives in New York City. She has received two Pushcart nominations and won the 2023 Massachusetts Poetry Festival First Poem Contest.  Her poems have appeared in publications including Spillway 29, Plainsongs, Redivider, and Fourteen Hills. In 2021 her full-length manuscript was a finalist for Harbor Editions’ Laureate Prize, and in 2023 another version of the manuscript was longlisted for the 42 Miles Press Poetry Award.

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February 12, 2024 · 7:30 am

Waiting for the cracks to fill

By Molly Ritvo (Burlington, VT)

I’ve noticed so much pain in the past months since October 7–that terrible, terrible date.

It was a date when hope was shattered.

When my sense of safety in the world suddenly caved open.

When hate for Jews bubbled to the surface.

Recently, at Target, my mom said I shouldn’t buy a Hanukkah-themed dress for my daughter. 

I’ve read so many social media posts about pro-Palestinian rallies and cries for stopping aid to Israel. 

There is so much vitriol directed at Israel.

The recent city council meeting in Burlington after a Palestinian man was shot was so painful to witness. 

Many DEI emails I have subscribed to over the years have been sharing anti-Zionist messages.

So many writers who I admire are sharing messages that don’t mention the hostages. Just the blame on Israel.

They all sting. They all hurt. Like a gut punch.

My cousin (who I adore) is part of a progressive Jewish group that is actively anti-Zionist. 

The ADL said this group is antisemitic.

It feels as if these words are losing some meaning. 

I stopped going on Instagram because all I saw were anti-Israel sentiments. Some say that anti-Zionist isn’t antisemitic. But they still hurt just the same.

After visiting Yad Vashem for the first time after college, I remember seeing the window at the end of the museum looking out into Israel and thinking: It’s a hope. A blessing. A refuge.

Is it still?

I have heard from Israelis that they feel more connected to other Israelis now. Maybe that’s a trauma response. 

In America, it’s not the case. There are more sides and splits than ever.

Left. Right. Pro. Anti. Blue flags. Red flags. What are they all doing to us? Scarves. Stars.

So far my daughter doesn’t know there is a war or that being Jewish means knowing that antisemitism exists.

Someday I will have to tell her.

Someday I will have to tell her that being Jewish means carrying trauma in our bodies. 

Someday she will sit in a class and learn about the Holocaust and she will feel anguish and I won’t be able to stop it.

I wish I could say that I feel optimistic and hopeful about a two-state solution.

I don’t.

I wish I could say that Israel wasn’t harming innocent lives. 

It is.

I wish I could say that terrorists don’t exist. They do. They definitely do. They’ve left wounds and raw despair and death in their footsteps.

I wish I could say things will get better soon. 

I am afraid they can’t. 

Too many lives have been lost. 

Too many young people danced in nature at a concert that turned into a nightmare.

My synagogue hired additional security recently. They carry additional weapons now.

The Israelis I know are committed to peace work.

It feels that the American Jewish community is so torn apart.

We are all so tired and wary.

In these cold Vermont winter nights I wonder how we find that still, small light inside of us that doesn’t flicker out.

Where do we find that still, small part that somehow has hope despite the messages telling us over and over again that we’re wrong?

I had a thought one day that maybe we did something wrong, for just living.

And then I realized that is what the terrorists want. For us to not have the right to live.

We do have the right to live.

Diaspora Jews have a right to live. Israel has a right to live.

There’s a split at my home synagogue. There’s a split everywhere, with cracks growing wider and wider. 

I worry that my daughter will someday ask about the war that started when she was in kindergarten, when she liked chocolate ice cream and crispy wafers and playing in the snow and going to the library after school on Wednesdays.

I worry that I will need to tell her that it was just the beginning. I worry that I will need to tell her that the cracks kept widening until we found the courage to fill them with small ounces of hope. 

Molly Ritvo is a writer and author living in Burlington, VT. She has been writing for her whole life, beginning when she was selected as the class poet in the 1st grade. Her work has been published by Upstreet Literary Magazine, Tiny Buddha, Elephant Journal, Mother.ly, PJ Library, At the Well, and more.  She holds a BA from Tufts University and an MFA in Creative Writing from Emerson College. Molly has worked as a freelance writer, a communications specialist for many different organizations, and a journalist. She is currently writing her debut novel, a collection of poetry, and working as a communications’ consultant and grant writer. Her most important role is being a mom to her daughter, Jimi. Find out more about Molly and read more of her writing at mollyritvo.com.

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January 22, 2024 · 7:30 am

I am the wound

by Haviva Ner-david (Galilee, Israel)

I am the wound. I am wounded. Forever. 

I am the crying child, the one who wants to scream and scream and scream. Why is the world this way? Why so much destruction and hate? Why so much killing? 

I am the children, looking at the destruction adults created. Aren’t they supposed to protect us?

I am the teddy bear, sitting alone. Abandoned. My child gone. Where is she?

We are the guards. The shields. We want to protect our children. But we are useless against the enormity of the danger.

I am the wounded player. We are all players in the game the politicians are playing with us. Wounded, hurt, screaming in pain on the ground. 

I am the shattered window. I was once clear. The world looked clearer through me. Now I am broken, shattered into pieces. Although maybe only part of me. Are there still pieces not shattered? 

I am the wounded knee. Will I ever feel whole again? Will I ever be healed? What will it take? Will I ever stop hurting?

We are the healers. We’ve come with a bandage, to protect the wound. But we cannot fix it. There will always be scars. 

I am the fist, hitting the wall. Frustration. Anger. Let it all out. 

I am the pirate, the enemy. Or am I the victim? I, too, am wounded, missing my hand. But I will move on, move forward. Wounded but not defeated. Life is still worth living.

Where does it hurt? All over. When I apply pressure, it hurts. 

Where is the hope? I am looking for the hope. Searching everywhere.

Don’t worry. I am here. You found me. It will be okay.

A note from Haviva Ner-David on writing these words: 

For my Soulwork course for Ritualwell, we explored four different “soul modalities,” one each session. On the first night, we did Soul Image Collage. Each person in the class made a collage.

A profound occurrence happened when I was creating mine. I chose my images (part of the process), pasted them onto the page to create the collage, and then I looked at the collage. 

It looked so painful, hopeless, despairing — which was not surprising considering that I am living in the midst of a brutal war. But there was only pain; I could have sworn I had chosen a hopeful image or two. 

I looked on the floor, the couch, my desk, but I found nothing. 

Just when I was about to give up, I stood and noticed a clipping that had fallen between the couch and the desk. I picked it up, turned it over, and it said (in Hebrew): “Don’t worry. It will be okay.” 

Yes, I had clipped those words from a kids’ magazine when I had done my image selecting. Wow!

I pasted the missing clipping onto the collage and wrote the words that appear above. (The prompt was, “I am the one who…”)

Here is Haviva’s collage:

—

Haviva Ner-David is a writer and rabbi. She is the founding rabbinic director of Shmaya: A Mikveh for Mind, Body, and Soul on Kibbutz Hannaton, in the Galilee, where she lives. She is a spiritual companion with a specialty in dreamwork and other Gestalt modalities (such as soul image collage, inner child work, and nature soul work) who companions a variety of clients of different ages and faith traditions, including (but not only) many rabbis and rabbinical students. She is the author of three spiritual journey memoirs, two novels, and one children’s book (with another soon to be published) — the only children’s book about mikveh. Haviva is also an activist, focused mainly on building a shared society of partnership between Jewish and Palestinian Israelis. She was born with a degenerative form of muscular dystrophy (FSHD), which has been one of her biggest life challenges and teachers, and together with her life partner, Jacob, parents seven children (one adopted and six biological). You can visit her website for more information about her work and books: https://rabbihaviva.com/

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October 30, 2023 · 7:30 am

The Last Lullaby

by Lesléa Newman (Massachusetts)

                                    (October 7, 2023)

Never again the sound of their laughter,

Never again the sound of their cry.

Never again the sight of their smiles,

Never again the sight of their eyes.

Their tiny starfish hands—gone.

The small stones of their toes—gone.

Never again their shrieks of terror,

Never again their shrieks of joy.

Never again to play peek-a-boo,

Never again to say, I see you.

Their milk-white baby teeth—gone.

Their desert-smooth dimpled cheeks—gone.

We didn’t know it would be their last supper,

The last sip of soup, the last slice of bread.

We didn’t know it would be their last bath time,

The last soaping up, the last rinsing off.

The last lifting of arms to slip into pajamas,

The last carefully chosen story to read.

Never again their warm weight on our laps,

Never again their quick hop into bed.

The last tucking in, the last goodnight kiss,

The last lullaby, the last shutting the light.

Gone….the last….never again.

We didn’t know. We didn’t know.

Lesléa Newman has created 85 books for readers of all ages including the dual memoir-in-verse, I Carry My Mother and I Wish My Father and the children’s books, Gittel’s Journey: An Ellis Island Story, The Babka Sisters and Ketzel the Cat Who Composed. Her literary prizes include two National Jewish Book Awards and the Sydney Taylor Body-of-Work Award. Her newest book, Always Matt: A Tribute to Matthew Shepard, a fully illustrated book-length poem celebrating the life and legacy of Matthew Shepard, has just been published. For more information about Lesléa, visit her website:  www.lesleanewman.com .

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