Tag Archives: grandmothers

I Never Asked

by Natalie Zellat Dyen (Huntingdon Valley, PA )

My bubba taught me to knit European style, yarn on the left.
What hands had guided her hands,
Which now guided mine?
I never thanked her for that gift.
Or for filling empty jars with cinnamon cookies.
Al heit shehatanu. For the sin of ingratitude.

My bubba could have shared memories:
Of a long-ago village
Of lost traditions
Of melodies sung by her father, the cantor
Who passed on the gift of his voice
Before dying on the passage from old world to new.
But I never asked her to sing those songs.
Al heit shehetanu. For the sin of not asking.

So I must speak for her.
“I remember my own grandmother,” she would have said,
“And you will probably live to see your own grandchildren.
So right now, between the two of us, we share two-hundred years of history.”
And if I had looked into her eyes,
I might have seen her great-grandparents, her great-great-grandparents,
And all who came before.
But I never looked.
Al heit shehetanu. For the sin of turning our backs on the past.

Natalie Zellat Dyen is a freelance writer and photographer living in Huntingdon Valley, PA. Her work has appeared in The Willow Review, Global Woman Magazine, Intercom Magazine, The Philadelphia Inquirer, and other newspapers and journals. Links to Natalie’s published work are available at www.nataliewrites.com.

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My Grandmother’s Kitchen

By Ferida Wolff (Cherry Hill, NJ)

My grandmother’s kitchen smelled of
allspice and cloves,
hot frying oil,
pungent sour salad
all mixed up with summer heat
and years of family dinners.

Give me the recipes,
Grandma, I begged
as I sniffed at the pots
on the old-fashioned stove.
She smiled her Mona Lisa smile
and told me to take
a glass of this,
a soup-plate of that,
mix it and fry it
and there it is;
no magic about
the nose teasing smells,
the tongue pleasing tastes.

But when I tried it
somehow mine wasn’t the same.
Perhaps my soup-plate
was too big or
too small.
The pinch of salt
she neglected to mention
made a difference
though not enough –
something was missing.
When I asked her why
she shrugged with innocence.

It took me years to discover
that the food she cooked
was her gift to us,
our inheritance,
her life reflected
in the shimmering oil
of the frying pan.

Ferida Wolff’s work has appeared in The New York Times, The Philadelphia Inquirer, Moment Magazine, Midstream, Horizons, and Woman’s World, among other periodicals. An author of seventeen books for children and three essay books for adults, she has also contributed stories to the Chicken Soup for the Soul series and HCI’s Ultimate series, as well as online at www.grandparents.com and as a columnist for www.seniorwomen.com. You can visit her website for more information: www.feridawolff.com or her blog at http://feridasbackyard.blogspot.com/

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Remembering Who I Am

By Monica Rozenfeld (New York, NY)

“It’s Friday! It’s Friday!” my grandmother screamed in distress after Mom turned off the lights in the bedroom. “It’s Friday!”

I was sitting there, witness to the mayhem, not understanding why turning off the lights had anything to do with it being Friday.

I thought that my grandmother had hit some sort of syndrome in her old age.

It was several years later when I fully understood that the only syndrome she had hit was nostalgia for a tradition her family no longer kept.

My family is from Russia, now the Ukraine, where it’s no secret that religious practice was not allowed during my grandmother’s youth. Religious schools were closed, and anyone discovered practicing Judaism was punished harshly.

So, my parents did not have an example of Jewish practice to pass down to me.

The secrets of Judaism had been hidden. Only my great grandparents knew them well: Shabbos, holidays, rituals, Hebrew, and history.

I was an oblivious Jew.

But when I started learning about Judaism in college, the pieces started to fit together.

Friday wasn’t just Friday; it was Shabbos. My grandmother knew the word, but was afraid to say it. So “Friday” became her secret code.

Little by little, I unraveled the pieces of my grandmother’s hidden Jewish life.

Her hatred for traveling on Saturday. Her refusal to cook after sundown on Friday. It all began to make sense.

“Oh, my father loved the holidays,” she would tell me in her beautiful Russian accent. “He celebrated every single one.”

Every single one, and I knew nothing of Purim, Shavout, or even Shabbos.

But after she related these kind memories, my grandmother would share little else with me. She was still afraid of the consequences.

“I’m not sure I am allowed to tell you,” she would say to many of my questions.

I’m not sure her fears ever subsided.

During the Holocaust, my mother once told me, she was just one gunshot away from the end of her life.

If that gun had gone off, my mother would never have come into the world, and I, of course, wouldn’t be here.

Before the gun was fired, though, a Russian soldier, speaking in perfect German, demanded the Nazi put down his gun and leave, and he did.

And my grandmother hadn’t forgotten G-d since that day.

So how did I start learning about Judaism?

The truth is, I always had sparks of G-d in me.

I always talked to G-d, and I always felt I walked with G-d.

But I didn’t know it was a “Jewish” G-d that I believed in until I took a Torah class in college. The speaker–a rabbi–said, “You only fall when you forget who you are.”

I was awe-struck, glued to this sentence: I only fall when I forget who I am. I only fall when.. I forget who I am?

Who was I?

The only solid answer that I came up with was: I’m Jewish.

And that visceral response led me on a Jewish path to finding my existence in this awakened identity.

Since then, I’ve become even more curious and engaged and excited to learn.

I want to know everything that I can about Judaism and what Judaism has to do with me. And I want to know how to thank Judaism for the very existence of me.

I just want to know.

Judaism has become more than an identity, a culture, a spiritual retreat. It has become my world.

And as I continue to learn about Jewish history – from our exile to slavery to the gun pointed at my grandmother – I find myself in awe that I am here, today, and, here, Jewishly.

I guess it’s true that we all go on our own soul-search trying to find out who we are and where we belong. I’m sure there have been many times I have been tested, forced to question who I am. But it was when I discovered, maybe rediscovered, all these things my soul already knew, that I figured it out.

Being Jewish is the most unshakable thing about me and what connects me to my past, and hopefully to my future.

Monica Rozenfeld currently works at a Jewish education-non profit and is the founder of TheJewSpot (http://thejewspot.org/). She owes many thanks to Maimonides, a fellowship program she participated in during college, which opened up the doors to her Jewish soul and is the reason she is engaged in Judaism today.

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The Gray Hairpin

by Linda Albert (Longboat Key, FL)

Granny, who was my mother’s mother, stayed with us every year when the High Holidays rolled around because we lived within walking distance of a synagogue, and, as a traditional Jew, she would not drive on the holiest days of the year. Each time she came to visit, I had to share my bedroom with her.

Her name was Rose Bennett. Born in Russia, she had come to Detroit, Michigan when she was eighteen to marry Louis Solovich, the brother of her sister’s husband. The two families lived next door to each other. Her sister had ten children; Granny had six. Along with Granny’s other sisters and brothers and their progeny, I used to think I was related to the entire city.

As a young girl I pretended to be asleep while Granny prepared for bed and would peek as she undressed, releasing her pendulous breasts from the confines of her corset and undoing the pins from the bun in her snow white hair. As interesting as these observations were, however, they didn’t make up for the loss of privacy I felt forced to endure. And the stray gray hairpins that remained scattered on my dresser after she left were an irritating reminder of that sacrifice.

Whenever Granny was with us, she took it upon herself to try to get the snarls out of my hair, which was blond and a feature my strong-minded mother called my “crowning glory.” Despite my complaints, I was not allowed a haircut from the ages of three to twelve. Instead, I wore my hair, which otherwise would have hung down to my waist, in fat, ugly, and unfashionable braids. Not only did I hate those braids, but I despised the unpleasant pinches on the cheek that they prompted and the comparisons to “pretty little Dutch girls.”

In an attempt to distract me from the pain of the hairbrush working through my knotted hair, Granny tried to tell me stories about the Old Country. But I whined and carried on so much she was never able to get to an ending. How was I to know until years later that Granny had collected rain water to wash her own hair? In her own gentle way, she had tried to teach me to take pride in myself and value my gifts.

When I turned twelve, my oldest cousin Ginny convinced my mother to allow me to have my hair cut short. Without my braids and those awful snarls, Granny’s reason for story-telling stopped. It never occurred to me to ask her to finish her stories. I simply assumed she would be around forever and I could hear them later.

My mother used to say that while Granny kept kosher, at least she wasn’t “crazy kosher,” and didn’t inflict her ways on her children, all of whom became Reform or liberal in the practice of religion. When she was with us, Granny performed her rituals in quiet corners, lighting Sabbath and holiday candles while we went about our worldly ways unaware of the richness we might be missing. And every year I continued to share my room with her, finding forgotten gray hairpins on my dresser as reassuringly annoying souvenirs of her visits.

These visits came to a jolting halt for me when I was a sixteen years old. Though she had looked like an old lady from an early age with her white hair and flowered dresses, her corsets and matronly bosom, and her old-lady tie-shoes with the thick black heels, Granny suffered from nothing more than hypertension and arthritis, and otherwise had the energy of a girl. Yet one night, in her seventy-second year, she announced to my aunt and uncle, with whom she lived, that she didn’t feel well, lay down on her bed, closed her eyes, and quietly died.

I was devastated. The minute I heard Granny was gone, I knew I had thrown away a priceless opportunity to understand my grandmother and to know more about my heritage. What was it like for Granny to have come to America when she was only eighteen to marry a stranger? How did she manage when she was left a widow with six children? (My mother, the youngest of six, was only eight month’s old.) How far did Uncle Max, the only boy in a fatherless household, actually get when he ran away from his home in Detroit to find his grandfather in Russia? Was he punished or hugged when he was finally found? Why didn’t anyone talk about Grandpa Louis, the handsome man in the picture and the hinted at “brains of the family”? And why did she stick to her traditional ways? Nobody but Granny could really answer those questions, and now it was too late for me to ask them.

The minute it was too late, I knew how much love and patience Granny had bestowed upon me, despite my lack of deservedness. I knew then with painful clarity that Granny would always be one of my greatest teachers, not only by her example as a woman who had taken the challenges of life with grace, but by the lesson of her death. I promised myself that I would never again take anyone or any situation quite so for granted. I would ever after be instructed by the inevitability of endings in life.

For years I regretted my failings in relation to Granny. I found my heart warmed by anyone who pronounced my name with a foreign lilt. I gravitated to other people’s stories. And then in a writing class twenty years after her death, I wrote about Granny in a character sketch, starting and ending with the memory of those gray hair pins, how real they remained to me, how much I still loved my very special grandmother, and how much I would have liked to thank her.

I read the piece later to a group of other writers. Just as I got to the last line in which I said I hadn’t seen a gray hairpin in twenty years, the woman sitting next to me spied something on the floor and leaned down to pick it up. Incredibly, it was a gray hairpin.

Ever since then I like to think that I have redeemed myself in Granny eyes and have been forgiven.

Linda Albert’s essays, articles, creative non-fiction, and poems have appeared in many publications, including McCall’s Magazine, The Wall Street Journal, Sacred Journey, Today’s Caregiver Magazine, Itineraries, and the Borderline and SNReview Literary Journals. She lives on Longboat Key, Florida with her husband. You can visit her on-line at http://snreview.org/ (autumn 2008, poetry section) or at her website http://www.lindaalbert.net/

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From Fancy Rosie’s Needle

By Ferida Wolff (Cherry Hill, NJ)

Grandma Rose lived with us when I was a kid.

She wasn’t a chatty sort of person, but she did tell my sister and me stories. Often they were cautionary tales.

I particularly remember the “Don’t run with…” story. It could be don’t run with a pencil, or don’t run with a fork in your hand, but usually a pair of scissors prompted it.

“Don’t run with scissors,” Grandma Rose would say, and a story would begin.

“When I was your age in the old country, we didn’t have anything. We had only the clothes on our backs and a little bit of food, if we were lucky.”

Grandma Rose’s stories always began that way (and I always had a lot of trouble imagining her as my age).

“One day,” she’d continue, “a neighbor’s boy found a pair of scissors in the road. Now this boy would never listen to what was good for him. If his mother said, ‘Chew slowly or you’ll choke,’ he gobbled and ended up with hiccups. But that’s another story.

“Well, he was so excited to show the scissors to his parents that he ran home. On the way, he tripped and poked out his eye. So, you listen and don’t run.”

I listened. (I didn’t want my eye poked out.) But I was more interested in how the magical scissors or pencil or fork should suddenly appear in a village that had nothing.

So I would ask Grandma Rose questions about the old country and the people she knew, the family members I would never meet, the pre-electrical and pre-plumbing days in a country I would probably never see.

Grandma Rose would sip from her glass of tea, the spoon anchored by her index finger, and tell me about growing up on the outskirts of Vienna and about her life as a fifteen-year-old immigrant in New York City, where she worked as a seamstress.

Her co-workers called her Fancy Rosie because she made beautiful blouses from the scraps of material on the factory floor.

It was hard for me to picture her as Fancy Rosie. All I ever saw her wear was an apron over a housedress, her head wrapped in a babushka.

Years later, when I had my own children, I started asking my mother questions that would help me understand the genetic traits inherited in our family.

She told me stories where Grandma Rose had left off…of growing up in the Great Depression and of the World Wars.

Through my mother’s eyes I saw a different picture of my grandmother.

And as my children grew, they asked me the same kinds of questions that I had asked Grandma Rose.

I told them about growing up in a neighborhood equally divided between Jewish and Italian families.

I hummed the rhythms that I heard at my Sephardic grandparents’ table on Pesach and on long Shabbat afternoons.

Showing my children ancient and faded photographs, I introduced them to relatives who had passed away before I was born and to those who had played with them when they were too young to remember.

Now I am a grandmother.

My daughter is already telling her son stories–one generation passing along the family lore to the next.

And I find comfort in having a past, fitting in somewhere, being part of the unbroken thread from Fancy Rosie’s needle.

Ferida Wolff’s essays appear in newspapers, magazines, and online at www.grandparents.com and www.seniorwomen.com. A frequent contributor to the Chicken Soup for the Soul series, she has written 17 books for children, including her latest picture book, The Story Blanket (Peachtree Publishers 2008). You can visit her website: www.feridawolff.com.

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