Tag Archives: childhood

The Gray Hairpin

by Linda Albert (Longboat Key, FL)

Granny, who was my mother’s mother, stayed with us every year when the High Holidays rolled around because we lived within walking distance of a synagogue, and, as a traditional Jew, she would not drive on the holiest days of the year. Each time she came to visit, I had to share my bedroom with her.

Her name was Rose Bennett. Born in Russia, she had come to Detroit, Michigan when she was eighteen to marry Louis Solovich, the brother of her sister’s husband. The two families lived next door to each other. Her sister had ten children; Granny had six. Along with Granny’s other sisters and brothers and their progeny, I used to think I was related to the entire city.

As a young girl I pretended to be asleep while Granny prepared for bed and would peek as she undressed, releasing her pendulous breasts from the confines of her corset and undoing the pins from the bun in her snow white hair. As interesting as these observations were, however, they didn’t make up for the loss of privacy I felt forced to endure. And the stray gray hairpins that remained scattered on my dresser after she left were an irritating reminder of that sacrifice.

Whenever Granny was with us, she took it upon herself to try to get the snarls out of my hair, which was blond and a feature my strong-minded mother called my “crowning glory.” Despite my complaints, I was not allowed a haircut from the ages of three to twelve. Instead, I wore my hair, which otherwise would have hung down to my waist, in fat, ugly, and unfashionable braids. Not only did I hate those braids, but I despised the unpleasant pinches on the cheek that they prompted and the comparisons to “pretty little Dutch girls.”

In an attempt to distract me from the pain of the hairbrush working through my knotted hair, Granny tried to tell me stories about the Old Country. But I whined and carried on so much she was never able to get to an ending. How was I to know until years later that Granny had collected rain water to wash her own hair? In her own gentle way, she had tried to teach me to take pride in myself and value my gifts.

When I turned twelve, my oldest cousin Ginny convinced my mother to allow me to have my hair cut short. Without my braids and those awful snarls, Granny’s reason for story-telling stopped. It never occurred to me to ask her to finish her stories. I simply assumed she would be around forever and I could hear them later.

My mother used to say that while Granny kept kosher, at least she wasn’t “crazy kosher,” and didn’t inflict her ways on her children, all of whom became Reform or liberal in the practice of religion. When she was with us, Granny performed her rituals in quiet corners, lighting Sabbath and holiday candles while we went about our worldly ways unaware of the richness we might be missing. And every year I continued to share my room with her, finding forgotten gray hairpins on my dresser as reassuringly annoying souvenirs of her visits.

These visits came to a jolting halt for me when I was a sixteen years old. Though she had looked like an old lady from an early age with her white hair and flowered dresses, her corsets and matronly bosom, and her old-lady tie-shoes with the thick black heels, Granny suffered from nothing more than hypertension and arthritis, and otherwise had the energy of a girl. Yet one night, in her seventy-second year, she announced to my aunt and uncle, with whom she lived, that she didn’t feel well, lay down on her bed, closed her eyes, and quietly died.

I was devastated. The minute I heard Granny was gone, I knew I had thrown away a priceless opportunity to understand my grandmother and to know more about my heritage. What was it like for Granny to have come to America when she was only eighteen to marry a stranger? How did she manage when she was left a widow with six children? (My mother, the youngest of six, was only eight month’s old.) How far did Uncle Max, the only boy in a fatherless household, actually get when he ran away from his home in Detroit to find his grandfather in Russia? Was he punished or hugged when he was finally found? Why didn’t anyone talk about Grandpa Louis, the handsome man in the picture and the hinted at “brains of the family”? And why did she stick to her traditional ways? Nobody but Granny could really answer those questions, and now it was too late for me to ask them.

The minute it was too late, I knew how much love and patience Granny had bestowed upon me, despite my lack of deservedness. I knew then with painful clarity that Granny would always be one of my greatest teachers, not only by her example as a woman who had taken the challenges of life with grace, but by the lesson of her death. I promised myself that I would never again take anyone or any situation quite so for granted. I would ever after be instructed by the inevitability of endings in life.

For years I regretted my failings in relation to Granny. I found my heart warmed by anyone who pronounced my name with a foreign lilt. I gravitated to other people’s stories. And then in a writing class twenty years after her death, I wrote about Granny in a character sketch, starting and ending with the memory of those gray hair pins, how real they remained to me, how much I still loved my very special grandmother, and how much I would have liked to thank her.

I read the piece later to a group of other writers. Just as I got to the last line in which I said I hadn’t seen a gray hairpin in twenty years, the woman sitting next to me spied something on the floor and leaned down to pick it up. Incredibly, it was a gray hairpin.

Ever since then I like to think that I have redeemed myself in Granny eyes and have been forgiven.

Linda Albert’s essays, articles, creative non-fiction, and poems have appeared in many publications, including McCall’s Magazine, The Wall Street Journal, Sacred Journey, Today’s Caregiver Magazine, Itineraries, and the Borderline and SNReview Literary Journals. She lives on Longboat Key, Florida with her husband. You can visit her on-line at http://snreview.org/ (autumn 2008, poetry section) or at her website http://www.lindaalbert.net/

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Finding A Place for Myself

by Charlotte Herman (Lincolnwood, IL)

Our apartment on Chicago’s West Side (also known as the “Great Vest Side”) in the 1940’s was where the relatives congregated.

The men sat in the front room smoking cigarettes, and the women drank tea in the dining room. The older ones drank from glasses and sipped the tea through sugar cubes held between their teeth. The younger, more “modern” ones drank from teacups and used spoons to stir in sugar from the sugar bowl.

All the relatives spoke Yiddish, or English with Yiddish accents. I would go from room to room trying to find a place for myself. A place where I belonged.

I sat with the women, watching and listening. My grandmother and older aunts always wore flowered housedresses, thick black shoes, and elastic stockings to cover up their varicose veins. I listened to their conversations and studied the way they dressed.

And I worried.

When I grow old will I suddenly start speaking with a Yiddish accent? Will I have to wear flowered housedresses and elastic stockings and thick black shoes?

I couldn’t bear the thought. So off I’d go into the smoke-filled front room where I watched and listened some more.

The men spoke about business, the war, and President Roosevelt and whether or not he was “good for the Jews.” And while they were trying to settle the problems of the world, they took turns pinching my cheeks. I’d rub my cheeks and go back to sit with the women. And worry.

During Rosh Hashana and Yom Kippur, the relatives went to Anshe Kanesses Israel Congregation (aka the “Russische shul”) on Douglas Boulevard. The men sat downstairs, and the women were up in the balcony. Here, too, I tried to find a place where I belonged.

Up and down the stairs I’d go, from one section to the other.

I sat with my mother in the ladies’ section, fascinated by their hats, with feathers and flowers and G-d knows what growing out of them.

Then I’d go down to sit with my father who’d wrap his tallis around me and I’d braid the fringes. When I grew tired of sitting with the men, it was time to climb up the stairs again to be with the women.

On Passover the relatives crowded together in the dining room for the Seder. My mother always presented a beautiful table, and my grandmother would exclaim her approval with “Hoo ha.”

Gefilte fish. “Hoo ha.”

Chicken soup and knaidlach.. “Hoo ha.”

Chopped liver. “Hoo ha.”

Being the youngest, I sang the Four Questions, using the latest melody I’d learned at Hebrew school. And I was the one who would open the door to invite Elijah the Prophet to come in and drink from his special cup of wine.

How excited I was when I ran back to the table and looked inside the cup. Elijah had taken a sip!

One night I discovered why I was given the honor of opening the door. Standing there at the doorway, out of the corner of my eye, I spotted my father pouring some wine out of the special cup. It was my father who was Elijah. I never told anyone that I caught on. And when my children were growing up, we played that same game, with my husband becoming Elijah.

Many years have passed since those days in the old neighborhood. My mother and father and most of the relatives are gone. But I can still see them. Still hear their voices.

I don’t speak with a Yiddish accent or wear flowered housedresses or elastic stockings or thick black shoes.

But when one of my daughters sets a lovely table, or a grandchild paints a pretty picture, I have been known to let out an occasional “Hoo ha.”

Charlotte Herman’s most recent children’s novel, My Chocolate Year, takes place in Chicago in the 1940’s — the setting of many of her books. You can visit her website at: www.charlotteherman.com

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